House Vinyl New Releases - News

Synthetic Gold returns with four gems from Russian producer Lazzich, notable for his deep and atmospheric minimal techno - a popular artist in Moscow's underground techno scene during the early 2000s and released mainly between 2005 and 2010 by Russian label 'Frament', but also notably by 'Sinergy Networks' and 'Pro-Tez', before the artist's death in 2014. The EP includes one rare collaboration with Maxim Said in the production duo named oh.u.ah. All never before available on vinyl, now presented in natural cardboard sleeves.

Modd finally arrives on the label after swinging by on last year's Summer sampler.

Four beautiful compositions come together in harmony. Beautiful music for sure but it's the lead track that you'll most likely be hearing across numerous continents this summertime.

We'll leave it up to you to explore the EP's nuances and blissful charm. If you're simply looking for a track to play in the clubs then be really lazy and just listen to - Salomeya'.

Perceive is a vinyl only imprint dedicated to minimal house music.
For this fourth chapter, the great Modebakú delivers a strong three tracker.

Each cut of the EP is a deep groover with solid sounds and intense vibe.

The record will be available in limited edition.

The elusive SW. returns to Avenue 66 with okALGORYTHM. His third LP for the label is a semi-opaque wandering through the shadowy byways of memory, driven by tough-yet-supple production and his unmistakable, unerringly original voice. Inspired by all night electronic radio shows of the '90s, okALGORYTHM pulses with rich imagination and a sense of purposeful meandering. Speaking in cryptic fragments, the artist hints at elusive reminiscences "back then on the autobahn, to Berlin, with friends" while also noting that some recollections are "of things that didn't happen that way."

To this end, the album drifts from the knotty synth spirals of opener "WHAtADAY" through the tense, technoid tropics of "stepCLASSixMOtor," the brightly melancholic Larry Heard-isms of "TROPyCALLhytsrIA" to the stately skronk of closer "What endingENDs." The rhythmic undergirding never lets up, suggesting a limitless night drive tinted in deep greens and refracted reds. Each of the album's ten tracks comes alive with warm, analog finesse and a palpable atmosphere, though they play out by turns urgent or unhurried, coaxing or inscrutable. Yet throughout, there's a consistently hypnotic quality which draws the listener deeper into the album's unique balancing act.

If listeners are trained to expect throwback anthems every time the '90s are referenced, here they might find a more apt touchstone in the wilder, left-of-center corners of Chicago's foundational epoch. Throughout the album, the spirit of jacking house is absorbed, metabolized and transmuted. Drawing on lineages of taut, nervy synth-and-drum machine workouts, SW. manipulates his hardware with the delicate, considered touch of a painter. Perhaps the memory that lingers longest from that bygone era is the sense of profound possibility that dawns before forms become rigidly calificed and commodified. Either way, adventurous listeners will find that okALGORYTHM blooms with a uniquely affecting grace and SW.'s inimitably obscure loveliness, infused with a somber glow and marked by shimmering, untraceable contours.

This is the first vinyl release by Borderline Black. A Various Artists with Zuckre & Barbara Alvarez, Robert Monarch and To.mi Hash. Don't miss it.

Vinyl Only - Limited

Moon Harbour marks its historic 20th anniversary with a 10-track compilation of all new music. It features old friends like Marlow and Luna City Express, icons like Steve Bug and Butchand new
signings like Black Circle, so it is a fine representation of the label's famous sound.

Matthias Tanzmann founded Moon Harbour in 2000, and since then it has been at the forefront of the tech house scene. Even in the face of the major shift from vinyl to digital, a distributor going bankrupt
and the coronavirus pandemic, careful A&R and Matthias's own productions have ensured the label has remained utterly relevant. The Leipzig label has released countless EPs, LPs and compilations
and hosted label showcases all over the world. It has nurtured the careers of artists like Sable Sheep and Ekkohaus and has given a vital platform to new stars like Miane, Detlef and many more.

"Evolution is a natural process and important to artists as well as to labels," explains Matthias. "Music is always redefined and subject to trends. New generations of musicians want to create their own
identities through their sound. As a label, we listen to a lot of new music and try to stay open-minded within our own aesthetic range."
After a year of re-releasing classics from the label's back catalogue, the 20 Years of Moon Harbour compilation is all about fresh and exclusive music. It kicks off with Andrea Oliva's 'Return To The
Dancefloor,' a bumping cut driven by naughty bass before raw percussive energy from ANEK and tense cosmic melody Black Circle. Butch layers up tribal grooves and exotic vocals, then Luna City
Express mark the mid-point with the steamy house of 'Mami Wata' featuring Sunru's soulful vocals.

