House Vinyl New Releases - News

Mark Barrott and Pete Gooding present the fourth volume in their series of stellar collections, showcasing the sunset sounds spun at Ibiza`s Hostal La Torre. Sets, sequences, of music designed to celebrate the passing of another day and welcome the pleasures of night, as the Sun makes way for Sister Moon.

On this occasion, the ceremony starts with a gift from the Golden Girls - a side project of Phil Hartnoll, of Orbital fame. In its original form Kinetic was a prime piece of pumping early `90s trance, here, however, it`s been remixed by David Morley into something far more in line with Belgian rave label R&S` ambient off-shoot, Apollo. Practically beatless, but boasting a big, undulating, bottom-end, it now resembles something from Tangerine Dream`s back catalogue. A slightly kosmische, serene wall of sonically shining sound. The room-shaking riffs are reduced to echoes, while pitter-pattering percussion races. When the familiar hook finally surfaces, it`s accompanied by spirit-stirring, symphonic strings - inducing fierce flashbacks to quality highs, and newly expanded minds and horizons. Man, I can remember the wonder, before it all went pear-shaped.

Next up are NO ZU, a sadly seemingly defunct 8-membered musical monster from Melbourne, Australia, who were absolutely amazing live. Banging out a percussive concoction that they called Heat Beat, their funk was / is most definitely post-punk - channelling `80s no wave New York, the Mudd Club, and in particular the band, Liquid Liquid. Slapping basses, car horns, electronic keys, buttons, cowbells, and anything else that came to hand and seemed to fit, while lifting beats and piano parts from Chicago house. The party-starting call and response repartee of Ui Yia UIa finds them shouting out their star signs of criss-crossing compatibility over a muscular slo-mo stomp. Daphne Camf Rest In Peace.

Bassekou Kouyate is a Malian maestro on the 6-stringed ngoni. A goat-skin covered “hunters harp”, that via slave traders evolved into the North American banjo. With his group, named after this traditional griot instrument, and Zoumana Tereta on lead vocals, he delivers a dizzying display of dexterity on Bala. Generating a super mellow, spiritual groove, his playing countered by equal virtuosity on balafon and bolon. The voices switching between the sweet and the raw, and the song showering you in savannah sunshine, no matter where you happen to be hanging.

American trio, Rare Silk, share their jazz vocal take on Stanley Turrentine`s Storm, where wildlife whistles and chirrups surround soft Synclavier sighs. Slick, smooth, imagine Manhattan Transfer meets Wally Badarou. A marimba doing the mambo, the reeds winding like wafts of smoke carried on warm Caribbean winds. The rhythm that of a gently lapping tide.

The Synergetic Voice Orchestra was a one-off, one-time only outfit led by keyboardist / composer, Yumiko Morioka. A follow-up to her highly respected solo piano work, Resonance, the album, MIOS, was a far more ambitious affair, that brought together a collective of 6 musicians and 3 vocalists. The results moving away from new age and modern classical toward pop. The track, Zebra, is a Jon Hassell-esque fusion heat haze / fog. Riding a slowly rumbling thunder-thumbed bass-line. A snake-charming woodwind cutting through the synthetic shimmer, weaving its seductive spell.

Family Doggo first appeared as the b-side of Paul Woolford aka Special Request`s balls-out 2020 drum and bass single, Spectral Frequency. “Doggo” in comparison is an oasis of calm, albeit packing some serious sub-woofer worrying boom. Stripped back, speaker-rattling, electro-edged introspection, emotive and euphoric without recourse to arms-in-the-air tropes, it`s bleep`s more sensitive, more thoughtful sibling. The awakening of the morning after the night before`s rush.

Margaret Wakeley`s magical Hard To Leave The Island was initially rediscovered and dusted down by the people that power the respected DJ / artist agency, Warm - who took it from Margaret`s 1976 LP, Better Days, and pressed it on a limited 45. A slice of superior soft / yacht rock, it`s a cool cocktail-hour summer holiday serenade. A sophisticated arrangement of brass, jazzy keys, and acoustic strum, topped off by a smart sax solo.

