OBLREC 002 VA bring 4 slices of House from the likes of Theme V aka Man/pulate, Pete Melba and the well sort after repress of Spoonio -Mudskipper (The Alchemist Remix)
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100% GALCHER was by all accounts a game-changer when it landed in 2013 as an hour of original music from a relatively unknown producer ushered in by the beloved mix series Blowing Up The Workshop. Galcher Lustwerk's signature sound — a smoky stream-of-consciousness baritone shadow-boxing with beats, informed by funk, rap, rhythm, and blues — felt like an epiphany, impossibly hypnotic and complete. Resident Advisor writes, "100% GALCHER laid out a louche, lysergic and resolutely black take on deep house." Pitchfork remembers the music's immediate impact: "It's the sort of gem you felt inclined to pass around” — and by year-end list time, word-of-mouth intensified. It was Resident Advisor and Juno's mix of the year, and earned a top-ten placement in FACT Magazine's albums list, as well as Philip Sherburne's personal rundown for Spin." Since then, select songs from 100% GALCHER have seen small-run pressings, while the album has lived primarily on SoundCloud and YouTube as a low-key cult legend. The gateway into Lustwerk's now well-established catalog, known for its reliability as a late-night listen and its prophetic vision for the near future of underground dance music. RA would later name it a mix of the decade, citing its influence and imagination: “Original in every sense — unknown, unheard and unbelievably good.” In late 2022, marking ten years since he first recorded the material, Lustwerk returns to Ghostly International to release 100% GALCHER as a remastered limited-edition double LP.
Lustwerk is a product of the Midwest. Growing up in Cleveland, he'd tape over his parents’ cassettes and spend hours at his family computer recording loops and designing artwork for the jewel cases of burned CDs. In high school, he turned to Ableton Live and absorbed every electronic music magazine he could find at the local Borders Books store. In excerpts from the 100% GALCHER liner notes, Lustwerk looks back: "My dad drove me to this shop on the westside Bent Crayon, where I would get anything the blogs told you to get + whatever the clerk recommended. CDs stayed in their packaging, there was always an overflow of vinyl stacked on the floor. I was too shy to listen to anything before buying."
As a college student at RISD, he played in noise bands, plugged into Providence's DIY scene via Myspace, and started DJing weeknights at bars downtown. There he connected with Young Male and DJ Richard, who would go on to found White Material Records and offer their third release to Galcher Lustwerk, an alias realized via CAPTCHA test, a perfect artifact of its internet age. By 2012, Lustwerk had drifted to New York City and settled into a graphic design job, quickly growing disenfranchised by office culture. "Some days I felt like a token, other days I felt invisible." At night, he and his friends were carving out their own space
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Real Gang Records is pleased to introduce the highly anticipated solo EP from Label spear head Miller; Miller has been at the forefront of everything Real Gang over the years and it fills the crew with great pride and joy to present his very own EP showcasing his diverse musical ability. Made from his own home studio in quarantine.
The record comes with a selection of low swung bassline grooves, deep modulating textures, light floaty pads and pacey tight hats blending effortlessly for a serious gift to your ears.
A1 ‘Timewarp’ is a no nonsense EP opener, ideal for getting the dancefloor moving through its pacey glitch aynth work and intricate drum patterns that form the signature for this first-class EP opener.
B1 ‘Okuzak’ is a vibe that keeps punching on, with characterful pad work and layered textures combining to tell a story rich with feeling as well as bringing his signature raw energy to this roller
B2 ‘A Moment in Time’ is the perfect finale to such a diverse EP, its rumbling bassline carries with a glisten of vocal shimmer throughout, whilst a groove of tight hats keep the pace moving, the subtle knocks and light synth cuts give an air of floatiness to what is a low swung driven dancefloor groove.
"This record is a representation of a moment in time for me with both the music and art, its a timewarp back to being with me in my studio and recording these cuts, when you listen back, you are with me in them moments"
Vinyl Only
early support from...
