House Новости

Repress 2017 Anniversary Reiissue of this Oizo Cult Classic EP Tracks

Tiga follows mega-hits Let's Go Dancing and Bugatti with a massive Boys Noize collab

It's been a long time in the making. From their early days as label-mates on the legendary Gigolo records, these two dons have remixed each other, DJ'd back-to-back, even worked on the same motion picture together (Ivory Tower), but not until now have they teamed up so completely, or to such devastating effect. On the eve of BNR's 10 year celebrations, where the two will headline a series of 6 shows together, Turbo proudly presents '100.'

Both producers come through clearly: the slamming drums and acid Boys Noize has so thoroughly mastered, the clever vocal hooks, catchy basslines and ravey breakbeat flourishes that are the feathers in Tiga's boa - the best of both artists are brought together here, with a distinct nod to their electro roots. It's an immediate winner, asserting it's sonic prowess through a flawless arrangement, confidently proclaiming it's perfection in a slick, round triple-digit. One-hundred.

The magic, as in Mind Dimension, Let's Go Dancing, or Bugatti, is for packaging true pop into a compact, techno power-punch that leaves underground cred intact. Both Tiga and Boys Noize are outstandingly versatile DJs who consistently yearn for something more than the obvious tropes of EDM, embracing extremes, fitting in the esoteric, being connoisseurs of a multitude of micro-genres of electronic music. 'Jam #1' is an ode to these low-slung techno roots, a stripped-down bonus beat that lays down the law of the drum machine, and sets the stage for the forthcoming '808 IRAQ' pulled from the same Berlin studio-session, to be released on BNR

Another collaboration is on deck as 017 from Hakim Murphy and HEAR. Dream Scoring is up with a three track 12” titled Cinematic Panoramas. These tunes create different feels; two that are more straight up dance tunes and one with a flipped out disco vibe. This is the second 12”, following up the psychedelic Image of a Myth on Naissance Music as they continue with their moments of time scoring theme.

Repress

Brooklyn-based musician, producer, and DJ Peter Matson returns to Bastard Jazz with a dance-floor ready 12" and digital EP, "The Right Way." The EP builds on Peter's 2019 release for the label - "Short Trips" - as well as his work as the bandleader for Underground System, and a slew of other solo and collaborative projects over the last two years.

Working from the ground up to produce a batch of 3 original tracks, Matson takes his sensibility as a DJ and musician and blends them into an unique whole, crafting sprawling arrangements into club-ready productions. With overall recording quality and ear for detail taking center stage, "The Right Way" boasts an impressive list of musical collaborators including a standout A-side feature from Ibibio Sound Machine's vocalist Eno Williams on the Afro-Disco workout "Call and Answer." Two beautifully conceived instrumentals on the flip-side dip into slow burning Italo ("The Right Way") and Balearic ("PB (Ça Va)") territories, while the UK duo Faze Action helm remix duty, pushing "Call and Answer" toward their signature Afro-meets-ProtoHouse & Disco vibe.

The EP weaves Matson's affinity for club music with the African influences for which he is known, culminating in a release that is both genre-bending and timelessly danceable. "The Right Way" is out digitally on Bastard Jazz Recordings February 25th, 2022, with the 12" to follow shortly after.

Artesian Sounds' first release in 3 years comes from Scissorwork. Lots of summer hit potential with house / pop crossover A Hundred Years, plus more functional tunes on the B side. B1 Flourishes is a leftfield bassy cut that works great as a warmup tool, and B2 Identity Crisis features peak time electro vibes.

Scissorwork was one of the first big names in the lo-fi house scene, having taken a break to find his sound over the past years, he returns with a matured sound that borrows from multiple genres with constant crossover appeal through his knack for earworm melody and composition.

Artesian Sounds returns from a similar hiatus, with label heads Aleksandir & Emre Can Swim having taken time to work on their own musical project over the past years. However, with 3 releases planned for 2022 already feauturing updated branding & artwork, new artists and exciting remixes, the label is looking to expand drastically.

We have really enjoyed the launch of our Dirtybird White Label series. So far this year we have been able to release some outstanding records across a wide range of genres.

Up next, the eclectic sounds of the series continues with an extremely talented LA producer, Danny Goliger. Our friend Justin Jay who also helped kick off the entire white label series, turned us on to Danny's music.

Danny weaves a tapestry of sound, vibes and emotion across four pieces of unique, left-field electronica. We love it.

Infinity Plus One is neither a man of big words, nor a man of massive musical output, preferring to remain low-key. The tracks finally presented to you on this EP are bold and bare a distinct character of their own. The opening track "Struggle Is A Constant" is energetic and probably more current than ever, whilst tragically soundtracking recent pandemic times. „Suburban Subversion” remains airy and dreamy as an A2 follow up. The B-side then picks up the pace with "Connected", before the “9th Gate” works towards a gentle and jazzy finish. These four tracks were carefully selected from Infinity Plus One's creative period between 2001 and 2005. They display a diverse repertoire of sounds from the London based artist, whilst at the same time also expanding the soundscape of our Molar label. Thank you for your support, we love you.

Repress!

With all that has happened in 2020 and 2021, music continues to allow me to focus on only that as I create it. It helped me get through this pandemic".

Jon has brought to us yet again, a one-of- a-kind EP. This EP features the unique vocals of Detroit's own Moodymann and Britt Frappier. It also features the smooth voice of Jazz singer Sarah Elizabeth Charles. Kasan Belgrave, son of the late great Marcus Belgrave, keyboard genius Ian Fink, Detroit Hip Hop guru Darrius Quince, and minor INVENTION are also featured. Dig deep into this music as every rhythm, word, note and chord was created only as we know how in the D!

sehr fetter Track..... mal wieder ne dick Submental...

