House Vinyl New Releases - News

This series of musical and visual self-portraits explores death and
transformation. Not only physical death but also psychological death, wich is usually accompanied by fear and resistance. In times of crisis and despair, we celebrate youth and look to overcome the many challenges posed by life itself. It is natural that we sometimes break down, due to the pressures of society, but fortunately we do stand up again, and create even greater art. We speak of this process and the importance of ritual and creativity to deal with it. Arutani and Stefanie Langenhoven's interpretation of fear unites both artists in this album. While we tend to imagine that our personalities are unique, most of us experience similar emotions, which unite us in essence. The artists want to evoke these emotions in you, to allow them to flow through you, and let your light shine brightly. Do not fear eternity.

Bouncy and full of energy, Atree’s debut on Veniceberg Records features four club-ready swingers made for distinct moments, and with a style that’s so distinctly Ollie. Tinged in 90’s rave aesthetics, Ramrod EP is exactly what you would expect from him you’ve seen him DJ before - playful, dynamic and bursting with character.

Heulsuse presents Einsauszwei from Dresden. The duo delivers two melodical TechHouse tracks on the A-side and a real hypnotising, upbuilding Techno monster on the B-side.

Dedicated 21st Century polymath Kay Logan continues to expand her soundworld in every direction at once with her Helena Celle alias. A maximalist internal landscape of broken Jungle patterns, distorted synths and heavily warped instrumentation bent out of cognisance, »If You Can’t Handle You At Your Worst, Then I Don’t Deserve Me At My Best« is Logan’s most danceable, most fun and most gloriously congealed record to date. Since her 2016 debut, Logan has released music as Time Binding Ensemble, Otherworld, in groups Anxiety and Herbert Powell and myriad variations on the Helena Celle moniker. This album is a riposte to her debut and updates its principles. Joyful, degraded Jungle breaks, Cyberpunk synth meltdown, noise solos, true head music, like the furthest Aphex Twin being deep friend in a Glasgow backwater.

Together Old-Skool Acid House Alert! These tracks were recorded by Jordan Fields in Chicago during the late 80's. Just recently re-discovered on reel to reel tapes and as soon as we heard these beauties, we knew the world needs to have these on vinyl! Starting off with 'Among The Kloudz' which is a very raw & mental analog groovin' acid-house track. On the flipside you'll find 'Keepin' It Together", a warm soulful but yet club friendly Mr Fingers, Virgo Four alike track. This EP is for all the true Chicago heads, enjoy!

Pink Marbled Vinyl

Lunatica Borghesia sees emerging Italian producer KOKO come into his powers in a 6-track EP which, at times seems suited to accompany a blissful reverie, and at others a rave in a rainforest. Either way, Lunatica Borghesia is about escaping.

The first two tracks capture deep house in its truest essence: at once meditative, melancholic and serene.The blissed-out piano chords and cymbal strokes "You can't buy luxury" lend the opening track a nocturnal jazz feel which is carried through to "Ego Borghese" where it is heightened by the melodic cries of a saxophone. Instrumentation maintains its primacy in "Listening to Some Impala in Coventry" as staccato flutes guide the subtle bongo-sounding percussion which gives the track its swing.

The next two tracks - "9,99EU" and "Pegasus" - are for the dance floor. Whilst the synth-driven melody and acid undertones of "9,99EU" sees the EP at its most retro, the final track "Tradizione Tradimento" is a brilliantly modern take on garage house which lets the listener settle back into the groove after being rowsed by "Pegasus" driving pulse.

Lukea, a French artist, is bringing a new vinyl featuring minimal and micro house. His tracks showcase a sophisticated blend of technical skill and artistic finesse, making for a highly enjoyable listening experience. Whether you're a fan of minimal and micro house or just appreciate top-notch production, this vinyl is a must-have for any music lover.

Melvin Meeks from Chicago is the new member of the RAWAX family! We're happy to present you Melvin's former Relief release from 1995.

Second release on the BeBop label. Limited copies.