Barac, Gescu, caLLy, Herck, Giuliano Lomonte, Rossko, Cesar Merveille, Julian Alexander, Macarie, Derek, Tripmastaz, Chklte
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Cellaroot presents the label’s first vinyl containing 4 thrilling cuts. With swinging basslines, emotive pads and subtle instruments, these tracks provide an introspective depth and style, essential for minimal and microhouse lovers.
Vinyl Only - Limited
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100% GALCHER was by all accounts a game-changer when it landed in 2013 as an hour of original music from a relatively unknown producer ushered in by the beloved mix series Blowing Up The Workshop. Galcher Lustwerk's signature sound — a smoky stream-of-consciousness baritone shadow-boxing with beats, informed by funk, rap, rhythm, and blues — felt like an epiphany, impossibly hypnotic and complete. Resident Advisor writes, "100% GALCHER laid out a louche, lysergic and resolutely black take on deep house." Pitchfork remembers the music's immediate impact: "It's the sort of gem you felt inclined to pass around” — and by year-end list time, word-of-mouth intensified. It was Resident Advisor and Juno's mix of the year, and earned a top-ten placement in FACT Magazine's albums list, as well as Philip Sherburne's personal rundown for Spin." Since then, select songs from 100% GALCHER have seen small-run pressings, while the album has lived primarily on SoundCloud and YouTube as a low-key cult legend. The gateway into Lustwerk's now well-established catalog, known for its reliability as a late-night listen and its prophetic vision for the near future of underground dance music. RA would later name it a mix of the decade, citing its influence and imagination: “Original in every sense — unknown, unheard and unbelievably good.” In late 2022, marking ten years since he first recorded the material, Lustwerk returns to Ghostly International to release 100% GALCHER as a remastered limited-edition double LP.
Lustwerk is a product of the Midwest. Growing up in Cleveland, he'd tape over his parents’ cassettes and spend hours at his family computer recording loops and designing artwork for the jewel cases of burned CDs. In high school, he turned to Ableton Live and absorbed every electronic music magazine he could find at the local Borders Books store. In excerpts from the 100% GALCHER liner notes, Lustwerk looks back: "My dad drove me to this shop on the westside Bent Crayon, where I would get anything the blogs told you to get + whatever the clerk recommended. CDs stayed in their packaging, there was always an overflow of vinyl stacked on the floor. I was too shy to listen to anything before buying."
As a college student at RISD, he played in noise bands, plugged into Providence's DIY scene via Myspace, and started DJing weeknights at bars downtown. There he connected with Young Male and DJ Richard, who would go on to found White Material Records and offer their third release to Galcher Lustwerk, an alias realized via CAPTCHA test, a perfect artifact of its internet age. By 2012, Lustwerk had drifted to New York City and settled into a graphic design job, quickly growing disenfranchised by office culture. "Some days I felt like a token, other days I felt invisible." At night, he and his friends were carving out their own space
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If there were a parallel universe, Silverlining would surely inhabit it as a devoted silviculturalist (one who cares and cultivates forest trees; a forester), empowered with superpowers to converse with the plants. But in this realm, the South Londoner can only daydream about a life in the woods from the warmth of his log cabin-inspired studio in the depths of the urban sprawl, accented with the aromas of forest air freshener. His latest Forest Dreams EP channels his pining for pine onto yet another slice of black PVA for your listening and dancing enjoyment. “The Lumberjack’s Call” laments the woodcutter’s cry for “timber” (or is it saying “deeper”?), stripping a disco-tinged house groove through a metaphysical sawmill, punctuated by Motor City-inspired synths. “Tepozteco”, named after the neotropical national park and mountaintop pyramid outside Mexico City, draws inspiration equally from US house grooves of Mood II Swing as it does the ethereal synthetics of early Warp Records. The release closes off with the title track “Forest Dreams” where the latter earthly tones are swept aside to meet the demands of dayglow techno sprites that haunt the electrics of Silverlining’s studio.
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Before relocating to NYC in 2020, Pontchartrain invited colleague Javonntte over to record several songs together at Pontch’s east-side Detroit studio.
