House Vinyl New Releases - News

Rick Lenoir and Larry Thompson aka Black Traxx dropped several volumes of their own brand of chopped up Disco sampling, deeper side of House. From 1991 through to 1994 the Black Traxx EP's were showing up in record stores, obviously giving respectful nods to other Chicago DJ's and producers the tracks included on the EP's contained a DIY spirit and rawness that were key ingredients. Lenoir, with the technical assistance of Gary 'Jackmaster' Wallace has revisited these classic releases for 2017 and the pair have turned in some special, exclusive extended versions of some of the highlights from the series.

Kicking off the first Black Traxx sampler is 'Climaxx', a stripped back, slow burning acid cut with more than a similarity to 'French Kiss' complete with ultra slowed down section in the middle. Far from a copycat, 'Climaxx' is it's own beast, a truly atmospheric track that tweaks in all the right places! 'Doctor's Housecall' is up next, a cut-up of Disco burner 'Doctor Love', a Chicago staple for sure. This is a brand new extended version of this jam, serious heat on this one, you all know the sample by now! Undoubtedly a nod to the legendary Ron Hardy and his mythical Muzic Box club, this one hits the spot.

On side-B we get a new version of 'Your Mind Is So Crazy' lifted off Volume III, this one's a pumping, breakbeat laced party starter. Vocal samples, synths and swinging drums all collide to form a real peak-time monster of a track, pure 90's style runnings! 'Retrospace' is the last track on sampler 1, it's a melding of Chicago House, breakbeat and bleeps. If you dig the sounds that emanated from Sheffield way back when, or the you're into the early hardcore sound pre-Jungle then this is the cut for you. Fast paced and funky, 'Retrospace' is a real hidden gem of a track, featured here in it's original form lifted from volume II.

This reissue has been realised with the full involvement of Rick Lenoir and Gary Wallace and is 100% legit! All exclusive extended edits have been made by Rick and Gary specifically for this release. Don't snooze, this one deserves a spot in any self respecting House heads record bag or DJ set, classic material made available again for 2017 - You can't stop it!

Auto Sound City have been notching up some quality recordings on a verity of labels including Downfall and Weapons of Desire. This 5 track Acid EP from them helps to further consolidate Chicago Bee as a staple UK acid label. The duo Alex Handley and Toni Aslam also bang out a very impressive live set and totally rocked the club night Downfall in London November 2019. This EP contains 2 tracks from that set. The EP has been gaining much support with the final track Bad Boy House being singled out. Some supporters of the EP so far are Colin Dale, Rennie Foster, Snuff Crew, Damian Beblot and Placid

We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of its ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9.

They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not?
He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”.

In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

We are excited to present Tom Misch and Yussef Dayes’ “What Kinda Music” – an astonishing collaboration between two artists of very different disciplines, and one of the most unique and seamlessly original projects of it's ilk to date.

Moving fluidly through sleek electronica, avant-garde jazz, vintage hip hop and so much more, Misch and Dayes take you on a journey that is by turns surprising and spontaneous, heady and head spinning, and nothing less than compelling – a singular vision which fuses the DNA of both musicians with spectacular results, as can be seen in the title track, which comes backed by a gorgeously atmospheric video by XX.

Even though the fundamental bones of this project came together very quickly, its actual provenance stretches back much, much farther back, with the pair not only growing up in the same area of South East London, but Misch actually seeing Dayes play on drums in the school talent show for the first time when he was roughly 8 or 9. They both kept tabs on each other – Misch becoming a fan of Dayes’ act Yussef Kamaal, Dayes clocking his videos in 2014 – but it was only when they met at a launch party for Misch’s debut LP “Geography” in 2018 that the proverbial creative sparks began to fly. “As a musician you’re always looking for contemporaries who can push you and challenge you and make you better”, says Dayes. “I instantly felt that with Tom – he was such a gifted musician, and so prolific”. That summer they decided to go into the studio together, jam a little, and see what happens, with no other expectation placed upon it.