Burns & Tubbs finally return! 4 massive, percussive house tracks dubbed out, saxd up & driven by large baselines, these tunes will not miss to lighten up any dancefloor!

It’s been a very challenging year for everyone, but one thing we will always need to help get us through is music. And as Shakespeare said ‘Music be the food of love’, so we will play on, continue to provide a diverse style of electronic music that will hopefully help lift your spirits. Although this is our last release of 2020 we promise to bring you a big surprise for 2021, keep your eyes peeled !!
With previous releases including tracks from the likes of Agents of Time, JoeFarr, Nicolas Bougaieff, Madben, CYRK and raising talent R.O.S.H; plus support from from Djs like Laurent Garnier, who licensed one of the previously released tracks to his Tsugi 'Electro' mix (Francois V ‘Electro’ taken from Cod3QR001) Cod3QR’s profile is steadily growing as a label releasing quality music. With music being the main focus you'll have to wait another 2 months to find out who is behind this latest release. The curiosity continues. Head to their Instagram page (ig: cod3qr) for clues to the artist identities of Cod3QR001, 002, 003, 004, 005, 006, 007 & 008!

A tribute to the late Kenny Hawkes, London's dark lord of house music. Lovingly selected and curated by Luke Solomon, Jonny Rock and Leon Oakey.

Running from 1995 to 2002, 'Space' was a Wednesday night founded by Kenny Hawkes and Luke Solomon. It inhabited the underground world of Bar Rumba right in the heart of London's West End and took place each and every week. Kenny and Luke had both been regular fixtures on infamous London Pirate Radio station 'Girls FM', and were seeking a suitable place to play the kind of music they supported on their respective radio shows. They were presented with a weekly opportunity at Bar Rumba and snapped it up.

'Space' was THE place for 7 solid years, hosting local and international guests from the house music community week in week out, to 200+ hardcore and dedicated followers. Regular guest bookings read like a 'who's who' of the music scene with sets from Derrick Carter, Andrew Weatherall, DJ Harvey, Tom Middleton, A Man Called Adam, Ralph Lawson and Huggy, Harri and Domenic, Francois Kevorkian, Salt City Orchestra, Carl Cox, Chez Damier and Ron Trent.... the list goes on and on and on! Music from seminal record labels such as Classic, Prescription, Cajual, Paper, Relief was played on rotation amongst a killer mix of Disco classics, alternative 80s music, left-field B-sides and techno. The night undeniably became a cauldron of amazing music and midweek hedonistic chaos.

As Soho changed beyond recognition and clubbing moved Eastwards, Kenny and Luke decided to call it a day. Sadly, Kenny Hawkes died in 2011, leaving a huge hole in the dance music community. Kenny was a legendary figure with an unmistakable sound and DJ style, he had a warped sense of humour and a huge personality and he continues to be dearly missed by all to this day.

As a tribute to Kenny, his musical partner in crime Luke Solomon alongside 'Space' regular and DJ / Editor supreme Jonny Rock, and former Classic Records label boss Leon Oakey have joined forces to celebrate his life through music. 3 years of tweaking, pooling music and clearing tracks have culminated in 2 very special double albums and a digital compilation. A collection of 'Space' classics, underground jams and the tracks that shook the Shaftesbury Avenue dance floor, shaping one of London's most revered midweek sessions.

All profits from the compilation will be donated to the British Liver Trust.

Ryan Aitchison otherwise known as Mella Dee teams up with Craig McNamara (Last Magpie) under their Craig & Ryan alias - previously seen on one of house music's hottest imprints - Warehouse Music as Jeff & Ryan - here they delve into the dungeon and come up with a selection of disco-edit-wonky-house and rave cuts designed for all people on all dancefloors.

NIMMA010, the anniversary release, comes from V.i.c.a.r.i., no stranger to the scene. Each side has its own mood but both sides are equal in quality.

Vitamina gives back energy with the 3rd Vinyl, this time presented by his resident dj.

4-track club-ready to make you sweat on the dance floor: get ready for some jacking snares, electric basslines and steamy vocals.

