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Future Jazzers, notorious experimentalists and outfield eccentrics stumble onto the dancefloor. In the 90s. In the UK.

From an electronic music perspective, the period 1992 to 1996 in the UK that this compilation celebrates, was one of dizzying sonic diversification.

It was also a particularly turbulent time in the UK, not only politically and economically, but also culturally too. Economic catastrophe in ‘92 was followed by widespread poverty, a cost of living crisis and countless political scandals. Meanwhile, John Major’s Tory government pandered to its political base via unpleasant, authoritarian legislation that seemingly sought to crush rave culture, alternative lifestyles, and traveller communities. The UK was not so much a ‘Happy Land’ – to quote the name of this compilation – as an angry and divided one. Sounds familiar, doesn’t it?

Throughout, the music created by producers based across these Isles remained uniquely British, speeding up a process begun in the late 1980s through the emergence of street soul, bleep & bass and breakbeat hardcore – musical styles whose roots in multicultural inner-city communities made them distinctly different from the Black American sounds that had inspired their creators. It was here, rather than in the indie pubs of Camden, that real musical revolutions were taking place.

This deep diving selection brings together some truly adventurous and original electronic music from this period, much of it very hard to find. Major label outings connect with white label oddities with ease. Perhaps it could even be argued that many of these unearthed gems fit more easily into DJ sets in 2023 than they ever did at the time. The off-kilter swing of Richard D James’ obscure and highly sought after Strider B outing, ‘Bradley’s Robot’ is joined by further rare cuts from Cabaret Voltaire and the Black Dog, and artists as diverse as Ultramarine, Herbert, Fretless AZM, and Radioactive Lamb, amongst others.

This collection has been lovingly selected, compiled and mastered for maximum sonic playback. This very special release boasts sublime pastoral themed artwork, as well as informative and passionate liner notes by celebrated music scribe Matt Anniss (‘Join The Future’).

DJ Support
Nathan Micay, Madam X, Ben UFO, Extrawelt, Answer Code Request, Mosca, Foul Play, Crazy P (Hot Toddy), Lauer, Ben Sims, Om Unit, Martyn Bootyspoon, hrdvsion, Nick Craddock, Kikelomo, Laurent Garnier, Carl Craig, Addison Groove, My Nu Leng, Anja Schneider, Ame, Kassian, Orde Meikle (Slam), Richie Hawtin, DJ Autumn (Banoffee Pies), Henry Greenleaf, Rhyw, Fault Lines, Bake, Sly-One, Mak & Pasteman, Littlefoot + more

A warm rain in August, the cool feeling of soft ice cream on the lips, golden light and tender smiles. The sweet scent of strawberries, people laughing in the backyard and autumn is already in the air. This is how the music of Bionda e Lupo feels. Joy and melancholy, warmth and goosebumps – that is “La Deutsche Vita”.

Six summers – ten songs for the double album by the Berlin couple. Lively German lyrics allowing us to immerse ourselves in the world of Gertalo, as we surf on synths in the New German Wave and refresh ourselves with a splash of cheeky Schlager pop.

The private pressing, only available on heavy vinyl, enchants with its lavish presentation. In the colorful gatefold, with a huge sticker, you will not only discover artistically designed inner sleeves with all of the lyrics, but also a greeting card and a secret little surprise.

Limited to 300 copies, “La Deutsche Vita” is sinfully sweet seduction for lovers and fetishists of the black gold. Hmm … delicious!

New imprint Sweet Notes begins its story with the french duo QR Code for their very first release!

‘Mindless Dance’ is a catchy tune with a deep seductive laidback atmosphere overhung by a pumping house beat to keep the audience sexy.
‘Nixie’s Trap’ takes the pressure up a notch with class, its deep tones and regular twists are sure to keep any dance floor hot at any time.

On the B-side, IDL, half of the duo, takes the controls with even different flavors to spice up this EP. Breaking the rhythm, ‘Spacetime’ shakes the heads and mixes the emotions by alternating between mellowness and energy.
Finally ‘Day 55’ closes this first chapter with a deep and mysterious approach. Screaming acid and soft pads that will make you close your eyes and dive into intense reflections.

As a standout and highly requested track in Maceo Plex sets over the last year, his Ellum Audio label finally releases Raxon's 'The Cage of Love,' an epic cover of trance classic 'Age of Love'.

