House News

Mark Grusane's latest offering, A House of My Own is a testament to his long-standing discipleship to the craft of producing hard-hitting house tracks with authenticity and depth. The title-bearing opener on A1 strongly demonstrates this notion with a slew of raw bass stabs and emotive pads leading through a battery of driven percussion in a manner that calls to mind those early 90's Mr. Fingers records. While A2's Essence of Life (Afterhours Mix) takes us further into the darkness with a spiraling timber of percussions lain over distorted vocal arrangements, the "Daytime Mix" of A3 builds on the momentum of its predecessor with a robust uplifting synth lead and sounds of atmospheric ambiance added to the mixture, effectively taking the composition to an entirely new level. B1 kicks off punching and swinging with the track Knock knock, Who's there?, a ferocious gut-puncher of a track that sees classic Chicago "beat-track" style 909 arrangements lay over an intense saturated 303 bassline that relentlessly worms its way throughout the mix with a booming urgency. B2 sees a turn for the naughty on the track Love And Lust with a xxx-rated vocal line slithering its way through the track, sandwiched in between high-pitched keys and a slinky drumline. Finally, Jack Your Ass Off closes out the album and ties it all together on B3 showcasing the full-fledged insanity of the classic trademark Chicago "jack" style that sees the title of the track frantically screamed over and over though a sampler amid hard hitting drums and 303s engineered to make you dance like a freak. A serious 'must have' for any selector or music enthusiast.

NDATL continues with the return of Abacus to the label, "The Lower End Theory" is another slab of deepness from the produced who has released on classic labels "Prescription" & "Guidance to name a few.

The EP dives right in with the title track "The Lower End Theory" bouncin with a deep bassline then iced over with glossy keys that give you sight into his theory. Next "Atlanta Deep" is his ode to a late night drive in the A. Then on the flip we have "Mortise & Tenon" a 10min journey thru Detroit Techno to Toronto's underground.

A perfect title as "Mortise & Tenon" is a type of woodworking joint! Now close your eyes & throw your head back into the Lower End Theory.

Being somewhat part of the Raw Soul Family from the very beginning, be it as part of our record collections or as guest DJ at our very first party, a record was just the natural thing do. Therefore we are super stoked to announce that no one less then Washerman, a man we admire both artistically and personally, will be responsible for the next contribution to our imprint.

House royalty right here. An unmistakable voice over the decades, from the late ‘80s till the present day, Byron Stingily’s falsetto tones are some of the purest around. Whether hitting the high notes as part of Ten City or in his solo songs, his gospel-tinged, uplifting voice has soundtracked countless euphoric moments.

Club Chi’ll Records welcome Byron to the label as he delivers a signature, piano-laden, hands in the air vocal house gem in the form of ‘Can’t Help It’. Not stopping there, they enlist the expertise of Wade Teo, Spaces Between and Soul Clap to add their trademark flavour to proceedings with four distinctive remixes.

Early support Louie Vega & Smokin Jo.

Originally released on Resound Records, a one-off subsidiary of the classic Gherkin imprint in 1990. The title track is a deep hypnotic 12 minute ride through the Chicago underground. On the flip are the smooth & emotional ‘Isolation’ and the euphoric rush that is ‘Silent Noise’. Timeless Chicago House Music. Essential EP!

Austere Recordings and LAAK are back with a limited 200 copy, hand stamped release. Expect the usual deepness!

Originally released in `96, TYREE is reissuing this classic DANCE MANIA EP for 2023. Released at the height of Chicago's infamous "Ghetto House Era," with tunes like "IT'S ALL GOOD," and "LET IT GO," this record has been in constant demand for over 20 years. Play it loud and play it now.

Brandub is back, this time collaborating with Rodrigo DP with their Mornings EP. The Cordoba guys deliver a super swinging 4 tracker, infused with the typical Brandub trademark groove exploring a complex pallette of textures throughout the record.

Repress!

Gost Zvuk is a new Russian initiative that showcases the best kept secret in Russian modern day house music. For the first effort Aleksei Nikitin comes up with an emotive 4 tracker that is bound to have you amazed by the richness of the sounds and the versatility of the EP as a whole. Recommended.

repressed !

Re-release of Armani's classic 'Arrow' originally released on Dance Mania in 1997 with the hard-to-find 'Poison Mind' by Alvin Carr as a bonus track! Essential Chicago house/techno.

Drop the needle and 'Let Them Know' – More than a title, it's a sonic herald for All Nice Records' entrance into the scene by Bobby Dreams. This debut isn't just music, it's the rhythm of a new label and the genesis of Bobby Dreams' sonic odyssey. Secure your exclusive vinyl – 'Let Them Know' isn't just a name; it's a groove, a vibe, the cool beginning of a relaxed stamp in electronic music. A limited edition collector's gem that encapsulates Bobby Dreams' musical genius inspired by early Chicago House with a touch of Portugal's South Coast.

Warehouse Find! Test Pressing!

It's not often that a breakthrough producer manages to cause major hype after just one release but when that artist is from the UK, putting out a brilliant EP on Moodymann's Mahogani Music, you start to realize how it happened in Dan Shake's case. Now it's time for Dan to build on this incredible start and from the way things are looking it's safe to say it's all going in the right direction. Another rising star from the UK is Wolf Music regular Medlar who has been making serious waves the last 5 years. Remixes for the likes of Glenn Astro and Disclosure have all helped put him in the spotlight and his debut LP Sleep from 2013 delivered in spades. So when the news that these two were joining forces for a collaborative project reached us here at D.O.G we wanted in on the action.

The lead track entitled Walk has all the hallmarks of a long-lost Detroit house classic but with a UK touch that adds just the right amount of polish to the dusty MPC beats and phasing rhodes chord. Soulphiction adds a slightly deeper edge on his remix but keeps the vocals in place and pushes the beats in an altogether housier direction. Finally we have I On You completing the EP in fine style with a more soul-tinged track but keeping the groove and bassline positively roughed up ensuring things stay raw and underground.

Warehouse Find! Test Press

2014 was a big year for Scott Moncrieff AKA thatmanmonkz. Not only did his own label Shadeleaf become firmly established he dropped brilliantly received releases on both Kolour LTD and here on D.O.G.

Scott has managed to tread that fine line of simultaneously picking up props from all angles and wrecking dancefloors the world over whilst remaining resolutely underground and focused on the more interesting corners of dance music. RA rightly stated that 'Despite the pivotal part his hometown has played in electronic music history, you can't shake the feeling that if this were the work of some auteur from Detroit, Thatmanmonkz would receive wider recognition from the house community.' And that is why we love him!

Here on his follow up to last years Don't Slip EP, he delivers 3 lo-fi, dusty, soul- tinged nuggets which have that unique yet instantly identifiable character only the most talented producers are capable of making. Opener In The Trees featuring the vocals of Kahill Anthony who adds a soulful touch to the raw, bumping groove set up by monkz. The kind of magic track that'll get lodged in your mind and have the heads clamoring for the info when dropped on a big system. Flip over for Make It Now which treads a more familiar loopy disco path but does so in such fine style that you'll be coming back to this one time and time again. Finally we have Sad n Blue which drops the deepness with fizzing Detroit padz and killer vox samples giving a nod to the moody one but with a throbbing bassline straight out of the nu school. thatmanmonkz is currently holed up in his studio making tracks for his debut LP which we're happy to announce will be dropping towards the end of this year here on Delusions.

Finally Repressed!
MR. KINCY GETS HIS OWN SERIES CALLED GEMINI TRAXX!

Classic Dance Mania, DJ Slugo Tracks!

Classic Dance Mania, DJ Slugo Tracks!

Nick Sinna has been on the radars lately with his debut release for Prime Numbers "PN 13".
Sticking to the dark corners of the dance floor as of late, we've commissioned the spaced out bass child, Conforce and Spectral's secret weapon, JTC ( aka Dabrye ) to add their touch with 2 remixes.
Conforce takes Sinna's "Real Time" further down the worm hole, adding molten pressure to the percussion, and cutting up & reinforcing the vocal samples.While the acid warrior himself, JTC stays true to his roots on his rework of "Voyager", taking the edge off the snap and slicking the groove down to a more deep, melodic trip.
PN13 has already received diverse support by the likes of Ben Klock, Marcel Dettman, DVS1 and Mr. Scruff.

