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House Vinyl New Releases - News
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Fresh from his release on Clone's legendary Jack For Daze imprint. Oli Furness drops 4 ghetto houz bombs on UTTU's new Dance Trax imprint. Nothing but hard azz DJ Tools for club use only.
Home listening courtesy of DJ Swagger & Kreg Tranz who both turn in breakbeat infused house remixes.
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Off the back of almost two years without dancefloors, London imprint Feelings Worldwide come out swinging to bring you a wedge of fast paced euphoria from Inner Zone.
The Carpet Shark EP delivers three slices of blissed out freshness, with shades of trance, new age and house, ready to sling out the speakers at the now open rave spaces across the land.
A XL bonus slice comes from Vanvouver via Berlin courtesy of Planet Euphorique head D. Tiffany, with an extended and amped cut of B1 Strange News.
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Tee Illa is a musician and beat maker based in Pretoria South Africa. This is his 1st single released on Selected Works and encompasses house, UK Garage and Future Funk influences. Tee Illa blends a wide range of musical genres and combines influences such as Lo-Fi Hip Hop, house and breaks music with South African, Afro Futurism and Traditional African music into his own brand of exciting electronica. Coloured and standard black vinyl, comes with art print.
expected to be published on 23.06.2023
Tee Illa is a musician and beat maker based in Pretoria South Africa. This is his 1st single released on Selected Works and encompasses house, UK Garage and Future Funk influences. Tee Illa blends a wide range of musical genres and combines influences such as Lo-Fi Hip Hop, house and breaks music with South African, Afro Futurism and Traditional African music into his own brand of exciting electronica. Coloured and standard black vinyl, comes with art print.
expected to be published on 23.06.2023
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- A1: welcome WAV
- A2: Life is Perfecto
- A3: Nostalgic Body
- A4: Model Castings (ft No Joy)
- B1: suburbilude
- B2: Punksong
- B3: Night/Day/Work/Home
- B4: Gravure Idol
- C1: i regret the jet-set
- C2: Self Service 1999
- C3: Slippery Plastic Euphoric
- C4: After the After
- D1: dirty
- D2: End — Curve of Forgetting
- D3: Heaven (ft Sarah Bonito)
- D4: the ultraviolet room
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Montreal’s eclectic producer CFCF (aka Mike Silver) follows 2019’s effusive corporate jungle opus Liquid Colours with a kaleidoscopic capital-E Electronica album that takes a range of styles from his earliest formative listening years (1997-2000) and throws them in a blender. Elements of jungle, house, UK garage, trance, pop and post-grunge are blended to form a glossy picture of restless youth in an
identity crisis: memoryland.
Inspired as much by Sonic Youth and Smashing Pumpkins as the Chemical Brothers and Basement Jaxx; as much by films like Millennium Mambo, Demonlover, Morvern Callar, Safe and Perfect Blue as late 90’s Prada — CFCF jumps across genres as a means of portraying a breadth of overlapping milieus and identities in this hyperactive Y2K period-piece that both explores and criticizes our own nostalgic impulses. From the opening intro’s announcement of arrival to the final credits, it’s an album as film as RPG, with the listener as its protagonist.
Opener “welcome.WAV” functions as a start-up sound file for the journey ahead: from “Life is Perfecto”, a propulsive breakbeat-dreampop hybrid, to a grotesquely-remixed ultra-French-house version of previously released single “Self Service”, and the recursive, metaphysical garage of “After the After”. Two guest vocalists lend their talents: Montreal neo-shoegaze icons No Joy, fresh off their own genre-defying Y2K exploration Motherhood, laconically lists off advice for aspiring fashion ingenues with bite in the alt-rock-IDM “Model Castings”, while Kero Kero Bonito’s Sarah Bonito sweetly delivers the penultimate “Heaven”, grunge-pop paean to the myth of Icarus.
In CFCF’s words:
“I was feeling fatigued by an overabundance of ‘calming’, productivity-oriented music, and wanted to explore something angsty, messy, and dark, while also applying a pop sheen. I see a loose narrative across the album: your early 20’s, a new city, new people, new temptations and new traps. Losing your sense of self to the whims of your surroundings and trends in music and fashion; the wrong people, and trying to dig yourself out of that hole. There’s a hope of moving forward that glimmers in the last quarter of the album, but it’s out of reach and seems to come at a price. And then the looking back on it later with perspective; or the looking forward to it before with anticipation. As a kid I couldn’t wait to be in my 20’s; in my 30’s it’s bittersweet to look back. That’s the core of memoryland: the gulf between the fantasy, the reality, and the memory, and how we live inside each of those at different points.”