The original 'Age of Love' is a genre and era-defining tune. Despite its legendary status, Raxon is an artist who is more than up to the challenge of reinterpreting it for contemporary dance floors. The Egyptian-born, Barcelona-based artist is an underground mainstay with a fantastic album on Kompakt, top singles on Ellum Audio and Cocoon Recordings and gigs all over the world. He has teased this track at many of them, and it has never failed to light up the dance floor.

'The Cage Of Love' has an all-new techno feel with a taught bassline and slapping drum funk. The lead synths are molten and futuristic, while the original's vocal adds the iconic hook. The track builds in layers, teasing and then pleasing when it finally drops as the dance floor explodes and the laser-like synths spray about the mix with a life of their own.

The vinyl comes with extended and instrumental mixes, while digital downloads include the radio edit and extended mixes.

This is a new high point for Raxon and a bona fide classic in the making from Ellum Audio.

Real post-punk from Cincinnati, Usa. Recently featured in the Netflix "Elite" series, this record is a must-have for all the lovers of the old raw d.i.y. synthpunk sound.

BOOTMASTERS strikes back! Nach erfolgreichen Produktionen/Remixen und diversen Dance-/DJ Chartplatzierungen (USA, Germany, Holland, Schweiz, Frankreich, Austria...),sind Da Clubbmaster & Track5 aka BOOTMASTERS wieder mit einer mega House-Bombe und top Remixen am Start

Pierre Marty and Rudi dig deep into a lifetime friendship to pull out a fresh four-tracker for Berlin label, Phonik.

Repress (2023)

After a small break and the success of 1st EP, the moroccan label Casa Voyager returns with 4 electro tracks from Kosh to feed you data fantasies. The casablanca based producer delivers a very efficient debut release. Death or serious injury could occur if ear comes in contact with this music. All tracks written and produced by Youssef Benjelloun. Mastered by Jose Rico at Downbeat studios.

Like meeting an old friend again, Dalmata Daniel welcomes DJ Overdose back to their catalog. Six years ago the infamous Dutchman's '05 Poly 800 Loop' EP was released, which served as a powerful launch to Dalmata Daniel, opening the first chapter in their story. Later in 2019, a split release with Sematic4 was also a highlight in the life of the label; and now, 3 years later, DJ Overdose checks in with the 'Powers of Ten EP' with a J. Mono remix, available both in digital and vinyl format, the latter having 2 bonus tracks.

The distinct, crunchy sound of DJ Overdose, bearing aspects of old school hip-hop-infused sampling and contemporary analog vibes creates the perfect blend of both worlds. 'Garden of Lust' opens up the adventure with a combo of warm basslines and solid drum-programming. This initial track feeds us these cardinal elements as the bread and butter they are: subtle variations and fine spices do appear here and there as the track goes along, but the key, beating pulse in 'Garden of Lust' brings massive hits stable as a sledgehammer in the hands of a blacksmith.

'Feed The Beats' elevates the game to cinematic territories: its majestic string-like central melody makes me alert and ablaze, making me feel like I'm in a late 80s L.A. setting facing malevolent zombie-aliens in my Wayfarer shades. Blasting beats and Carpenterian coolness all over the place, while the spooky bassline just keeps sneaking up on me endlessly.

If you are wondering when's the best time of the year to bring out your boombox at last, then this is your lucky day: with 'BOB', the first bonus track on the vinyl, we can experience some roarin' bassdrums, snappy snares, MCs with the speed of light and all that jazz. The low-bit sampling and vinyl scratching come and kick you right in the face so hard that it becomes pretty obvious you'll can't help but start some serious beatbox battles in your bathtub with your rubber duck.

A feverish groove in the prime time of a funky bash, in the haze of a sensual rave-up: that's all one really wants when going for a Saturday night out. We definitely get this and much more from 'Room 714', another vinyl-only bonus track. A berserk voice and ethereal chords guide us through this mysterious track, but while we are busy trying to impress our crushes on the dance floor, things around us are slowly getting very, very freaky, maybe a bit way too freaky.

As wobbly and jolly as it gets, our Dutch friend ends his session with 'Ðr ¡v€ M€ ¢r@z¥', a vocoder-heavy disco banger, full of merry vocal FX and smart rhythmic glitches as he completes his flight. To close the EP, our local hero, J. Mono delivers an insane remix of 'Ðr ¡v€ M€ ¢r@z¥': one can clearly imagine how he grabs and turns the BPM knob all the way up, fires up some arpeggios on his mighty synths and casts a complete reimagination of the original track.