Session Victim return to Jimpster's ' Delusions Of Grandeur' imprint with a third studio album. 'Listen To Your Heart' is the result of a year of cross-continental scripting, started in their Hamburg studio and wrapped up stateside in San Francisco's Room G Studios where the duo had worked on their 2014 LP 'See you When You Get There'.
Sampling still remains an ever present backbone throughout the album. Session Victim have dug deep for sounds, resulting in a richly detailed and organic sound collage that goes hand-in-hand with their live instrumentation, this time enhanced through several guest musician appearances, most notably Carsten "Erobique" Meyer (ex-International Pony). Smooth guitar samples are built up on 'Over and Over' while on 'Moons & Flowers' the live instrumentals that Session Victim do so well come to the fore.

The treasure trove of San Francisco's record shops proved to be a hard bait to resist and the pair spent a large part of their Californian time hunting for records to sample. Three new tracks emerged from these digging sessions, with the sweeping disco string arrangements on 'Shadows' standing out as a prime ode to days spent combing through bargain bins.

Listen To Your Heart is equally a product of the road. While heavy touring is often cited as a hindrance to the creativity of artists, Session Victim see their live shows as a catalyst to their creativity. Two US tours in 2016 gave the Hamburg duo the opportunity to take track sketches and fragments on the road to incorporate into their live shows and then digest them back in the studio. The playful funk soaked groove of 'Matching Half' captures the sense of movement present throughout Listen To Your Heart and the LP mix of 'Up To Rise', which caused heavy ripples when it dropped as part of 2016's Matching Half EP is an extension of the upbeat and euphoric groove that permeates the album.

Repress!

1 year after its digital release, Brooklyn Baby’s « For the Soul EP » has become a DJ favorite, with the eponymous track already a club anthem. It has been playlisted by Terrence Parker, Kevin Saunderson, Mike Dunn, Mark Farina, Simon Dunmore & Daniel Steinberg to name only but a few. With over 2000 tracks sold in 12 month and almost 500 000 streams, it was about time to bring this House gem on vinyl.

To make the package even more attractive, the french produced has added to the Frappé package an extra track named « Mad Real », which is only available on this format. « For The Soul » is now ready to now become a digger’s favorite.

Repress.
GLENN's back with 4 more dope edits: reportedly one of GU's personal faves AFRICAN SUITE's "VIBE" extended for DJs, TRAMMPS' "DISCO PARTY" with added Hammond organ and Fender Rhodes courtesy of GU b/w SLAVE "STELLAR FUNGK" flipped and last but not least WILBERT LONGMIRE's jazzy "HAWKEYE".

The backroom club was packed with the hottest kids from the street. The movers and shakers wore their finest clothes to get down to the boassanova rock whilst the gangsters and players watched on from behind luxurious red curtains. In the murky shadows some exchanged more than just pleasantaries in the form of parcels and goods. They were devilish figures who existed only by night, when the streets were no longer safe for the do gooders to walk. This was a rough and ready town.
CYRK is set to release a new EP on the infamous Rawax record label. A charming assortment of well crafted house and some sophisticated electro cuts for the club. Rounded up by a fantastci remix from Claude Young!

In conjunction with the label turning 8, WOLF Music return to the VA format that see's them releasing forgotten gems and exclusive tracks from label mates.BRS' Bouncing was originally released in 2000 on Imperial Dub a firm favourite with WOLF Music for many years, it now has the opportunity to be introduced to a new generation of record buyers.Paradiso Rhythm self released Greetings & Salutations digitally early last year. A killer record in every way that deserves a vinyl release.

On the flip Ishmael & Medlar supply a collab track recorded last year at the Red Bull studios. Rounding off the EP is an updated version of KRL's I Wanna Be With You that was originally released on WOLFEP003.

Ed Nine returns to Chez Damier’s Inner Balance label with the third part in his The Journey series, as ever foregrounding the most classic of house sounds. Chicago from his head to his toes, Ed’s signature nods to the Windy City greats while pushing things forwards with fresh sound design and his innate musicality. From the bright and sunny melodies on ‘Nostalgia’ and ‘Time Will Tell’ to the driving bump and groove of ‘Not On The Radio’ and ‘There’s Always A Chance’, Ed establishes his credentials alongside the best of them.

Bernard Badie returns to Mojuba with his first solo release in over five years. Representing that unmistakable Chicago House sound in four different approaches ranging from dance floors jackin' slammers like the title track to soothing after hours vibes with a freshly remastered and extended version of the magnificent piece of deepness "Open Up". Enjoy the music and welcome back Bernard, we surely missed you!

Vital Sales Points:

- limited edition
- collectable hand screen-printed cover

2023 Repress

The seminal Chicago house album remastered and repackaged in a dj-friendly 3x12'' gatefold sleeve vinyl package.

DirtybLends edition is another 3 track inferno release combining 3 different ideas together from heavy Jakbeat to old school slower style tracks of the label: Chicago Underground to early 80s proto-house instrumentals of Boyd Jarvis!!

tHe A siDe kicKz oFF wit the return of kincaid presenting a daRk n meNaciNg composition played n created wit bLood n sweat behind the vintage music boxes to come with this 12 minute riPPer of beauty entitled: Circuit Collapse

The 1st production on the B-side comes from new member of The Klan of The Beatheadz: Cliff Solomon on this production the caT honors the timeless work of the originator Boyd Jarvis & Timmy Regisford from 1985 on next plateau. developing drum and bassline ideas with elevated drama and deepest respect for the true pioneers of the underground."

the final tune on Dirtyblends 11 on the B side is a collaboration from The Jak and Lex Lathan recorded at Nation HQ presenting their idea to keep the spirit of the early releases on Chicago Underground that were produced more slower in style entitled: The CaLL oN tHe EdgE

Courtesy of Balance is the Balance sister label run by Frenchman Brawther, who Chicago house great Chez Damier credits with getting him back in the game several years ago, after he had taken a step away.

This is another super smooth and seductive deep house sound, with Grant & Finnoh laying down warm, rolling beats, dubbed-out chords and heady vocal whispers. Brawther brings out the jazziness with his slightly more up-tempo remix and finally, Zansika sinks you into a late-night reverie with his dreamy and loved-up remix.

HDSN is one of the most diverse young artists in recent times, and every new production that hits the shelves is proof of his endless exploration of the electronic music universe. “Low End Therapy” is the follow up to his first release on NBAST ́s sister label “ We Must Protect This House” , which kicked off a new era of sound on his second home label earlier this year. Now that the dust has settled WMPTH002 is here: straight to the point, pounding and euphoric, its a modern reimagined dream of an illegal 1992 warehouse rave anthem full of energy but also incredibly catchy and instantly recognisable.

REPRESSED !!
The hype tune everyone has been asking Matthew about in his DJ sets. His own laptop-in-a-hotel-room bootleg remix of a live version of 'come back around' jamie lidell performed on KEXP radio show in LA finally gets an official, remix with a bit of techno on the B side.

Accidental Jnr is the new imprint from Herbert's Accidental Records to focus on electronic / club / dance output which has thus far seen releases from the U.K's Bambooman and Berlin's Dave Aju.

Green Splatter Vinyl

A killer Chicago-style acid groover by way of San Diego's Matthew Brian. Absolute peak time gear here and already in heavy rotation. Excellent mastering and loud AF" - Mark E Quark
A hard hittin' jackin' house track laced with a velvety 303 bassline that is sure to be a floor filler. Comes in both original and dub mixes. Pressed on stunning translucent emerald green vinyl with a black splatter. Debut vinyl release on Cali's TABBY TRAXX (very Chicago sounding though).

Recline Music welcome AXIOMATICS on the label with an outstanding four tracks EP on vinyl.

