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Nuevos Lanzamientos House - Novedades
In 2014, Ultramajic's Jimmy Edgar received information about an East Detroit storage unit auction containing vintage recording equipment and historical items of Detroit Techno descent. We were only able to take a 1 minute peak at the dark and dusty unit before the bid, it was clear there were at least 1000 vinyl records and some miscellaneous recording equipment. ULTRAMAJIC came into the possession of over 100 DAT and 1/4" reel tapes. One box contained meticulously dated tapes from 1995 -1998 with sharpie inscription "ASHTAR LAVANDA". We had never heard this name and google search didn't bring back many results. We had uncovered a hidden treasure of Detroit Electro. The Ashtar Lavanda tapes led us on a journey to find out who the producer behind the sound was, and furthermore how did this music never get released After nearly two years, we managed to connect with Ashtar Lavanda to present this music to you. Like others during this time, Ashtar Lavanda was sharing lesser known analog studios that catered to electronic music artists during the late 90s. Studio time was expensive so the tracks had to be recorded same day. With this release and upcoming archives of his music, he will be known as one of the true pioneers in late 90s Detroit Electro alongside artists such as AUX88, Ectomorph, Dopplereffekt, and Drexciya. "I just wanted to see my music on New Dance Show, I wanted to hear it on 97.9FM but I didn't have the hustle to get the music out there" Ashtar Lavanda resides in Detroit to this day and currently works in the medical industry.
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Basse Resolution presents here an EP conceived with passion by a young and promising parisian duo, Loop Exposure.
The EP consist in in 2 tracks they made together and two tracks they made alone, under their solo alias Hdv and Mmmh, revealing a large spectrum in their musical influences and productions.
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Following our tenth release we welcome two unique and established artists into the Leftback family.
David Gtronic and Randall M join us for their first outing on the label off the back of their busy international touring schedule and contribute an epic deep and twisted track across one whole of side A.
Accompanied on the B side by a heavy duty dub mix stripping back the original track and knotching up the BPM. Label regular Matt Star provides his dubby techno stamp for the remix completing the package on B2.
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- A1: Ten Walls - Balboa (Extended)
- A2: Ten Walls - Rocky (Extended)
- B1: Ten Walls - Transition (Extended)
- B2: Ten Walls - Next Station (Extended)
- C1: Ten Walls Feat. Jonatan Bäckelie - Age Well (Extended)
- C2: Ten Walls - Rhapsody (Extended)
- D1: Ten Walls Feat. Daddy Was A Milkman - INK (Extended)
- D2: Ten Walls Feat. Daddy Was A Milkman - INK (ReExtended)
This 8 tracks album on double vinyl is a vivid depiction of the
Lithuanian artist top-notch production skills, his wise use of subtle
melodies and harmonic progressions, as well as his pointed dancefloor
instinct.
The first cut, 'Balboa' is a funky French touched house tune, while 'Next
Station' is a deeper excursion into esoteric atmospheres, laid back
drums and world of sounds.
'Rhapsody' is a fast paced ballad, evocative and profound, that
display Ten Walls´s trademark ability to deal with hypnotising
arpeggiated bass-lines, as in the slower disco-infected following
track, 'Rocky'.
The compelling 'Age Well' stretches out Jonatan
Bäckelie´s precious voice on a body of marmoreal drums and an
enchanting bass line .
The even slower reduced drums of 'Transition' and its bubble-chamber
dub gradually prepare us to the dreamy ride of 'INK' featuring the
vocals of Daddy was A Milkman).
Finally, the exquisite 'ReExtended' mix of INK melds an
orchestral score, Pop and electronic music with dazzling sensitivity.
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David Gtronic is very well known for being a fundamental member of the famous Vatos Locos crew and for his badass releases on Dissonant, Kina music or Sci-Tec records. David was born in Colombia and he's now based in Berlin, from where he delivers this awesome EP called Kryptoo.A
Kryptoo is a minimalistic journey of rough, metallic, cosmic percussions and spongy bass lines. Deep pads and chords in constant evolution make these tracks a true hypnotic experience. Topping it up we Ahave Dan Farserelli remixing Sequence, probably the punchiest and most direct track in the album.
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After a very promissory year as a digital label, is time to present the first vinyl release of Kootz music.
This is a very representative selecction of the sound of the label, between minimal and deep tech but always
aimed to be extremely danceable.