The collaboration yielded several songs that blend Pontch’s studio prowess and dramatic sound, with Javonntte’s wide ranging performance skill, and soulful style. “Cirrus”, as the name suggests, is a deeper cloudy synth-heavy house track, previously selected by DJ Holographic for release on Carl Craig’s Detroit Love vol 6 compilation, but get’s an updated mix & master, as well as a seriously heavy remix by fellow motor city deep house honcho, Delano Smith.
“Keep Dancing” features additional vocals by Javonntte in a hard hitting and highly playable “Detroit” version, as well as a completely different version re-mixed and produced in Pontch’s Harlem studio.
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With "ERROR101" System Error introduces not just itself as a new label but gives us a hint of whats to come next as the V/A will be followed up by 4 individual releases by the artists featured on this record. "ERROR101" presents 4 well crafted dance-floor tunes that will expose any nearby glitch in the matrix.
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Modest techno for mindful people, second edition. Luise is glad to present Arutani‘s newest album, a true evolvement of its prodecessor. Still true to the artist‘s handwriting, with a minimal and subtle character, hinting details and bold elements. However even more a unique listening experience and a sta- tement on its own.
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REPRESSED !!!!!
Gui's fresh hip-swinging Techno goes directly into the interface of experimental Minimal & catchy Tech House.
this is the long-awaited, highly-anticipated debut full-length release from architect, producer, musician and composer, gui boratto, born in sao paulo, brazil. those who have followed his steady stream of 12" singles are already well acquainted with his remarkable ear for coming up with emotive, savvy dance music. whether it be his minimal-techno burners for kompakt's k2 imprint, energetic house for steve bug's audiomatique recordings and plastic city, and of course, there was "like you," the sensational pop-techno anthem that broke him wide open on the international circuit early last year. though he recently began producing under his real name (debuting with a remix for the film city of god), what many don't know about gui boratto is that for over 10 years he has been one of brazil's most in-demand producers having worked with such consecrated artists/bands as pato banton, steel pulse, desiree, manu chao and many, many others. with chromophobia, boratto surpasses all experience and expectation with infinite catchy hooks, lazy synths, romantic vocals, and so many shimmering techno-colors, it'll make your eyes squint in the sunshine. many scribes spoke that last year was the year techno learned how to make a proper artist album. well, boratto very well could be the first to perfect the art with this momentous release. it's easy to coin gui boratto as "varied" and "eclectic," however, gui brings a vast spectrum of influences together with an uncanny sensibility to make arguably the seminal kompakt record filled with all the grace and roar in the world to shake the bottoms of the biggest dance haters out there, and get our fans so excited they'll feel like they're on their fifth caipirinha raving on top of the sugarloaf
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The small Ukrainian label PERSUOL is back with a great 4 track EP!
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Co-founder of Lisiere Collectif, and self-confessed synth geek ardb reveals his alter ego focused on repetitive sounds, trancey motifs and the true rulers of this planet, cats.
These four tunes combine a raw toolkit vibe with the softness of late night ambient excursions and a sense of twisted serenity, all feline qualities inspired by Mitzy the cat, as the two navigated together last year’s pandemic inside a small apartment in Bucharest.
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The fourth pressing to arrive from the Romanian imprint feeder sound is titled “Mirror Time EP” and features three intriguing cuts signed by Mihai Dinu aka Bucurie. Well-known in the international scene for his collaborations with Depth Over Distance, Otaku, Stamp Records, Hubble Recordings, Honne Music as well as for his independent releases on Bandcamp, the local DJ and producer brings forward a distinct sound which blends his deepest thoughts and feelings with hypnotic and vibrant microhouse or minimal techno music.
The artwork for this 12’’ was carefully created by Maria Bălan as a part of the label’s ongoing live streaming events which brings together musicians and visual artists in order to connect the two different creative fields, expand beyond their borders and deliver fresh cultural alternatives.
With Dragutesku, Piktor and Oana being the ones that so far contributed to the catalogue, feeder sound stands on solid grounds, enjoying the support of a worldwide movement which can interact with the platform in numerous ways. Bucurie’s productions have been noticed by the team for quite some time now so this record was a natural step to follow after his participation on the podcast series, the exclusive premieres and the EP Review sections, as well as on one of the live streams.