AXIOMATICS is the new project by Mirco Violi and Riccardo Baldoni that masterfully wrote and produced this amazing record. The EP opens with 'Thelma', a great Detroit house tune with a delicious vocal and impressive jazzy pianos, chords and strings that is set to become an instant classic. Then comes 'Polar' that mixes the classic with the contemporary, fusing old school elements like the melodic bass line and stuttering synth licks, with bumpy rhythms that add a modern charm to the composition of this house number.

The B side opens with 'Habibti' a much deeper and dark trip with rolling grooves, deep vocal samples and lead sounds that come from Eastern lands; an immense house cut made strictly for the dancefloor. Finally, 'K.O.T.B' closes the record, a no nonsense house cut, tipping the focus over to a chuggy bass groove, tension building strings and rugged drums with a beautiful vocal sample; the result is a weighty peak-time interpretation.

AXIOMATICS The EP is a real bomb, stay tuned guys and do not sleep!

The man from Los Angeles delivers a fantastic release here. higly recommended!

Part two of Takuya Matsumoto's tribute to the heydaze of House Music. Deep and tracky Chicago, NY Wild pitch... it's the 90's baby!

In preparation for the release of Kirk's full length album later this summer, Far Out Recordings dishes up a second instalment of tasters and remixes from a cadre of new label recruits and recent collaborators furthering the kaleidoscopic 'Sambatek' template of deep and dark techno meets Brazil's renowned rhythm. Following on from the success of Volume One in the Sambatek remixes series, Volume Two offers an even more diverse take on Kirk's effusive productions seeing BNJMN (UK), Spatial (UK) and Argentina's Jonas Kopp step up to the plates.

Vinyl Only

Repress.

DJ Sneak returns from Dance Music sabbatical with massive new Chicago House EP on Parisian imprint Frappé.

The 4 tracks on the Frappé EP are crafted in Sneak’s signature uncompromising and gritty style. The title track "Chicago House" brings the purest of filtered sampling, a Sneak tradition and a firm blast from the past packaged up neatly for both the veteran and new clubbers alike.

"I need you" is all about that house groove. Layered chunky drums, smooth vocals and sweet synth pads lay the foundations to another classic cut.

“When you dance” has a bouncy, looping melody that utilises driving drum loops and mesmeric vocals to deliver an instant hook. This is a pure cut, engineered for dancefloors.

“A little Acid” completes the collection on a more electronic tip, with Sneak tweaking the 303 in his ever so distinctively funky way.

The record will be out exclusively on vinyl for the first 6 month complete with a special colour cover of different Sneak visuals on the back and front, it's likely to be flying off the shelves quickly!

Hot on the heels of their releases on Nu Groove and Refuge Recordings Acid Jerks are back once again with another EP of jackin' traxx.

It's their first for Local Talk and we are, of course both proud and honoured to release "Hifi Shades Of Grey" on limited 12" vinyl.
The Acid Jerks sound is tried and tested to perfection by now and their fans won't be disappointed listening to this EP for sure.

First up is 'Shades Of Grey', a proper builder with its haunting strings, setting the tone perfectly.

Then we have 'Wheels Of Fortune', a track with that raw Chicago vibe. Warehouse soul anyone?

Both 'Rise Up' and 'Ace Of Spade' are tracks infused with that and equal parts of old-school and bounce.

Acid Jerks makes music that is impossible to ignore, it's a fact.

Bigfire featuring Marshall Jefferson, K’Alexi & Jammin Gerald Remixes! Japanese electronic music band Bigfire releases 5th vinyl in 2021, including 3 great remixes from Chicago. One of house music’s most important founding fathers, legendary Marshall Jefferson remix is very magnificent, consisting of impressive built up strings, breathtakingly beautiful piano, strong bass and absolute House beat. Jammin Gerald is widely known as a pioneer of Ghetto House Music
and an ace of Dance Mania label. Factory style series, a familiar name of his banging sound is constructing this innovative remix. K’ Alexi Shelby have had a great influence on not only House music but also Techno up to the present time. His elegant remix is nostalgic and soulful as its name suggests. Hirugano on B2 is an original of Bigfire. This is a one of a kind Hardgroove Rock produced by Homma Honganji, a leading expert of Hardgroove/Funky Techno. Mastering of all tracks and mixing of Hirugano (original) are done by Chester Beatty, the Chicago House Master in Japan Jacket illustration is
drawn by Kishi Daimuro known for Kyoryudaikiko (Dinoventure).

Mood II Swing are giants of NY metro area club culture. On calibre with heavy-hitters like Masters At Work and Blaze, Lem Springsteen and John Ciafone's output boasts the bejeweled crown of deep house supremacy, spanning from the early 1990's to the latter part of the decade, molding and modeling a sound painstakingly tailored to the vanguard of minority and transgendered club scenes, pre-purge New York. One of their first and most explosive claims to the throne was 1992's "Wall of Sound" EP, a no-prisoners-taken masterpiece with the confidence and cockiness of two producers just out the gate and fully assured of their total domination of the craft. "I Need Your Luv" is, to this day, the indisputable measuring stick of cunty club tracks, opening as the curtain lifts with the outpouring of one fierce ruling diva, quickly picking up force in a storm of wide swinging-drum programs, punching bass drives and sparse, splitting synth stabs, all punctuated with unyielding vocal cut-ups and yearning cries. On the flip, "Penetration" delivers the same expert method, albeit with a more abstract, dreamy air about it, a bumping, endlessly ascending standard of the vocal-sample driven deep house track of the early 1990's, constantly building and morphing in its deceptive complexity. Brilliant, timeless and time-defying, "I Need Your Luv" & "Penetration" have finally been reissued for the first time since their original debut 21 years ago, the latest feature in Slow to Speak's ongoing CORE series, a testament to the formative years of NY house lore.

Repress!

Dan Kye is the mysteriously evoked moniker from multi-instrumentalist, producer, and vocal sensation Jordan Rakei. The New Zealand-born artist - who now resides in London - presents his first long-player from Dan Kye, ‘Small Moments’, on Bradley Zero’s Rhythm Section INTL. An ode to the dancefloor, the musical project was born out of Jordan’s lockdown experience, created from the comfort of his own home. Recorded with just a laptop, extra live instruments and guest musicians, ‘Small Moments’ seamlessly transcends across electronica, jazz and funk, with each genre being effortlessly fused with Jordan’s melancholy vocals. Allowing himself to push the boundaries, Jordan’s Dan Kye moniker draws on the energetic and uplifting elements of house and techno and perfectly mixes it with the sultry vocals and emotion that come with the live elements we know and love from Jordan Rakei. The record offers listeners a journey through more floor-heavy tracks such as ‘Mogeri’ and ‘Raro’ to more groove infused offerings such as ‘Rainbow Road’ (which is named after one of the maps in Mario Kart and inspired by the energy of Prince’s iconic live concert at The Aladdin in Las Vegas), whilst tracks, like ‘Sober’, take on a more lyrical and anthemic feel.

Jordan Rakei: “Rhythm Section INTL was my entry point into dancefloor orientated music, and it was Bradley who asked me whether I could head in that direction so he could play my music out in the clubs. Dan Kye has still got melodies, but the main focus is to keep it high energy.”

After meeting Bradley Zero online whilst living in Australia, Jordan eventually moved to London in 2014. The same day he landed, he went straight to a Rhythm Section party to meet Bradley, and it was here that he first got a taste for house music. He enjoyed Rhythm Section INTL’s ability to draw on both live and electronic talent; and thus, after Bradley asked him for some productions for the parties, the idea for Dan Kye was born. ‘Small Moments’ is a musical masterpiece that can be enjoyed as much on the dancefloor as it can in the comfort of your own home and is a perfect step into Jordan’s landscape and idealism of dance orientated music.