A limited release with no repress, so you don't miss this one!
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"Fresh off the back of his debut EP '2nd Nature', which received support from Seth Troxler, Laurent Garnier, AME, Maya Jane Coles, Archie Hamilton, Mano Le Tough & Damian Lazarus, DOKTA returns to 20/20 Vision alongside the dance music and audio obsessive 'Leonidas' who's been topping the Juno vinyl charts recently with his releases 'Kay Suzuki' and 'Hobbes'.
The uncompromising 15-minute composition merges DOKTA's unique electronic arrangement style with a transcending live saxophone melody and an original vocal recording of NYC's Paradise Garage and Loft regular David Vickers, with a spoken word tribute to Dave Mancuso and his legendry Loft residency, recorded before the great mans passing last year.
Structured with a driving kick, off set drums and rhythmic keys 'Baby Powder' proves once again DOKTA refuses to work within formalities, offering up a release that is both truly unique and impossible to ignore.'Baby Powder' sees DOKTA continue to push the boundaries of electronic production, effortlessly compounding live elements that explore exciting new musical territories.
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vinyl only !
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9 years on from their inaugural release from back in December 2004, Saved Records have now reached their landmark 100th release. Ever since SAVED001, Skylark presents Buick Project - "Chancer / Drop The Beat" Saved have stood as a benchmark for quality whilst nurturing new talent and pushing the envelope for electronic music as a whole. Celebrating the achievement in style, the Maidstone based imprint will be bringing together a mind-blowing collection of the label's favourite producers and DJ's, covering all aspects of the musical spectrum; from deep house to peak-time techno and will be available on limited vinyl samplers.
Saved 100 will feature original material from label bosses Nic and Mark Fanciulli alongside Saved mainstays Robert Dietz, Philip Bader, Stacey Pullen, Gary Beck and Alex Tepper. Mouth-watering remixers include Danny Daze, Frankie Knuckles, Joris Voorn and Adam Beyer with the likes of Subb-an, Spencer Parker, Terrence Parker and Mark Broom all also set to feature in a compilation that displays both the depth and dexterity of Saved Record's impressive back catalogue. The compilation will also come with an exclusive mix from Mark Fanciulli, serving up a label perspective from right within the eye of the Saved nucleus.
The Saved 100 tour began at Output in New York on January 3rd before heading off to Mexico for a stellar Saved showcase at this year's BPM festival. Continuing until April, it will then encompass shows in Tel Aviv, Dublin, Montpellier, Munich, Basel, Barcelona, Chicago, Miami, Detroit, Antwerp, Copenhagen, Toronto and many more.
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repressed !
The third release of Girasole Records is made by Pressure Mode.
The Swiss duo from Switzerland, Basel are neighbors since many years and started to collect gear and make music together.
On Girasole Records they deliver 4 tracks all made in a short period of time.
External Surface is a straight moving house track with minimal transitions.
Cloud Shifter is an uplifting house track, it will give you an instant smile on the dancefloor.
Galactic is a deeper track to dream away. Dub Tool is a more minimal house track again with subtile transitions.
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LTD Color repress !
Curtea Veche returns with this 3 track vinyl only release! 'Ganduri Spirituale' 3 huge techno Groovers from an exclusive unknown artist... Huge support coming from the likes of Archie Hamilton, Nu Zau, Georgia Girl and more!
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- A1: Earprint Nr1
- A2: Strange Ideas
- A3: Earprint Nr2
- A4: Walk On
- A5: Earprint Nr3
- B1: Four Nine
- B2: Earprint Nr4
- B3: La Pluie Et La Seine
- B4: Earprint Nr5
- B5: The Joint
- C1: New York Mary Disaster
- C2: Born Under A Rhyming Planet At The Foot Of The Odenwald
- C3: Earprint Nr 6
- C4: Bar Rock
- C5: Earprint Nr7wav
- D1: Instructions
- D2: Deductions (Who Can Get Me ThePhone Number For Mark Hollis
- D3: Earprint Nr8
- D4: Die Implosion Des Sterns (Und Das Absolute Nichts Danach)
- D5: No Balls
After a slew of acclaimed releases by Equiknoxx, Robert Aiki Aubrey Lowe, Shinichi Atobe and Mica Levi in 2017, Demdike Stare's DDS start 2018 in typically unexpected style with a remastered reissue of David Moufang (Move D), Karl Berger, Jamie Hodge, Gunter Kraus and Jonas Grossmann's gorgeous sophomore Conjoint album, Earprints (2000).