Equatorial Sunrise was / is one of the standouts contained on Pauline Anna Strom`s sadly posthumous album, Angel Tears In Sunlight. Describing herself as a Trans Millennium Consort, the San Francisco-based synth pioneer attempted to blur, blend, past, present, and future, with her novel new age music. The song in question sees wind-chimes, marimba, and talking drum conversing in counterpoint - conjuring the Cafe del Mar classic, Richard Wahnfried`s Grandmas Clockwork. Its calming, time-melting timbres creating a comforting analog bubblebath. Aching with synthesized ethereal emissions, while pinpoints of sound echo into infinity, like signals from distant stars.

The Vendetta Suite is the pseudonym of Gary Irwin, the former in-house engineer at David Holmes` Belfast-based Exploding Inevitable Studio - a hive of musical activity where Timmy Stewart was also a frequent visitor. The 3 amigos mentioned were all stalwarts of the city`s early `90s house and techno scene. Some 30 years later Timmy remixed Gary`s track, Warehouse Rock, into a highly strung - think Malcolm McLaren`s Deep In Vogue - soundclash of reggae and rave. A four-to-the-floor mediation subjected to devastating washes of delay, where bionic bass, Mikey Dread samples and dub sound-effects are softened by bucolic birdsong.

Mark Barrott’s Travelling Music (La Torre Reprise) - an exclusive version of the titular track from his recent E.P. - is all tumbling tones - playful sequences and programmed patterns “blowing” busily, like colourful streamers caught on a tropical breeze. Like the compilation`s opening number, its another ambient, beatless, trance-dancer - suffused with sustained swells and chords that feel like sunrise itself.

Composer / pianist Lola Perrin`s Cloud Sky Fade is an unadorned, unadulterated - save a little reverb - rippling river of cascading classical keys. Her piano rolling, reaching crescendos like crashing surf. Licensed from Lola’s 2006 CD, Fragile Light, its worthy of comparison with Keith Jarrett`s ECM output, and Wim Mertens` beloved The Belly Of An Architect score.

If you look on Wikipedia, you’ll see that Suzanne Ciani has the affectionate moniker of “Diva of the Diode” - reflecting her huge importance in the history of electronic music. While studying at Berkley University in the `70s Suzanne became firm friends with Don Buchla, and subsequently spearheaded the use of his then ground-breaking modular synthesizer. Moving to New York, where she camped out on Philip Glass` studio floor, Suzanne set up her own company employing Don`s marvelous machine to produce advertising jingles. The success of this business eventually led to Suzanne becoming Hollywood’s first female soundtrack composer. In the `80s, Suzanne then started releasing new age records, one of which, 1986`s The Velocity Of Love, was a favourite of DJ Phil Mison, who made it a Cafe del Mar sunset staple. The beautiful Eighth Wave surely should have been the blissed-out musical backdrop to some `80s art house love scene - summoning as it does silhouettes of cinematic protagonists passionately disrobing though a Vaseline-smeared lens. Their hot clinches politely cutting to close-ups of isolated, moonlit beaches, and untamable, tempestuous tides.

JIM is Jim Baron, Crazy P`s Ron Basejam, but in folky, singer / songwriter mode. Coming on like Crosby, Stills & Nash, he covers the Ian Astbury / Billy Duffy penned Phoenix in an ultra-laidback fashion. Turning the gothic rock into a Laurel Canyon-esque lullaby. Singing of love in terms of fire, and flames of desire, backed by acrobatic acoustic picking and sweeping orchestral strings.