Bradley Zero - “In around 2014 the proprietor of the famous Northside Records in Melbourne handed me a self released 12” from a new, unknown artist based in Brisbane. It was Jordan Rakei - Franklin’s Room. I’d been home almost a year before I actually got round to listening to it and I remember that moment like it was yesterday. I lay down on the sofa, put the record on and was transported! The Dan Kye project is a testament to the experimental and independent ethos Jordan lives by and is a product of an artist reaching full stride but not afraid to still try something new. This ‘Small Moments’ LP was conceived in a record store, born in a club on Rye Lane and is now flying the nest, throwing caution to the wind and making a bold statement.”

6 unreleased lost house tracks from the jackin' era. Anonymous tracks from an old white label that was never officially released.

Once again, Innocent Soul is back on his label Strictly Street Sound, but this time with the house music “teacher” Paul Johnson on the remix duties. Two banging original cuts plus a dancefloor dub version of the title track by PJ himself, for an effective 3-track EP.

New unreleased 2023 production by the Chicago composer and producer.

Definitely not to miss !

We are very happy to present you the second release on Tim's own Series on CHIWAX Classic Edition.
This time it's the former Relief Record from 1995 called "Return Of The Dragon"!

Sasu Ripatti's complete "Dancefloor Classics" series. Music for imaginary dancefloors, released on Ripatti's own label Rajaton.

”Look up, into the light” she said, while the camera shutter clicked. ”Like this? Does it look holy?” His neck felt stiff. Her reply: ”Yes, just like that. What do you mean holy? Like religious? ”No, more like trying to look very far, somewhere beyond what we can see.” ”Okay, stand still, I’m going to come close to you now. The light hits your face great.” click, click, click.
He noticed her fingernails. They were not polished. Natural. Even somewhat rugged, as if something wore out the fingers slightly. What had these hands held besides the camera? What made the edges of her fingernails drift off?
He thought it’s weird to look straight into the camera. The photographer had closed her left eye, the one not looking into the lens. Then it opened, she looked up, perusing the surroundings, then she closed her eye again, then looked up, closed, looking up, very quickly. It all seemed very professional. Maybe she calculated the light, making sure it’s close to perfect. ”What will these photos look like?” – the thought popped into his head briefly. It was liberating to think it wouldn’t matter.
”What’s that song playing?” he asked. ”Wait a sec, Ol’ Dirty Bastard?” she replied. ”Oh yeah, right. But the sample?” ”Hey, could you look up again, like that. No, lower.”
New directions: ”Look out from the window, turn left.” ”My left or yours?” ”Yours, I always try to think from the direction of my model.” How professional! This is a good shoot, so natural. Should I worry about how the photos look like? No, I don’t want to. His thoughts bounced around. What would the story be like? It’s a big newspaper, everyone will read it. Maybe someone drinks coffee and eats a stroopwafel while they do it. Will they place the waffle on top of the mug for a brief while, so that it gets hot and the syrup melts a little? Then it feels wet, and you can bend the cookie.
She broke his train of thought off midway through: ”Now turn right, but look left, and slightly up, but don’t turn your face right.” ”Umm, like this? Sounds like a set of pilates instructions.” she laughed ”You do pilates?” ”Yeah, it’s hard sometimes. Have you tried?” ”No”, she said. ”I’m not good for sports that are done in groups.” ”Yeah, but in pilates you can just be inside your mind, drowning in your private thoughts.”
”What are you thinking in pilates?” she asked, taking more photos. ”Well, mostly just which way is right. And which left.” click, click.

Q&A with Sasu Ripatti:

1) Tell us something about the EP series ”Dancefloor Classics”, what’s the idea and what can we expect?

I’ve been slowly writing these sort of dance music pieces and finally curated them together for a conceptual release. I like to create music for a dancefloor that exists only in my imagination and doesn’t try to suck up to the standardized reality.

2) Your vinyl format is 10” which is quite special (as opposed to LP / 12”). Why did you choose it?

It’s my favourite format, absolutely. The size is perfect, and you can make it sound really good @ 45 rpm. And you still can make great artwork.

3) You seem interested in sampling/repurposing, what does it mean to you as an artist to approach something already existing from a new angle? How does the source material inform you about the approach to take?

I guess i could flip it around and just say I’ve outgrown synths or electronic sounds to a great extend, and having gotten rid off all my synths already good while ago I’ve used samples as my main source material a lot. It’s obvious on this series that i’ve sampled existing music, but I also sample instruments and things in the studio and resample my own library that I have built over the years, it’s quite large. To me the end result matters, not so much how I get there. Once I have something on my keyboard and play around, it’s all an instrument, though with sampling other music it becomes a really interesting and complex one as you’re possibly playing rhythm, but also harmonic content and maybe hooks or whatever, all at once.
I never sample premeditadedly, like listening to records and looking for that mindblowing 3 sec part. I just throw the cards in the air and see what lands where, just full intuition and hopefully zero mind involved, playing tons of stuff, trying things, just recording hours of stuff. Then comes the interesting part to listen to hours of mostly crazy stuff and finding that mindblowing 3 sec part.

4) What is your relationship with the dancefloor (conceptually and/or in experiences / as a performer)?

Very complicated. I have never really felt comfortable on a dancefloor but have always wanted to. There’s something in club music, in theory, that really speaks to me. It has never really materialized for me – speaking mainly from a performer’s point of view who goes to check on a dancefloor for a moment after a concert. I never have DJ’d or felt much interest towards it. But again, I love the idea and concept of DJing. As well as producing music for imaginary DJs. Lately, as in the past 10+ years, I haven’t even performed in any sort of club spaces. So my relationship to the dancefloor is quite removed and reduced, but there’s quite a bit of passion and interest left.

All tracks composed and produced by Sasu Ripatti.
Artwork & photography by Marc Hohmann.
Mastering by Stephan Mathieu for Schwebung Mastering.
Vinyl cut by SST Brueggemann.
Publishing by WARP Music Ltd.

Hailing from the south of Italy, Nico Lahs is a man of many tasks. Besides running the great „Cosmic Rhythm“ label, Nico has more than a decade of quality house music releases on labels like Moods & Grooves, Local Talk, Omena, Delusions of Grandeur or Josh Wink’s Ovum under his belt! „Easy loving you“ shows his diverse skills: proper club trax („Keep on groovin’“), freaky yet groovy stuff (well… “Freakin’“), emotional deep house („Come get me“) and raw and deep tunes („Easy loving you“), Nico Lahs can do it all!

Five brand new tracks from the presently most wanted detroit producer OMAR S. raw and deep as we like it!

Fredfades is finally ready with his second album as a solo artist. The producer and DJ and has remained active as a musician ever since his debut single in 2008. Since he released his debut solo album 'Warmth' six years ago he's ben diving into a bunch of different genres and cross-ing musical landscapes such as ambient, hip-hop and house, which has led to releases and productions across labels like his own Mutual Inten-tions imprint, as well as bigger labels like Stones Throw, Fresh Selects and Jakarta Records. This sonic voyage has resulted in ‘Caviar’ - an album that tells the story of a producer who's ready to let go of his youthful love and indulge himself to electronic music.

Fredfades name is more often seen on foreign club posters than back home in Norway. This has colored the musical expression of the Oslo-born multi-artist, and on ‘Caviar’ he is gathering inspiration from every corner of the world where he has traveled. You can clearly hear the inspi-rations from the sounds of Rome, Manchester, South-Africa, Detroit, New York, Berlin, Paris and the Balearic ocean, which are all well repre-sented throughout the album's eight tracks. If you close your eyes and put your ears close to the speakers you will hear loons, running water, African percussion instruments, roaring saxophones, bit-crushed samples, moaning women, TB 303’s, bottom-heavy basslines and recordings of whales communicating at the bottom of the ocean. Everything seamlessly put together for Fredfades’ own sonic world view. The album features a bunch of talented friends of Fred, such as Telephones or the vocalists MoRuf and Kristian Hamilton.

