House News

A humid 3 tracks scorcher from Sirius Type and McDOO. Odd Food', originally released by Dave Sector through Sector 1212, is fossilized next to Wow'.
On the flipside, Sirius Type delivers a plaster shaking KO with Thankyousphere'.
Sirus Type is a collaboration between Eric Douglas Porter (Afrikan Sciences) and Tom McConnell.

Red Vinyl

With this three-cut EP, Andy Vaz pays tribute to Choutsugai, a Deep House DJ-and-promoter crew who booked him for many years of Tokyo gigs. Inspired by the unit’s love for “No Fairytale Luv feat. Detroit’s Eva Soul on Vocals.” Vaz decided to put it out as red transparent vinyl for VAZ-UP-001The two originals Tracks were created at Deutztroit Studios in Cologne, with vocals by Detroit’s Eva Soul on all three and “No Fairytale Luv” receiving a charged remix treatment from fellow Detroiter Niko Marks. The EP’s sound is classic Vaz, his own productions especially. The original “No Fairytale Luv"struts mightily, its pumping groove bolting from the gate with an acidy bass pulse, congas, and sparkling synths. With Soul draping her, yes, soulful musings over the energized groove, the gurgling floor-filler indelibly brands itself as Vaz’s craftsmanship. “U Got It Unlocked” is less urgent by comparison, this one more focused on a relaxed, funk-inflected swing given a subtle Latin feel with the addition of percussive accents. Soul again muses dreamily, though this time in a production that’s as much electronic reverie as club track. Of the three cuts, the EP’s primary house banger is undoubtedly Marks’s “No Fairytale Luv” makeover, which stomps even more forcefully. This one is a floorfiller

now back on stock!!!

For our 30th release, we dug deep into our vaults to find these 2 unreleased gems from a few years back, both testaments of our love for 90s House Music."The Sound" by Fred Everything and "It's Damaged" by Fred & Olivier Desmet pay their respects to the Kerri Chandler(s) and Mood || Swing(s) of this world. They will be featured on the first "Lazy Dubs" Compilation, out in May. Early support by : John Tejada, Jimpster, Marques Wyatt, Djulz, Luciano, Shur-I-Kan, Atnarko, Joshua Iz, Roberto Rodriguez, Quentin Harris...

Lazy Days is proud to welcome back Shur-I-Kan after his landmark 2009 release on the label, "Simply Yes". This time, the Dark Matter Label boss and Freerange artist brings us an original 3 track EP, no featuring, no remixes needed. It was love at first sight when we first heard the EP. And we are glad to be able to share it with you.

Carrying on after the previous release in this series and letting the music speak.

Gently trimmed from their original forms to be reimagined for future ears.

Limited quantities with no represses. Take what you need & leave the rest.

Just What The World Needs…

Deep Club launches another split-12” consisting of two unlikely pairings. Berlin via Chicago’s Snad leads the A-side. After co-founding Gandu Records in Chicago he jumped across the pond, where his output increased quickly for the likes of Minibar and Smallville while contributing to US favorites Kimochi and TerraFirm. On Jargon / Syntax Error, “Jargon” encompasses his signature style of deep, minimal, swinging house. The track builds over almost eight minutes with a massive rolling baseline and sporadic synth stabs and pads. Mix out too early and you miss the point. “Urban Decay” is a bass massage that hits only on the right sound system or headphones.


Jackson Lee takes side B in a different direction while still exploring themes around deep and minimal. The mysterious NYC via Memphis techno producer boasts an impressive catalog on his Mystical Disco imprint, as well as collaborations with Ben Jenkins, R Gamble and Grey People. “Syntax Error” is an extended techno bomb with a massive kickdrum that will leave dancefloors sizzling. The eerie effects crawling in and out of the texture and sharp hats combine with the low end for a masterclass in deep techno. “Clouds of Xeen” brings the energy down with distortion, wispy pads, and glistening layers, making it a great choice for 6 AM sleaze.

Das zweite Tensnake-Studioalbum "L.A." erscheint nun endlich auf Vinyl. Benannt nach der Metropole an der US-Westküste, in der der Hamburger DJ und Produzent sechs Jahre lang eine Liebesbeziehung erlebte, huldigt Tensnake mit den 14 Tracks seine Liebe zum Pop, was sich besonders in dem Pointer Sisters-Cover "Automatic" widerspiegelt, das allein auf Spotify bereits über 5 Mio. Streams zählt und damit - nach seinem Klassiker "Coma Cat" (2010) - sein zweitmeistgestreamter Hit ist. Tensnakes Zeit in L.A. brachte ein exzellentes House-Pop-Album mit zahlreichen Vocal-Ohrwürmern und entspannten Instrumentals hervor.

The name Hugo Mari might not ring a bell just yet, but we've got a feeling this is about to change real soon. He's released a handful of EP's under his former alias Books on Omena and XVI including his own edit series on the latter label (check out his killer track 'in the groove or his jazzy deep house collaboration with Zodiac called 'Feel it in my Bones'). Considering he's also remixed well known artists like afrobeat legend Dele Sosimi and grime master Trim, you might share our view of this amazingly talented and versatile producer. His 'Change ur ways' EP for Heist is soulful, jazzy, deep and energetic with three varied originals and a classic soulful house remix by man of the moment, NDATL label head Kai Alcé.