Marlow throws it back with some old school piano energy on 'Corktown,' Matthias nails a perfectly slinky tech house groove on 'Binford' and Ninetoes' 'Polanco Hills' ups the pace and drives forwards.

Closing out is the punchy and stripped back house of Steve Bug's 'Going Up' and Sven Tasnadi's loopy and hypnotic 'Cuckoo.'
This essential collection is further proof that Moon Harbour continues to shape the sound of contemporary European house music. Here's to the next 20 years.

Wild Thing Records presents WLTWAX001 series only vinyl release. This EP is a mixture of colours and particular sounds between the fusion of the minimal and deep creating a sort of exciting transport

Vinyl Only

Turin based, Denaila lands on Dansu Discs for the first time with her ‘Basic Soul’ EP. 4 energy filled tech-house gems, coming to a dance floor near you...

140G

- Limited Edition auf 2023 Stück weltweit, handnummeriert zum 10-jährigen Jubiläum! Die 2LP erscheint im transparenten Vinyl (crystal clear), die Bonus 7inch im schwarzen Vinyl inkl. Gatefold Sleeve!

2013 verblüffte DJ Koze die Menschheit mit seinem zeitlosen Meisterwerk `Amygdala´, einem Album voller psychedelischer Strahlkraft, Tiefe und magischen Klangwelten, in denen es auch nach 10 Jahren Dauerschleife immer noch neue Nuancen zu entdecken gibt. Dieses Jubiläum feiern wir nun mit einer gnadenlos limitierten Coloured Vinyl Edition. Schnell Warenkorb Patsche Patsche machen!

The Iwou Crew present his first release on his own Imprint. This
release is about 4 original tracks fully composed by Iwou.
The influence of the EP is a mix between minimal house &
techno.

Elysee & Sushi have got soulful chords & groovy subs with some
real instrument in them and Sometimes & Bonkers are for thoose
dark Dancefloors, rolling basslines and straght forward drums
programming are driving the tracks. With this 4 analog & Modular
composition Iwou open his way in the music industry.

Good Luck

Madezh is one of the undisclosed heroes for the underground scene in Croatia.

After 20 years behind the decks, he is opening his own label “Travel Light” to showcase his own sound that is constantly evolving.

The first release is coming with four playful tracks, each one has it’s own character and vibe for different situations on the dancefloor.

There is more colorful tracks to come.

Stay tuned!

IB014 // THE FIFTH STIGMA - Deprived of Glory (Incl. remixes by Templer, Rommek, Yuji Kondo, Hyperlacrimae) Cassette/Digital Infidel Bodies is thrilled to announce the new Ep by the Paris based producer THE FIFTH STIGMA. Marking our 14th chapte
r on the label, 'Deprived of Glory' comprises nine energy-filled tracks steeped in medieval oniric nostalgia and techno-industrial influences. "Deprived of Glory' can be interpreted as a romance or an ancient drama telling about wars made to conquer new kingdoms, about sacrifices, pains, betrayals, religion, greed and power. Primordial human emotions and events in ancient history become a source of inspiration to bring to light the power of eternity of the ancient world which laid the foundation for the formation of the present world. The EP features the remixes by Templer, Rommek, Yuji Kondo and Hyperlacrimae; the well-known artists create the right mix of ancestral techno-industrial unmistakably shaped by their uncompromising sound, gliding through genres with ease and combining modern style with ancient austerity. credits Produced by Rodolphe Vidal as The Fifth Stigma Mastered by at Red Dungeon (Naples) Artworks and Paul van Trigt Design and Layout by Erminio Granata

repressed !

Dominik Eulberg, of Traumschallplatten, Cocoon and Kompakt notoriety, presents the next installment of the Hertzblut Recordings EP series in the form of 'Backslash'. The EP opens with 'Opel Tantra', a delectable example of a living, breathing techno orchestra in full effect. B-side 'Noch Ein Bass im Ärmel' sees plucked strings and key stabs pick out an alluring groove, as distant chimes twinkle evoking the enchanted forest ever-present in Eulberg's thoughts.

