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House Vinyl Neuheiten & Releases - News
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repressed !
Lake People's Point EP outlines the idea of an album and manages to unfold a climax. While the opener 'Point in Time' delivers a playful, floating-hypnotic depth, 'tipping point' chills the dance floor with a relaxed groove. The B-side shows a much darker character than his previous releases. With unconventional sound-frameworks it oscillates between electronica, ambient and IDM. The ethereal melancholy that Lake People promised gets richer and is taken to another level. He created a liaison between the A and B side, which each stand for themselves, but are connected by their soft, rounded aesthetic appeal. In addition to the recently released remixes for Kollektiv Turmstrasse, Nico Stojan or Here is Why, the Point EP demonstrates the great diversity of styles pursued by Lake People.
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LIMITED EDITION WHITE COLORED VINYL!
For our 4th vinyl release we are thrilled to welcomeTHE SCUMFROG for the first, but for sure not last release on WONNEmusik. The result is the next release on the black gold.
- CHEMIQUAMOUR" comes with a Remix from our homebased Label & Booking act MOE FERRIS. As a friend of WONNEmusik the 2nd remix of this great Vinyl comes from DJ & Producer Team MINOTOR and the 3rd comes from incredible AMANIC on this white colored Vinyl!
We think you'll agree, that we delivered an absolutely fantastic release for this winter season, so it's your turn to dance to CHEMIQUAMOUR on the Dancefloor!
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The Next Release on Organic Music Features the Deep House Project "Chasing Kurt" from Frankfurt. brought to life by the producer team Pascal Blanché and Wojtek Kutschke featuring the heartfelt lyrics of polish soul crooner Lukas Poloczek.
After rocking the house at Kater Holzig last week-end , we are very proud to present you their 3 last original tracks.
To Complete the Ep, A simply awesome remix from Jef K, whose on fire right now !!!
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Summer 2018 sees the beginning of the mysterious TZU series. The first in the series boasts 4 heavily swung cuts delivering deep textured grooves designed strictly for the dance floor. No names, no nonsense, just quality underground sounds.
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Rube Goldberg Series begins. We have selected some of the finest talent from across the globe for our first release.
Volume One delivers four unrelenting groovers; individually flavoured, each artist brings something fresh to this overall consistent collection of tracks. Intricately complex in their creation, yet ultimately these tracks perform a simple task, much like the machines of the late R. Goldberg.
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The Cyclist produces, what he has termed, "Tape Throb", musical excursions into techno dance that echo the production techniques and warm sounds of the electronic pioneers, taking his cues from the likes of Throbbing Gristle and Boards Of Canada. His releases to date on labels like Stones Throw, All City Records, Music Is For Losers and Crash Symbols have seen him rack up four full length albums (including under his Buz Ludzha moniker) with plenty more juice in the tank, as his debut on Hypercolour attests to.
"Pressing Matters" harks back to the golden age of breakbeat, bendy synths and pliable bass smack in the face of brain melting breaks, delivered with energy and a very authentic touch. A hugely unique sound and without frontiers, it's a cut that will cross genres with ease.
Robag Wruhme never fails to disappoint as a producer/remixer, his purple patch seems to show no sign of letting up, with releases on Pampa, Kompakt and remixes for Stimming, Alter Ego and Paul Kalkbrenner. His remix of "Pressing Matters" masterfully flips from its breaks origins into a twisted four to the floor belter, with grandiose touches and church like organs giving it a spiritual spin.
"Back In '92" will indeed evoke memories 24 hour pirate radio output and raving in fields, and for those who weren't there first time around, it's a cut that's as fresh and vital sounding today as it ever was, with light piano riffs and melodious keys over the choppy drums.
Featuring the vocal talents of Tanaya Harper, "Push" closes the EP in fine style, intricate drum patterns and rolling snares jar against the ethereal vocal performance and brooding synths, a quintessentially British type of production and one that treads similar territory to Jamie XX's recent pathos to UK rave culture.