You could be forgiven for thinking that Antipodean audio auteur, Geoffrey O`Connor, is some forgotten `80s idol - so authentic is his soothing, swooning, romantic synth pop. Her Name On Every Tongue, however, dates from 2014, and can be located on Geoff`s sophomore solo long-player, Fan Fiction. The track`s vocoder harmonies proving perfect for a sing along on a top-down, Californian coastal drive.

These righteous solar-worshiping rituals draw to a close with John Foxx & Robin Guthrie`s exceptional Estrellita - a highlight from the pairs 2009 album, Mirrorball - where the former Ultravox! and Cocteau Twins founders collaborate on a sublime shot of shoegaze. Generating a glacial glide of layer upon layer of treated guitar. Grounded by womb-like bass vibrations, while Foxx`s choirboy croon soars. Lending the song a prayer / hymn-like air. It`s as close as rock comes to something sacred.
Dr. Rob (Ban Ban Ton Ton)

December 17th 2012 will see the publication of a new single by Burial.
The release is comprised of two pieces of music, with a combined duration of 25 minutes 32 seconds.
It will be available in physical formats on 180 gramme vinyl, and CD.

Repressed !

Luca Cazal & Josh Baker kickstart Richy Ahmed’s new vinyl focused imprint, Back 2 Black, with a brace of intergalactic tracks. The new label’s first release also features a remix from British electronic stalwart, Radioactive Man.

Cazal remains a central figure within the house & techno community; his DJ residency at Circoloco is longstanding and releases for labels like Crosstown Rebels, Classic Music Company, his own See Double label, and Richy Ahmed’s Four Thirty Two imprint have marked out his production prowess and ear for a good groove. Josh Baker has been rising up the ranks over the last few years, with releases for Ben Rau’s META label, Locus and his own You&Me label.

On ‘Organ Nuke’, Cazal & Baker dip into the kind of spacey techno house that was forged by Detroit pioneers Underground Resistance, as funky percussion and organ stabs are coupled with dreamy pads and cosmic tones. ‘Rocket Ship’ continues these themes, with heavy 909 drums anchoring a cheeky acid bassline and flashes of cosmogonic sound.

British DJ & producer, Radioactive Man, has long since been at the coalface of electronic music’s leftfield. As one half of Two Lone Swordsman (with the late, great Andrew Weatherall), and multiple aliases for his industrious flow of releases, the revered producer injects a heavy dose of classy electro and Drexciyan vibes into ‘Rocket Ship’. Rolling breaks unfurl in the electro beats as head scrambling keys and rasping bass stimulate the senses for a funkin’ body poppin’ workout.

Fresh new collaboration between friends Handy x Shall Not Fade, bringing together artists from each label to produce a side each for the VA.

Lining up for Shall Not Fade we have London's 9th House & Berlins Ruff Stuff and batting for Handy we have Trouble Makers Adam Curtain, Bobby Cazanova & a collab from Arthur Dudley and the ever on-form Retromigration.

As it says on the tin – “Keep it in the Family”

We’re more than proud to present the first album on our label. A few words from the maestro, Anton Kubikov:

What was the first egg or chicken remains a mystery to me. But what is absolutely clear - the first was the sound. And to this day, the defining in my settings is one or another wave ripple. After many of my dub releases, I decided to follow the big bang path and create an album from one point and bloom like a flower bud, filling it with different shades, micro-changing the waves of each track, adhering to the monochrome of the first point, or rather the chord. Ambient Occlusion is not a sound concept, but one way or another defining the sound of the album, when the missing is filled with the drawing algorithm. And yet, with all the technogenic description, the feelings and sensations of the surrounding space and time in which the creation took place were at the forefront. It remains personal and I hope I was able to convey the invisible that appears at the fingertips when a spark occurs. Separately, I want to note the history of the creation of the album cover by Anja Kubik, since it is already a separate art object in itself, made by hand on canvas using a unique embroidery technique and complementing the sound system of the album.

200 copies vinyl only!

