House Vinyl New Releases - News

Italian artist Ocu is back for his 2nd release on the highly regarded Detroit side label. 'More Roads' is a jam packed 4 tracker that has the optimum balance of house party and club music while keeping the raw house feel the main focus. If you need the ideal record to point to that's currently a definitive house music classic, this is it!


'Fall Down' begins the EP in pure Detroit house style. The groove is highly addictive. All the well-placed elements ooze classic house music. Nothing goes over the top or tries to hard making this a sure-fire tracky winner. 'Raw Break' brings the fun back to house music. The broken beat works brilliantly with the keys and bassline to give it an almost Theo Parrish vibe as the melody creeps in to seal the deal. 'Feel Da Heart' has everything and more to be the house track of the summer. Understated and equally has smoothest of peaks and valley's. This truly could only come from an Italian's viewpoint of what is Detroit house music. That perfect blend of the two. Lastly, the title track bring it home with another memorable jam


After chatting with Ocu we understand his life work has been about exploring and consuming deep sounds. His background of repairing musical equipment for artist's along with his search for who in the scene was using those deep sounds the most creatively. It's that kind of background and devotion that sets up the foundation for this kind of quality of house music to then be made. And its no surprise that Detroit Side is the home for this memorable EP.

Vinyl Only no repress no digital promotion.

Written in this drunk, sleepless night.
Worshipping of the winds from the east.
A yearning, a whisper from the past.
A feeling at times forgotten, called back when the wind is heard.

Budapest, a synonym for the love of the inner city blues, the rubbish in the gutter, the beauty in the murky corners.
A thought that crept up on me in a second, a part of my journey.

Including 3 remixes from the lovely WAREIKA, Kalabrese and Mushrooms Project

For EPMmusic's 100th release we're throwing it back to another milestone. Last year, EPM celebrated 20 years in the business of Digital Distribution and Rights Management with a series of vinyl EPs and a compilation on our in-house label. Now we've enlisted Shed, CYRK, Inigo Kennedy and Works of Intent – all artists who we've had the pleasure to work with in the last 2 decades – to remix some of those 'EPM20' tracks.

On the A-side, the highly acclaimed and always uncompromising Shed (one of the many aliases of Berlin's René Pawlowitz) delivers a raw and tribal take on Regis 'Beyond The Reach Of Time'. From one legend to a current Electro phenomenon CYRK, fresh off the back of their collaborative 'Freundschaft' album on Burial Soil turn their hand to Freddie Fresh's 'ProMars' adding their own style of tuff 'lectro funk.

Flip over for one of the UK's Techno warriors, Inigo Kennedy, as the Asymmetric man goes all out on his ominously epic and bass laden remix of 'Io' by Bryan Chapman. To close the EP is UK electronic artist and DJ, Works of Intent (f.k.a. R.O.S.H) with a twisted remix of Paul Mac's 'Nothing Remains' bringing in elements of rave, breaks and sci fi sonics.

As one third of the Lisiere Collectif, Andu Simion learned early and often how to take a dancefloor on a hypnotic, grooving journey throughout the night. Now he's standing solo on the next release on Eric Cloutier's Palinoia label, delivering four bubbling, seductive house grooves for any hour of the party. From the evolving "Heavy Glow" to the proper house banger "Gen Y All," this EP is a sure win for anyone looking to get a little sideways.

With releases already under their belt from Bilal and Deyayu and a split 12" from Alex Dima and Cristian Sarde, London's Obscura is shaping up to be one of those destined to take up position towards the top of tech house shopping lists everywhere. That said, the four tracks from Arnic have a cheekier, mor sprightly vibe than a lot of tech-house, the likes of 'Night Children' and their tribute to the Glasgow clubbing institution that is the 'Sub Club' drawing on disco and early Chicago house influences, all within the economic and stripped down framework that put a big smile on a DJ's face when they're in the mix.