Despite being known as more of a progressive and edgy DJ that haunts down a lot of indie and private press electronic music, Fredfades has cultivated a more elegant and controversial output in his own music. His progressions often consist of dwelling jazz chords from electric pianos or mellow sub-filtered synth patches that creates space where he can unleash rowdy basslines, rhythm sections and leads just as confident and captivating as the man himself. On the jazzy ‘Tenerife 1994’ you can hear a tribute to one of Fred’s greatest heroes in music: Pharoah Sanders, while on ‘My Heart Is On The Edge’ and ‘Summer of Love’ the energy and euphoria is boiling over and directs your mind towards the summer raves which Fredfades is known to throw down in Oslo.

On the LP covers backside Fredfades is posing with a Korg Wavestation in front of the block where he grew up in the suburbs outside Oslo, while the front cover is showing an airbrushed illustration of Caviar from sturgeon - ‘From block to Beluga’. The black vinyl contains magic grooves created by an electronic musical convertite, with the power to transport the listener from a perpetual winter to the 90s warm dance floors and the 'Second Summer of Love’.

For its seventh release, Hardmatter welcomes one of its long-time heroes to the label roster: Jenifa Mayanja.

The heavyweight 12-inch features 3 cuts of New York City deepness at its finest and stands as a firm reminder that house music is anything but dead. Kicking off proceedings is A1 s A Feeling, a balmy number that finds Jenifa, in classic fashion, programming synths over lithe drums and twitchy, cosmic soundscape layers.

The B-side finds the first lady of deep house in a rhythmic mood, with B1 Second Time s the Charm tapping into early Bumako vibes and B2 s Leaning Into It rounding the EP off in blissful broken-beat style a perfect addition to the Hardmatter family.

Following on from his standout debut EP with Steel City Dance Discs back in 2021, G-TOWN’s gold-toothed Prince is now set to be crowned with the arrival of Fallen Angel, KETTAMA’s second EP via Steel City Dance Discs. Having gained colossal momentum during the Irishman’s unrelenting touring schedule, the anticipation surrounding this release is palpable, and is now finally imminent.

Off the back of hosting G-TOWN Festival in his hometown of Galway, KETTAMA has now reached a perfect crescendo with Fallen Angel; a potent six-track serving of intricately engineered sounds, as the producer bleeds notes of 90s trance and soul into pulsating, percussion ladened grooves and gruelling bass, resulting in a deeply contagious melting pot of sound.

1997 sets the wheels in motion for this project, as KETTAMA blends a soulful vocal sample with rising chords and an implacable drum pattern: a masterfully coordinated Halance that remains consistent throughout the duration of this EP. Initially released as a single, title track Fallen Angel plays testimony to this remedy, with its delicate vocals and piano accompaniment, which are carefully woven into the fabric alongside a sonorous bassline.

Fly Away XTC is the diamond-plated lead-track from the EP, with anticipation for its release reaching new heights after a successful series of tests on the tour. The track blatantly showcases KETTAMA’s defining characteristics, as the producer bleeds ethereal vocals and masterful percussion into the fold, while the featured G-TOWN remix is driven by a series of piercing rave stabs and gut-hurdling bass.

The otherworldly nature of Fly Away XTC is set to be further echoed on screen too, with a music video directed by Hugh Mulhern, who has previously worked for the likes of Fontaines DC and Hak Baker, set to explore themes of extraterrestrial beings and pagan practices within a rural setting in KETTAMA’s native Ireland.

Having been released as a single two months prior to the full EP, Feeling Emotions ignited the flame for Fallen Angel, ultimately laying the foundations for the eagerly-anticipated project that would follow. The track again reinforces the unfailing relationship between entrancing vocal samples and a boundless drum pattern, something that is then echoed and mastered in the colossal closing track, Found My Angel.

Fallen Angel is a body of work that not only epitomises the ever-evolving nature of KETTAMA’s sound, but also provides us with an insight into the potential trajectory and direction of one of Ireland’s most promising exports. It is an omnipotent powerhouse of sound, a perhaps generation-defining project that is fuelled by nostalgia, and charged by a wildly forward-thinking personality, unveiling something undeniably timeless.

Nina Kraviz released remixes for her "This Time" single by true masters of their craft: Four Tet, Moodymann, Lindstrom, Hieroglyphic Being, Terrence Dixon and Praecox. The release also features an unreleased extended instrumental of the original.

Collecting orders for Repress of this really hard to find Chicago classic from 1988..

MUST HAVE!!!

Clear Vinyl repress

1987... for those lucky enough visiting a decent import shop in that year could have seen a US import record with pink label showing a darts board with small text next to the picture saying "Target records" and "Joe R Lewis". Pretty sure nobody at that time would be alarmed by this... reading further it said....1. Love Of My Own... Written and produced by Joe R Lewis... in even smaller text the label info continued; mixed by Larry Heard! And even that, at that time that would not have ringed a bell, except for maybe a couple of dj's who only just in the last couple months picked up copy of a Mr Fingers record and memorised the writter credits. We're talking the very early days of House music, the pre-internet era where new music and info didnt spread all over the globe within a couple of seconds.... Now more then 30 years later this is a holy grail for worldwide record collectors and house aficionados, still not all info is clear. Rumors go that this record was produced after a recording sessions of Larry Heard and he helped Joe Lewis with the mixdown... but like all good stories there is a cloud of mystery covering up the details!. On the flip side there is one of the best tracks ever produced by Joe Lewis,.... Life Immoreal... a track so elegant and beautiful that it hurts!! Two of the best tracks Chicago House music has to offer in remastered versions taken from the original master tapes on this latest outing of Clone Classic Cuts!!

Greg Paulus joins forces with fellow Brooklynite Taylor Bense for a new Freerange EP showcasing their left field, raw house sounds across three original tracks plus a bonus Martinez Brothers edit.

With previous releases appearing on labels as diverse as Soul Clap, Let’s Play House, Ghostly International and Kompakt, the producer, DJ and trumpeter is perhaps best known for being one half of No Regular Play who have recorded LP’s and EP’s for Wolf & Lamb, Crew Love, and Let’s Play House. Never one to be confined to one genre, Greg takes influence from Jazz, Funk, Hip Hop and underground house to form a unique sound primed for discerning dance floors. Taylor Bense is an in-house composer and producer at the highly regarded Hyperballad Studios in Brooklyn, where he works and records a wide spectrum of music for everything from high end commercial work to EP’s for Wolf + Lamb and Soul Clap Records. The entire EP was recorded and produced at Hyperballad Studios over the past few years.

Title track Heat Make Sense wears its Prince inspiration on its sleeve with a hooky whistled tune, crunchy live bass fills and punchy, raw beats. Next up we have Switch which features Brooklyn MC’s Stimulus and Malik Work on vocal duties and Greg’s own trumpet adding top lines to the deep pads and rolling groove.

Marino takes us back to golden era jacking Chicago house of the 00’s but with Greg’s trumpet flourishes bringing a live, jazzy energy to the track. Fellow NYC mainstay Big $exy provides his trademark deep baritone vocal to give a little hip house flavour. Closing out the EP we have NYC’s Martinez Brothers providing an uptempo minimal edit of Do You Love Me, a track from Greg’s previous Freerange EP. The MB’s keep things rolling and stripped back for maximum club impact creating a useful DJ tool whilst allowing Greg’s musical and vocal parts to shine.

2 Tracker from Parisian, Kléo - pumped up machine music that doesn't hold back.. TIP!

Kléo has been earning her stripes over the past decade and a half as both a distinct visual artist and well-respected dj. Refraining from the mainstream narrative she always remained close to her heart to express the unsaid. As her path embarks on to the next chapter it’s with great passion that she presents the first outing on her newborn label Call 4 Rhythm. A mind dazing invitation to let go and sense the raw, the rough. As much as it’s an authentic yet rugged dance floor affair, it guards the spirit and virtue of honesty. Elements which have been the backbone throughout every form of art she has shared over the years.

Dial 1 for ‘Deep Agogo’ sets off nostalgically, lingering keys remind of long gone days while menacing lines of acid make their way through the surface to ease in between robust percussive beats.