As it turns out, the music came fast and furiously. Two initial tracks were suddenly followed by a handful of others, and the pair found themselves contemplating what to do next. “Pretty soon, we knew that something was gelling”, Dayes says. “It didn’t feel like a one-off collaboration, it felt like a body of work”. What made the pair click, according to Misch and Dayes, were the exact same factors that meant it shouldn’t, by all rights, work. Misch says, “Yussef comes from a more experimental background, and he has a lot of loose, crazy ideas. I know how to write a catchy melody, but with interesting chords and have a good understanding of popular song forms, so I think I streamlined those ideas and made them accessible”. And certainly, in “What Kinda Music” you can sense the DNA of both musicians, but fusing so effortlessly and beautifully that it creates something else entirely, the appropriately named “Lift Off” sending goosebumps with its jazz flecked crescendo, and “Night Rider” hynotising with its deeply mesmeric grooves. “I have a love for harmony and chords”, Misch adds. “Working with someone like Yussef, who has such a gifted sense of rhythm allowed a perfect balance”.

Throughout the record, there is an utterly joyful feel of two musicians at the top of their game sparking off one another, picking up ideas and running with them – zigging where the other zags, ebbing where the other flows, with Misch producing the majority of the record and both having a hand in the overall sound and feel of the record.

“Working with Yussef has actually changed the way I work as a musician”, Misch muses. “He’s pushed me and unlocked a more experimental part of me that I hadn’t really allowed myself to explore before. I think we really did impact each other in a fundamental way”. Dayes is similarly effusive in his praise for Misch. “A musician like him, who’s at the top of his game, he doesn’t need to do this”, he raves. “He can just keep doing the same thing and why not?

He’s killing it. The fact that he’s so humble, that he’s so curious about everything and open to collaboration, speaks a lot to him as an artist, because it’s not easy finding musicians who want to collaborate. Something always gets in the way, whether it’s ego or their team or whatever. But with Tom it felt like the intention was purely creative, and that’s what made it exciting”.

In fact, Dayes says that the intentions of the record go even deeper than just music. “Both our parents who’d never met each other before, are now best friends as a result of this, they now see each other more than we do! I’d like to think, in some small way, that this album has a similar impact for people too – everything feels so divided these days, it would be nice for people to hear the record and hear two very different musicians coming together and realise it doesn’t have to be that way”.

Rudolf (Mr. Tophat) and Jac (Skycity) team up for this weirdo-acid-filled collaboration. Two straight up danceable quirky-cozy-basement-club tracks. London, New York, Berlin, The comado Ep is here!! Limited vinyl only edition.

*Repress*

Adelaide duo Warren Raww present a 12" that ups the energy of their July EP, whilst still delivering on their own brand of melodic, synth-laden house music. This time flanked by comrades Arthur Miles and Freddie Norwood, they add to the already high volume of talent currently emanating from Australia.
The A side offerings shift between the more low-end driven aspect of Warren Raww's production style, with off-kilter bass lines, punchy percussion and contemplative chord progression. The B side strips things back a bit further with a track each from Arthur Miles and Freddie Norwood. Gliding pads, raw percussion, broken beats and rolling drums all melt together to deliver an essential slab of house music.

777 returns with its second remix EP expanding the affairs from house to jungle by four special guests!

"La Ronde" is one of the seminal Japanese House releases, originally released in 1991 on King Street offshoot BPM Records it's long been a highly sought after slab of wax among deep House & dance music aficionados around the world.

Confined to one single disc on it's original release this luxurious 2015 re-issue let's all the music contained within breathe the way it was naturally intended across 2 re-mastered 12"s, making it utterly indispensable for all you DJ's & fanatics out there clamoring for all these classic tracks from far eastern heavyweights like Toshihiko Mori, Soichi Terada and many many more (NYC's legendary Pal Joey even makes a guest appearance!).

This is gorgeous, ambient, deep House at it's finest, full of melody, soul & vibe, totally essential & finally available in this format for the very first time. Fully re-mastered, re-pressed and re-released in full conjunction with King Street Sounds / BPM Records, NYC / Japan.

‘R U Happy’… A simple question. But is there a simple answer? Allow Guti and Tripmastaz to look you dead in the eye and find out once and for all.

