Taking inspiration from a vast musical sphere, the Munich-Vienna pair Jorkes are widely recognised for their open-minded and passionate approach to electronic music which is translated through their Freeride Millenium imprint and own unique productions. ‘Cross The Line’ will be the duo’s first outing since 2016 seeing them join up with the Italian pair Hard Ton who are known for releases on Wonder Stories, Luv Shack Records, Toy Tonics and many more. Jorkes invite Live At Robert Johnson artist Massimiliano Pagliara and Philpot founder SoulPhiction aka Jackmate for remix duties which tops off this distinctive release highlighting the openness and sensibility of their musical philosophy.
‘Cross The Line’ begins the EP with alleviating pads balanced harmoniously with alluring, heart-warming vocals and gentle keys drifting throughout before Massimiliano Pagliara delivers an infectious remix focusing on hypnotic bass grooves, effervescent drums and undulating pads fluttering naturally with the stirring modulations.
‘Jackmate’s Dub Mix’ deploys low-riding resonations fused with muffled tones and thrilling, shuffling rhythms within whereas ‘Jackmate’s 90s Mix’ focuses heavily on organic percussion rolling throughout with robust musical elements and looping vocals. SoulPhiction’s ’Dub Mix’ completes the pack with a tranquil take on the original laying focus on funk-infused instrumentals and subdued jazz drums.
House News
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We've reached a pivotal moment for Local Talk.
What better way to celebrate a centenary of forward thinking releases than to present one of the best kept secrets out there, MLiR aka Modern Life Is Rubbish this time joined by Arnau Obios.
After making a serious impact with their remarkable 'Swedish Lo-Life' and 'Trans-World Junktion' releases on fellow Swedish label Studio Barnhus, we're thrilled to have them onboard for our 100th release on Local Talk.
Yes, that is correct, we’re celebrating the big 100. Since the very beginning we've covered everything from the deeper shades of house to the jackin' and the gritty club jams, released some slower BPMs and also the uplifting, vocal and organic house.
As you probably noticed - we love it all.
The 100th release main track 'Lajbans' is one of those sublime tunes that is bridging the gap between all styles of dance music and got the MLiR trademark, it's epic and manages to offer plenty of subtle details to keep you locked for the full 9 minute experience.
Accompanied with the original is a masterclass in dub 'Lajbans (Bellaterra dub)'.
You got the versatility of the original carefully stripped back but also absorbing layers upon layers of seductive sonic moods, it's a trip for sure and you don't want it to end.
Once again MLiR proves why they will be a force to be reckoned with for years to come...
Artwork by Leolyxxx
Mastered by Sasse at Blackhead Studios
Following the success of the now sold out Freundchen EP, True Romance revisits the disco anthem with this hot hot hot trio of remixes, right in time for the summer. On the A side, Red Rack'Em puts Freundchen through his cut and paste wizardry delivering a heavily filtered, bass heavy, hypnotic disco version. On the flip, Lauer cranks up the groove and unleashes the pianos for a classy house rendition that oozes sunshine and smiles. Russian producer Phil Gerus's gets gritty on his take, bringing the track on a mad chopped up italo road.
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Powering their way through 2019 with no sign of letting up, WOLF Music unleash their next house gem, ‘Strangerinthecity’, from German pairing Kandinsky & Mr. Fries. Six slices of soulful deepness, that range from blissfully Balearic and chugging groovers, to hazy jazz-infused sweetness, crunchy beats and sweeping interludes.
Kicking off the A side a cinematic intro, laced with movie samples and thundering pianos, gives a grand opening for ‘Stranger’ to slide in with its bongo delights, dusty trumpet melodies, psych guitar licks and fluttering Rhodes. Couple that with the modulated vocal snips and it’s a wave of warmness destined to win over any dancefloor. ‘Fallingasleep’ takes the final slot on the A side, a chuggy bass-arp-fuelled interlude with rippling hats, echoing rides and washes of the sea, to lead you serenely into the second half of the record.
On the flip side, ‘Downhere’ and ‘Strollingaround’ sandwich either side of ‘Junkfoodnmusicpt2’, like the juicy pleasures its namesake depicts, encasing it lovingly in two dreamy house numbers. The former is a trumpet laden, smokey cocktail of grooves and the latter a more disco-tinged offering, led by a dynamic bass / guitar combo alongside delicate brass and string tones. The tender filling to this deep-fried delight? ‘Junkfoodnmusicpt2’ – a beatsy trip of glistening, lo-fi, instrumental hip hop that will leave you salivating for more.