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Nun weilen wir mit unserem Festival bereits das 6. Jahr an einem der schönsten Strände im Osten der Insel Rügen, genauer gesagt in Prora. Das Tag Am Meer ist ein familiäres Festival bei dem jeder willkommen ist. Bunt ist deshalb auch die erscheinende Vinyl. In der vierten Version kommen die musikalischen Beiträge von Tagträumer², Stephan Zovsky & Dan Cero sowie Dominik Häring und Steve Cole feat Lara B.Von Deephouse über Techhouse bis hin zu minimalen Klängen erstreckt sich ein breites Spektrum welches sich auch beim Festival am Meer wiederspiegeln wird.
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Both Anil Aras and SlapFunk Records got raised in the middle of the Netherlands in Utrecht, we managed to come to some amazing places with our music but we will never forget were we came from, Utrecht is in our blood and this release is a tribute to the place we will always love. Four tracks ready to shake the ground under your feet, with a breaky remix by Malin Genie..
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'Katalox' is Christian Jay's second 12" for Idle Hands, following on from 'Contrail' in 2016. That release made its mark with a distinctive blend of swinging UK Garage and a deftness of touch usually associated with the best minimal techno. A sound befitting this former Bristol resident and now Berlin dwelling artist. This new 12" picks up where the last one left off. 'Katalox' is propelled by a crunchy, understated breakbeat. 'Del's Kicks' is the more meditative cut.
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As the wind whistles through your hair, everything passes you by in a blur. Faster and faster you go, faster and more terrifyingly into the abyss you fall. You scream with a mixture of panic and joyful abandon half wanting this to never end but knowing that it will anytime now: a smile creeps across your face. And as it ends, you breathe a sigh of relief, wistfully remembering with powerful emotive accuracy before hurriedly joining the back of the queue for another go - after all, it's just a ride. Life is very much like the 'Blitzbahn'. It goes up and down, round and round and for much of the ride, we never know what's going to happen. Here on his fifth studio album, Oliver Schories explores all the fun of the fair across 13 expansive cuts that showcase his incredible knack for straddling that House/Techno mid-point with consummate ease. Some artists take years to craft their albums, agonising over every detail before, frustratingly, deleting the whole project and starting again. Oliver, however, is as prolific as he is confident of his ability to construct the kind of dance floor bombs that have helped him to build a significant head of steam in the underground.
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Moustache Homo club series one [MST035] Moustache Records goes undercover in the underground S&M gay subculture of Rotterdam City to catch a serial killer who is preying on gay men, she-males and trannies. To catch this notorious serial killer the Dutch goverment hired the most serious guys. David Vunk with his cult classic Hetero girl (six lines of speed version) btw pulling the trigger is his middle name. Then the Macgyver in breaking into everywhere BRZ with his oldskool modulair techno track with top notch Jungle Brothers samples that remind me of Guy Tavares or Unit Moebius called YOKO 01. On the flipside we have| Parasols with the track Exort he's the man waiting in the car and the man who will take care of all things later, is Dax Jax with a Parkzicht classics vibe pumping 90-ies track called MaDMAn. One thing for sure, we will get the fuckker.. and leave his last parts to the piggggs..... various artists.. electro techno nowave classics dont sleep on this..... limited copies!
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Le Louche's track selections are a result of his never-ending search for finding the perfect grooves that soothe the soul.
He aims to synthesise his musical influences to create the type of music that he appreciates the most: groovy basslines and deep synths tied together by a shuffling house beat. His first release on vinyl on Daydream perfectly exemplifies this.
The French duo Dixia Sirong pays tribute to the Singaporean Velvet Underground club, where they first discovered and experienced the power of House music. Their eclectic inspired sound is placed between hard bass grooves and tranquil wavelength. Both producers process aims to merge harmony, rhythm and texture into a unique way of composing and shaping their vibe.
Limited copies and no repress!
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French label Meant serve up another EP from their fast rising Montreal based duo Vosper. Made up of Edouard Le and Christopher Byron, the pair excels in analogue funk, have also released on Throne of Blood and here get remixed by Items & Things man Marc Houle. Taking some of their cues from the likes of Drexcyia and Mark Bell, the duo have a sound somewhere between darkened Techno and physical EBM.