An inspired collaboration from two veteran producers on top of their game - Kassem Mosse and FIT Siegel. Three well-crafted techno and house tracks created from sessions recorded at Omar-S' FXHE Studios and FIT's studio at Submerge in Detroit in 2016, then mixed down by Siegel in 2018 after a few years of playing rough versions in his DJ sets in clubs around the world. Don't sleep on this diverse EP with sounds ranging from tripping acid workouts to dubbed out electronic excursions!

On Friday 25th March Parlophone Records release “Remixes” on double CD and triple vinyl LP. The album is an updated version of the 2020 Digital compilation of the same name, featuring mixes that were originally released between 1991 and 2021.

Alongside Kraftwerk’s own remixes, the album includes some of the world’s biggest DJs and Producers, including François Kervorkian, Orbital, Underground Resistance, DJ Rolando, Alex Gopher + Étienne de Crécy, William Orbit and Hot Chip.

Siamese Twins Records presents Temple Rat, known offstage as Mei Yuxin, and her highly anticipated debut EP, "The Composition of Air." This album signifies her first solo release with Siamese Twins, following her contribution to the Kāthā V.A. (ST-๐๐ห้า), which Higher Intelligence Agency later reworked on ST-๐๐๘. Each track gracefully transitions, creating a harmonious blend of ethereal haze yet grounded echogenic brushstrokes. Despite the otherworldly ambiance, the EP remains deeply rooted in an ancient mystique, which Mei has skillfully crafted.

Hailing from Chengdu, Mei is a master of the traditional Chinese Erhu, a two-stringed folk instrument made of wood and snakeskin. The soulful resonance of this time-honored instrument intertwines with Mei's productions and live performances.

The opening track, "Dreaming of Electric Sheep," immerses listeners in a dystopian sci-fi atmosphere, masterfully merging rustic ambiance with hissing field recordings and IDM-inspired elements. Hypnotic rhythms envelop and wash over meditative alchemy.

"Rooted in the Soil of Your Heritage" features a captivating collaboration with Portuguese vocalist Meta_, taking on a contemporary darkwave approach. This track spirals into the horizon, offering solace through interlacing oscillations, and perfectly illustrates Mei's ability to facilitate interethnic dialogue with her distinct and enthralling Erhu sound.

The true story unfolds in the title track, "The Composition of Air," as Mei expertly employs organic synths to create absorbing arpeggios and sequences.
The final piece, "东风," feels familiar and otherworldly, as drums pirouette beneath melodies that balance delicately, culminating in an intriguing and welcoming soundscape—the ideal conclusion to a captivating EP.

Digitalism has done a mix for the legendary K7! DJ Kicks series. And it is not a lie, on the contrary, it is nothing short of the truth to say, this is a dream come true for two young fellows from Germany. Twelve years ago, when they originally met, two record store workers in Hamburg, admiringly selling the DJ Kicks series to their customers adoring not just the event of each release, the dexterity of the mix but most importantly the protagonists behind each release, the artist, the DJ, the mixer. Their favourites over the last two decades are Tiga's ("His mix was a great essence of edgy and cold electro-techno."), Trevor Jackson's Playgroup ("More really playful stuff.") and Erlend Oye ("Cause he sung over a lot of stuff and had some favs like Jürgen Paape, the collab with Morgan Geist and Avenue D (2D2F) on it.").

Mit diesen 80er Jahre Electro Titeln wird auch heute noch jede Party zum Kochen gebracht. Zeitlose Klassiker, die nie ihren Charme verlieren werden.