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Nicewon keeps thangs moving in 2019 with the 'Mood & Impulse EP' from Jeff Swiff. Three new cuts from Jeff, long-side a stellar 'Re-Jazz’ by Donnie Moustaki. Phat drums, crisp hats, snappy leads, warm pads and all that. Four moods and a different vibe- for all hours of the night, with a Digi-Only 5th cut, available on Bandcamp. Enjoy the sounds on NCWN05!
Esteemed Philpot boss Soulphiction is back on Local Talk with Beehive, a track that champions his own take on house, a sound that is both current and classic.
Beehive is in short a no-nonsense club track with freaky stab chops alongside brilliantly programmed beats.
We're offered two versions of the track, the HiPhife or the Classic mix, both infused with an addictive jack, either version you choose you'll win.
To make things even more spicy we got our buddy Jamie 3:26 returning to Local Talk.
This time he's putting the drum-machine to a serious workout and adding that special Windy City Bump he does oh so well.
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Ivaylo is next up on his Bogota Records imprint with a pair of fresh new cuts that come complete with a remix from Hugo LX. Bulgarian native Ivaylo is based in Oslo, and has vast experience of the dance music industry, having continuously proving himself as an essential DJ and producer, most recently his release on Cassy's Kwench Records 'Ae Way'.
He delivers again here with Hausa, a deep roaming tune with a bassline that immediately lifts your energy. It makes for a back room track that is super tasteful and filled with warped synths and deft percussion that gets under your skin. Hugo LX serves up a tripe remix with tiny little sonic details, a spooky sense of late night mischief and neon melodies that really standout.
Last of all, House Moult is a busier, more bristling cut with jostling drums and underlapping bass, an inventive sense of musical warmth and plenty of fresh ideas that are finished with an anthemic vocal that will get the crowd on their toes.
This is another standout EP from all concerned, and another great chapter of Bogota Records.
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The „Sans rouge EP“ is a return to Greymatter’s sampling roots reminiscent of his early works on WOLF Music. A record that sits half way between house and hip hop, in terms of style and tempo. „Sans Rouge“ epitomises that mood: starting out with a hip hop groove that drops into a beat-down house chugger. „Royale“ drops things down to an even slower motion with another tough beat down groove, chopped and driven key samples and a catchy vocal chop. The B-side start with a nice goodie: this is the first time that the full length/12” mix of „Move Slow“ has a proper release (the short version appears on the „7 years who cares?“ 2x7“ on WOLF Music). Greymatter’s most popular track of recent years - more heavy soul chops this time pitched more towards peak time. „Billy O“ finishes things off with a slamming, choppy club jam laiden with strings and vocals. Another mighty fine Quintessetnials release that shows all the talent of Greymatter!
Swiss producer Deetron returns to Music Man Records with Heartwalking EP due out on the 23rd of November.
Fresh from releasing his DJ-Kicks mix in March of this year and the Storytellers 2x12 with DJ Bone, Heartwalking is a two track EP playing with fast moving and melodic techno. The title track is a high energy cut which tumbles over precise drums patterns and thumping bass. Heartwalking AM version adds a euphoric melody, guaranteed to keep people on the dance floor until the early hours. A perfectly composed set which continue his legacy of making thoughtful and skilful dance music.
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We've got some good news for those hip shakin', booty breakin' lovers of bumpy house music: Fouk are back on Heist. Their new Truffles EP is packed with swinging goodness and comes with a jazzy Hugo LX remix. After a busy period last year, Fouk have taken the time to experiment in their studio, focusing on expanding their sound and releasing only a handful of tunes. Their 'Mating Call' EP on their own label Outplay saw them explore the deeper side of things, while remixes for artists like Joey Negro on his own Z Records alongside Ron Trent saw them show off their production skills with a superb hi tech funk track. Nearly 2 years after their 'With Lasers' EP, we now give you the 'Truffles' EP. The A-side kicks off with the title track and instantly shows you a new side of Fouk. 'Truffles' is their take on what ravey piano house should sound like and it's funky as hell. Meanwhile, 'I'll be down' is about as Fouk as you can get. With their ever so sexy percussion, a moody vocal and synthy sprinkles all around, you hear so much of what makes their music so energetic and inspiring. On the flip, 'Need my Space' sounds like something you'd hear if Pépé Bradock and Charles Webster would get together in the studio: dreamy synth lines, lovely textures and weird electronics over an ever so sexy bassline. The remix on this EP comes from Parisian artist Hugo LX, whose love for soulful electronic music and jazz are perfectly presented in his remix of 'I'll be down'. His version is filled with shimmering leads, synth hits and some lovely horns for good measure. For us, this is a case of jazzy deep house at its best. Enjoy the music and if you like it, let us know! Yours Sincerely, Maarten & Lars.