2023 Blue Vinyl Repress


The collectable Artifact imprint is taking a detour from incendiary and obscure disco re-issues into releasing even more obscure material. Mysterious Italian electro-wave band Cristalli Liquidi are featured here with a killer rare italo gem produced by Tinto B. (also known for Robots Are Un-American, re-released on Italians Do It Better last year). Inspired by a LCD Soundsystem song Tinto B. comes with some of the best Italo disco we've heard in a while! We cant find the connection to the LCD Soundsystem track that supposed to have been his source of inspiration, and actually we dont care... its some of the best recent Italo disco we've heard in a while! If you are big on italo vocals the A side is for you, if instead you dig deep electro disco but without the chanting, the dub version on the flipside will more than certainly send you into italo space. Another hot Artifact release from mr. Bottin. Tip! (Limited supplies!)

(incl. Franco Cinelli & Dorian Paic remixes)


The first record from keepitgoing. is finally here, a panorama from Switzerland all the way to Chile in our world with no borders. An EP from Camilo Gil & ONE+1 with 2 originals backed up by two contrasting interpretations from Dorian Paic and Franco Cinelli, is how we kick off our labels musical journey in our vinyl only series.

The opening original track "Can Soleietes" offers a minimal, dubby twist with sweeping chords and atmospheric pad work with hints of skippy percussion layered throughout. On the second original "Opera House" this is where things begin to turn around a darker, acidic corner consisting of rolling acid baselines and spooky pad-work. It features various chords and stabs working in the background, while the prominent acid bass moves around creating some dark, trippy vibes on the listener.

Franco Cinelli reworks "Can Soleietes" perfectly with a minimalist approach to the track, offering a more mellow and groovy interpretation of the original. One that will get you lost in the cosmos with an immediate listen. The second remix from Dorian Paic is a more stripped back affair than it's original. It is another minimalist one that represents his sound truly, as a classy remixer for the EP alongside fellow family member Franco.

Join us as we begin our journey from every corner of the world, all connected without any borders between us. Like this, anyone can express themselves freely, and really create the way they want to without any judgement or limitations. We are a forever growing family who share the goal of loving and living music together.

Fleisch Fantasy aka Rex Ronny & Alexander Skancke invites you to a true Norwegian Pølsefest. No animals were harmed making this product!

This time - iO with Chemical EP

Shotgun is back with his second release, this time with an another long time friend, Lamalice. The Marseille based producer is bringing three futuristic and dance floor cuts, spicy as hot wings, with a killer remix from TC80.

Brooklyn-based Malik Hendricks does a fine line in raw, deep but visceral house sounds that cannot fail to make an impact both physically and emotionally. He has done so on the likes of Bliss Point, Coloring Lessons and Darker Than Wax before now and here arrives on People Of Earth with more compelling cuts. 'Move On Up' is a steamy and sweaty house thumper with impassioned vocal swirls, 'All Mine' layers in some heavenly melodies that manage to uplift the mood in a subtle fashion and 'Feeling Like Larry' references the great Mr Heard, surely, with its balmy cosmic pads and spiritual house depths. 'The Way' (feat Tane) is licked with acoustic guitar riffs that bring to mind open-air dancing by the Med.

The seventh volume of Drumcode's annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba's SCB project, among the collection of topline artists to release their maiden productions on the imprint.

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fuelled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others.

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting unreleased tracks that have taken prime position in his sets over recent months.

Part 2 kicks off with Thomas Schumacher's 'The Unseen' an relentless industrial workout with a nod to the 90s European techno sound.

Next up is Brazilian Victor Ruiz with his uplifting cut 'Pulso' layered with emotion & arpeggiated melodies.

On the B side & rounding off part 2, B.Traits makes her Drumcode debut. The esteemed Canadian selector offers up 'I Feel The Music', a euphoric track that's been sought after since spring, due to multiple plays on Adam Beyers Drumcode Live show & featuring in his live DJ sets.

Midnight EP brings another four heavyweight cuts from the London based Club of Jacks production duo showcasing their varied sound. 'Midnight' opens up with deep, haunting chords and a lush reworked vocal laid over a smoky 2 step beat. 'Let It Ride' brings the 4x4 house vibe, mixing infectious synths, catchy lyrics and a rolling bass groove. On the flip, 'Remember This' digs into the garage house sound, infusing jazzy organ chords and solos with skippy drums and tasty vocal chops. To finish off, 'Smokers Dub'' takes us into a darker, speed garage inspired vibe, with weighty bass and dub reggae flavour.