Conjoint was the little-known but hugely regarded ensemble founded by David Moufang two decades ago, featuring techno pioneer Jamie Hodge, Deep Space Network's Jonas Grossmann, acclaimed jazz guitarist Gunter Ruit Kraus and, most intriguingly - Karl Berger (Jazz Pianist and Vibraphone player for Ornette Coleman, Don Cherry and George Clinton to name but three).
The ensemble are accompanied on Earprints by Andrew Pekler, Anna-Lena Fiedler, Burkhard Höfler, and Kai Kroker, among many others, and flesh out a full frequency spectrum of instrumental and electronic timbres, precisely yet louchely coalescing a timeless and cool blue sound that is entirely respectful to its roots, yet dares to imagine them in an altered context. In that respect it's an influential, memorable precursor to Jan Jelinek's acclaimed Loop-FInding Jazz Records that was eleased the following year.
Democratic in its construction and flush with pregnant contemplative space between and around the notes, the lasting impression made by Earprints is indelibly classic, quietly awaiting immersion by a new wave of listeners who will no doubt marvel at its many charms.
If you're into late night listening and have followed the work of Move D, Miles Davis, Tortoise or Jan Jelinek's frayed, late night Jazz minimalism - this one's for you.
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* Three releases in to Planetary Notions' journey and its cosmic infusion of house and minimal techno has been picked up by the likes of Sven Väth, Craig Richards, Delano Smith, Mr G, Evan Baggs and Nastia while also earning recognition from Resident Advisor, Boiler Room and Mixmag.* The label's latest effort sees two much-hyped artists Lopaski and Stevn.aint.leavn deliver their take on the label's sound for the very first time. Having earned widespread respect through releasing on Elephant Moon and Beste Modus respectively.
* On the A-side Lopaski provides a lush utopian soundscape easing you in to the track with atmospheric tropical pads and data bubbles of what must be an unknown alien language.The combination of a dubby low-end kick and swung hi hats provide the drive which powers the track forward. Cosmic energy and groove of comes courtesy a walking sub-low bassline turning Time Lapse into a power play built for dancefloor meditation.
Stevn.aint.leavn comes correct on the flip side with his far-out, low-slung effort Peacherine. The track begins with a skippy shuffled beat containing a crunchy snare, slick rimshot and a open hat that sets pace from the get go. The gliding sub bass groove provides genuine warmth before a techy breakdown echos sentiments of an interstellar message which guides you back into a UK garage swing paying homage to the the label's London roots.
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Vinyl Only
A first artist release after a big compilation comes from well known Argentinian, Berlin based artist Federico Molinari and his inner world of micro house and dance music.
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Originally released in 2001 on Omni AM's own Euphoria imprint, Tubes for Allah is a rolling tidal wave of beatdown tech house from an era when that wasnt such a dirty term. One of their most sought-after tunes is available again on wax accompanied by a drum mix by Mark Ambrose and two unreleased tunes rescued from the Kastmaster session DATs.
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Horatio and Javi Green met in Ibiza and decided to summon their production skills in order to produce something really groundbreaking. Horatio & Javi did a superb job by fusing together the much hyped romanian techno with some spanish soul flavoured. On the remix duties is the one guy who is truly on the roll right now: Ada Kaleh .
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OTK003 - Mihai Pol
300 limited copies
Mastered at Laboratori Otaku
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PL007 is the beginning of a duo with Praymond and Thomas Murphy. It all started by setting up a temporary music studio in an old farm made of stones in the french countryside during the heat wave of Summer 2016 in France First, plug a microphone and start recording a couple of dry leafs crunched with gentle hands and mixed with the sound of ice cubes tingling at the bottom of a "Pastis" glass add to this some brushes played on a newspaper and fingers banging on the edge of a Kalimba, then finally, build around with your drum machines and analog synths. The result is a classy brand a alternative minimal techno, mixing acoustic rhythmics and relentless swing. None of the tracks were designed for massive "big room" type techno with "big drops" and never ending "build ups" but more for human size bounding experiences and never ending after partys. Both slow burning tracks have in common a introspective quality, specially "Les Cailloux" but both tracks remain "Solar" in essence. "Cadillac" has a more "Gold tooth & Chains" attitude to it and could remind the listener (If he ever had the experience) of being on the run in a get away car, stepping on the gas, crossing the desert with an open roof top after robbing our dear financial institutions :)
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UnN Music is a new Label based in Portugal. For the first release, the artist is Julian from Romania. Julian is a owner of elliptic. The EP is composed of 2 minimalistic tracks. No wars, no fights, no bulshits. Its all about music. Vinyl only.