300 copies...No repress

Our first vinyl release of 2023 sees two classic tracks from Groove Park take centre stage. Hit The Bang and Carrousel first came to the fore in 1995 as separate releases and, after a few solid remixes, our Bonzai Classics imprint resurrected both tracks along with top-notch remixes in 2002. 21 years later we bring to you the original versions of both tracks on glorious 12” vinyl. André Strässer and Sharam Jey aka Sharam Nickjey Khososi make up the dynamic duo that is Groove Park. They were also the brains behind massive projects such as 16C+, Three n One and Johnny Shaker to name just a few. The tracks found a unique place in clubland, having a diverse structure that spanned genres flawlessly. The A side features Hit The Bang with its hybrid progressive/techno flow. The relentless bass groove, distinct voices and stabbing synths gave rise to a powerful, energetic and mesmerizing moment that lives on. On the flip, Carrousel takes up the B1 slot opening with that infectious woodblock sequence alongside pumping kick drums. A groovy bassline joins the party as old skool pianos come through. The track reels us in with many twists and turns, from wide, epic progressive parts to energetic trance, all wrapped up in a warm, nostalgic glow. A proper piece of dance music history and a must for the serious collector.

Ftwr recordings welcomes paris-based producer Guillermo Jamas for his debut album. A mesmerizing journey through minimal, house and techno with 8 originals + three additional tracks to download inside. Comes with the finest artwork by Camila Martinez.

For the first release of the label we would like to welcome MASI. Two brothers from Amsterdam who’s sound could be described as old meets new school electro and minimal.

The A1 of the EP represents that old meets new school electro club focused track while B1 is an atmospheric cosmic inspired minimal track.

B2 is a smart club driver track that gradually adds deep low end bass throughout the track for a unique build up that will be noticed best on a proper soundsystem.

Repress !

LOST CLASSIC! Now available on super limited transparent green vinyl!

Black is back! for the 6th in the Series

DJ Haus Enters The Unknown is a yearly compilation looking back at the last 12 months of UTTU releases - some obvious highlights but emphasis on overlooked b sides too. It's also an opportunity to work with friends outside of the UTTU label by including exclusive collaborations and tracks from the UTTU extended family. Ahead of the full compilation release UTTU present a triple vinyl edition of the exclusive tracks and collaborations featuring: Legowelt, DJ Deeon, DJ Seinfeld, DJ Normal 4, Marquis Hawkes, DJ Boring & many more.

LTD Repress !

The Rota Bene crew is proud to present their second release. For this EP we dug out a selection of rare early Italian extravaganza. In a few more weeks we can spin these sought-after obscurities once again. We gathered four quality cuts, each with a unique vibe made for the dancefloor or your ritual of choice.

incl. Oden & Fatzo Remix

ES-Q Brings us another 4 tracks of other worldly, synthed out, drum machine club cuts with his latest outing on his own label PARALLAX UNKNOWN. Giving us all the bleeps and weighty basslines we come to expect from the label, direct from its Sheffield roots. Fellow sheffield-er and Klasse records regular DJ STEVE is part of the crew with a stomping acid remix!

Ostgut Ton reissues Vier of Zehn with original tracks by Nick Höppner and Virginia as well as Matthew Styles remixing Dinky.
2015 marked Ostgut Ton's ten-year anniversary, celebrated with an extensive 30 track compilation release, titled Ostgut Ton Zehn, spread out over ten 12 vinyl records housed inside a limited box set. This sampler sold out in no time, which is why Ostgut Ton is re-issuing these ten 12"es individually in 2016.
While Gregory Myrgiotis' artwork may look as if it's a rather dark record music-wise, the opposite is true: Zehn Vier comes with three uplifting House tracks. While the CD version of Zehn features the original Dinky production, this 12 comes with Matthew Styles' seven-minute Dub mix, the most notable difference being the lack of vocals as well as Styles' focus on synth pads and piano melodies - Planes' takes a completely new route with this instrumental version. We all have our crosses to bear, and Nick Höppner carries a double pack: His percussion-heavy contribution is in the vein of his critically acclaimed album Folk (Ostgut Ton, 2015). A different tone and mood is being set by Virginia, whose soulful vocals correspond nicely with the Electro-influenced, percussive and dreamy vibe of Never Underestimate' - which also serves as an outlook to her upcoming album, out on Ostgut Ton in Spring 2016.

THE formidable 90s Danish Techno label awakens! Back and not only in business...meaning business. Two great tracks, re-flipped in fine style. Here we go... TIP!
.
After 20 years - Multiplex is finally back! The record label originally put out 26 vinyl releases and 6 CD albums between 1995 and - 98. Behind the label reboot is the original founder Steen "Kong" Mogensen and fellow Copenhagen DJ and promoter Daniel Kaarill.
The first of a string of new releases is a reissue with a twist. The two track EP picks up where we left off in 1998, with catalogue number MUPL 026 and a couple of much sort after tracks. Both have been pulled from the original DAT tapes and been given a fresh workout by the artists.