The flip houses the devastating Chicago-infused version, a statement bewildered by forceful 303 execution. Don’t be surprised if ‘Let’s Agogo’ prompts filthy facial expressions along the smouldering moments of this jackin’ beat-down. Roughly eight minutes to soar in total let go.

CHIWAX CLASSIC EDITION presents DJ Milton "All Shit"
Re-issue from 1997, originally released on Dance Mania.
Re-mastered edition - highy recommended!

Ricardo Villalobos and Heiko mso delivered 2 edits of Mental Kombat. First edit comes around with Planet Wall & Ever Body. Part two will include the second remix by ricardo & heiko and the original tracks Mental Kombat & Bad Connection

RAWAX proudly welcomes Mr. Carlos Sosa aka DJ Sneak to the Family! You can't imagine how happy and honoured we've been when we received an email from DJ Sneak paying us respect for the label work so far and offering us most of his amazing past productions. We now pay our respect to DJ Sneak and present his own series on CHIWAX called "DJ Sneak Edition", with re-issues, new productions and also with unreleased tracks from the 90's. The first release will be the legendary "Blue Funk EP" from 1994. First 500 copies will be pressed on blue vinyl - preorder necessary!

ONLY ONE MUSIC proudly presents Willpower aka Johnny Fiasco!
This classic release came out on legendary Relief Records in 1995.
Now it's back on black solid vinyl - essential!

Architect by day and musician by night, Jaime Tellado picks up as Skygaze, and returns to the fold of Flumo Recordings with his brand new 12”, the ‘Astral Trip’ EP; combining his knowledge of architecture with a love for sound to construct and merge acid house, broken beat and atmospheric melodicism.

The 'Astral Trip' EP follows releases on Guayaba records, Riverette and Thirty Three Circular. And remixes for Ed is Dead and Contours & Yadava, earning support/plaudits from the likes of Mr. Scruff, Simbad, k15, Andrew Jervis, Gilles Peterson, amongst others.

The common denominator throughout the release is the balance and combination of various elements, exploring a multifaceted contemporary dance sound whilst paying homage to the foundations of the sounds that we listen to today.

‘Minor Mood’ pays tribute to Chicago and Detroit with its high paced house rhythm, acid synths, and piano lines, whilst ‘City Cathedratics’ slows the tempo down to lay the groundwork for a dreamy synth-laden soundscape.

Whilst the majority of the project is a solo exploration in dance music and its multi-layered context and history, the contributions of vocalist Ruben Ondina lift the high-paced, synth house grooves of ‘Gimme Five’ to another level. Meanwhile, the broken beat influence of London is keenly felt on ‘Nigh Heat’ and ‘Wagwan’, their rhythms emphasised further by harmonic and melodic exploration via atmospheric synths, melodic improvisation and irresistible synth bass lines.

Skygaze reconstructs the rhythms and synths into his own fresh and unique package to paint a picture of spiritual wonder, richness and excitement.


DJ Support:

Severino / Horse Meat Disco
Ashley Beedle
Fouk
Just Her
John Digweed
Oliver Dollar


DJ Feedback:

Ashley Beedle - Fantastic EP and difficult to pick one track! 'Wagwan' will be ft. on my April 'Heavy Disco Spectacular' radio show on Worldwide FM.

Michel De Hey - Very nice release

Diynamic / Connaisseur - Very nice cosmic vibes!

Xinobi - serious knowledge of groove on this release.

Lex Ludlow - Super nice!!!

Joshua James - Groove on this...

Just Her - Gimme five is really nice

Fouk - Loving this!

Tom Simpson - some good stuff ....summer is coming.

Junior Simba - peng !

Willie Rosado - nice soulful sound

repress

In 1990 Joe Lewis teamed up with singer Darryl Goodlett to form the shortlived Survival. Now on Clone Classic Cuts their Midnight Dancin' finally gets a full release with all the versions. 2 of which were never released at the time. To top it of Simply Yours by DJ Joe Lewis also from the original Midnight Dancin' EP. Remastered by Alden Tyrell.

2023 Repress

Two lovely House mixes produced by Frankie Knuckles and Brett Wilcotts (Gherkin Jerks). From the mid 80s era when dance music was shaken up between disco, boogie, Italo and the emerging house sounds from Chicago. Claudio Simonetti was a titan of the Italian groove, but his monster jam as Kasso, "One More Round", reached the stratosphere when Windy City godfather Frankie Knuckles gave the track his Midas touch. The Knuckles mix is already worth the pressing, but the flip side contains the overlooked 80s remix by supremo Brett Wilcots. The Chicago master is known for his Gherkin Records and lays his hands on "Walkman" to turn it up to a boogie frenzy of the highest order. Must have!

Legendary electronic music producer Orlando Voorn returns to Elypsia records with a stunning two tracker " I have you" The A side features the original version while the b side features a slightly deeper mix, all in the proper Chicago/ New York house styles. The physical version comes with a colourful artwork by graphic artist Reza Hasni and is pressed on a neon pink coloured vinyl.

The Church EP features four high-energy dancefloor tracks in the signature Bootybass style, by the one ''Swoze'' guaranteed to get everybody moving. With Westcoast and G Funky vibes throughout, this EP delivers the perfect mix of fast-paced grooves and soulful melodies that will leave you either pimpin or craving for more.

The main man returns with three typically raw and jacking cuts referencing some of the older FXHE material, and replete with the usual mad artwork skillz! A return to form for AOS, and certainly not one you want to be missing.

Producer Tony Price returns to Telephone Explosion Records with his new “MARK VI” LP, an eclectic set of songs with a distinctly late-night feel. The album features 16 tracks of oblique drum machine funk, sizzling electro dubs and freaky public access TV atmospheres that spill into the streets with the combustible energy of a late night radio dance party before dissolving into a melt of bizarro techno-surrealist jazz by album’s end.

“MARK VI” is sixth full length from Mr. Price. This stretch of albums - “I Prefer Coca Cola” (2079), “Celica Absolu” (2018), “86’d” (2019), “La Vie” (2019) and “Interview/ Discount” (2020) - is a masterclass in uncouth production techniques, genre-melding and sonic satire. His production expertise has played role in breakthrough records from the likes of U.S. Girls, Young Guv, Ice Cream, the Badge Epoque Ensemble, Miss World, and Michael Rault, on labels like 4AD, Capitol Records, Burger Records, DFA, Slumberland, Run For Cover and more. In 2017 he founded Maximum Exposure, a record label and creative services unit tasked with providing top notch knob twiddling to the musical underground of the 2020’s.

His new record is named after the 1981 Lincoln Continental Mark VI that Mr. Price purchased off of a former radio DJ and archivist towards the end of 2020. In the trunk of the car was a bag full of cassette tapes of homemade mixes and radio show recordings from the late 1980’s that featured the kinetic clank of Detroit Techno, bombastic Def Jam instrumentals, TR-808 freestyle workouts, jacked-up Chicago House and hundreds of advertisements for outmoded products and redundant services. Utilizing early samplers like the Ensoniq Mirage, various drum machines and synthesizers, Tony ventured to create an album that celebrated the unabashed eclecticism, futurism and explosive production techniques of the music and commercials he heard on those tapes.
The crude and unrefined sonic source material that “MARK VI” is built from comes embedded with sizzle, hiss and hum. The messy leakage of parallel channels, telecommunication lines and metropolitan sound matter bleeds through in the spaces between beat and bassline. Foregrounding the auditory characteristics of the machinic unconscious, “MARK VI” is a celebration of the ghostly sonic artifacts from a time just before the future ceased to feel as though it were still in front of us.

New FXHE, you know the drill. Pure belters only.

Hot suite of crucial HOUSE. TIP!

NYC's Sweater on Polo delivers a hammering six track mini lp for L.I.E.S. indebted to the sounds of early-90s psychedelic Chicago house, names like Gherkin and Pierre come to mind but the young producer tastefully and effectively puts his own vision to the forefront with this release.

In the confused world of modern dance music production, Sweater on Polo, throws all trends aside and sticking to the bare essentials...letting the 808s,303s,727s do the job and making this one of the most crucial modern House records to come out of New York City in many years. Many producers these days stake a claim to this music and it falls short, plain and simple, Sweater on Polo is the most promising young producer in the city these days and this record puts it on display. Highly recommended!