The title track 'Losing Control' is a raw and stripped back bit of house music with a taught bassline, eerie robot voices and plenty of industrial grit and grime in the textures on offer. It's heavy warehouse music but retains a great sense of dynamism before 'Kabuki Playboy' lays down a rich, rasping bassline and has various shooting synths dance all around it. The claps are metallic and grainy
And the mood is one you'd find at a deserted industrial estate in the dead of night. 'Isolation' verges on electro with again a gnarly
Bassline and great sense of wide open but futuristic space. A clatter of hits and spaceship like synths all circle round the groove and it's another hugely evocative track.
Minimal techno master Marc Houle then remixes 'Isolation' into something with more echo and menace buried within. It's a subtle
Rework but one that makes the track that bit more fearsome and moody. First digital bonus 'Oni' is a sparse affair that relies on its alien Voices and spaceship like sounds to craft a very real atmosphere and ambiance where robots and machines rule the roost. It's crisp
And analogue, slyly funky and seriously heady. The second digital bonus is a remix of 'Kabuki Playboy' by Monoblok & PSLKTR that
Gets even more heavy and physical with ripping bass notes, dumpy kick drums and serene, searching synths subtly lighting up the backdrop. This is a fine EP that really takes you to another world entirely thanks to the studious production and great sense of mood throughout. As such, Vosper are very much a duo on the rise.
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great support Ricardo Villalobos, Richie Hawtin, Mathias Kaden, Onur Özer, Dubfire, Laurent Garnier, Sis, Raresh, Nick Curly, Karotte, Tim Green, Konrad Black, Matt Star, Frank Leicher, Marczin Czubala, Paco Osuna, Mirco Violi, Nekes, Federico Molinari, Robert Dietz, Matt Brown, Gel Abril, Jacuzzi Boys, Agaric, Someone Else, Bloody Mary, Hugo, Dan Drastic, Marcel Janovsky, Piemont, Anthony Collins, Axel Bartsch, Luke Solomon, David Keno, Nicolas Duvoisin, John Selway, Gruber & Nürnberg, Toni Rios and many many more
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Francis Harris is a founding member of the Scissor & Thread label - a Brooklyn-based imprint established 2011 as an outlet for deeper, more personal sounds, as well as music from a range of associated artists including black light smoke, Bob Moses, Frank & Tony, DJ Aakmael, Desert Sound Colony and Aris Kindt, to name a few. Harris' own output has gone from tightly wound tech house cuts as Adultnapper in the early days, sublime deep house as Frank & Tony, intricate and expressive musical journeys as evident in his two solo-albums 'Leland' and 'Minutes Of Sleep', and ambient shoegaze with two Aris Kindt albums, co-produced with Gabe Hedrick. Most recently Harris branched out with a new label - Kingdoms - a home for his love of a more adventurous sound. Now we are proud to present his new solo single, the first since the release of 'Minutes of Sleep', 'Minor Forms'which includes two remarkable remixes by Valentino Mora. 'More We Cannot Do' is a perfect example of Harris' feel for depth and dynamics - a track that feels submerged in a warm amniotic fluid cocooning the listener in a thick subby bassline, providing much of the groove, with skittering percussion on top and intricate fragments of melody throughout leading to a wonderful moment with live vibraphone provided by New York player Will Shore. 'Minor Forms', the EP's title track is cut from similar cloth - emerging from a subtly distant place to inhabit a melancholic, beautifully evocative space - somewhere between ambient, jazz and the dancefloor. Joining Harris is Greg Paulus on Trumpet, a long time friend and collaborator adding his signature touch to an already moving piece.
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After his separation from Playhouse in 2007 and the rather longish break that followed it, it looks as if Isolée has finally found their new homebase with Pampa Records. Evidence of this may be found in such unprejudiced tracks as 'Taktell", a single extracted from the album 'Well-Spent Youth' . As is tyical for Isolée, it defies any clear-cut genre classification and creates its very own harmonic setting, merging associations of pop, house and distant landscapes into a unique sound voyage. Now his second EP on Pampa is being released, and 'Allowance' doesn't leave an inch of a doubt where the road is headed. Without making any concessions to the needs of a DJ, from bar one the theme is being introduced in all its inherent necessity and then continually established until a seemingly worn-out, mainstream, pop autotune voice settles upon the cosy bass bed just like a cherry on the cake. We haven't known Isolée anywhere near as free and poppy in a very long time. A more mix-friendly version of the track will be available for digital download. 'You Could Do Your Memories' lures the listener away into a daydream, as if he suddenly found himself in an unknown place at a new-wave party that cannot possibly have happened the way it did. 'Wobble", on the other hand, leaves only few questions unanswered, the party definitely looks familiar, and just when we reach that point where the funk motif resulting from the fusion of bassline and chords is threatening to wear us down, we are being released.