The inaugural vinyl debut by Hunter Thompson aka Akasha System’s shadow self, DJ Panthr, is an 8- track technoid night ride inspired by the fern-shrouded neon streets of South Tabor, Portland, where the album was conceived and created: enter the Jade District. Simmering and serpentine, the songs slipstream from lithe to liquid to narcotic, traced in acid, dub, and deep house fog. It’s dance music as both reverie and nocturne, overcast and underground, the perpetual motion of mossy neighborhoods passing in the dark, streetlights smeared by rain.

Thompson speaks of the “desolate peace” of sleepless dawn walks through Southeast Portland, tall trees silhouetted against glowing strip malls. The synthetic and natural worlds fused in greenery and concrete. Jade District feels both immediate and introspective, club tracks for midnight minds, born of distance, dreams, and things unsaid.

This 3-track sampler 12” is being released to tie in with the Network Remixes 2 x 12 Double Album. The Fathers Of Sound and Urban Sound Gallery remixes are included on the album, whilst Ashley Beedle’s rework is exclusive to this 12”. All 3 tracks are classics from the Network catalogue.

The Fathers Of Sound remix sees the Italian progressive house dons reinventing the Surreal gem written and sung by Ann Saunderson. It is massively in-demand.

Ann is co-writer of Day By Day. Andrew Pearce was an inexperienced but incredibly talented 18 years old gospel singer who was plucked from the streets of Wolverhampton and taken to Detroit where he was given The Reese Project template by Ann and Kevin Saunderson. Chez Damier and Ron Trent were then drafted in and conjured up a magical Urban Sound Gallery remix. It is truly a masterpiece.

Inner City’s revival of Donny Hathaway & Roberta Flack’s Soul anthem “Back Together Again” started its life as a fairly faithful slant on the original. That was the plan until Ashley Beedle got his hands on the tapes and created a homage to Walter Gibbons, Larry Levan. The Loft and all things vintage New York true disco.

A stunning collection from the vaults of one of London's true maverick electronic producers - Matthew 'Bushwacka!' B.

Across 2 volumes we are treated to the deepest selections, rareities, remixes and collaborations from the Bushwacka! studio.

Sonically traversing styles, vibes and decades 'Listen Up Vol. 01' shares a glimpse into the varied Bushwacka! sound world, a wealth of ambient melodies, techno, breaks, deep house and tech-house all rooted firmly in his unique production and engineering flavour. A history spent in the mists of underground UK rave culture and a career full of high profile residencies, global DJ-ing and endless studio sessions has enabled Matthew B to truly hone his musical voice and his ear to create a 'sound', it is this sound that we present to you here in all its glory.

Featuring a broad selection of music taken from the cult Plank and Oblong labels and more, choice remixes and tracks from longtime friends and collaborators including Asad Rivzi, Layo Paskin and Dez Ingram, 'Listen Up!' is an essential collection for lovers of underground electronics of every style. All tracks featured have been transferred from the extensive Bushwacka! DAT archive and remastered with love by Lawrie Curvepusher. All artwork and design handled by the Atelier Superplus studio. Manufacture and worldwide distribution by Above Board Projects, 2020.

JD Records proudly presents 4 new dope remixes of previous JD Records / Subwax Excursions releases. The artists in question is Terrnece Parker, Orlando Voorn, Clip! and Lay-far. For the honorable remix work we have chosen Portugals fastest rising underground house producers, Jorge Caiado. The result is 4 perfect and classy house productions and with his releases on label's such as Balance and Groovement he has proven he definitely is a name to watch in the very near future.

Signature is a project containing 6 tracks marking Lehar and Musumeci sound on their label Multinotes. Lehar presents three tracks staying faithful to his musical aesthetics made up of dreamlike melodies and narrative arrangements. Musumeci goes back to his roots by releasing three old school oriented tracks interlacing acid basslines and 808/909 drum patterns with rough pianos and emotional synths.