Strange Submissions from an extraterrestrial breed. Half Dog, Half Human, Half Racketeer. Hayter and Milium, the ones to first witness these outlandish sounds, present Dog Balls – Tell It To My Dog. A 6-track EP made by and for the shapeshifter in each of us. Dark and bittersweet hymns of loved ones long lost, robotic odes to fetching and synth-laden dialectics on shoplifting. A once in a lifetime offer. Be quick for their ship will come.

Back on the annual 7” excursion, Warning presents you this special split release by YOUR PLANET IS NEXT and JOTEL CALIFORNIA, adding new twists to eternal classics.

Following a groundbreaking cassette-only release on electro label du jour Casa Voyager, Montreal-based producer Simial releases his first full vinyl EP on Gated. This is raw braindance unlike anything else from an exciting new talent you’ll be hearing more from in the future. Over six tracks, Simial takes us into unexplored and highly personal territory, with music that drops and kicks, stutters and starts in unexpected and melodic ways. Watch out for the little surprise vocal hidden in B3.

Noise To Meet You presents hand in hand with Univac, Ivna Ji, Francois Dillinger, Lloyd Stellar, UHF, and Cosmic Lydén its 8th release, “Antarctica Station 4”. The darkest reference so far paying tribute to a masterpiece by one of the most influential artists within the global electronic music scene, The Thing by John Carpenter. A heterogeneous compilation that melds the nostalgic and sensitive side of electro with its most powerful nature.

Konerytmi is back for his final EP on the Telomere series!
Here we have again a SIX track mini LP! With a blend of breaks, electro, IDM and tech house, there’s something for all hours of the night!

Very limited black copies as always with a few colored copies available via the Wex bandcamp, be quick!

For release 13 on Subsequent we didn't have to look far, in fact just explored the incredible talent of the next generation producers within the UK. The result is striking. 4 powerhouses of tracks tailored for every situation on the club floors. A1 delivers a hell of a breaks track, whereas A2 goes into a more cinematic direction but no less powerful. B1 fires up the rolling acid while B2 is made for those heady late moments in the club.

Four tracks of hypnotic no-nonsense club bliss. Best enjoyed at 4am on a sweaty dance oor - hands in the air, eyes closed.

The venerable Philip Lauer (aka “Lauer”) makes his debut on Public Release this Fall with his latest EP Otto Zero. One half of T&P, another half of Tuff City Kids, and a full two halves of Lauer, we're thrilled to welcome him to the Public Release family. I’ve been rinsing his tracks in my sets over the years; a sound so recognizably his, warm and fleeting emotions — yet simultaneously cold and rigid— he masterfully toes this line. The EP is serious party music for any room, whether it be the dance floor or the kitchen... It hits wherever, whenever.

The EP marks the third release since emerging onto the scene in with 'Drunk on Hope' on the first Siamese Anthology back in 2017.

The name says it all: 'Demon Dancer' delivers what the title suggests, exploring the darker sides of Patriks creative mind. With that being said every song on the EP ist filled with the usual Shiffer ingredients: Groove, intelligent percussion, challenging harmonies, manipulated vocals and powerful kicks. The EP can be considered a mini album as all four original tracks are expertly crafted and complement each other. To further enhance the EP, another favorite of ours eternalizes himself on Siamese with Frank Wiedemann added his touch making "Demon Dancer" even more danceable. A mainstay in our sets since the first bounce.

Four new tales from the "Motor City" featuring Brian Kage, DJ SCSI aka Gari Romalis, Javonntte and Derrick Thompson aka Drivetrain!

Acclaimed US DJ and producer Maceo Plex has announced the release of his long awaited studio album ‘Solar’. The climax to a lead up that included last year’s 7-track ‘Journey to Solar’, and 2015’s 2 track ‘Solar Sampler’, ‘Solar’ is due for release on his brand new label Lone Romantic on the 16th June.

Lone Romantic is a new electronica based label; it will focus on albums and will also open its doors to releasing more avant guard and leftfield singles.

Meanwhile, the ‘Solar’ album allows Maceo to utilise the long format to explore and expose his less explicitly club leaning and more reflective side, taking the listener on a journey through shades of electronica, techno, breakbeats, dub and more. Named after his son Solar, the album also chronicles his new found fatherhood; “the ups and downs in the first few years and its effects on life, marriage and more”.