'Get Loose' features the silky-smooth vocals of Zodiac, some lovely solo work on the Rhodes and a 'free jazz' vibe on the horns. There's a constant funk bassline looping throughout the track to keep the energy going while the loose arrangement as well as the drum programming give the track that care-free feeling of a never-ending live jam. With that, 'Get Loose' is a great club track that crosses the boundaries between funk, jazz and house.

The title track still has that jazzy feeling but moves towards a quirkier territory with some 'Frits Wentink' style harmonization, detuned piano's and loosely chopped samples. There's a definite gospel feel to the track, thanks to the choice in vocal chops, which is complemented perfectly by a filtered disco bassline. The percussion layer and rhythmic elements are full of energy without ever crossing the line where of subtlety that makes this track so catchy.

On the flip, there's 'Feel ur senses', the most straightforward deep house track of the release, that gets its mood from an ongoing tremolo on the Rhodes pads. Space bleeps, bells, a hidden arp and 'reverbed-out' hits give the track an almost balaeric sound that will certainly put a smile on your face.

The B side is complemented with a vocal and instrumental remix of 'Get Loose' by Kai Alcé, who has been throwing out one killer tune after the other, remixing Volcov's Isoul8 project (one of our favorites of the year), as well as kicking out releases on his own NDATL label. Kai goes for a full-on soulful house vibe, giving his own chord progression center stage along with a set of rimshots. He chooses to leave the horns out, and instead work the vocal, Rhodes, and cowbells from the original to great effect, adding a little solo work of his own on a bell-like piano where he freestyles happily throughout the track and copies the vocal for added harmonies.
The instrumental version is perfect for those moments where you're done with all the vocals and just want a tight soulful groove.

We couldn't be happier with this release so play it loud and get loose!

Yours Sincerely,

Maarten & Lars

Redlight returns to the UTTU after his previous City Jams EP on Hot Haus Recs. Here he reps Dance Trax with 2 insane mind bending breakbeat infused klub trax. Totally Enormous Extinct Dinosaurs &, Marquis Hawkes both rerun Gamma Ray in different directions providing the ultimate club package!

Cinthie’s 803 Crystal Grooves Collective Cuts returns this June with
a fresh four- track EP from S3A aka Sampling As An Art.
Parisian producer and DJ S3A has been releasing his take on soul-infused, sample heavy electronic music over the past decade via imprints such as Syncrophone’s Phonogramme, Lazare Hoche Records, 4Lux and Dirt Crew where he dropped his debut album. Here after the success of his debut LP ‘Pages’ and the ‘92’ Anthem’ track, which featured on the inaugural Collective Cuts release alongside music from Asquith, KETTAMA and 9th House, S3A returns to the imprint to conclude the story of his half acoustic half electronic album with the ‘« Pages » Epilogue’ EP.

The third Cachai LTD comes from the Russian heavy weight Tripmastaz who almost single-handedly has been making Russia decidedly more funky over the last 10 years.

Collecting orders for Repress

Vinyl Only!
You were wating for the summer gem? You are welcome!

Freedom is the debut EP from South East London vocalist + DJ Ell Murphy for Shall Not Fade sub-label Time Is Now. The EP sees Ell collaborating with 5 acclaimed producers in the UKG scene; DJ Crisps, Stones Taro, Highrise, Picasso & Tuff Trax; each one hand-picked by Ell to bring their unique production style to the release; and made entirely during lockdown over the past year, working remotely with the producers based in Rotterdam, Australia, Japan & London.

honey for your DJ ears

Red Vinyl

As part of a 35 Year anniversary celebration of their debut album London Records are releasing the recent remixes by Dimitri From Paris and Cerrone of their huge hit “She Drives Me Crazy’ on coloured vinyl exclusively for RSD.
Including the classic track remastered plus legendary French DJ Cerrone takes the original to dancefloor. Dimitri’s giddy assault of ‘She Drives Me Crazy’ plunders sounds from pop, house, disco, and late-80s hip hop. "

Among a thousand projects, Para One is back on the dance floor with 'Club", a new album which was not meant to be one, but believe it or not: it's serious stuff! 'The 'Passion' album is the background for this, as I decided to reshape it for my live act, explains Para One. I've rebuilt the tracks entirely, making live versions for festivals and bigger clubs. Then I found myself with a totally different album. It's not a live album. The tracks have been modified and reinterpreted. It's my tribute to Soulwax's 'Night Versions". Subtlety was not really an option, it had to hit kind of hard. The tracks had to sound real in a club situation and people are now meant to dance to them! It's also a 'treasure hunt' kind of record with many references. It sounds like my DJ sets, when I mix many things and styles, old and new, because that's how a club should sound. It's a place where memories belong.' The pop, melancholic and highly danceable 'Passion", was meant to be listened to at home or on quiet dance floors, but 'Club' only retains the melodies and vocal hooks. It smells like sweat, joy and abandoned bodies. Packed with English acid house piano, huge beats, elegiac vocals, references to UK Garage, EDM filtered french touch and house, 'Club' dives into the heart of dance music. It's a 3.0 rave emblem, a daring record to make people dance without selling out.

White label roller from Roger That taking one of dance music's most iconic vocals, New Order's 'Blue Monday' and flipping it into a heavy hitting, tech house heater. Packed to the rafters with punchy, reverberated stabs, low-end weight and lip-smacking dancefloor grooves it's already steamrollering the club scene - ever extending the reach of those immortal lyrics.

Hammered all summer long by the likes of Solardo, Camelphat, Marco Carola, Jamie Jones and Leon, it's is now available on a limited 12' vinyl.