Side A is reserved for “Spacefunk”, a wobbling uplifting journey designed with a solid bassline, steady-paced percussion and eerie ever-evolving background effects. The reverberations and the subtle intertwined textures create a mysterious feeling, like being lost in space and letting the spiralling sounds to guide your path.
On Side B we find “El espacio” rolling with a warm vibration built with a prominent broken beat that elegantly merges with euphoric melodies and bright progressive arrangements while “The call” closes the EP with a driving dubby sound. Here, the atmosphere appears to be dimmer, being lead by delayed notes, subtle maritime chords and spacious breakdowns.
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The Romanian producer known as Dirty Culture represents a distinctive, dense, atmospheric sound and a crunchy rhythm section. On the B side is a soft and thoughtful remix from SCSI-9, as well as a dance and experimental remix from the founder and head of "House Dessert Records" - Artem Shpist. In general, the release has an eclectic sounds.
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Spanish artists Jay Nortown and Jacobo Saavedra aka JNJS delivering the next installment of MOVIN'. The collaboration of these two talents has produced top releases on many highly respected labels and gained support of industry leading acts. Now they continue with this beautiful 4 track vinyl EP for us."
Early Support from: Priku, Arapu, Traumer, Barac, Archie Hamilton, S.A.M, Janeret, Nu Zau, Direkt, Cosmjn, Tania Vulcano & more
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We Are Proud To Announce A New Artist From Italy. Simone Have Released One Single On Superconscious Records Which Is Running By Fantastic Man. Our Friend Marco From Milano Has Sent This Demo And We Are Facinated. All Tracks Are First Class Tropival, Obscure Deep House! ENJOY!
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No description needed, only music!
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Raw and fresh detroit influenced techno from D&S (AEX, Girada) with a modern breaky remix by Julian Perez (Girada, Rawax, Fathers & Sons). limited, hand stamped, vinyl only
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The first compilation from the new How High label, featuring some of Tokyo's finest artists! Tokyo-based DJ/producer Ryokei's How High party label has released its first compilation single! The artists on this compilation are Takashi Himeoka, a core member of the Phreak label who releases on Cabaret Recordings and Binarysound, Tokyo based DJ/producer Hisashi, Chatty Chatty Mutants, Riku Sugimoto, who also releases on the H24 label, and label stalwart Ryokei. With a background in tech house, electro and minimal, all of these tracks have the funkiness and precision of dancefloor savvy, but are also
very DJ-friendly. This is the first release from a label that's been around for a long time!
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The Aviary launches with Part I of the Scattered Love Story by ROOT
Deep meaningful music from the soul for those in the know , experimenting in deep back-grounded unique frequencies that forges his vision.
4 beautifully unique crafted tracks that tell their own story, creating a whole state of resonance through precise elements and sound generators ensuring an astral trip to the mood, taking influences from a wide range of music styles and genres.
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A new compilation titled Erased Tapes _+ù_¦ö, encompassing a two hour cross-section of the label"s 15-year history including hidden gems and previously unreleased material, will be available on November 4 to coincide with specially curated festivals in London and Berlin. The first offering comes from UK producer Kevin Richard Martin aka The Bug and Japanese voice artist Hatis Noit who share their paranormal first collaborative cut After the Storm amongst other unique pairings such as The Art Ensemble of Chicago featuring Moor Mother, Bell Orchestre interpreted by Colin Stetson, Douglas Dare joined by The London Contemporary Orchestra and Ben Lukas Boysen remixed by Kiasmos. Premiered exclusively via The Wire magazine in form of a free download ahead of their debut live performance at Le Guess Who? Festival 2019 in Utrecht, the track is now finally made available on vinyl and streaming platforms alongside other previously unreleased pieces from electronic producer Ryan Lee West aka Rival Consoles and Icelandic composer Högni. "As a solo vocalist and voice artist, I"d always dreamed of floating and being drowned in a beautiful sonic storm. And then I met Kevin Martin" - Hatis Noit The artwork is composed of the Japanese kanji for "15" - calligraphed by label founder Robert Raths and designed by Munich-based artist Bernd Kuchenbeiser.