Repress!

Gerry Read launches his new campaign to look at Preventing Violence Against Ears in all of its forms. In partnership with the Accidental Jnr corporation, Gerry hopes that this campaign will not just raise awareness but will actively work to prevent these alarming new practices. We urge you to take notice and to assist us by making sure that your peers, foes and family alike listen closely to this important movement. Relevant recordings have been produced and are available now via both 12' vinyl and digital mediums.

More quality from the Trax vaults. Robert Owens classic from 1986 - produced by Larry Heard/Mr. Fingers. Re mastered versions from the Traxbox compilation.

Audio restoration by Arjan Rietvink's Digital Mastering. Released in conjunction with Trax / Harmless.

The 2nd release from TABBY TRAXX is an exciting mix of acid house, jackin' house and tech house. The title track "STALKER" gets a special Chicago style acid house remix by MATTHEW BRIAN. "FLASHBACK" on the flipside pays tribute to the early days of acid house and gets a remix from label boss MIKE MAPES.

Jens Schwan, best known as the owner of the THE CLUBMAP magazine and co-founder of ZUG DER LIEBE, has been in the techno scene for 30 years now. "Frontier Reichenberger" marks his debut though when it comes to releasing records.

The title might ring a bell for some of us as it is a literal combination of a track by Underground Resistance and the old location of the Hard Wax record store in Berlin.

The record itself reminds us of classic Chicago House style music - claps, hi-hats and bass drums are neatly pumping their way into this nimbly track with its noisy attitude.

The remix delivered by Jarno Eerola is a playful deep house track, a chugging jazzy piece of music that shuffles along slightly dragged, demanding your attention with loud little surprises.

Jarno releases music under his alias Joe Le Bon and Aitokaiku and has now released three albums and various tracks on labels such as International Deejay Gigolo Records, Pro-Tez, Plastik.FM and Blumenbeat. His remix is a true evidence to his skills in the studio. On a side note, Jarno is not just a DJ and procuder, though - he is a tinkerer and a little bit crazy. He has toured conferences and festivals all over Europe and Russia, building audiovisual installations.

It’s an overall pleasure, having both Jens and Jarno releasing this piece on Dizzy Tracks and it’ll be interesting to see, whether there is more to come

* As one of Chicago's most mysterious and revered characters, the story of Gemini, aka Spencer Kincy has become something of a myth in recent years - blazing a trail throughout the 90's, prolifically releasing over 200 tracks from 1994 to 1999, Spencer's music had shades of innovation and soul few of his peers could match. Then, suddenly, at the peak of his career, he disappeared.

* Anotherday are very proud to bring you the reissue of Gemini's most complete and varied album - 1997's 'Imagine - A - Nation', originally released on Cajual subsidiary Relief. You know the music - every track is on youtube, or you have picked up one of the very expensive original pressings on discogs, but here it is, in its fully re-mastered glory!

* Rumours and gossip of Spencer's whereabouts and situation have been rife in the music press, and rarely on the money. Spencer is alive and well, and wants his music to be heard. This album has been licensed directly from him, and the money made from its exploitation will go directly to him.

The Cryovac machine is maintained and operated by A. Garcia. The components that make this machine function are the artists that push their creations forward to seal off their own vision of the now. What is preserved is the character of a craft that follows its own path. Cryovac believes sound vibration released from vinyl has the proper disposition to express the true nature of the Cryovac approach, and only selects the best vinyl when manufacturing and inspecting its' product. The Cryovac machine's purpose is to keep an independent view of the Detroit sound.
Jason Garcia is an international D.J., producer, and house music aficionado. His production runs the gambit of genres with a knack for injecting his smooth character into each work. For this effort Garcia has chosen to represent himself with a house style that is truly pimp heroic. Jason Garcia will forever have people in the Detroit underground.

Traxmen, legendary Chicago label created by the very own Robert Armani presents an exclusive capsule collection on vinyl of the artist greatest hits honoring his 30th Anniversary in the music industry.Robert Armani is a living legend and he is loved from Chicago to Belgium. It’s the ultime collection and an unique opportunity to celebrate the artist’s outstanding career.

Mostly records, the onward recordings sub-label, presents Unum Festival by Franco Cinelli, which includes two remixes made by Bs As deep. One of these versions is with his pseudonym "System T", chosen to do some works inclined to tech house and more experimental sounds sometimes.

Unum festival is an event characterized by five simple elements of life; music, sand, pines, the sea and the mountains.

The golden beach of Rana e Hedhun is where the festival will host 50 international and local acts over the course of 5 days and 4 nights.
Franco Cinelli is summoned every year to bring his music from Latin America to Albania.

Franco had a good idea in his head to print on a vinyl one of the tracks that had been Anthem in one of those events, which is also used as the official track and curtain of one of the promotional videos of Unum festival.

In "Mostly" both Bs As deep (owner) and Maxi iborquiza (owner) they had thought of ​​including Franco in their next release. They talked about it, and presented some ideas.
This is how this project was born, proposed by Franco himself to Mostly Records.

Diego (Bs As deep)
"We thought it was a very good idea, we keep in mind the exposure of the event and that Franco is also our friend, and we know what he can offer. Franco is an icon in our country, not only as an artist, but also as an excellent person. In addition, we had already worked together on Onward Rec.

With maxi we are low profiles in the scene, we like to work and contribute our music and our imprint without being behind any fashion conditioning, that is why we opted for two completely different versions for this vinyl; influenced by the sound that we like the most, house, with very musical and instrumental overtones, and on the other hand a more intense and effective sound for the DANCE FLOOR." with several American influences.

The main track is the one that occupies the entire A side, is the original, composed by Franco Cinelli, said track is like a loop that introduces us to the rhythm and with a very attractive arrangement of vocals, what is interesting is the constancy of the track, Franco manages to keep the public's attention with productions that have a particular attraction in his beats, which maintain the groove all the time and as the track unravels, it changes little by little, to return again to that hypnotic loop that very few can achieve.

The cover art is based on the photographic images of the same event, captured by a great professional such as Bruce Wuthrich, to whom we thank and give all the credits.

There will be a limited edition of several copies for Argentina, which will contain inserts with information and photos.
We like to do that as part of an added value; In addition, the followers of the label like it and value it.

Chicago's Leron Carson back on Sound Signature with two fresh new cuts.

10"

HOUSEWAX presents Kolja Gerstenberg - Jizzle Jam. This release is a fantastic debut for Kolja on the 10 inch series! His passion for electronic music is part of a Gerstenberg family tradition. Breast-fed Rhythm & Grooves galore. Kolja's dad was touring with legendary Trance live act „Afrotrance“ during the early 1990s, releasing on R&S, Harthouse, etc. Guess what: he was the percussionist, drumming up legendary clubs like „Dorian Gray“ or OMEN in Frankfurt.

After a journey to the Oasis revealing past, present and future structures in a musical dialog, Fred P embarks on a interstellar
voyage into the otherness with Abstract Soul. This is the follow up to
short story introduced back in 2020. The concept is simply to bring the essential out of the void and present a thought provoking energetic with rhythm, energy and vibration to inspire forward thinking harmonics to an ever changing world.

Only one Music proudly presents 34th Floor Experience aka Rhythm Of Paradise!

REPRESS!

WHITE VINYL PRESSED IN ORIGINAL FULL COLOUR SLEEVE

Well. Where do we start with 'Deep Inside' Originally released in the golden NYC House era of 1993, this 5 tracker literally smashed everything in sight. And still does now! The epitome of an evergreen, all-time classic release. Masters At Work Louie Vega and Kenny Dope were on a major roll in this era, producing, remixing, dj-ing and everything in-between, these guys put in ridiculous work.