First up we have Mark Broom's iconic 1997 remix of the Morgan Geist track Pushed from the EP of the same name. This is a hypnotic, deep techno track and for many a favorite in those melancholic moments. Muzik magazine praised it as a 97 essential.
On the flip side is Push Me which Cai Bojsen-Møller and Kong sent out as the fourth Multiplex on blue vinyl in 1995. They were originally asked to do a remix of Danish jazz singer Caroline Henderson, but when she didn't like her contribution being cut down to two words, they went ahead and released it under the moniker CH Connection.

Vinyl Only

Detroit's finest Rick Wade lands on FRL Classic Edition. A true House music legend, who don’t needs any introduction, pioneer of a new deep house sounds style in the two last decades.

Here with a massive repress of one of his first ever release!
The mood is deeper an emotive house, with keys aplenty and smooth buvvling grooves! Arguably one of Rick Wade's finest records.

repressed !

One can't understand the smell of roses, while the other one will get honey from the bitter grass.

Long revered US house label Underground Quality does exactly what it should give its name. The label run by Jus-Ed has rarely put a foot wrong and this new limited 12" from Danielle Arielli is another smoky outing for heady back rooms and cosy basement spaces. 'Love Child' opens with old school vocal rapture over dusty analogue drum work and will turn any dancefloor into a cauldron of intensity.

'That House Jam' (feat Sofie Jackson) is another jacking party jam and 'Uno, Dos, Tres!' then brings some turbo charged house with old school stabs before 'All Night Long' brings steamy and emotive vocals. A superb EP that introduces a hot new talent.

Banoffee Pies RecordsBlack Label Series continues with a special solo EP from label favourite Len Lewis who steps up with a selection of 4 previously unreleased productions from the mid 2000's. Already a regular on the infamous UK Tech House Label Swag Records, and a deep back catalogue of trusted DJ gems spanning back to the 90's, we were very excited to welcome him on board the label.

The A side offers two Sub heavy Breakbeat weapons with "Get On It" and a jump into the Sith world with "Darkside". The B side dips back into a 4x4 format with the swirling dance floor rhythm of "Tik Tok" and a playful and laid back house melody in "Projection Deep Dub", a track once approved by and handed to a member of the boy band Blue for a spin on Kiss 100. Make of that what you will to be honest. Much love. BP x

Apollo proudly presents a full release of the stunning debut album released by SW. SW's lush sound design and hypnotic arrangements nestles snugly alongside the classic 90's Apollo releases of Biosphere and Robert Leiner in all their balmy glory.
Originally issued on vinyl only via SW's own SUED imprint, this Apollo re-release represents something of a coup in that it's the first of the label's music to ever be presented digitally.
As a label, SUED has formed a reputation for releasing some of the most vital and sought after contemporary dance-floor vinyl, from both SW and SVN, as well as collaborations and comradeship with other analogue obsessed auteurs such as Dynamo Dreesen (who teams up with SVN as Dresvn), DJ Sotofett, DJ Fett Burger, PG Sounds and Club No-No, AKA Snorre Magnar Solberg.Ensconced in his studio in South West Germany, SW creates in isolation, exploring textures, dreamy melodies and mesmeric grooves within laid back 4/4 structures. 'The Album' was the first time anyone had experienced his music over a long player format and allowed SW to delve deeper into his influences. In addition to the aforementioned sublime electronica 'The Album' also takes its cues from the iconic house and techno of the mid / late 90s - SW manages to fuse these influences together to create a beguiling, modern take on classic sounds and rhythms that remains thrillingly unique and elusive. Resident Advisor bestowed a rare 4.5 out of 5 on the record, describing it as 'a lesson in how to put together a dance music album' Despite his comfort residing in the shadows, SW's stunning debut album richly deserves the exposure that this broader release on Apollo should rightfully bestow.

Real name Fernando Cappelletti, the Rosario native's early releases arrived on AirDrop Records, followed by appearances on Esperanza before launching

Savor Music alongside Jorge Savoretti in 2011. Since then the label has hosted the likes of Felipe Valenzuela, Martinez, Kastil, Marcman and Franco Cinelli whilst garnering a reputation as one of Argentina's key purveyors of house and techno.


The album's subterranean aesthetics are present from the beginning, with mesmerising tape echoes in 'The Real', deep pads in 'Trb' and the rhythmic energy of 'Rainforest'. 'Geibi' then demonstrates intricate pops and glitches before 'In Amour' settles for a compelling groove. 'Flavor' is then a percussive number with a hypnotizing appeal until 'Faiser' concludes the album with a punchy, dancefloor driven workout.