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limited marbled white vinyl pressing!
Movida präsentiert 2 Remixe des Tracks - La Movida' den es im Original auf dem dritten Teil der Compilation (Movida010-3) zu hören gab. Auf der A Seite findet ihr einen sehr deepen und spacigen Techno Remix von Wigbert (Sono Vivo / Levelnonzero), der dem ganzen seine eigene Note dazu gibt.
Auf der B Seite ein klassicher Dub Remix, den es bewusst nur für Vinyl Liebhaber geben wird, der sicherlich seine Anhänger finden wird.
Movida Records presents 2 remixes from the track 'La Movida' which was original released on the part 3 of the compilation (movida010-3).
On the a-side you have that remix from Wigbert (Sono Vivo / Levelnonzero) which is a very deep and spacin' trip to the next dimension.
On the flipside you have an classic Dub Remix which is done exclusive for all vinyl lovers and will not be released digital.
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After his amazing summer release "Gimme some muah" on Brise records (with support from Sven Väth, Marco Carola and Loco Dice) Mirco Veitengruber strikes back with his next house bomb on Movida records. On B1 you'll find a trippy Basti Grub Remix, who had releases on Desolat, Cocoon Recordings (Compilation J) and many other well-known labels. He gave that track his special Grub-esque note. And please check also A2....cause we really like Dave - our good friend and a very good dj - with his first production ever !!!Supported and played by : Reboot, Nick Curly, Richie Hawtin, Brothers Vibe, Mirco Violi, Meat, Jacuzzi Boys, Ilario Alicante, Hugo, Soemone Else, Ivan Smagghe, Monika Kruse, Daniel Mehlhart, Kaisedisco, C-Rock, Paco Osuna, Pascal FEOS, Abnormal Boyz, Luc Ringeisen, Franksen
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ZTRL continues our journey with the warping of frequency and a magic touch. His productions invite you to dive from high up in the spectrum and into the lowest depths. Take a breath below the wave as you brush against the texture and rhythms he creates, as though you are invisible and central in the sound. Soft harmonies tickle and sneak around the core, holding you in fascination and thought.
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The Song Says - Bruno Pronsato´s label restarts after 4 years of hiatus with a Vinyl Version of his seminal "Lovers Do"
It's been fours years since the original release of Lovers Do. For the first time now finally released on vinyl. In the meantime he's kept very busy--primarily with side projects. First there was Others, his experimental house outfit with Daze Maxim. Then came Public Lover, his duo with the French artist Ninca Leece that debuted last year on thesongsays (Bruno's label). He's continued to join forces with Sammy Dee as Half Hawaii, playing live shows around Europe and putting out tracks on Perlon and Diamonds & Pearls. As half of the duo Ndf, he coproduced Since We Last Met, a single that marked his debut on DFA and landed in Pitchfork's top tracks of the year. But while he was juggling all these different projects, one piece of music was slowly taking shape: his third and most immersive album, Lovers Do. Like much of Bruno's work to date, Lovers Do is experimental without being snobby--or to use his own term, accidentally avantgarde'-- but this one takes it further than the others. It has a looseness that's truly rare in techno, scrapping formulaic verses and breaks, it winds along like an abstract sketch, guided by intuition instead of logic. Some songs are fraught with nervous tension, others are soothing and rich with detail, from dappling rhodes to orchestral swells, jazzy drum fills and wet hand claps. Human voices swirl in and out of the mix, serving only to make things more surreal. Many of the tracks stretch well beyond ten minutes, one bows out after less than three. The album overall is delicate and subtle, but it also features Bruno's best club tune in years, the eerie and delirious Feel Right.' Brian Eno once described his own
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Conceptual Records presents you its third vinyl only release Univers Parallele written by a music producer from Canada, Montreal Claire. Inspired by her tour in Europe in 2016, Claire finally embodies her absolutely cosmically sounding ideas in three original composition: Pyjama Jazz, Sometimes I Turn Into stars (on side A) and Parallel Dimensios ( on side B) , in which she uses futuristic sounds, analog drum sections, deep bass, jazz sections from the 30 s and her own vocal. The last track of this release is a tribal dance mix from a talented modern musician of romanian origin living in Ibiza Plusculaar (on B2). Mixdown and mastering by Pheek. Covert art from Djack Arta a moldovian artist. Plunge into the fascinating musical journey to a parallel universe with Conceptual.