Discomystery man Donald Dust makes his debut on Wilson Records withan Obscure and Hi-NRGdisco stomp

Under the alias 4E, producer Can Oral created his own unique sound of raw, futuristic acid-electro. The A-Side tracks "Ask Isadora" and "Conga Banana" first appeared on the album, Blue Note, released on Home Entertainment in 1996. On the flip are two unreleased tracks picked from his extensive archive and edited by FIT Siegel. These were also recorded during this era, which Can describes below:

"In the 90s I moved to NYC to start a band with Jimi Tenor. I had a small flat in the East Village with the apartment number 4E and that became my artist name for the downtempo and electro material I was working on. The style I called Futuristic Electro because I didn't want to relate to the old school with this. I had my studio on the kitchen floor and pretty much only used EMU SP-1200, TB-303, TR-808 and SH-101 by good ol’ Roland. In a way NYC was still developing because it was all about house music. In 1995, I opened Temple Records in Manhattan with Dr Walker from Air Liquide and DJ DB from Smile Communications. The record shop was inside the Liquid Sky clothing store. After a fire in the shop, along with a falling out with the owner I decided to talk to a fortune teller to find out what the future held. Her name was Isadora, and she had a TV show called "Ask Isadora." She told me on live television to move out, have my own shop and be independent, so I did. Thanks Isadora!"

Super Rhythm Trax welcomes back Glasgow’s Fear-E for his second full EP on the label.

4 fresh tracks each designed to tear the club up !!

FIT Siegel and DJ Sotofett join together on their first 12" collaboration as S & M Trading Co. - a voyage many years in the making. Dark and atmospheric strings sail over a thumping bass line, all while a banging 909 beat and percussions keep this ship on course. The route is long, the conditions are rough,but soon a mysterious landscape beings to take shape beyond the haze. *12" also contains Acidic and Synthetic mixes

Stallone The Reducer is back. Stallone takes you on a one way trip that will make your head rattle, clattle and clank. Indecipherable robot voices guide you, while the busted up drums and industrial strength synths push you back and forth. This one is for the brave. Lock in.

Skin is the debut album on Omena by Aleksandir.
Both musically and conceptually it's his most ambitious work to date, and maybe the first project that feels like a true piece of himself.
Half of the tracks are uplifting, while the other half dark, with a more serious tone than we’ve seen from Aleksandir before.

For the first time, the artist has included his own vocals on tracks, adding framework to the album.

Repress!

Turbo celebrates the 10th anniversary of Gesaffelstein’s seminal work on then Montreal-based imprint with a long-awaited repress of all three EPs: Variations, Conspiracy Pt. 1, and Conspiracy Pt. 2.

Every track on 'Variations' is a battle-tested bomb. Gesaffelstein’s sound is clearly influenced by New Wave and the Gigolo-era electro (2001-2) of fellow Frenchmen The Hacker and David Carretta, but it sounds like a fresh update rather than pastiche, revitalized and refined down to a modern and versatile core.

These tracks work in Tiga's festival sets alongside some of the summer's biggest anthems, yet are equally at home in a more underground setting, e.g. Von Party's 5am warm-up before Ivan Smagghe at a London warehouse party. The title track has the most attitude, establishing a palette of dark staccato basslines, crunching hi-hats, hands-in-the-air cowbells and trippy synth leads. Selected Faces and Atmosphere are arguably even more straightforward club weapons, their breakdowns creating just enough 'insanity' without getting annoying, their grooves dropping back in with a cool, restrained power that will win over hiss weary DJs.


With remixes upcoming for Turbo and Institubes, a follow-up EP for Turbo in the works... if you want an idea as to how big Gesaffelstein will get this year, just think of him as 'Brodinkelstein.'

Following up our 7“ series, here we go with our first 12“ release with a selection of inner circle artists.



Out of the “Internationale Normalitätszentrale” Bufiman delivers the soundtrack - a looong breakbeat piece loaded with Casio CZ sequences in form of sunbeams which are tickling your senses, Wolf Mülleresque kinda adlibs floating around your head and are stimulating your membrana tympanica. Precise snare drum samples from all around the globe transmitted via the MPC minister are throbbing. This is the “Members Of Warning Theme 2020”.