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, 'Satellite', by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin's Plus8, Sven Vath's Cocoon and of course, Adam Beyer's Drumcode. In his time he has been responsible for underground hits like 'Zoe', 'Polyester' and 'Fire In My Arms', all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, 'Satellite' is Sam's first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

Leon’s Futura imprint returns with is 4th outing and the burgeoning label delivers another edgy underground EP this time courtesy of Roof Club, Italy resident LUCIO.

LUCIO has been providing the Banda Sonora at Roof Club in Isernia, Italy as its highly regarded resident for the last 4 years, and has released on YAY recordings whilst also founding Roof Club Record label back in 2019. LUCIO joins FUTURA and delivers a slick 2 track EP which also comes complete with two remixes, one from Mark Ambrose and MADVILLA.

The first track on the release is Panic Zone. Eerie synths lead the way and combine well with the well executed 909 beats and classy old school synths give this a distinct flavour which is perfect for heads.
The second track on the release is Mystic Area. From the very first second this sounds like it comes straight from the 90’s and something you’d hear back in the day at the Warehouse in Chicago. The smooth old school synth chords combine with well worked vocal samples and electronic bassline and 909 beats deliver a sure fire underground winner.

Next up are the remixes and the first remix comes from Mark Ambrose. The Crayon label boss and owner has been producing forward thinking and abstract Tech House for 20 years, releasing not only on his own imprint but also on prestigious labels such as Bass Culture, Vessel, Subwax, and Wiggle. For this remix of Panic Zone, he takes the track on a dark raw techno trip with heavy outboard processing and dark coloured synths and delicately delayed beats and percussion, making this an essential late night excursion.

Last yet not least, MADVILLA, fresh from high flying releases on Locus, No Art, Ball Park and Seven Dials, MADVILLA is riding the crest of the proverbial wave with his productions right now, and turns in a grooving minimal deep remix, using some delay and decayed production techniques on the vocals he creates an sublime cut to finish off this release to perfection.

Winter is a such beautiful and crisp time of the year and each track on 'A Winter Sampler III' feels exactly that way. Crisp grooves for a Winter's night or a snowy sunrise abound.
An array of great music to match the majesty of an Aurora.

Kicking off this two tracker we have ‘Automatic Reply’. A driving jam incorporating elements of acid, progressive & Italo House for a heady, versatile weapon. The flip side treats us to ‘OOO’. A creeping, sample-heavy, acid-laden burner with a rock-steady groove - ideal for any record bag

Next release on Aimed featuring France producer Karaba, who delivers a very effective 4 tracks EP with various shades of his style from break to electro and tech-house influenced tracks. Lille based DJ and producer blends mid 90’s textures and club-oriented sounds, giving the result of what he was able to produce in his lockdown studio back in 2020 with this 'Jungle Juice' EP

Straight from the melting pot of Berlin, Luca Musto serves up a solid and fresh house dish in his first album on Moodfamily.

The songs stretch the imagination and touch the borders of hip hop and electronic beats. He intertwines his own musical journey with the sounds of his hometown. It is also the attempt at a new genre by blending hip hop elements with electronic music to create something unique.

This funky fusion expresses itself in three original tracks. “What We Witness” introduces us into the rhythmic exploration of the record. It adds some spicy P-Funk vibes and blurs your senses with drowsy horns, served on a velvet platter. "Toledo" - the first single of the EP - gives a thrilling continuation to the EP. This one is sure to cause a ruckus on the dance floor. Finally, “Keep Rollin” further defines the genre-blending character of this project, and gives a slight nod to the West coast of the US.


Xinobi (Lisbon, Portugal / Discotexas) and Mosley Jr. (Gent, Belgium / Moodfamily) deliver some exciting remixes to the EP, both with their unique signature spin.

- “This shit’s gonna break the rules.



Early support from Support Super Flu, Audiofly, Acid Pauli, Florian Rietze, Maxim Lany, Be Svendsen, Maga, Iorie, Stavroz, Paco Osuna, …

Last seen on Discogs in 2017, the mysterious Marvyn Don returns with a full release of his old Lilac Road & Swag related EP from the early 2000’s, with four UK techno and tech house inspired rollers that are fit for any dark club or afters.