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Not content with already steering the Vigenere and Oscillat labels and appearing regularly on Will & Ink and Lazare Hoche, Malin Genie has launched his own self-titled label as a vessel for his most intriguing twists on the house and techno template. The record strides in with the tracky tones of "Hypothetical Island Of Stability," a feast of micro pops and squiggles strapped to a rock solid beat. "Fudeoroshi" is more overtly minimalist in nature, using the barest of ingredients to make a potent dancefloor cut. "Bulbocavernosa" opens up the filters and lets a little nasty acid fun and games into the mix, and then "Mer Neith It Es" rounds the record off with a soaring slice of melodic, deep techno that stands confidently apart from the rest of the tracks.
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To coincide with their 8th year, Toitoi gear up for their biggest release yet with Ricardo Villalobos & Argenis Brito teaming up under 'Pol & Pox'. 'El Malekon' kicks things off in typically trippy fashion with loose percussive groove and a subdued bassline line whilst disembodied vocals swirl in and out of the mix. 'Rikileaks' conjures up more aquatic joy, this time with a more pronounced male vocal being the centre point to another beautifully meandering 11 minute ride.
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Inspired by the early white label house music releases.
Vinyl only, limited copies, no digital promotion.
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Dighop is back with another club bomb release. On this one we have two acid rollers by Emerging UK artist Josh Baker. On the other side, Javier Carballo lays down a heavy hypnotic track with some dope atmosphere. Enjoy the flight !
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Another outstanding release on Andromeda, vinyl only!
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PRFY 002 features four acid centered tracks by Purify Records co-founder and longterm Goethebunker resident Cramp. The first solo EP of the german DJ and producer features four crafty club cuts suitable for a versatile range of settings. Acid, Techno, House, Dub - it's all in there. Don't sleep on this one!
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Our second vinyl release 'Apus La Cariera' comes from Mihai Pol and it is an organic reinterpretation of the musical influences that Mihai gathered and perfected him as an newly emerging artist.
TRCKV02 is harmonious flared release with sounds pitching having been placed in a frenziedly yet smart allegory, only to create a well rounded three track release. 'Apus La Cariera' follows a mystical allure to its journey, whereas 'Raw' is more of an unpolished track, especially aimed to be a rough piece of the release. 'Prepareu' on the other hand intrigues the B-side with an uneven story to tell.
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Indigenous Electronic is a recently launched vinyl only label, seeking to showcase a combination of both known and undiscovered talent. The label's first release is a 4 track ep, by Siamak Amidi, the creative director of Analog Room in Dubai, as well as a producer, dj and Volt music label boss. The EP reflects the producer's experience with the confluence of both analog and digital synthesis. The A side presenting newer material with the B side some of his older unreleased works. "Unconditional Love" a stripped down affair, deep, dynamic and ethereal without ever losing the focus on the groove with it's tight production. "Retro Floor Vison Aspect" takes us further into trippier post 5am territory, also stripped yet with enough going on to keep the senses tantalized, the standout hook to the bassline, swirling micro electronics with a variated jacking high hat, tried and tested. Siamak's "Tool" is a deep techy driving affair, with light haunting pads above and throughout track with original use of effects on the high end percussion. "You Think You Know It" is a rolling percussive track that comfortably rides the boundary between house and techno, with well defined low end and sweeping synth pads that once again demonstrates Amidi's abilities in the mix down to not swamp the track or dilute the groove. An EP for the dj's dj.
support by:
Anton Zap, Alexkid, Xdb, Esther Dujin, Patrice Scott, Zip, Evan Baggs
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