This Song can electrify dance floors! Elbee Bad goes back to his roots, to the early development of House Music in the 80's and makes it sound absolutely fresh and contemporary. After he already appeared in collaboration with Netto Houz on Knuggles Recordings, we now feel very honored and excited to release a full 12 with exclusive new material by the Prince of Dance Music.

War Island OST is the soundtrack to this complex and wide ranging anthology of artwork by the multidisciplinary artist GAIKA. It is a concept piece to be released as an international collaboration between GAIKA's own label TSE, NAAFI from Mexico City and, SVBCVLT from Shanghai

New artists on Toy Tonics! gome are an organic disco duo from Hamburg. Two guys that make good mood disco inspired by the 1980 Italo and Munich Disco vibe and share an addiction to gourmet food. Positive vibes, rolling grooves, catchy melodic bits and vocals and a lot of musicality.

The guys come from Hamburg where they keep strong connections to the other Hamburg disco artists (Erobique, Session Victim..) as well as to Germany’s leading skate crews Cleptomanicx and Lobby.

For one track of the EP they invited one of Germanys most interesting underground rap artists to do a german hip house tune: Tightill. Funkiest guy from Germany on a mic.

gome add a raw energy to the currently growing house vibe. A live energy that real house music enthusiasts might have missed far too long. With an all-hardware / no-computer setup, their sound would best be described as honest and rough Live-House and Disco-Funk. Infused with elements of soul, boogie and synth-wave. Deliberately moving away from clean computerized music, the two musicians regularly pull out their instruments and play live in front of a club audience. Soon hopefully on Toy Tonics Jams worldwide.

Deutsche Pressestimmen zu All Encores:

"Die Encore-Trilogie wird zum Album erhoben- und das mit Recht!" (Groove)
"Perfektes Release für goldene Herbsttage." (Groove)
"Angenehm facettenreich" (Rolling Stone)
"Buchstäblich Audio-Balsam" (Audio)
"Wunderwerk" (Flair)
Zur Feier des fünften Piano Days erscheint Nils Frahms All Encores Serie als 3-LP Set. Lag der Fokus von Encores 1 vor allem auf akustischen Klangwelten - Soloklavier und Harmonium standen hier im Mittelpunkt -, woraufhin Frahm für Encores 2 verstärkt auf Ambient-Texturen setzte, konzentriert er sich mit Encores 3 in erster Linie auf die rhythmischen und elektronischen Aspekte seiner Musik. "Die Idee zu All Encores hatten wir genau genommen schon vor All Melody: Nämlich drei Veröffentlichungen zu machen, von denen jede ihren eigenen musikalischen Stil hat und ihr eigenes Thema. Wir hatten daher zunächst sogar an ein Triple-Album gedacht. Doch dann wurde All Melody immer größer und verdrängte diese ersten Konzeptideen", kommentiert Frahm die Entstehung. "Ich denke, die Idee von All Encores ist gewissermaßen mit klanglichen Inseln zu vergleichen, die All Melody einrahmen."

With a name like Sleep D one might mistakenly assume that this Australian duo produces mid tempo sounds to drift away on. Greasy Beats and Blobs Vol. 1 proves otherwise. For their inaugrual appearance on Cocktail d’Amore we find a selection of warped and slippery sounds mounted onto a skeleton of body shaking rhythm. Phantom opens the record without hesitation launching into sci fi soundscapes and electro inspired beats. Airbags feels like anything but a safe landing as it shape shifts during its runtime without ever losing its sense of urgency to dance. On the B-side we are offered up two very different pieces of electronic bliss. Screw Drive does exactly as the name implies as the incessant bass line digs deeper into your mind and drives you out into the middle of nowhere as lush pads evolve Into burst of cosmic radiation. Young Street perfectly closes the selection with a meditative embrace filled with micro sounds floating in and out of the stereo field urging you to come back down to earth.

R.A.N.D. Muzik Recordings bring back their yearly 24.12
compilation, this time featuring Roza Terenzi, Lou Karsh, Qnete
& New World and Jacques Torrance

Nightcrawlers is a Scottish house music project, assembled by producer, DJ and vocalist John Reid. In 1992, John Reid formed the act following his local success as a DJ and vocalist. It was 1995 when he released his debut album, which was titled after its lead single. Two singles of the album reached the UK Top 10: “Push The Feeling On” and “Surrender Your Love”, plus three singles that reached the UK Top 40: “Don’t Let The Feeling Go”, “Should I Ever (Fall In Love)” and the lead single “Let’s Push It”. The latter became an overnight success, peaking at No. 7 on the US Hot Dance Club Play charts and briefly crossing over to pop radio, peaking at No. 80 on the Billboard Hot 100. “Push The Night Again” gained new spotlight recently, when Nightcrawlers together with Riton scored a worldwide#1 hit with “Friday”, which is a remix of the track.

“Push The Feeling On” was then remixed by Marc Kinchen, an American record producer. He stripped down the song to edited vocal samples, creating an unusual sounding track “The Dub of Doom Mix”. Reid released an album containing all six singles he had previously released, using the single “Let’s Push It” as the album’s title. Marc Kinchen once again worked closely with Reid, repeatedly remixing tracks to his trademark sound.

People Plus are CZ Wang and Joli B., signaling from a studio and or Hut in some remote location. Their debut EP consists of three trips into time in just as many styles.

Side A belongs to 'Olympus Mons', a song as big as the mountain its named from. Snake charmer synth lines and vocal roars backed by the baddest rhythm section in a while... wait for the solo! The B side holds 'Work It Out', with broken 4-off-the-floor drumz and revving echo effects. taking the coveted B1 spot is the always dancefloor smashing 'Second Cycle' - A verified banger that opens up with ground shaking acidish filter bubbles, and closes somewhere way up above the clouds.