Their first ever collaboration – conjured in a rare real life, real time, real vibe collabo scenario in Tripmastaz Moscow studio – this fact alone should be a reason for happiness. The music seals the
deal furthermore; a bubbling analogue bass, relentless jacking beats, filters set to their juiciest coordinates and that insistent loopy vocal sample, there are some serious strong tones of Chicago in the blend. The sharpness of early Trax, the fatness of early Classic and that rolling vibe that captures
the essence of house like no other city.
If your happiness status relies on more of a French lift then allow D’Julz to take your hand with his remix. Still just as jacking, but with a little more beef in the bass, more dynamic strip-backs and several new layers of funk-riddled filters, if you’re not happy by the time this kicks in, you need to consider some of your lifestyle choices.

With the Pets guys and Guti both fresh from big album excursions and Tripmastaz enjoying a rich vein of form on the likes of Tatouffe, Bass Culture and No 19 already this year, all parties are kicking with vitality on this one. Are you happy? We certainly are…

vinyl only!

Mr. Gene Hunt, Chicago house music legend, is back on LA Club Resource with the"After School" ep. Gene digs deep in his vast archives and unearths three hard hitting tracks for fans of old school house. Heard in the clubs and on mix shows back in the days, these tracks finally surface for the first time on wax. Limited to 300 copies and essential for the Chicago freaks.

Classic is incredibly pleased to announce that a certain man of the moment has joined the Classic family. 'One' was brought to the attention of Classic when it featured on vinyl only release late last year.

Ears pricked up and more information was sought. Who was this man from nowhere - producing music that was modern yet soulful, funky - and best of all coupled with his own vocal talents.

Luke Solomon then championed not only 'One', but the general excitement surrounding something that ticked all of his boxes. Reminiscent of the old Classic sound that reminded him of Iz and Diz, Losoul and the like... Seven was approached and not only offered Classic 'One' to re-release, but two brand new cuts featured exclusively here.

An EP aptly entitled 'Friends' is the freshest thing that has been around for some time - and Classic are proud to welcome Seven into their ever expanding family.

Lyssna Records is a newly formed label out of Stockholm overseen by Adam Stromstedt, Flord King and Mohammed Al Harbiti. Two of the founding members, Adam and Flord, join forces to create a deep, jazzy and delicately put together debut. A1 'Shakshuka' is a track driven by jazzy percussion and soothing chords on top and a slightly off kilter bass groove. A2 'Det Eviga Mysteriet' straight away hits you with a more hip hop and soul inspired touch with well thought out vocal samples on top of a bouncy beat. Flip side starts off with 'Foul' a slow pulsating track that is perfect for those late night shifts on the dance floor. Finishing off the EP we have Mr. Tophat's rendition of Shakshuka, weird and delightful at the same time, just like a Mr. Tophat remix should be, BLU.

After the last releases of M.in & Gunman on Cajual, Wow Recordings and Great Stuff, we are glad to welcome M.in together with his colleague Gunman on My Favourite Freaks.

These two tracks are timeless and perfect for the summer.

"The Voice" captivates with its cool vocals, a loose groove and a nice chord. This track brings a smile on everyone's face and awakens a summer feeling, which makes you want to dance imme-diately.

"The Groove" focuses on a strong groove and bongo samples but of course that's not enough. As a surprise, the track turns into its main part in a Monster, which lures everyone with his cool synth on the dance floor.

Dan Curtin needs little introduction; his unique blend of hi-tech funk & aerobic programming inhabits an unmistakable island of deep techno all to it's own. We journeyed to this island in search of long-buried treasure and struck gold: four energetic gems from Curtin's unreleased archive circa 1998-2001. Get ready to let loose.

Post Pluto's third release "Abercrombie St" brings together Sydney based producers Adam Stromstedt, t.hanks and Subaske for a diverse EP suitable for the dark room. All three producers bring their own flavour to the release which traverses tripping techno, booty shaking house and dubby electro

Gerd fired up the legendary Yamaha DX100 synth and proves he's still the master of machines from Planet FMDX. 4 housey techno tracks ranging from the beautiful melancholic to dancefloor stomper.