Guber is a blue-collar bass music producer from Paris. While you may think he’s newcomer in the local electronic scene, he has already released several records from Paris-based Beat X Changers, Bad Winners Records labels as well as several self-releases that has been heard all around Europe. His influences come from the 90’ metal scene to the UK Bass 2010 decade bangers, both following common paths of massive sub-frequencies shocks and obsessional drum loop. When Guber is self-releasing, his visual identity is heavily influenced by asset plants & machinery from the Energy Industry and enable to finally produce overall tracks with a universe deeply reflecting his own day-to-day work environment.

Wrong Ibiza EP follows 2 opposite dynamics from mental endothermic deployments to spontaneous exothermic loop deliveries. One face that is more uncertain, with bass lines densely packed with Brazilian-influenced drums, while the other is composed with tech-house cuts dimensioned and played around different rhythms and tempos. Guber shows in 'Wrong Ibiza' he is a savant in creating an engaging tapestry of sample loops, a sonic magic carpet ride of forgotten genres, a ride that does not lean on nostalgia to create magic but utilizing his uncompromising ears to weaves and waves decades of dance music sounds into a new end-product for the here and now.

The final remix from Ploy is overarching and consolidates the whole EP around sharp resequenced loops based on the main sample cuts. Diligent 148 bpm-remix, the track focuses on the development of hard cut vocals from the original mix, mechanically deployed among muddy atmospheric breaks. Side elements moving forward enhance the whole structure to deliver pure mental vibe construction.

Remixes of the massive Man With The Red Face from Hardwell / ATFC & Rene Amesz pressed on limited Solid Red Vinyl (what else would it be)

REPRESSED !!
Detroit veteran Len Bartush (Mutate) returns to advance the series that began with the now classic Circle 1. A full round kick and jack style upbeats are all that's necessary to support the deep, modulated synth lines that travel through lush plates of reverb. Alberto Pascual hits a homerun with his remix that will move any club, festival, or warehouse party. Project 313's remix supplies moving synth lines are stripped down and replaced with driving rhythms and pulsating bass making this a superb techno offering. The Plankton remix turns up the tension with warehouse style percussion and intertwining rhythms complimented by science- fictionesque stabs and pounding bass.

The 'Circle 2' EP is an essential piece of Detroit minimalism. Detroit veteran Len Bartush (Mutate) returns to advance the series that began with the now classic 'Circle 1'.

The EP starts off with Mutate's 'Circle 2' (Machined) original. A full round kick and jack style upbeats are all that are necessary to support the deep, modulated synth lines
that travel through lush plates of reverb, creating an atmosphere perfect for any techno desire from dance floor, to living room, to headphones.

Alberto Pascual hits a homerun with a remix that will move any club, festival, or warehouse party. Big room percussion, moving sub bass, and funky rim shots compliment the dark synths from the original.

Project 313's remix delivers with an interpretation that celebrates the true spirit of the original. Moving synth lines are stripped down and replaced with driving rhythms and pulsating bass, making this a superb techno offering.

The Plankton remix turns up the tension with warehouse style percussion and intertwining rhythms, complimented by science-fictionesque stabs and pounding bass.



DJ's Supporting release:


A.Trebor, Alberto Pascual, Altstadt Echo, Angel Alanis, Anthony Jimenez, Audio Injection , Brendon Moeller, Bruno Ledesma, Chris Liebing, Claude Young, Dadub, Daegon, DCibel, Developer, Drumcell, DVS1, Erphun, Exium - Hector, Exium - Valentin, Felix Lorusso, Hyperactive, Jeff Derringer, Joachim Spieth, Joel Morgan, Justin James, MADA Cedric, Mas Teeveh, Material Object, Measure Divide, Memnok , Monocraft, Morgan Thomas, Octave, Onoffon, Project 313, Rene Walther, Ricardo Garduno, Sigha, Sone, Submerge, Tommy Four Seven, Tony Kasper

Reunion time again. Running Back regular Redshape returns with Release Me. Four tracks and four deeper shades of Techno (or House?). It’s not a secret that the music of the man with the red mask is heavily influenced, inspired and informed by the blueprints and the symbolic language from the twin cities Detroit and Chicago.

The A-side is in debt of the latter. Delivered in two mixes, Release Me builds bridges between the frenzy side of acid house (Base Mix) and the more contemplative and restrained part of it (Windy Mix) – or where Saber meets State Street Records - haunting vocal phrases on top. Forward to Bonuz Me (the name gives it away) as a reminder of his popularity with the DJ guild and a piece of slam-dance. Finally, Second Ten bows to the Mo-Town and its techno soul with precise engineering from Redshape– strings and things included. Arts and craft!