Tracks from Cromby, Annika Wolfe, DJ City and 131bpm.

For their ninth iteration, Hamburg's The Press Group punches back in with the sizzling hot debut to a VA series bound to scout and shed a broader light on exciting artists from various territories and backgrounds.
Pulsating to the bone, "Future Prospects vol.1" showcases a quartet of heaters courtesy of Germany-based Robert Dietz and Aii PS on the A-side and Kyiv-based Vlad Stuparenko & Ghetto Sunrise plus Sasha Zlykh on the flip. Either sides of the
disc inbound for optimal and non-pareil impact on the dance floor. Dietz's "Salbung" paves the way old-school style, grinding everything from lethal breaks to rowdy drums, via lysergic synth flights straight out a wild sci-fi scenario.
Aii PS' bouncy and oneiric contribution "Donteven" is more of a low-slung affair with its mischievous fusion of filtered synths and acid-informed bass spurts painting the sky all shades of radioactive green.
Flip it over and Stuparenko/Ghetto Sunrise's stealth, aqueous weapon "Pine Water" ushers us in a corridor of groove-enslaved echolocation, delayed stabs and propulsive bleepin' n bloopin' from the depths. A further dusty, shuffling affair
blazing with clanky hats on a Chicagoan tip and futuristic electroid inflections, Zlykh's "Pidozepam" tops it all off in implacable fashion, casting a spell of exquisitely thrilling menace upon the ravers.

Celebrating its first year, the label is releasing the second volume of its compilation Habemus Paname and introducing its two latest signatures - Tour-Maubourg and TAOS - with nine tracks between jazz, deep-house, breakbeat and disco.

Another quartet of gems, Selador’s latest 12" vinyl outing, once again in our tasty new house bag, brings together four of the label’s most popular digital releases of recent months.

We open with another majestic piece of work from Brazil’s techno don Renato Cohen. This huge remix keeps the peak time spirit of Steve Parry’s evergreen What You Make It very much intact – but then turns it up to 11 with a muscular new interpretation. Big!

House music royalty, Charles Webster then delivers a psychedelic electro gem of a re-rub of Dave Seaman favourite Racket Abuse. Tripped out genius that makes maximum use of the original version’s mind-bending vocal hook and reached Number One on Beatport’s Electro Chart.

Next, Progressive House Don Anthony Pappa teams up with Electronic production guru and fellow Australian, Jamie Stevens for Here We Go, a dark yet uplifting, tribal workout that was one of the label’s best sellers of 2021.

And finally, Barcelona-Berlin soundclash alert! Two of our favourite electronic music epicentres are represented with former F1 driver Jamie Alguersuari, aka Squire at the wheel, and sonic wizard Hannes Bieger on remix duty. ‘True Religion’ is a thing of rare timeless beauty. A true gem.

Beigean returns to his own Tava Discs, as well as to vinyl for TVD002, once again heading into his inherited archive of Punjabi folk, Bollywood disco and an increasingly encyclopedic knowledge of UK club culture. With tracks previously showcased by Midland, HAAi and Erol Alkan, TVD001 quickly became a rarity, and this limited-pressing looks to conquer similar ground via a quadruple attack of deeply effective, disarmingly personal rave movements.

Whereas previous Beigean releases on TVD, Hot Concept and Ransom Note have dug into Haamed Ratyal’s childhood influences, the tougher sounds of TVD002 take inspiration from a further blend of cultures. Initially alchemised during a stretch living along the diverse, tropical and sometimes unforgiving natural landscape of Northeastern Australia, the sounds of TDV002 are appropriately imposing.

Emerging from strikingly lo-fi territory ‘Jaya’s Strut’ slowly builds in groove and intent, weaving bass guitar and crackling drums with dubwise production, a deceivingly simple production that hits with enough character and intent to lead the record. It sets the tone nicely for the rhythmic explosion of Kashmiri Red, which powerfully, smoothly blends chopped-up exotica with flourishes of screwface-inducing bass.