This EP has been brought back to life with some exciting additions to the series coming later this year. Grab it whilst you can!

Limited to 300 copies.

Introducing sub-label, White Scar! A new project by the crew behind parent label Subterranean Odyssey...

White Scar was founded to give the label a different outlet to more release music from their favourite producers more readily while keeping the concept of Subterranean Odyssey the same. Each release on the sub-label will be 4 tracks from 4 different artists which will be hand-picked mainly from up-coming and previous producers on the parent label. Therefore, you can expect more of the same club ready sound that has been showcased in the first two Subterranean Odyssey EPs as well as a few curveballs thrown in along the way.

The name/idea is based on the largest cave system in the UK and each release will be named after a feature of the cave. They will also be distributed in a white sleeve with the artwork from Madame Fourmilion displayed on the centre sticker. White Scar can be found in Yorkshire where SO was formed.

For WS001 - “The First Waterfall” the label invited producers from different parts of the world. The A side is a Uruguayan affair with Braik's “Dangerous Area” and Pi's “Space Dystopia”. No doubt you'll be hearing more from both of these artists as the label progresses! On the B1, from Casablanca, Morocco is Chaou B's “Lost Data” a breakbeat banger sure to get your feet moving. Last but not least on the B2 is Biokid from Slovenia with “Undata”, a unique track with a dreamy melody to close out the EP perfectly.

Coyu and Ramiro Lopez are regular production partners, having released a number of tracks on Coyu's own Suara in the past, as well as John Digweed's esteemed Bedrock Records. This latest track on Drumcode further adds to their reputation as a force to be reckoned with. 'Clap Your Hands' allows the pair to display their talent for harder- edged techno. Pounding drums, metallic rattling, a tension-filled breakdown and the eponymous distorted vocal sample help to ensure the track fits in perfectly with Drumcode's high-quality repertoire. Made with the dancefloor in mind, Coyu debuted 'Clap Your Hands' during his set at Valencia's Marenostrum Festival, where it received a spectacular reception.

Detroit's Burden Bros have long been looked upon with immense respect within contemporary dance music. Having been in operation since 1990 with their 430 West imprint they have long encapsulated the forward thinking vibe of Detroit Techno with their output over the last 20+ years, gaining praise from their motor city peers as well as fans worldwide. Having had success in the mainstream and an enduring underground presence they are well versed in the art of music.

This double-pack 'Cymbolic' originally came out in 1995 and found favour with electronic music fans who sought a deeper edge in their music. It's all here, the trademark drum programming, the epic sense that all of the Burden Bros productions have within them. This is dancefloor music, music for DJ's to utilise, tools, but tools with the deepest soul imaginable. Listen to 'Terraforming' or 'The Symbiont' - perfect examples of driving, almost tribal-esque rhythms fused with strings, synth pads and human feeling. 'Cymbolic' is for you if you're a fan of Detroit Techno, but it's also for those who enjoy the deepest electronic sounds. That's not to say it isn't funky though, these tracks will decimate most dance-floors, and therein lies the secret. Essential release here, that classic 430 (mid) West flavour re-mastered, re-pressed and re-released in conjunction with the Burden Brothers / 430 West Records, Detroit USA

repress !

M.E.R. proudly presents MER007 : Santiago Uribe - The Death of Cool EP.

Santiago is back to his collective’s label catalog with a dancefloor-oriented production crafted with his characteristic clean and neat sound.

Side A fills with two techno tracks. A1 stands out for its playful acid basslines and a classic drumming groove. A2 highlights with bright and sharp drum plates, round fat bass and smooth synths : a proper dancefloor piece.

For B side Santiago presents two tracks: B1 full of deep and grooving sound with an effective interaction between drumming elements. Closing the EP, B2 features a down-to-earth sound landscape, resembling a sort of ritual music that builds up a sticky, dark and hypnotic atmosphere.

Sought after remixes of one of the North West’s favourite old skool anthems Sarasota ‘We’re Gettin’ Hot’. This limited edition colour vinyl EP split across two parts includes Sarasota’s 25th anniversary mix and edit on the uplifting house tip, the original 1996 mix that doubles down on the old skool style piano vibe, plus the Da Fool 1999 remix which uses the same bell sound, although a different melody, as ‘Meet Him At The Blue Oyster Bar’ to maximum effect.