A darker and more disturbing approach comes from our family member Nadia D’Alò under her DALO alias. This track is more like - did you ever went to a dark and sweaty basement Electro party while in the middle of the floor at 04:20 a yellow purple sprinkled zebraseal named “ZAFRAM“ Mc Schnork wants to sell you liability insurance for a special discount? The 808 is bouncing, accents are placed carefully and harsh but also cute baby demon vocal effects are panning in between all 4 dimensions while the 303 hits you so hard that your legs are shaking? Then it gets really weird when this strange looking Otter from New York in a pink pony costume pops up and takes out the gear of his attache, offering you everything to pass the bat country safely? Well, it’s Philipp Otterbach's “Otter Space Mix” which put this special flavour on top.

Welcome to Warning 1201 - Enjoy your trip!

Deepening the comic tones using cosmic relief, and lively vibes, La Science des Imbéciles (Ludicrous System), Brigitte Barbu’s sophomore sonic adventure, manifest a blurry creation intersecting orbital audio paths and damaged smoking instruments. Could have easily been called Birdless Science but it wouldn’t be funny…

Joining us for the third release of Arpanet, Infinity Plus One, veteran producer coming to us from the London underworld.

His unique sound oscillates between a twisted, distorted techno with hypnotic vocals and breaky electro.

Truly timeless sounds that we dare you to recognize. Two of the tracks are repressed 2005, but two others are unreleased from his 1999 catalog and the other was cooked up just a few months ago in 2022

(Doubting Thomas, Olaf Stuut remix) No longer a stranger on the international scene, Kerala Dust manages to weaken many knees with his low, soothing - almost romantic - voice, covering the four-to-the-floor ever so effortlessly.

No longer a stranger on the international scene, Kerala Dust manages to weaken many knees with his low, soothing - almost romantic - voice, covering the four-to-the-floor ever so effortlessly. This time around however, the project of the London/Berlin-based artist is aiming for the downright no-nonsense attitude of the dance floor with a defining club track. It’s housy, techy, groovy, with no vocals this time - yet he does not lose his sense of self and manages to remain recognizable.


Olaf Stuut’s remix strays from the usual path and gives us a dirty and rough rendition of the original, accompanied by relentless teamwork between drums and bass.?French expert minimal specialist DoubtingThomas explores even further in his inimitable style and delivers a rolling workout.

Support by: Acid Pauli, Monolink, Rolandson, Be Svendsen, Dance Spirit, Supernature, Audiofly, Paco Osuna, D’Jamecy, Joseph Capriati, …

Celebrating 20 years since the original release, Tosca are proud to present this remastered version of cult classic album Dehli 9. Carefully reworked by Bo Kondren at Calyx Mastering in Berlin, this 2023 master purposely avoids any modern hi-fi tricks and techniques and is committed to the sound of the early 2000"s, creating an improved authenticity of the original album.

Following the release of her debut album on Aus Music this
summer, Cinthie returns to one of her own labels with
some fresh original material. A four-track EP coming on
the fledgling 803 Crystal Grooves imprint, a platform solely designed for the release of the Berliner’s own material
and launched in 2018.

Re-issue of this italo rarity from 1984. Comes with Flemming Dalum and Ali Renault remixes.

The second of two new EPs by HVL from Georgia on Appian Sounds. Alignment EP showcases different flavours this time - Warmer acid, breaks, oscillating techno and early morning sounds. This EP was chosen from a different body of work (ten APPIAN015) but no less brilliant collection of tracks that Gigi put together towards the end of 2020 …Timeless cuts to suit all intimate dancefloors.

The music of Jack Bags comes from multiple contaminations and a deep love for vintage analog sounds. Panorama Groove is a journey through those sounds and a personal vision of those genres that are constantly inspiring.