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180-gram vinyl record, limited
Label devoted to old school house music. Every release will have an original version and one or more remixes coming from the artists that made our life worth living in the last 30 years. House music is our religion. We are not interested in hype. We are not interested in becoming famous. We are not interested in djing worldwide. There won't be any repress since we are not interested in making money. We'll release music for personal pleasure only if it' ll satisfy our minimum quality standard. Finally, we won't release any digital download, 'cause we didn't grow-up listening to music that we couldn't touch.
finally repressed!
The newly found PULP imprint is focussed on re-emerging the more classic vibes in deephouse. The first effort sets the example with a 4 track Voyage from RayDilla who has been around since back when the original cradles of house music (Chicago/Detroit) enjoyed their most mythical moments. Back in the 90's Raydilla joined Larry Heard for some production work and got published on one of house music's most respected outlets (Dance Mania). After being off the radar for quite some years RayDilla (Raymond Funnye) re-ignites his releasing schedule with this classic sounding release on the PULP imprint. The 3 original tracks sound like warm classy intergalactic journeys and get complimented by a wonderful ''DaRand Land'' remix, who is most known for his efforts on Chris Gray's infamous Deep4Life label. PULP01 is being launched as a vinyl only limited product. First come first served
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Joss returns with the new EP "Smart Feelings".
After the first release by Dirty Channels and huge supports from Palms Trax, The Black Madonna, Annie Mac, Rampa, Disclosure, Tom Trago and many others, Take It Easy is back! The second release of the label connected to the well-know party Take It Easy in Milan, comes from the party and label co-owner DJLMP. For his debut EP, DJLMP shows his eclectic vision of the club music, passing throw disco samples, house music and percussive vibes. "Blow Your Mind" open the EP with an epic and dreamy filtered sample. On a2, DJLMP gives his dancefloor and house vision of "Kachi Kachi" by the brilliant In Flagranti. Edging in a little 80's sauce to meet with tought and gritty dancefloor attentions "Tiger Cat" is a clear highlight on the record. "Angry" close the EP with its disco percussions and trumpets. Perfect tool to cross between house and disco tracks.
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This November sees the launch of Manchester based imprint Music Is Love Records, kicking things off with a four-track release of sublime house cuts in the form of 'Back In The Dayz' by Dutch duo New Jack City.
In true Manchester fashion the labels philosophy is to create a platform for releasing 90's tipped underground house music and embodying a hands on attention to detail with heavyweight vinyl, hand curated artwork and
high grade remix artists set for each release. Local acts, artist friends and up and coming producers will be providing releases from the off with label owners Oli Furness and Angus Jefford delivering remix works on each
under their Music Is Love guise. Arnhem based New Jack City launch things here, they're relatively fresh faces on the scene having formed their collaboation in early 2011, their ethos is heavily focused on Chicago house
music with an old school grit and rawness incorporated.
Title track 'Back In The Dayz' opens the release, utilizing timeless 909 drum programming with a big open hat, off-kilter claps and weighty kick. A subtle sub bass softly meanders around the drums in the background adding a bouncy shuffle while warm Rhodes chords build the track alongside a filtered vocal chop. Classic house stabs are introduced to the latter stages alongside a soulful spoken word vocal about the feeling of house rounding off the old school vibe. Next up is label owners Music is Love's rework of 'Back In The Dayz', adding a sharp intensity to the drums with an insistent snare pattern running throughout and the signature sounds of 90's house, a deep bubbling organ hook brought in, this is a brilliantly contrasting remix from the duo with a clear distinction yet capturing the vibe of the original cut beautifully.
Next up is 'Gimme That Chance', a pacier affair picking up the tempo slightly and embracing a US Garage vibe. Dreamlike synth chords, warbling pad lines and a sonorous walking sub-bass build the tracks body while an
amalgamation of vocal chops are layered, looped and processed throughout, creating an ever evolving dynamism.
'The Golden Age' closes the release with crunchy distorted drums and heavily reverberated synth shots running from the start, the track takes on a darker form than the preceding tracks with a peak-time dance floor approach. The introduction of a warm melodic synth melody in the centre stages adds a unifying house touch, breaking things down before the pumping heavily swung rhythm re-enters and tails out the track.
This is an outstanding inaugural release from Music Is Love Records and a clear indication of the sheer quality to come from this brand new Northern England based label.
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