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A collection to celebrate the label’s 20 years in the business of releasing timeless techno and house tracks from the crème de la Crème of the artist roster.
“We like our bike, it is made for 3. Our Mike sits on the back you see. We like our Mike and this is why, Mike does all the work when the hills get high.”
Timeless words from the great Dr. Seuss, and in considering the 20 year history of Mike Shannon's Cynosure label, there could be no truer sentiment. From it's humble beginnings in a sleepy Canadian town formerly known as New Berlin (Kitchener, Ontario) to it's current home in Berlin proper, the label has grown to become a nurturing launch pad for artists from around the globe, and one of the most dependable and consistent providers for those in search of deep minimal funk of the house and techno persuasion. Much like Shannon himself, each and every release in the label's now vast catalog reveals itself with unhurried, confident class, and always with a wink and a wry smile.
In celebration of the label's 20th anniversary, Shannon has amassed another peerless collection of tracks from his nearest and dearest which, much like every banger in the back catalog, are certain to become permanent fixtures in record bags of DJs with an ear for taking dance floors straight down the rabbit hole for many years to come.
Featuring contributions from fellow Canadians Mathew Jonson, The Mole, and Deadbeat, Shannon's frequent collaborator Dewalta, and American legends Ryan Crosson and Brett Johnson to name but a few, Cynosure 20 is a testament to Shannon's stalwart commitment to the music he loves, and the incredibly talented group of merry pranksters he's brought along with him for what, it's safe to say has been one hell of a journey... may it continue for many years to come.
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The latest Still Hot release comes from label boss Benny Grauer himself. The release is called "Move On" and contains 3 original tracks and a great Gorge remix.
The two originals "Move On" and "Harmonic Resonance" are groovy deep house tunes, carried by stabs and chords and a deep bassline. As a DJ, Benny Grauer likes to play Detroit and Dub-Techno, which also influences his productions.
Gorge has produced many very successful tracks in the last month. He gave Harmonic Resonance his own melodic style.
Friends of the black gold can already look forward to the deep and dub-influenced track Interference.
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Love Manifesto, our 3rd vinyl only release, is Robert David's artistic expression, and an introspection in the meaning of Love. What is love in all it's forms, how we accept or deny it, how society can change the meaning of it and deform it. This is a very special project in which the artist crossed over the realms of sound by creating a painting that was done in paralel with the original tracks, absolutely with no intention of becoming the cover of the project. But somehow it fitted perfectly. With the Minimal and the Romanian sound being at the root of the project, the 2 remixes from Argenis Brito and Macarie, complete the picture and the trip in which we invite you to dive in and hopefully enjoy the "madness" of it, as we did.
Peace and Love
Unfelde Records
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Hanagasumi - hazy curtain of flowers, cherry blossoms appearing from a far like a white mist - this phenomenon can be seen during the sakura blossom in Japan. The mysterious musician Shine Grooves inspired by Japanese culture is launching a label of the same name. Shine Grooves owns the underground Quadrat label, his tracks were released on the labels such as Kimochi, Rough House Rosie, Udacha, etc. Hanagasumi's first release is a mix of abstract rhythms with an influence of ambient tracks of the 90s. Each track is filled with magical synth chords with a cozy mood. Compositions with a smooth, atmospheric rhythm prevail on the first side of the vinyl, while the tracks on the second side will make you to get lost in zero gravity.
All tracks written and produced by Andrey Kurokhtin at 2019.
Mastered by Shine Grooves.
Limited 12" hand stamped vinyl, 150 copies, vinyl only.
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Austria's Paul Walter comes head to head with Romania's most lyrical imprint, Catren. One track per each side, he doesn't compromise when it comes to quality, emotion and execution.
Reminiscent of earlier days Chilean productions which we need not name but will for melancholy's sake, the A side, "Yuil" takes us back to the days of Hireklon and Waiworinao, thought long forgotten and forsaken in favor of cold and austere expressions. Guitar strings harmonically banded together with minimalistic percussions, handclaps and indescifrable vocals compose what will be remebered as a hall of fame track in the years to come.