They are joined on this EP by a roll-call of names and collaborators, Erick Morillo engineering the title track Check. Maurice Joshua on co-production duties You got it. Vocals by Ms. Barbara tucker They're there. Killer, rock hard drums Stacks of Soul Masterfully chopped up Disco samples All present. Serious stuff. Sometimes a record just manages to capture and distill the true essence of what this is all about and 'Deep Inside' is one such record, it bears all the hallmarks of golden era MAW, all the signposts of what was happening in NYC's clubs in the early to mid 90's were there within it's grooves.

You know a record is good when it's still being, quite literally, hammered nearly 25 years later! Now, remastered, and reissued with the full involvement of Strictly Rhythm this seminal piece of NYC House history is made available again with all original, full sleeve artwork intact as per the 1993 original. This one's a straight up essential for any self-respecting dance aficionado.

You know what to do!

Maw Records continues to unleash Maw Lost Tapes for all Maw & Kenlou fans & enthusiats. Funky Anane’ brings forth the genius Kenny Dope layered,thick beats, syncopated snares, long with thumpin’ kicks and snaps to compliment te Louie Vega walking bassline and deep organ / clarinet sounds playing chords.

From the archives we pulled this track out noticing the new parts never heard along with the vocal sample which was actually Anane’s first time in the studio with Masters At Work behind the mic back in 96’.

Maw Want You is a early signature Maw groove which has inspired many house producers to pull from that vibe.

Just a little Maw reminder of these timelss tracks now ready for the next generation to appreciate and play out!

Track Mode Recordings label head Brett Dancer is kicking off a new project here, the Ethnic Blend Music label with a view to putting out only the deepest and most soulful sounds. There could be fewer better to live up to that brief than Vic Lavender who kicks off with a pair of sublime tunes.

'Are U Going My Way' (Time Traveler Rework) is actually his take on the Pat Metheny classic 'Are You Going With Me' It brings his melange of jazz, funk and soul to a great new reimagining. 'Prometheus' is then a majestic journey that layers up warm bass, rolling beats and lush chords for a super soothing session.

Vinyl only. Innerdisc's Lea Lisa debuts on Inner Balance with the kind of breezy house grooves that turn spring into summer. Agnès hops on board for a remix of the title track, the epitome of his signature simplicity. Roll the windows down and join the ride!

Sole Aspect's fifth release brings together some of deep house's finest with some stylish grooves designed for the club. Chicago's VickLavender goes first and brings all 20 years of experience to his gorgeous 'Stratosphere'. Miami-based Electric Pickle resident Puma then offers pad-laced deep house daydream 'Defining Moments' which has a nice sombre feel, and hugely consistent Melchior Sultana then lays down more of his sunset sounds with shuffling drums and melted pads on 'Arcade'. The fast-rising, Brawther-tipped Daniel Chavez then shut down with 'FM Freeez' which is classic Detroit house with a late-night twist.

Following the completely sold out 'Imagine - A - Nation' and 'Le Fusion' reissues, Anotherday brings you a very special release from the vault of the enigma that is Spencer Kincy, AKA Gemini - we are very proud, and extremely excited to present Gemini's first 4 releases, lovingly re-mastered!

* Originally released on Relief Records; the Chicago techno label headed up by Cajmere, these releases were Gemini's introduction into the worlds of house and techno, and contain some of his most vital works.

* As one of Chicago's most mysterious and revered characters, the story of Gemini, aka Spencer Kincy has become something of a myth in recent years - blazing a trail throughout the 90's, prolifically releasing over 200 tracks from 1994 to 1999, Spencer's music had shades innovation and soul few of his peers could match. Then, suddenly, at the peak of his career, he disappeared.

* As before, this album has been licensed directly from the man himself, and the money made from its exploitation will go directly to him.

For the next installment Theory Of Swing presents “ No Hype DJ’s ”. The infamous 90’s Nostagic duo formed by DJ Stenn & DJ Stanic brings the old skool back on the shelf with Tools Vol.1 , a package of 5 secret weapons strictly for the party. Limited to 300 copies.

Written & Produced by St. David & Wildbox Mixed & Mastered by Davide Disanto

RAWAX proudly welcomes back Mr. Boo Williams!

We are very happy to present you "Natural Service EP" on CHIWAX#37 The 6th release from the Chicago Legend on our label - in our opinion a modern classic.

Highy recommended!

Chicago artist Justin Kay was hugely prolific in his day and world under several different nom de plume. Now some of his best work is being revisited for a series of posthumous releases. He traversed several different sound worlds with equal aplomb from bright pop to sludge metal via IDM. Under his Cosmic AC alias he manages to mix up equal parts ambient bliss with breakbeat action, raw techno and emotive house. The standouts of this Continuations album come thick and fast from the high speed jungle breaks of 'Blue Whirl' to the jazzy downtempo delights of 'Hedge Clipper' and plenty in between. See also the majestic pop serenity of closer 'WTWIRDYMTBOWSA.'

2022 Repress

Parisian underground cult-figurehead VOIRON is next up on Glasgow's Craigie Knowes. The 4 track VOIRONZINOR EP strikes with a ferocious blend of Acid, Rave and Hardcore sounds with that signature VOIRON dusting of Gabber-esque roughness. Those with knowledge of 1980's French rave culture will catch the nod in the EP title too. A record of true heavy hitters.

Big Strick back with a BANG for the '15. 4 rolling, killer house jams in the inimitable Strick style.

Fresh for 2016, Big Strick strikes again with his new single "The Gathering." A quality mixture of Deep House and Techno!

incl. Larry Heard Remixes

Two years may seem like a very short stop gap between original release and reissue, but when the music comes at this kind of grade who's complaining? Much like his contemporaries such as Fred P and DJ Qu, Patrice Scott's take on deeper-than-deep house conjure up ambient fantasies coloured with twinkling synth lines and slowly exhaled pads. It's not all fuzzed-out bliss though, as "2000 Black" sneaks a warm and snarling bassline amidst the soothing elements around it. "Mind Rhythms" especially shines with its combination of heavy groove and intricate melodies bubbling away under the surface.

Extremely raw house and techno treasures of Kit Clayton are back on a vinyl only release!

Absolutely essential for Boo Williams, Zip and early 90s Chicago / Detroit fans!!!

NBASTWAX014 showcases a stomping joint venture by the amazing UC Beatz from Belgium and our homie Ethan from the UK. It´s a graceful and uplifting EP and their remarkable four-track debut that qualified to the soul dang legacy. NBAST Soul Selects Vol.1 wastes no time diving into it´s bouncy, soulful textures. A spiritual ride that encapsulates the feeling of being lost in music; pretty much all you need to get sucked into a hypnotic, liminal space of bewilderment and enlightenment . An elegant and tasteful take on House with a futuristic flair courtesy of lush and conventionally tuneful tracks that gonna make your soul and body bounce whenever you put the needle on. A record that will send the punters home filled with euphoric warm fuzzies.

"Never 4get EP", an EP of house tracks from KERAW (Bruce Vanderro & Lucas Moinet) made at their Studio 937 in Paris. For this release, they wanted to give back the original color of the traditional deep house sound from New Jersey with four essential-to-release tracks of theirs. "Never 4get About The Second Vibe" pays tribute to the 90's deep chords tradition with a proper hardcore deep house second vibe. On the other hand, "Until The End Of The Night" brings a deep & introspective ballad theme to the record, while "50%" and "Jersey Bass" ensure the resurrection of the early 90's traditional New Jersey sound. All tracks have been composed, recorded and produced at Studio 937 with yesterday's and today's hardware equipment. Matter of fact, Keraw never wants to forget the NY sound of deep house music foundations.

KERAW is a deep house production duo made by Lucas Moinet (Groove Boys Project) and Bruce Vanderro (aka Rawaï). This production team is the fusion between an instrumentalist and a beat maker, and became a common ground project for paying tribute to the early 90's US House sound. Their production process is mainly hardware based with an full analog recording studio and old school recording methods. Through their record collection, Lucas & Bruce fell for the NY deep house sound and co-founded the Studio 937 in 2018 as a place to create, experiment and record their music. Behind the desk, they play old school house music records in the NY tradition.