Hearse are back with their 3rd emission and there’s no letting up. Another cluster of dark electro tracks from some great producers. First up is Miami’s Exzakt & BFX collaborating for the electro bass stormer ‘Raw’. Next we have Hamburg’s Kluentah serving up the bunker style ‘Jungle Juice’. On the B side is Gothenburg’s electro don Luke Eargoggle with acid electro beast ‘Olympia’ and closing the ep is the mysterious Amboss with a track that’s like a crack to the face with a bream ‘I want to live in my car’. You know the drill, 300 copies, screen printed sleeve. Once they’re gone they’re gone.

Lisbon's purveyor of dance incantations Paraiso are back with an EP that packs a meeting of 3 legends of the local and global underground - a trio of fearless pioneers and cultural agitators from different eras. Yen Sung and Photonz have partnered up in 2020 to collaborate on new music and start a record label. Fast forward to today and this Paraiso EP is their third release, further exploring their mutual penchant for ethereal house music drenched in subtle but fiery grooves and acid basslines. Opener 'A Temperanca' taps into moody yet bouncy motifs, punctuated by crisp claps and an infectious 303 line in the vein of DJ Pierre's record 'What is House Music', their confessed influence for this track. Things get slower on the A2 where the title track gets reworked with alternative elements - aptly named Gravity Mix. The B side continues the metallic acid exploration via 'Akasha', twisting and turning like only expertly crafted basslines do before things blossom into a sunny house groover with enticing percussion and variegated hats. Legendary Angolan-Portuguese producer DJ Satelite steps in for remix duties, adding his iconic deep afro house edge to a wonderful effect, all blissful motifs and broken percussive sonics.

Having been previously released digitally and on CD back in 2009. We decided RSD 2022 was a great opportunity to release this seminal album on Red Transparent vinyl for the first time.

‘Don’t You Remember The Future’ is the debut artist album from Jamie Jones, peering into the coming apocalypse with a body-shaking, teeth-grinding, tripped out fusion of sound on Crosstown Rebels.

There are some talents that remain inconspicuous and then there are some you can’t ignore. Jamie Jones is the latter, quickly rising to superstar status in underground dance circles over recent years. Releases on Crosstown Rebels Hot Creations, Defected, Cocoon, Get Physical and BPitch have catapulted him to become a cult figure and he is widely admired for his true originality. From his debut single ‘Amazon’, to his albums' anthem ‘Summertime’, his unique sound has won him worldwide audiences and this album has been widely anticipated as one to change the face of current house music.

With ‘Don’t You Remember The Future’ Jamie Jones delivers an album of “intergalactic techno house, where old school prince meets cybertron.” A seamlessly blended up-tempo mix filled with eerie and energetic moments. Featuring ten brand new tracks from Jamie Jones, alongside this years dance floor anthem ‘Summertime’ and the current ‘Galactic Space Bar’ - which features the vocals of Egyptian Lover - the album’s twelve tracks are stitched together in an entangled web of beats and bleeps, available digitally as separate edits.

Cosmic cuts such as ‘Mars’ and ‘Deep In The Ghetto’ create a new dimension through soaring synths and idiosyncratic samples while the sonic dance floor weapons ‘Half Human’ and ‘This Is How’ release the lethal disco master within Jamie Jones. The jacking, peak time moments of ‘Summertime’ and ‘Sand Dunes’ produce a current take on the early acid house sound and each step of this peculiar story solidifies the strange notion of being within an undiscovered time and place. ‘Don’t You Remember The Future’ features the guest vocals of a variety of musical souls, checking off some of Jones’ remote influences and revealing the greater versatility of this skillful artist. Norwegian oddball duo Ost & Kjex feature on the anthem, ‘Summertime’.

The seductively charged ‘Absolute Zero’ unmasks the talent of London based DJ, producer and vocalist Alison Mars (AKA Alison Marks), resulting in a beautifully epic and mysterious after hours track, and the toxic ‘Galactic Space Bar’ features live vocals from one of the creators of the electro scene, The Egyptian Lover, an old hero to Jamie Jones through early rap cuts like ‘Egypt, Egypt’ and ‘I Need a Freak .’ ‘Don’t You Remember The Future’ vinyl release is the album that brought the future into the present."