limited red coloured hand stamped vinyl

As Pathway Traxx finds itself embarking on a dawn of maturity the now familiar colourful label welcomes in its 4th vinyl only release.
This bright yellow vinyl 4th installment welcomes on board relative newcomer on the house scene, Amir Maglajlija a.k.a. Espada. Originating from Bosnia & Herzegovina, Espada only began producing in early 2011 but as you will hear on this release his production skills far out weigh his years of experience. Amir delivers a truly sublime A-side with sprinkles of jazz influenced house and funk. He effortlessly intertwines melodic keys with jazzy horns whilst keeping things moving along nicely through his infectious drums and percussion.
The B-side of the EP see's Pathway Traxx return to more familiar ground with a stripped back deep rework by Mannheim native, ManooZ. Having released on the likes of Tomorrow is Now Kid, Swink and ALIVE Recordings to name but a few, its clear to see Manooz is a force to be reckoned with, and a name well-known for quality house productions.
And last, but by certainly no means last, in typical Pathway Traxx style, they've saved the heavy weight banger for the last track on the B-side. This out and out club ripper is delivered by close label friend and well renowned groove maker, Kezla. Expect nothing more and nothing less than Stripped back drums and a bone-shaking baseline!

Pressed on 180G heavyweight vinyl and packed into manila sleeves.

Fans of the first Voyage sampler will be familiar with the sound of Harvey Sutherland and his ability to make synths sing. For those who aren't, you're welcomed with opened arms to experience the joy of Harvey Sutherland through his new EP "Brothers". An exploration in all things that make Harvey Sutherland the wizard he is, "Brothers" blurs the atmospheres surrounding boogie, house, jazz and funk. An outer space voyage for your mind, body and soul.

Early support from Session Victim, San Soda, Max Graef and Glenn Astro.

RECORD STORE DAY 2016 RULES APPLY
Dance Mania Records releases for Record Store Day, Len Faki's edit of Parris Mitchell's 'Rubber Jazz Band', unreleased on vinyl until now!
The classic track "Rubber Jazz Band" is from Parris Mitchell's 1994 Life In The Underground double 12", with an even raunchier sound then before.
Also, featured on the B. side is a rare hard to find track, "Computer". Get your copy while they last... This 2 track 12" is limited edition.

A true techno auteur, Mathew Jonson earlier this year released his second solo album, 'Her Blurry Pictures' on Crosstown Rebels, encompassing a new evolution in his rhythmically complex and timeless approach over eight fluid and rich composition. Now soon to drop is a package of unmissable 'Blurry Remixes' featuring a trio of first class reworks by Dixon¨ Tale Of Us and Akufen
Innervisions boss and Berlin luminary Dixon turns in a storming reimagining of the atmospheric, electronic matrix of 'Level 7' where straight talking techno does the driving as layers build, get stripped back then steered onto a more melodic path underpinned by a rumbling deep bassline.
Next up, the unstoppable duo Tale Of Us transport one of the more playful 'Blurry' cuts 'Kissing Your Eyes' into a brooding dubby sound bed of live sounding drums combined with rippling echoing synth melodies. Berlin based Carmine and Matteo aka Tale Of Us, first rose to prominence on the Visionquest imprint in 2011 and have since released on Life And Death and M_nus.
Glitchy tech meets raw rolling drum beats in Akufen's 'Body In Motion' remix. As hypnotic, as you would expect from the Canadian mastermind, Akufen lures you into a trance and keeps you guessing, progressing from dextrous minimal textures to full on fluid jazzy piano interpretations.

Our second artist EP comes by way of Austrian producer, Markus Quittner, who joins forces with his Hoover The House crew for one deliciously deep record.

This record is the result of a series of memorable studio sessions with my friends. Especially made for Cahoots Records, Nightside contains four sophisticated underground house tracks. Each one is produced with much love and attention."

''Chicago house legend Emanuel Pippin (Trax Records) joins LA Club Resource to bring house fans a compilation record for the ages... ''Tracks From The Dungeon'' features unreleased and rare tracks from Ron Hardy, Armando, Sean Hardonson, Paul Johnson and more. Kicking the record off with Sean Hardonson's ''Crash'', Crash or ''Video Clash'' is a house music standard, made popular by Lil Louis in 1989 on Dance Mania Records, although in circulation well before that, Hardonson's ''Crash'' is said to be the mythical version that started it all, finding its first time on wax here. To round out side one Pippin presents the original version of the house classic ''House Nation'' by Nick Non Stop and also fresh from the archives is the much sought after cult mix show cut the Martin Luther King Eulogy track by the late great Armando Gallop.'' ''On The b side the spirit of legend Ron Hardy is alive and well in ''Hardy Feet'' a never before released straight to tape track made by the man himself thats sits somewhere between ''Magic Feet'' and ''Video Clash'' To finish out the record Paul Johnson and Emanuel Pippin join forces on this unique version of Chip E's ''Its House'' set to make the club go crazy. A must have for all Chicago House collectors and fanatics.

