House News

Three accelerating disco jams for different stages of club rampage!

I Lost My Poncho In Istanbul presents to you a fresh release between stars originated on far away galaxies that collided when settled for a few weeks in Berlin. This rare encounter brought to life Moisk.

Moisk is a collab between the talented Vilnius based Pletnev (also known as Ponty Mython) and the Mauritian brave globetrotter Fourmï Rouz. In this debut EP they go deep on the acid rhythms and soundscapes with a post apocalyptic and obscure electro tracks.

Gazing at the stars is looking at the past. The galaxies send you messages from thousands of light years away. That overwhelming feeling is present on Free Andromeda by Timothy J. Fairplay. An album grounded on earth while floating through eternity with a loose connection to the Milky way.

This nine-track record is, as always with T J. F. a delicately balanced mix between dark and light, analogue and digital, vast space and tight basements. With an impressing collection of premium synthesisers and drum machines, TJF showcases some of the most exquisite electronically generated soundscapes heard on this side of 1984. His sound on Free Andromeda can be described as leftfield inspired by various John Carpenter- and Italian horror movie soundtracks together with some West German Kosmische Musik.

Thimothy J. Fairplay, somewhat of a veteran on the label, makes deep and warm electronic music celebrating underground sounds from the last five decades. This album is no exception. For all you introverts dreaming of a life in the starshine – here’s Free Andromeda!

STRWB005 brings a collab EP from producers, Duowe & Picasso. Collating their influences from across the UK's noughties house & tech house scene, they have delivered 4 eclectic tracks which would sit nicely in any avid diggers bag, and slots in perfectly with the ethos of the Fraise Records outfit.

Anjuna Niv enters the world of Offen like a magic influence making everything happy. Soundtrack of mistakes from a truly psychedelic realm.

WAREHOUSE FIND

Nick The Record & Dan Tyler return with the fifth mission...

Hardly surprising these celebrated EPs are consistent best-sellers and enduring staples in any expertly packed crate.
Always built for the floor, and assembled from the finest secret ingredients, not to mention thoroughly road-tested - Record Mission drops another essential EP !

Sprung Disco bass work, dubbed out arrangements, tough rhythm sections and more funk than George Clinton's sparkly tour socks.

Enjoy! .

DGTL Records hits close to home with their latest release 'Dancing Glass Figures' by De Sluwe Vos. The dj/producer has been affiliated with DGTL since the beginning, as he played at numerous of their festivals from day one. So it was only a matter of time for De Sluwe Vos to release his music on DGTL's label. With Dancing Glass Figures he delivers a strong 4-tracker that is truly hard to resist. De Sluwe Vos has been making waves lately, not only with his steady sets but also with his own label Patron Records, which has seen a string of well-supported releases since its launch. Never Know, the first track of the EP, takes no prisoners, as this straight-up banger with the hard-hitting synth line keeps you captivated throughout the entire track. The repetitive vocoder vocals give the track a spacey touch, especially during the break. De Sluwe Vos teamed-up with fellow Amsterdammer Sjamsoedin, who's known for his exceptional synth knowledge and hard-hitting live-sets. Together they produced a strong lead track that you will definitely get to hear a lot on the dance floor.

Fast rolling drums and a dreamy warm synth lure you into the title track Dancing Glass Figures. But don't get too comfortable, halfway into the track you will get a sturdy surprise, which only makes the track more interesting, while taking you back to where it all started at the end of it all.

Moving on to the B-side. Sophisticated Topless Raver is mesmerizing, with an intriguing and hypnotizing melody that comes and goes throughout the track. Bringing in some hard claps and an eerie laughing vocal, this track for sure is one for the later hours.

Bambounou has the honour to close-off the EP with a remix of Sophisticated Topless Raver. The French dj/producer, who's been on everybody's radar this past year, slowed down the original version and added a sleazy bassline, synth stabs and extra percussion, while keeping the melody and the vocal. Making the track just as enticing as De Sluwe Vos' version.

As for N2MU’s 7th reference Delayscape has drafted the most mature album of his career: 8 heterogeneous landscapes made of Electro, Synth and Acid to pay homage to the futuristic aesthetic of the scifi series of the 70’s.