Next up on Dansu Discs is Paris-based, Chevals with his ‘Blueprints’ EP. Delivering the full listening experience, this EP takes us through what can best be described as ‘open to close’. Warm electronic delights to peak time electro hitters.

Baby Rollén’s Slump Recordings imprint returns for 003 - with a debut EP from mpeg. The Stuttgart based producer traverses the underground with his signature hypnotic tone!

AsOne² introduces the addition of Catherine Siofra Prendergast to the As One line-up after a series of successful live shows together with Kirk Degiorgio. The live duo entered the studio to focus on adding a melodic sensibility to the harmonic structure of the existing AsOne sound. The resulting album once again finds it perfect home with the Belgian record label De:tuned.

Following on the heels of the teaser EP featuring the duo's acclaimed 'Descent Module' - AsOne² is a blend of vintage, warm analog gooeyness and pristine post-modern production techniques. Prendergast's melodic additions veers the AsOne sound towards a more accessible arena without compromising on the core AsOne sonic signature. Yearning chords, sparkling lead lines, bubbling funk basslines and ethereal ambient washes merge to form a coherent whole in this new advance in the development of AsOne - now in its 30th year.

Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!

Jammy Fader Breaks by JFB. JFB needs no introduction, an absolute MONSTER on the turntables and 3 times DMC World Champion, he has nothing left to prove on the battle scene or club circuit.

However, Woodwurk are very proud to bring you a first from this legend in the game, JFB’s first ever battle break record - JAMMY FADER BREAKS!

Side A contains a huge library of JFB’s personal scratch sample collection including original and hilarious vocals from beatbox innovator Beardyman.

There are 9 skip-proof vocal phrases perfect for scratch jams, practice and battle sets plus a large selection skip-proof beats and drum phrases ideal for beat-juggle and drumming practice. The side ends with a never ending locked groove electro beat for scratch sessions.

Side B contains another 2 huge sections of scratch samples from the JFB volts plus a selection of beats and sounds from some of JFB’s World conquering routines, allowing you to try them out for yourself or create something new. This side again finishes with an electro beat lock groove to jam over.

Buy 2 copies for twice the fun, this record is a must for beat jugglers and scratchers alike! Much like the man himself, Jammy Fader Breaks is a beast with something for everyone!

Artwork comes courtesy of Woodwurk Records head honcho DJ Woody, bringing to life some of the suggestions made by JFB fans as to what the letters of his name really stand for.

• Produced by 3x World DMC Champion turntablist JFB.

• Skip-proof scratch phrases, drumming phrases, 133.33bpm juggle beats, full sentences, instrumentals, routines and lock grooves.

• Features hundreds of unique battle samples from JFB’s own collection, including vocals by Beardyman.

• Perfect for battle routines, freestyle scratching and juggle practice.

• Artwork by DJ Woody

• Black vinyl

Blanc Manioc present NYAMAKALA BEATS N°3 their third compilation, and frst-ever vinyl release, due in the spring of 2022.
The label, once again, brings together its extended global musical family - Cardozo, La Dame, Asna, Mc Waraba, Praktika, Aunty Razor, Sheitan Brothers and Pedro Bertho. Blanc Manioc also showcase new family members - Sly A10, Chabela, Pangar and AnyoneID. Rising starts of Abidjan, Oyoki Onanayo and Stelair, and South African heroes, Aero Manyelo, Shujaa Bora, Pulo N'Dj and Mc Swordman also join the family with contributions to the release.

Running parties, festivals and courses in Abidjan (Le Maquis Electroniq), Blanc Manioc pioneer extraordinary talents between Africa and Europe. As well as presenting their frst vinyl release, Blanc Manioc will launch "Blanc Manioc party” this year, a live event following the "Nyamakala" principles (Nyamakala" means "the antidote of evil” in Mandinka) curing the people through dance.