B.I.T. Productions was set up in 1995, kicking off with a bang by releasing the white label monster, The Crowdpleasers ‘I Want You To Know’ which sampled Quench ‘Dreams’. Over the next 5 years, the label produced tracks of varying styles: Da Fool ‘Meet Him At The Blue Oyster Bar’ (licenced to FFRR), quintessential ‘A Day To Remember’, 2 Smashing Blokes ‘M.F.’ etc, receiving DJ support from the likes of Pete Tong, Graham Gold, Stu Allan, Rob Tissera, Colin Tevendale, James Bradley, Steve Lawler, Lisa Pin-Up, Andy Farley, Lisa Lashes etc.

After a 20-year hiatus, to celebrate the 25th anniversary of the B.I.T. Productions first release in 1995, mid 2020 saw the production team get back in the studio and create five new mixes to go along with three previous mixes for one of the North West’s favourite old skool tracks, Sarasota ‘We’re Gettin’ Hot’.

Tessellate co-founders launch their new project, The Trip with four slick house cuts on their London based imprint which includes a remix from Leipzig's Mbius.

The Trip is the new DJ and production project by Max van Dijk and Oli Hiam, the founders of the renowned London label and party Tessellate who have been putting on stellar parties since 2013. The duo have been DJing together for years as residents at their parties and more recently have been making some music so they decided to bring their DJing and productions together as The Trip with 'Wet Your Whistle' being the result following releases on the label from artists like T. Jacques, Kylin Tyce, Alex Pervukhin, Firmin and Aleksandir.

Title track, 'Wet Your Whistle' begins proceedings with luscious atmospheres, soaring sub-bass rolls and shimmering rhythms keeping you enticed throughout before 'Miss Your Point' offers up skippy, breaks-tinged percussion, nostalgic and uplifting bass notes underneath the inviting acid squelches.

On the flipside, arpeggiated synth flutters and glistening modulations balanced with swinging drums and a succulent sax line take the focus in 'Friend Request (Sax Mix)' whist German artist Mbius who has releases on Ethernal (an offshoot of Daydream) and Long Vehicle rounds things off with stabbing oscillations, angelic leads and rich melodies and grooves in his remix of 'Friend Request'.

Canadian producer Hrdvsion makes his debut on Posthuman's I Love Acid imprint, with 4 tracks of wonky & off-kilter acid for playing loud and dancing to.

100 copies only

Oi oi, Instinct is back with more gun finger touting, bass-face pulling garage goodness. This one from Soul Mass transit System click off with a dark groove and shuffling drums run through with plenty of old school signifiers.

'Poison Dart' is another one with marvelous scratchy drums and snares powering it feared as withering sonics, rude boy bass and hints of female vocal all get you marching along. 'Bad' closes out with wobbly bass and crisp hits. It's a more swinging groove with extra room for the sounds to hit that bit harder. Killer tackle.

Time is the only hope of those who have lost their dreams.

Our first only vinyl, no repress, no promo

Unknown Milano comes back with their 18 release.

Old and new friends comes togheter for this strong Various Artists

repressed !

The unstoppable force that is MACEO PLEX launches new label ELLUM AUDIO with the flawless 'High & Sexy EP', two cuts of criminally seductive house music, immersed in moody soul, brooding funk and made to be together.

Tom Frankel returns to Shall Not Fade with four weighty house cuts. The London DJ, producer, label manager and one half of TIN family duo Frankel and Harper released "Milestone" EP back in April last year: a skippy house cut with a strong nostalgia for early '90s raves. One year on, "Pingers in a field" sees Frankel focus on bubbly melodies and rich textures.

"Pursuit" is a polyphonic Italo-leaning house banger driven by sumptuous claps, whilst "Virtual Reality's" anthemic melody and acid textures steer more towards progressive trance. "Commodore" follows suit, adding in layers of cosmic ambience that floats blissfully above an assertive tech house beat before the dynamic acidic synths on "Blind Date" bounce beneath high-pitched arpeggios.