Beigean’s sonics become more dramatic still on ‘Cane Fire Season’. Honoring the agricultural tradition of farmers torching their sugar cane crops each summer in Queensland, the track is itself a fiery pressure machine that overwhelms dancers with clattering drums and an industrial techno atmosphere that wouldn’t feel displaced in some of the world’s largest festival tents.

Finally, Beigean lets his intuitive and evocative percussive programming take the lead on ‘Sun Dappled Burdekin’, a scorched and psychedelic souvenir certain to linger in the heads of ravers as much as the memories that inspired its composition.

Following his debut on Archie Hamilton’s Moss Co., UK producer Charlie Banks now joins MoscowRecords bringing a pair of intricate house cuts with the label boss on remix duties. Hamilton has been playing the Gottwood Festival DJ’s music in his sets for years now and following his ‘One Morning In Staines EP’ on Moss Co. Charlie Banks has seen further support from artists like Seb Zito, Diego Krause, and Traumer. Appearing on Moscow Records, the breakthrough London-based producer returns for his second statement release of 2019. Opening his next release, ‘Flight Mode’ instantly deploys a sultry bassline as trickling subtleties operate alongside crunchy snares, making way for a stuttering warped melody and crystal synths – the result is both deep and energetic. On the flip, thudding kicks and echoing effects lay the foundations for ‘Project X’ as a meandering sequence joins a thunderous low-end. Tying it all together, Archie Hamilton’s remix of ‘Flight Mode’ boasts a complex rhythm from the off as various different percussive elements interlink to create a mesmerising dancefloor roller complete with acid licks.

Fabio & Grooverider have been at the forefront of UK dance music for over 3 decades. This is the roots of their story told through music. The 2 London DJ's are part of the DNA of the global Jungle / D&B movement and they have remained relevant, cutting edge, authoritative and essential to this truly underground art-form since it's inception. RAGE could arguably be the ground zero of Jungle. The party was started at London's cavernous Heaven club by Fabio & Grooverider in 1988, at the height of Acid House fever that was making it's way up and down the motorways, slip-roads, fields and warehouses of the M25 and further beyond every weekend, troubling the nation, the police, your parents and the press as it went. RAGE was a different beast, it certainly channelled some of that Acid energy but pitted it against the new and exciting sounds emanating from Belgium, Amsterdam, Detroit, Sheffield, Essex and Hackney and in turn created a new style, a new sonic attitude and energy in the process. Rumbling bass-lines, narcotic synth rushes and roughly chopped and sped-up breakbeats all merged into a style that we now know as Jungle. Nothing like this had been heard before, this was a brand new style and it was coming out of London's West End and Fabio & Grooverider were the people firmly behind it. RAGE is approaching its 30th anniversary. Its sonic and cultural legacy is still being felt today, Fabio & Groove are still shutting down raves and festivals every weekend all over the world with their superior DJ sets and musical knowledge guided by their pioneering spirit. This musical selection you hold in your hands, the first of 4 parts, sees them delve into their prodigious memories and record boxes to select a true musical representation of the very beginning of one of the UK's most unique and influential musical movements of the last 50 years. Across 4 x 2 x 12"s compilations we are taken on the journey through the sounds of RAGE, accompanied with track by track notes from Fabio & Groove themselves. This is the sound of the underground, from the inside out. This is a masterclass in the old-school. The roots. There is no filler here, it's simply ALL killer. Lovingly selected and programmed by the masters - 'The Living Shock' & 'The Ladies Choice'. Produced in conjunction with Above Board distribution and Fabio & Grooverider. All tracks mastered from original sources and fully licensed. Mastering by Optimum, Bristol. Artwork and design by Atelier Superplus. 2019

Scandi-lous! We’ve got another other-worldly record for you, courtesy of who? Jeku! The man from Helsinki has given us a much-coveted gift, a gift that traverses incredulity yet still thankfully remains harnessed to the human realm. The story that started below the ozone layer has moved to the stratosphere. Transcendence is coming, and boy has he been busy.