Repress of seminal Chez Damier & Ron Trent release on KMS.
100% official repress with original artwork. No digital release scheduled.

This record needs no introduction! One of THE most classic House records ever made! The legendary pairing of Frankie Knuckles (RIP) and Jamie Principle delivering two devastatingly ahead of the curve anthems; "Baby Wants To Ride / Your Love", both still sounding as fresh, vital, original and contemporary as they did on their 1987 release.

Truly one of the dream pairings in modern dance music, the Knuckles / Principle team brought us many classic moments but the two tracks contained here are among the most recognizable and well loved tracks in the House music lexicon.
Often sampled, covered, edited and re-worked, but never, ever bettered here are two absolutely essential cuts, re-issued as they were released originally in the late 80's on Trax.

Re-released for 2015, re-mastered and re-pressed with all the original Trax label artwork present in conjunction with the official rights holders / owners. An essential addition to any dance music lovers crate! Don't snooze on this...

I was thrilled when Joe Goddard asked if he could make an EP for the label and were even more thrilled when I heard it. The fact that he roped in the legendary Kool Keith to appear on one track just kept on bringing the thrills.

Here are some lovely words from Joe about this release - 'It's an honour to release some music for this label. I feel that due to the ravages of unrestrained and brutal capitalism, people across the world are finding life particularly difficult right now- both economically and emotionally. Capitalism is an insidious and elusive enemy and many people are currently turning to intolerance and hatred instead of recognising that at these times what we really should attempt to do is love and respect each other as much as possible. Therefore I support Keith's efforts wholeheartedly, and on a personal level I couldn't think of a nicer or more talented person to release an EP with.'

AF Trax's message is very simple. The far right ultimately wish for the destruction of our way of life and indeed the lives of many of the people we love. The message is love. The message is solidarity. The message is No Pasaran - They shall not pass. It is a call to stand together, it is a call to stand up, it is a call to ACT. Individually we may be powerless, but together we are strong.

If you're not outraged, you're not paying attention!

A true lynchpin of the Detroit underground. Sharif Laffrey has been producing music & djing internationally for over 20 years. Sharif's participation in Detroit's early rave scene during the early 1990s led him to music, djing & organizing underground loft parties. Sharif became part of Detroit's Submerge squad as he worked & lived in its storied 2030 Grand River Avenue headquarters working for Mike Banks as an operative for Underground Resistance & Submerge. 'AND DANCE' is the debut release on Laffrey's own record label SPECIAL FORCES. a workout of a jam that along its 14 minute long route undergoes - transformations. cryptic spoken vocals and Sound for Dance. 'HE BEGAN MOANING AND MOVING ABOUT ON THE FLOOR - SLOWLY GOT UP - IN RHYTHM TO THE MUSIC - AND DANCED...

On the label that got him back in the game, Brian Harden returns to D3 Elements, this time with a remix EP of Chicago To Detroit, that featured on the Black 3 EP. This EP features 3 remixes, one By Brian himself and the others by Detroit's Patrice Scott and Atlanta's Byron The Aquarius.First up is man of the moment, Byron The Aquarius, riding high after his releases on Sound Signature and Wild Oates, with his ethereal take on the original. With it's cosmic sounds weaving in and out, Byron manages to infuse his soulful sound on the track to take it to a otherworldly territory. Brian is up next with his 'Chicago Sur Seine Mix', introducing a steel drum and some beautiful pads that are reminiscent of 808 State's, Pacific 202. While still keeping with the original's pace, this remix has more of a down tempo feel, and would fit perfectly in those late night/early morning sets. Finally Patrice Scott delivers a more beat driven Detroit take on the original, with an emphasis on the hi hats and clap that really gives the track that driven feel. While still paying respect to the original, half way through Patrice takes it to another level with his atmospheric keys that round off a great remix EP.