There’s still dancefloor suitable music within the album; opener ‘Sparks of Light’’s propulsive drums make for an attention grabbing first track, just as the driving 4/4 bassline of closing track ‘The Tesseract’ is a memorable climax. ’Polygon Pulse’ also features the hefty low end that Maceo has become known for, yet underneath breakbeat style drums and sighing vocal snippets.

Vocals are a prominent defining feature of ‘Solar’ that mark it out as a departure towards more of a home listening, experimental album. ‘Indigo’ marries Maceo’s characteristic signature sounds with a slower tempo and gritty male vocals for a stirring, downbeat piece of indie electronica, whilst following track ‘Separation’s breathy vocals and subtle DnB cymbals feel more relaxed.

‘Kepler’s Journey’ marks a stylistic break midway through the album, before the vocoded vocals of ‘Solar Wind’ and ‘Wash Away My Tears’ (the 12” mix of which was included in the Solar Sampler) bring to mind a forward thinking, indie take on French touch. Elsewhere, the lilting, dub techno influenced ‘Swan Dive’ sees this effect take on a more eery, thoughtful tone.

The release of ‘Solar’ sees Maceo Plex enter a new, more developed chapter of his long career - taking the sounds that have made him so popular and building upon them to push himself forward artistically, the album is a very personal use of the long format and an education in the producer’s musical influences.

Ruud Lekx, with his wife Shaunna on vocals, returns to "Bordello A Parigi". Following The Kill and From Ritual to Reason, Rude 66 delivers Resurrection; a four tracker brimming with his trademark touch. The title piece is a devilish vocoder incantation. Beats bite as Shaunna's thickly modulated voice rasps through bending distortion that bears the unmistakable 66 mark. Lyrics are sidelined for “The Curse”.

Drum and dreamscape combine in this synthesizer spell, blackened shades blending with light tones in this heady brew. This balance is something Lekx achieves time and again in his productions. He once more finds this sense of equilibrium with the stained disco darkness of “The Sleepers”. Lurking, stalking, the track counters an innocent playful melody with undercurrents that throb with menace.

That menace comes to the fore with “The Luciferians”. A bare anthem of anti pop, a celebration of prowling, murderous intent plays to steady pulse and stripped melody. Brooding brilliance from a master of dutch electronics...

Today, LA producer and underground dance-fantasy legend Benedek has shared his new EP “Zebrano” via Steven Julien’s Apron Records. It’s his first release for the London label, and features a stellar line up of featured artists, from rising Canadian-Ghanaian LA-based singer AKUA and DC's man of the moment dreamcastmoe, to R&B future icon Devin Morrison. It serves as Benedek’s first featured release since his 2011 single with Dam-Funk.

While originally lauded for his own hybrid of boogie, garage house, and downtempo grooves, Benedek is traversing new realms with his esoteric innovations. These are all facets of Benedek's sunny and seductive hometown of Los Angeles, and are sonically expressed in his catalog. But as much as he’s embraced the shimmer on the surface, he’s also familiar with deeper, more hidden worlds. His work has found its home on such labels as PPU, LI.E.S., Leaving Records, Music From Memory and more. His expansive catalog includes collaborations with Steve Arrington, Delroy Edwards, Dam-Funk, Joyce Wrice, Tom Noble, Jamma-Dee, Kirin and more.

The long-awaited debut LP from Romanian duo Khidja is finally coming via Malka Tuti Records.

The album ‘Transmission’ will be divided into two separate releases - Part 1 & Part 2. Part 1, presented here, will be released on June 16th, while Part 2 will be released in the 2nd half of September 2023. The album, which contains 10 new tracks from the duo (5 on each part) was written and produced by Khidja over the last several years.It was mastered by Enrico Mercaldi and distributed world wide by One Eye Witness, with a fresh fresh artwork by Angus Plunkett & Morey Talmor @ &talmor Part 1 consisted of 5 gems showcasing the diversity in the Romanian duo’s production - from shuffle to slow-mow, through chugging disco-not-disco to 4th world and beyond.