Comes with insert. Ltd Edition.

Mixed Signals and Left Ear Records team up again to refresh Litia~Loe’s mid-90s album Life Love Dance. On this timeless release, the group channel the golden age of Nu Groove, foundational Warp releases, and the Ibiza days of New Order, all rooted in a uniquely Chicago sound.
Five years after their EBM-tinged cerebral house anthem “Each Dawn Every Dawn”, the Litia~Loe (Life In The Insane Asylum = Life On Earth) crew dropped a lush album of wider proportion — six songs that feel more mature, more confident. Yet, despite this cultivated style, they continue to maintain the distinctive jest of their first outing. Grant, Leon, and Simeon’s new approach was more exploratory, traversing adventurous channels of pop, wave, IDM, and house. Not only are the songs more varied, but the growth of the trio’s technical skills are apparent. These songs feel more considered, like they have been refined over time, given just the right amount of polish without losing the ecstatic rawness that gives them breath and bounce.

“The Rush” follows the crooked path that was featured in their first single, with a vocal performance that maintains a murky half-singing-half-spoken-word opacity; the optimistic lyrics juxtaposed with sinister synthetic strings. “Whisper To Me” demonstrates a new side to the group which shows their ability to break from an orthodox house sound and highlights their pop sensibilities with a narcotic Depeche Mode-ish bassline. “Peep Show” reveals a mellower mode, drenched in euphoric echo and sensuous synth pads. Also featured on this reissue is an unreleased CD instrumental “First World” having its first ever vinyl release.

Life Love Dance captures the sound of primetime Chicago melodic house music, but offers something more expansive. Uninhibited by the borders of genre, the trio took a more inclusive approach to their music, which catalysed in a playful and peerless production style which makes their work stand out from the droves of generic dance records from that era.

Aesthetic 17 comes from label regular TIJN and newcomer Daines. Its had big support from the Romanian cult of DJS and looks to be a massive EP this year.

The second release from an ongoing, organic collaboration of two acclaimed artists in their own fields - DJ/producer Marcus Worgull and British singer-songwriter Fink - again results in something beautiful and undeniably iconic..

After his 'All Gone Pete Tong Ibiza 2014' compilation with Tensnake, Pete Tong releases his first EP on Suara with UK Producer John Monkman titled "The Bumps". John Monkman, who also goes under the aliases PinkNoize and Flip Flop, uses progressive elements coupled with 80's like synths, which gives his productions quite the unique flair. His work also takes into account the technical side of production and he carefully constructs each element using the science behind sound design and production. He's already been touted as a producer to watch out for with releases on labels such as Warung and Get Physical Music, so it was only fitting for him to collaborate with Pete Tong to give you this tasty track.

The original, with a well-constructed bassline incorporates a warm up melody that begins to set the tone for the night ahead. Each layer is distinct as the track begins to build itself right to its crescendo when each of those individual layers collectively come together. You can distinctly hear the 80's like synths that are cleverly inserted into the track which are highlighted by the female vocal samples. The grittier elements add a touch of darkness and instantly transport you to a warehouse club with an intimate atmosphere.

The remix, done by the widely loved tech-house duo Pleasurekraft jack up the tempo a notch, and add a bouncy groove to the track. Where the original brought out a darker side, the remix is more upbeat and settles in well for a peak hour set. Bringing that crisp bassline to the fore, and tuning out the melodies to make them a tad subtler it showcases a more tech-house version of the original. There's an added element a slightly more haunted vibe which is coupled together with those gritty and harder elements. All I can conclude is what a tech-house bomb this is from the highly talented Pleasurekraft. They always manage to bring something new and unique to every single track they've ever remixed which truly shows their remarkability as consistently good producers.

White Vinyl

Next up on Just Jack recordings, Simoncino takes you on one hell of a journey, through two straight up dance floor destroyers... the lead tracks 'Come With Me Bebe' and 'Acid Life' which thump and twist along, with sparse synths and heavy baselines causing pure ecstasy as they pump their way into your blood stream!