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Point of Art is the brand new label by matteo.
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repressed !
***Taken from Leaked Whatsapp messages between DJ Absolutely Shit and Il Bosco***
Yo cousin Bosco...how's ya raisin widge?
Nice one for that last lot of dough i'm starting to well buzz off all this music industry bollocks now you know...mad what you can do with a catchy DJ name and pure absolutely mega tunes wot are miles better than anyone elses init?
Anyway i've been diggin' me fuckin' 'ed off ant I recently and got some more well primo gear for yas here...done 8 this time - was thinking if i'm managing to sort me life out banging out EPs for yas - if I do and album or two i'll be mega wedged in no time deffo init.
Yeah i'm thinking fuck this i need to get out this rank shit-hole quicktime... spotted this sick 3 bed thatched cottage gaff in Cadishead the other day, well smart. Detached n everything G, so can deffo get a proper grow on in there piece of piss. Gran's doin me ed in n all here G, big style the old slapper. She keeps robbin' me cash!
Turn me back for 5 mins and she's fuckin chonged it all the little turd... fuckin fuming ta fuck g cant wait to do one from that shitty flat...and if she thinks she's keeping me dodgy sky box she suck me widge haha.
Anyway shout me soon init. fuck knows what to call this album g. ask Pharaoh to come up with a name for it the turd. i can't be arsed thinkin... Seen him the other day actually bumped into him and that Crispy Duck guy who does those sick comics. They was outside some posh coffee gaff in Ancoats with a few other chumps lobbing bricks at a pile of other bricks down near the canal drinking pink hooch the turds. Get em to do the artwork for it n all g. if they want paying or owt tell 'em to suck me widge haha.
Nice one
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For its debut release, Wobbly Mob Records welcomes Newcastle and London based DJs Glockta and Shawn Cartier.
Glockta has created three dark, pulsing, Garage tracks broken up by an interlude, each with impeccable drum programming. The five track EP acts as a reaction to the energy vacuum created by lockdown, due to abandoned dance-floors and a struggling electronic scene. Shawn Cartier has orchestrated the finale with a fast-paced electro ripper, a remix of Plastic Fiver on the A side.
Originating in Newcastle, Wobbly Mob Records first began as The Wobbly Mob, a Facebook platform for sharing music and creating an online community with an interest in similar music genres. This EP will mark a new direction for The Wobbly Mob, which has outgrown its initial purpose, now linking promoters, collectives, DJ’s and producers from all over the globe.
Wobbly Mob Records encourages and supports artists experimenting within and beyond their genre orientation, providing an open space for DJs to develop their skills.
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Cosmic Breeze Records is delighted to present their very first release “Atlantic Journey” on vinyl. A four track EP cooked by Toolate Groove and Bass Toast, inspired by the 90’s House with their unique touch of what they call “Soulful emotions, natural sounds, atmospheric dreamy vibes and hypnotic grooves”, which are the essence of CBR.
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"When the world got me going crazy, I carry on," Gustaph sings. "And it's all because of you!" Belgian Eurovision Song Contest entry "Because of You" is overwhelmingly a love song. But not directed to one person. "It is an unabashed love letter to freedom," said singer and producer Gustaph, who also wrote the song himself with theatre producer and fellow musician Jaouad Alloul. "And besides that, of course, it is also an ode to the queer community, my 'chosen family' that has always strengthened and supported me."
At the same time, "Because of You" is also an ode to those monumental house records from the early 1990s with equally monumental vocals from legends like Martha Wash and CeCe Peniston. By also working with popular synthesizers from that period, Gustaph managed to bring back to life the infectious exuberance of those tracks. "But as irresistible and clearly still very influential as that era was," says the musician, "the song also really does have both feet in the present."
The result is an unadulterated house anthem that not only encompasses 30 years of music history, but also unabashedly and uncomplicatedly conveys that life is too short not to be yourself and pursue your dreams.
INCLUDING EXCLUSIVE DJ EDIT
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DJ Swagger teams up with DJ ÆDIDIAS on four feel good UKG anthems for their first vinyl outing on Bristol label Time Is Now.