Cormac first became aware of Tjor in 2019 while on tour in Brazil. “Azuli” fast became a staple in his sets that
year.
An avid digger and record collector, Tjor has been mixing since 2010. He his noted for his outstanding sets at
the infamous ODD Parties in Brazil where he glides between techno, synthwave and italo influences

Affirming their status as dedicated tastemakers, Crazy P call on some of their favourite producers, and deliver 12 immaculate remixes of their beloved 2019 album, 'Age Of The Ego' A cosmic, vibe heavy, and eclectic journey through low-slung, groovy balearic, big room disco, deep house, lo-fi, and beyond with artists Crazy P have admired, and friends encountered along the way.

Limited 180g 12", single press, individually numbered, no repress, no digital.

We are very happy to announce the third reference of our label Back to Wax records entitled "Geometrish" by the composer
Mauro Nakimi. For this work, Mauro wanted to give us a version of the original track originally proposed for reference with a
crystalline, dark and minimalist character that delights the lovers of Electro. Within this work we can find three different
visions of the subject carried out neither more nor less than by Gez Varley, of the well-known English formation LFO, another
by Carl Finlow with his aka Sillicon Scally with a very marked Electro-Glitch style very dark and an extraordinary rework of
James Wolf with a great result Dancefloor to the purest Miami Bass style.
All this presented in a reference limited edition vinyl of 300 copies

Present moments of the past, sound reminiscences of the early 90s Valencia, slide through the grooves of our next reference to internally shake and stir those motionless minds and entities that gravitate imperceptibly around us like white noise due to the implantation of the system, so that they awaken to the understanding of their own purpose.

The architect behind this premise is Asymetric80, the pseudonym behind which Gonzalo Sendón from Barcelona promotes his musical inquisitiveness and tries to roll out his rage before the uncertain moments in which we find ourselves while destroying the dance floor. Thus, he gives us Static Minds, the thirteenth vinyl reference on HC Records. It is a release with four original songs and two remixes by Siarem and WLDV in the physical version, which are completed with five extra songs in the digital one.

On side A, first of all, we find Hidden Visions, a blast that invites us to reflect on the origin of freedom of speech through a forceful bass drum, arpeggiated basses and synths that come together with surgical percussions and a structuring discourse passage.

Next, we find the remix of Hidden Visions that Siarem has created. Here, our already habitual on the label, provides further pression with a dreamy EBM key adding and twisting layers, without losing the forceful, arpeggiated and vindictive orientation of the original.

The last track of the first side is Nahual, where the predominance of a great arpeggiated bass and a clear and overwhelming snare drum are combined with varied melodic sequences that invite us to dress up in our best clothes and set out on the route from Barcelona to Valencia to burn our favourite club dancefloor.

Already on the B side, Astral Body takes us back to those crazy nights of frenzy and musical experimentation, a specialty of the Levant thanks to the new sounds coming from central Europe, but with the intention of making us let loose the held back internal rage by dancing with our fists raised high due to the euphoria incited by its elaborate layers of basses, arpeggios and winding pads.

Next, WLDV delivers his version of Astral Body, taking us to a more combative terrain in which all the heavy weapons have been deployed on the battlefield to reverse the anesthetized and collective state of our society through a continuous bombing of percussion and synthesizers as lysergic as destructive.

Fractal closes this episode of long-awaited awakening, a track that captures and cloaks you through its tangle mess of synthetic melodies and forceful percussive pulses to remind us that there is something, something beyond what they have so resignedly and effectively inoculated us with.

The finishing touch to the physical reference is provided by the digital part, where we find the definitive epilogue to this declaration of intent that thus reaches the category of mini-album. Archetype, Symbiosis, Timeline, Hologram and Fragments, with a big download of crystal-clear snares and percussions and grandly intertwined melodies and arpeggios, raise the ante around inner rediscovery after beating society's rotten operating system in the shade of the dance floor.

Last but not least, we have our usual comrades Dani Requeni in charge of the artistic section and graphic design and Steve Voidloss offering the purity of his mastering process handcrafted at Black Monolith Studios in London.

For the 21st release, we bring together artists from France, UK and Germany. French Live duo, H.L.M bring their signature raw synth punk to the label, Berlin/NYC cosmic queen Tony Y Not takes things dark and wavy, Kimshies collective burn the floor an with electro swamp stomper, UK’s fast and rising REES dives into the dungeons of doom with a gothic wonky weapon.

Finally closing things out is a melancholic dark disco new wave laced anthem from France’s Endrik Schroeder of ZONE and Ritmo Fatale fame.

At the spearhead of the music press, Tsugi presents for the first time its selection in this vinyl ELECTRO from Cassius through Kompromat and Paradis.