"Phobo", on the B Side, takes a more classical approach that will most likely bring back memories as well, catering to a more upbeat style, using poliphonic melodies and a two tone theme that drives the track forward alongside discrete drums and a swingy, fast paced bassline.
Switching to "Hacker", a more light hearted third course relying on dub influenced melodies and mid ranged basslines, Paul shows just exactly how versatile he is and the diversity that he is capable of bringing forward.
And so we come to "Rio", which makes use of constant atmospheric elements, the same technical expertise and thought out demeanor, strung togheter to finish off what is a somewhat abstract and tender "swan song" of the EP. Highly recomended and certified classic, vinyl only.
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宇宙の絹
古今東西
時代の色
Silk of the universe,
has been woven
by colours of time,
time by time.
– TEFFEBU テフエブ
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We celebrate 12 years of publishing with a new series, to mark a new beginning with the same musical quality as always. We present "Chileans Are Playing" - a collection of 180 copies by volume, only on vinyl without digital promo, ideal for collectors and selectors where we reveal in each edition the best of the new school of Chilean producers.
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Bang! Superfiction Recordings is back with label bosses Italoboyz and Blind Minded joining forces once again, + 2 sublime remixes by superhot Mexican new kid Sakro, and legendary house music French Maestro DJ W!ld.
This record, once again, offers a wide spectrum of Superfiction's music taste, encapsulating minimal house - tech sound - deep grooves, all blended in a fresh and modern way.
Vinyl only
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With music promotion being what it is across the board it is refreshing to see labels keeping the focus on the music rather than wild artwork and overplayed promotional campaigns. Wsntme that has popped up from the underground with an aim to keep the spotlight on the music and not so much who produces it and thus removing any sort of bias form the listeners ear.
For the first EP there are two heavy hitters to choose from. B1 jam ‘Rghtdoe’, a crunchy groover with tight shuffling drums and deeply penetrating bassline. Filtered vocals from a certain Rapper roll over one and other adding serious attitude until the mood is lightened considerably with the emergence of the looping string section first made an appearance in the 70’s and has played a part in electronic music since. It doesn’t hang about for long and as quickly as it emerged it is gone leaving the pristine beats behind.
Flipping back over to side A and ‘Mryjn’ is a much more moody, muscular workout. Elongated bass tones and synths are drawn out alongside the pitched down musings of an unknown artist that certainly was not suffering from writer’s block. The inviting paddy synths envelope the lower end of the track frequencies like a warm blanket while the filtered noisey drums kick in all the right directions.
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Damavand is a Dub Minimal Vinyl Only Label based in Teheran, Iran
We set a focus on deep minimalistic releases dedicated to the aspects of dub minimal, bringing this sound together with analog equipment and almost forgotten techniques of old roots music.
First release comes from Massud Matin and his Be Rahe Dast EP full King Tubby Jams outta Bremen.
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London-based DJ and producer Jay Duncan collaborates with saxophonist Ben Vince on her debut release for Phantasy, introducing two wildly imaginative compositions alongside a simmering remix from Ricardo Villalobos.
From the first notes of brass, quickly melting into a lucid shuffle, it’s clear that ‘In Limbo’ exists on its own terms. Vince's virtuoso playing, a feature of former collaborations with the likes of Joy Orbison and Mica Levi, is here gradually manipulated by Duncan into a hugely ambitious trip. This meditative and mysterious approach draws listeners deeper into a liminal, minimal space somewhere between the Fourth World as imagined by Jon Hassell and four AM on a dancefloor in South London.
Duncan deftly raises the tension for the title track’s more percussive and arguably club-ready sibling ‘Anti-Purgatorio’, drawing out almost impossibly taut and inventive rhythms constructed around wormholes from which spill Vince’s instrumentation, washed downstream amid slippery modulations and a distinctive
analogue atmosphere.
Ricardo Villalobos adds to his own superlative history of remixes with a characteristically trippy take on ‘In Limbo’. Spanning nearly fifteen-minutes, the legendary Chilean-German innovator subtly reimagines this ambitious record in form true to both his own musical heritage as well as Duncan’s futurism.
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