And then exploring more experimental territory with three shorter jams (Afrikan I, II & III) which take you through tribal rhythms, chants, screams and a hell of a lot of other weird and wordly shit, before he puts you to bed with the beautiful 'Ambient Deep'. You will need it after listening to this EP. Get ready to sweat!

Clear & sharp-edged new material from the German duo.
"The beauty and significance of the music piece lies in how rich the silence is between the the sounds"

Well, we know absolutely nothing about this brand new edits label, nor the artist behind it, so in wonderfully cliched fashion, the music is left to do the talking. What we do know is that Harri Pierson must have a penchant for classic house because that's the vibe of the A-side 'Bananas'. It has retro-future vibes, a pitched-up rave vocal, and lively piano chords over shiny metallic drums. It's a real bouncer with hints of Italo madness, then 'Funk Rail' is a more worldly affair with Indian-sounding melodies, rich layers of instrumental funk and jostling, loose-limbed drums. What a scorcher.

12345 500 copies 180 gramm 3 artists 3 wizards in the vinylwoodland. On her way, Roon meets and befriends the Jeanneret, who wants a brain, the Malin Genie, who desires a heart, and the Afriqua, who is in need of courage. Roon invites each of them to accompany him. After the Witch attempts to stop them several times, they finally reach the Emerald City. Inside, after being initially rejected, they are permitted to see the Wizard. He agrees to grant their wishes when they bring him the Witch of the Vinylwoodland.

Berlin-based French selector Shonky adds a new dimension to his music career with the launch of his brand new label, Stoned Pilot. Inspired by his love of collaboration, the platform will focus exclusively on collaborative projects with each new release. At his studio in Berlin Shonky has assembled a mouthwatering array of equipment; vintage synths, drum machines and sequencers. The set up allows him to cultivate a highly creative atmosphere - a playground for those who visit - and the resulting productions exude the kind of energy that you typically find during liberating jam sessions. Shonky cites the studio, and its many playthings, as a key part of his growth as an artist. While everyone he invites to join for a session leaves feeling invigorated by the experience.

On the first release he appears with Otis, an Italian producer who lived in the same building as him. Through lockdown the two men became better acquainted and they decided to hit the studio together. The result is the Humanizer EP, featuring four cuts that encompass the merging of Shonky and Otis’ individual styles into one cohesive body of work. On the EP the duo delve into the deeper side of the dance floor, utilising bass, rhythm and energy to explore varying styles and tempos, tinged with an air of mystery.

So the stage is set, Stoned Pilot heralds a new phase in Shonky’s career, from global tours, to his exemplary back catalogue and now label owner with a core ethos centred on creative collaboration.

Private Lane Records is a newborn music label and part of a wider artistic platform that wants to promote young, upcoming artists and dreamers like us.

“Dream Drivers” is the starting line of something new and exciting.
The well known french talent Noiro and austrian wonderkid DJ Void are our pilots for this journey, taking us into a world of dreamy synths and funky rhythms. A travel with such beautiful landscapes, you don’t want it to ever stop.

Grey Marbled Vinyl

Enigmatic Italian house connoisseurs Quasar and Cristo join the Lost Palms catalogue with a 4-track collaboration which touches base at tech house, deep house and all the flavours in between. Bursting onto the scene in 2017 with the widely-recognised 'Lovesongs' EPs, Quasar has since been perfecting his craft. His collaboration with Cristo sees the two depart somewhat from the lofi sensibilities which have characterised their music so far, instead favouring a harder-hitting and more diverse sound destined for the club.

Kicking things off is big-room banger 'Ginga', propelled by a fierce tech house beat and assertive arpeggios. 'Non Ce Ne Importa Piu' takes things down a notch, paying homage to the respective antecedents of each producer's musical career with a lofi quality and a hypnotic melody. Euphoric piano stabs and diva-esque vocals power the hands-in-the-air sunshine slammer '(It's) Over' before 'Good For You' takes things deep, closing the EP on a cool tone and proving the duo's versatility.