1x per customer!

Very nicely executed reissue of this up to now 'secret weapon' played by Djs such as Theo Parrish, Marcellus Pittmann, Mike Huckaby, Jeremy Underground and MCDE... Check!
"We are happy to announce our first reissue 12" on MCDE Recordings, a record from Manchester Deep House label Rainy City Music (written by Irfan Rainy & Rex Leon in 1995), thave we have been working on licensing for over a year now; a record that had been a secret weapon of Djs such as Theo Parrish, Marcellus Pittmann, Mike Huckaby, Jeremy Underground and myself - arguably one of the finest house music 12-inches to ever come out of the UK.

To mark the 20th birthday of the release, we have carefully remastered the tracks from the original DAT tapes and only slightly modified the original cover artwork.
Its All in the Groove baby! "

A slightly rugged rhythm creeps out of the speakers as muffled drums build into a hypnotic wave of rough and fuzzy samples topped with layers of springy synth lines. The distorted essence makes it seem as if it was produced with the help of a cheap sampler and drum machine in some Chicago basement back in the days, but it's not. After pleasing us with loads of his disco cuts, HDSN is back with a more controversial record for our NBASTWAX005 . Dreamer' is a dusty four track beauty, that shows us another side of the young beat maker. HDSN´s music isn´t typically associated with lo-fi house, but if you are into the genre, you owe it to yourself to give it a listen. #datsoulthang

HIEROGLYPHIC BEING'S Volume 3 of 9 "A SYNTHETIC LOVE LIFE VOL 3" features more uptempo freeform electronic mosh pit sonics that were created a decade ago to cassette. Limited & stamped for MATHEMATICS PLUS

London is without question one of the most important cities in
the world when it comes to dance music. From Breakbeat,
Drum & Bass, Techno, House to UK garage its inuence in the
industry is huge. Project London Raw series is here to
celebrate the sound of London's underground scene.

repressed !

Person Of Interest making his debut on Clone Records!. Fresh adventurous house tracks with offkilter melodies and seductive synth lines and irresistable grooves. Easy to make a link to mid 90's Detroit vibes... but it wouldnt do justice as this is by no means retro. Person Of Interest is delivering!

Reissue! First released in 1995, Mellow Man's dope piece of Wax returns with a bang! Transferred directly from the original DAT tapes and carefully remastered, the 'Dark & Deep E.P.' brings four unique deep and edgy tracks, some rough and raw, with disco feel or spherical.

Must have vinyl... grab your EP now!

Make Noise Records is excited to announce our upcoming release of Brett Naucke's "Electronic Hypnosis Program" EP.

Recorded in Chicago on a Eurorack system full of Make Noise modules, "Electronic Hypnosis Program" presents an eclectic collection of experimental electronic works for sampled voice, field recordings and synthesized sound.

"Electronic Hypnosis Program" follows Naucke's acclaimed 2018 release "The Mansion" (on Spectrum Spools), and continues his exploration of marrying an ever-evolving practice of advanced synthesis techniques with personal and conceptual narratives. Beyond live performance, Naucke has provided the original scores for several films, sound design for interactive gaming, and presented many works for multi-channel audio installations.

" Music may not actually have height, width or depth, but Brett Naucke's certainly feels three-dimensional. Using synthesizers, field recordings and a variety of other sources, the Chicago-based artist crafts expansive pieces that are like physical spaces you can enter and explore."

-Marc Masters, NPR

"Electronic Hypnosis Program" will be released on November 1st, on clear 12" vinyl in an edition of 300, with full-color artwork by Chicago-based visual artist Bill Connors.

Club U Nite Records Presents: DMA - The Happy Vibes E.P. - a brand new Limited Edition Mini LP including 6 great deep, jazzy and soulful House Tracks.

"Luv & Happiness" starts with a deep, warm baseline and ends in an irresistible jazzy groove, while "Good Feelin" revives the classic house piano. "So Happy" gets your needle jumping with smoking swing beats.

An entrance through the "Heavens Gate" brings you directly to the B-side and sends you with 'Keep Moving' into the world of Deep House. Even deeper ends this 6-Track E.P. with "I'm In Luv With You". And you will love this E.P.!