Long time friends and collaborators DJ Swagger & DJ ÆDIDIAS join forces on their first full length collaborative vinyl EP, showcasing their love of UK Garage. This killer four track dance disc delves deep into all things feel good and fun, 2-step laden drum sequences meet catchy vocal hooks and pulsating bass tones.
‘Speed Limit’ EP drops January 27th via Time Is Now
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City Road is proud to present two unearthed garage productions from Ratman. They originate from around the turn of the millennium, when UKG was hitting its stride but hadn’t quite found a footing in Bristol.
Ratty and a friend were at St Paul’s Carnival somewhere around 1996 when they happened upon a small soundsystem playing out of the back of someone’s car. The minimal, swung 2-step rhythms sounded completely alien to them, and set them off on a quest into the burgeoning garage sound, resulting in Rat producing a bootleg of an evergreen pop classic of the era.
Rat was a well established part of Bristol’s underground music community with a smattering of jungle-oriented singles behind him and the odd remix commission. Around the same time he made the bootleg, he was approached about remixing a track on a major label. While it went down a storm amongst his peers, Ratty's’bass-heavy version wasn’t a match for the label’s vision and so the remix sat gathering dust for some 20 years.
Now both these misfit, quintessentially Bristolian twists on the UKG sound get a fresh airing on a label based just round the corner from where that car soundsystem was rinsing out mystery garage rollers all those years before.
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Interstate debuts on Tilman’s imprint 'Pleasant Systems' for its third installment 'Autumn Loves EP'. Starting off with a balearic, yet uplifting summer house groove on A1 featuring Flying Solo on keys, 'Find Your Power' comes in with beautiful simplicity in every part. Followed up by 'Caught Slippin'' on A2, a groovy, old school-rooted garage house cut completes the A side. 'Ghetto of My mind' featuring RR introduces the B side with a §oor-¦lling, groovily slamming and deeply organ ¦lled 4-to-the-§oor club roller, while 'Revue' ¦nishes up the record with a heavily jazz infused, tripledtuned swing to get down to
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We return with the second Glenn Davis” 12”, a year on from his last Yore twelve-inch “Soul On My Side”, Dublin-based DJ and producer Glenn Davis returns with its sequel, the as-stellar Better Daze. The EP's melodic, soulful sound. The dynamic title cut locks in instantly with a pumping kick drum and builds layer by layer thereafter. Percussion, hi-hats, electric piano chords, and synthesizers add to the thrust of the production as it grows ever more urgent. As the track advances, Davis drapes a jazzy keyboard solo across the booming base as the swing swells to a near-ecstatic level. “Your Time” rounds out the A-side with a cut that suggests pure energy at its outset before quickly morphing into a sleek house strut. With percussion included and late-night synth atmospherics folded in, the breezy tune starts to sound like something you'd hear banging out on the Dancefloor thats surrounding you.
On the flip, Davis brings the skipping house groove of "Inner Monologue” to a fever while. Moody chords, hand drums, and a snappy groove set the scene. The female vocalist's soulful delivery and vibes-like earworm that make the tune the standout it is. Think of a dark Room and a red light bulb & House Music forever and a day.
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Melbourne native Jordan Brando makes his return to the SNF catalogue, proving once again his musical
ambidexterity and far-spanning range of talent.
The period between this release and Brando's SNF debut last March has seen the Aussie producer go from strength to strength, touring around his homeland and New Zealand and playing at large-scale festivals like Pitch Music and Arts. If you thought Moment in Time EP was kaleidoscopic, Vagabond EP gives the word a new meaning, touching base at disco, acid and speed garage.
The A-side showcases Brando's inimitable take on house with meandering funk basslines and skippy drums (Ricardo's Kicks'); classic disco samples and deep bass thumps ('Flux Deluxe'); and earworm acid melodies and whispering cymbals ('Radar').
'Marz' then might take you by surprise - although less so for those accustomed to Jordan's artistic versatility - a warped bassline groans over a garage rhythm, bringing the UK-inspired ruffage before 'UGOT2C' strips things back. Deep rolling drums lend the track a grooveable swing before and blissful breakdown leads to a solid, thumping drop. Finally, it's up to the title track to close proceedings. Let Evanna's syrup-smooth vocals stroke the soul whilst celestial piano tinkles and a blissed-out garage rhythm transport you to another plane.
Vagabond EP drops 17th June 2022 via Shall Not Fade
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