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After the support of Sonja Moonear , Craig Richards and Matteo Manzini on the past releases, The Black Pony Orchestra is back with the third release. ''Let's Funk and Swing on Acid''
This one is limited 300 copies , vinyl only ! Early support from a:rpia:r , Giovanni verrina, Chad Andrew , David Gtronic...
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4x12 LP, Limited to 150. Deluxe Outersleeve with Punched Out Centerpiece 'Window' and 4 Printed Innersleeves. Deltawerk is the newly Amsterdam based project of Pascal Terstappen aka Applescal and Polynation member Hessel Stuut. Together they are releasing their debut full length LP, entitled 'Passages",
Applescal has to date released on labels including Ghostly International and Traum Schallplatten, while the efforts for his own label Atomnation have seen him welcome music from the likes of Gidge, Weval, David Douglas and Sau Poler, amongst others. Voted at a very respectable #03 for XLR8R's coveted 'Best New Act' in 2015, Hessel Stuut is a member of Polynation and has significant experience not only playing live music, but as a producer, visual artist and designer too. Together, they form Deltawerk, a dynamically electronic duo whom when united create human and lucid music, which feels as much at home in an underground rave as it does in an open-air live performance. While there is a faint echo of artistic collision, the album undoubtedly provides an eerie sense of unity for both Pascal and Hessel's own discography, conserving the warm subculture of
analog and modular instrumentation.
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After a somewhat productive break, Shadow Sanctuary boss Dexter Kane returns to the fold with a brand new 4
tracker. Boasting both a new direction and a new medium, SS0013 marks the start of a fresh chapter for the
imprint. Set to be the first in a string of vinyl only offerings, this release sets a precedent not only in format, but
also in style. There will be just 250 copies on this run, be sure not to sleep on it.
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Necessary first vinyl edition of Hollywood Medieval, the debut album of psychogeographic dramaturgy by Manchester-born soundtrack composer, Maxwell Sterling. It was initially issued
as a digital release on LA-based Memory No.36 Recordings in 2016 to a round of acclaim from Fact Magazine and The Wire and has now been re-mastered by Matt Colton for this vinyl edition.
It sounds as plasticky sensuous as it should, and arguably looks worthy of a wall or pedestal in a Bel-Air or Moss Side pad thanks to its striking bespoke cover art collage by radical feminist and
Manchester punk legend, Linder (Sterling), aka Maxwell's mum.
Hollywood Medieval is an album about the glaring disparities and elaborate, underlying convolutions the composer observed and felt while working as a nanny for wealthy parents during his film composition studies at UCLA in the early part of the 2010s. Using an augmented palette of classic DX7 and Juno 60 synths along with a severely warped bank of library samples and iPhone recordings, it spells out a queasily evocative simulacra of the city in flux, animating a sort of Ballardian tableaux that's hyper-descriptive in its rendering of the hazy, dosed-up, and often
delirious transitions between Hollywood's glamour and grime, using LA's gurning facades and ostentatious wealth as prompts for a richly visual side of sawn-off emotive signposts and jazz-
taut turns of phrase that vividly etch on the memory in neon freehand.
From the dizzying sugar rush of the opening sequence, Hollywood Medieval I, to its spiralling counterpoint in Hollywood Medieval II, the album is an inception-like concerto, with Maxwell smartly subverting the film score composer's role by placing the music centre stage and allowing the narration to be carried by virtuosic flourishes owing to the artist's classical and jazz music
schooling,
In a sense, Hollywood Medieval resonates with the way Sam Kidel subverted the nature of ambient music on Disruptive Muzak (RAVE014), and offers an alternative, lucid view of the hazy LA offered by Delroy Edwards' Teenage Tapes (RAVE005), and likewise, works like a present diagnosis of the dystopian future worlds dreamed up in The Sprawl's dystopian, widescreen visions on EP1
(RAVE013), effectively broadening and illuminating The Death of Rave's own sonic hauntology.
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