In Togo, Gazo doesn’t need any special occasion to resonate with people. Like an everyday life soundtrack, it is present when everything is fine but also when sadness sets in. In France, electronic music is also a popular remedy at any time, but it is often far away when we look at the money we spent the night before with watery eyes. Ago Gazo set the scene for a hybrid genre in which the notions of trance and liberation are palpable. Percussion, instruments and traditional chants from Togo, analogical machines and modular synths share a common destiny in this project : bruising emotions like a boxer’s ears.

Legendary electro producer Carl Finlow makes his return to Science Cult with a 2x12 LP on white vinyl. From start to finish “Plasmoids” delivers with expertly crafted electro. Mr Finlow’s production skills are present across a variety of styles from the cyber funk inspired “Trimonogogo” to the retro-styled “Relic”. This is an album not just for fans of Carl Finlow’s work, but a showcase of electro at its finest.

Pablo R. Ruiz returns for his sophomore release for Portage Garage Sounds with an evolution of his distinctive blend of sonic brilliance (first witnessed on 2017’s “Bad Hombre.”)

"Estados Criminales” features 5 tracks, playful yet sinister, like the chaotic energy of a carnival ride falling off it's hinges.

S Transporter is Izaak S and Ryan Spencer, a pan-American duo of exact origins unknown. With roots spanning from Detroit to San Francisco, the project is somewhere around four years old, though no one remembers exactly when it started. The songs were initially demoed in Ryan's bedroom and promptly forgotten about in the chaotic whirl of both members’ efforts in other music projects, DJing, and party-throwing ventures until Ryan played them at his weekly, Monday Is The New Monday (co-founded with PGS' Ben & Zach). Immediately, the songs burst with new life into our ears, and we excitedly requested to hear more. In a tale every creative can relate to, Ryan simply didn't know if they were any good. We found them extraordinary.

What followed were several months of additional recording sessions in a collective effort to finalize the tracks, done at Ryan's apartment in Southwest Detroit, Izaak's in SF, and the Portage Garage in Hamtramck. Bay area DIY underground luminary Anya Ghiorzi joined the group and contributed her vocal talents to the songs, which began to exhibit a sound representative of the genre-collisions featured at MITNM– from krautrock and boogie to trance, acid, and house– in a way other PGS releases have hinted at, but have not fully expressed until now.

S Transporter is the name of the EP, the project, and all four songs. A maximalist sound with a minimalist presentation, naming the songs - so many years after their inception - would, perhaps, take away from the feeling that struck all three of us the first time we heard them on a club-grade sound system.

Izaak S and Anya Ghiorzi are San Francisco residents, musicians, and DJs in the Loveshadow dance collective.

Ryan Spencer is a Detroit resident, DJ, co-founder of Monday Is The New Monday, and is a member of Freakish Pleasures.

"S Transporter 1"
Uptempo, backspin-laden electro/acid with a winding 303 bassline that reveals itself slowly over the pulsing breakbeat backbone. Immersive, haunting and enchanting.

"S Transporter 2"
Downtempo electro. Slap bass. Heavy boogie. Sensual vocals reminiscent of early Chris N Cosey carry you through this industrial funk heater. Heavy synth lines and rhythmic grooving guitar that is club-ready for dance floors of all kinds.

"S Transporter 3"
A fast paced, percussion forward adventure with balaphone melodies and bending synth pads. Spoken words guide the journey, arriving at a movement inducing Juno ascension that dances into a calm end.

"S Transporter 4"
Encompassing the seemingly disjointed, individualistic styles of S Transporter 1-3, ‘4’ combines elements of the entire release into one final gesture. ‘4’ could be Byrne/Eno ("Regiment"), but it's something else - the product of decades of dance music history, distilled by two musicians & DJs into one song.

credits
releases July 19, 2019

PGS 010
S Transporter
"S Transporter"
EP

2015-2019
Written, Mixed and Produced by Izaak S & Ryan Spencer
Vocals by Anya
Bass on “2” by Lucas De Leon Turner
Percussion & additional production on "3" by Shigeto
Percussion on “3” by Julian Spradlin

Mastered by Josh Bonati at Bonati Mastering
Recorded at Izaak's apartment in San Francisco, Ryan's apartment in Southwest Detroit and the Portage Garage
Records Pressed at Archer Record Pressing, Detroit, MI
Design by Will
MMXVIX