The mix features an introduction by Wesley Joseph and exclusive tracks from friends and collaborators Skee Mask, Or:la, Gaunt, Avon Blume and Ehua as well as the playful and energetic new track from Vynehall himself 'Sugar Slip (The Lick)'.

Vynehall effortlessly traverses across genres from spoken word and ambient, to breakbeat, gqom and afro-house.

"The output of fabric's label holds a special place for me. During my teens into early twenties the musical landscape I was exposed to broadened, and my taste diversified greatly; going to shows, making music, and swapping new finds with friends. fabric had a huge part to play in shaping what I heard and was exposed to via their mix & compilation series. The first two I heard were Swayzak's 'fabric 11', and James Murphy & Pat Mahoney's 'FABRICLIVE 36'. Both these CDs helped open the door to a wider palette of sounds. Not only did I delve deeper into the compilations post & prior, but I learned about what I enjoyed when it comes to DJing - dynamics. That was the aim of my entry into the fabric discography. A dynamic mix with a cohesive sonic narrative running through it with the club in mind. I feel incredibly lucky to be putting forward my take on something that helped to shape how I approach what I do when I DJ."

Leon Vynehall will be taking over fabric for a personally curated night of live music and DJs on Friday 8th April 2022.

We are still moving...as well as the music. As we have to deal with new realities in an altered world, the musical expression still has to find a way to the people. That's the mood behind the first Life Recorder ep on Life Notes. Another deep house/techno exploration always connected to the timeless influences through emotive pads, tones and driving rhytmical elements.

Pure Techno. Tribal and dancefloor, very inspired by the Prime/Primate, and a fat sound for the bonus.

Stone-cold classic – the ultimate Studio One tune and the ultimate rhythm & blues/soul to reggae cut as Dawn Penn vamps on Bo Diddley, Willie Cobbs. Floor-shaking, speaker-busting SEMINAL tune!
The original Studio One CLASSIC Dawn Penn's soaring hypnotic vocal cut 'No, No, No' first time ever on 12"!

Super loud and with a killer dub version on the flip!

8th from London based “Art Of Dark”. 4 fresh cuts from Jack Keo.

Repress 2017 Anniversary Reiissue of this Oizo Cult Classic EP Tracks

Tiga follows mega-hits Let's Go Dancing and Bugatti with a massive Boys Noize collab

It's been a long time in the making. From their early days as label-mates on the legendary Gigolo records, these two dons have remixed each other, DJ'd back-to-back, even worked on the same motion picture together (Ivory Tower), but not until now have they teamed up so completely, or to such devastating effect. On the eve of BNR's 10 year celebrations, where the two will headline a series of 6 shows together, Turbo proudly presents '100.'

Both producers come through clearly: the slamming drums and acid Boys Noize has so thoroughly mastered, the clever vocal hooks, catchy basslines and ravey breakbeat flourishes that are the feathers in Tiga's boa - the best of both artists are brought together here, with a distinct nod to their electro roots. It's an immediate winner, asserting it's sonic prowess through a flawless arrangement, confidently proclaiming it's perfection in a slick, round triple-digit. One-hundred.

The magic, as in Mind Dimension, Let's Go Dancing, or Bugatti, is for packaging true pop into a compact, techno power-punch that leaves underground cred intact. Both Tiga and Boys Noize are outstandingly versatile DJs who consistently yearn for something more than the obvious tropes of EDM, embracing extremes, fitting in the esoteric, being connoisseurs of a multitude of micro-genres of electronic music. 'Jam #1' is an ode to these low-slung techno roots, a stripped-down bonus beat that lays down the law of the drum machine, and sets the stage for the forthcoming '808 IRAQ' pulled from the same Berlin studio-session, to be released on BNR

Another collaboration is on deck as 017 from Hakim Murphy and HEAR. Dream Scoring is up with a three track 12” titled Cinematic Panoramas. These tunes create different feels; two that are more straight up dance tunes and one with a flipped out disco vibe. This is the second 12”, following up the psychedelic Image of a Myth on Naissance Music as they continue with their moments of time scoring theme.