House Vinyl New Releases - News

Neighborhood Watch Patrol is back, already.Another four track EP blending breaks, minimal and tech house. Continue protecting your Neighborhood with this delicious little white label. Limited to 150 copies. Be Quick!

LTD Edition exclusive to vinyl – ‘Best of Club Sweat’ featuring Purple Disco Machine, David Penn, A-Trak, Ferreck Dawn, Torren Foot, Motez + many more.

A double wax’s worth of serious heat to get dance floors moving, butts shaking and people elating. Packed to the brim with exclusives you won’t get anywhere else but here. Throw in a couple of chart toppers, secret weapons and most requested IDs and you've got yourself a sure-fire winner.

After his previous release "Terra", &lez is back on Bosom.

"Topinambur" is a reflex of his unique style, african flavours meeting absorbing melodies, making it such a infectious cut.
Cosmo & Kramer deliver the first remix. The german duo presents a introspective work with shimmering melodies, creating a immense atmospheric concept completed by raging drums.

Mr. Raoul K opens side b with his astounding remix. In his mix you will notice a rolling bassline under his tribal percussion rhythm and an intense melo driving you along a promising journey.
Neil Flynn closes this release with his hypnotic remix service. Acid melodic layers generating marvelous cosmic frequencies passing through a driven groove over burblering percussions.

Limited to 200 copies, no repress!

Bosom, from Portugal with groove.

At Radikon, we were mesmerized the first time we heard Diamond Mouth’s angelic brand of noisy, dream-like pop and have asked some of our favorite artists to reimagine the Danish duo’s singular
soundscapes for catalogue number 31. Frankey & Sandrino’s rendition of ‘Stare at Me’ shrouds the original’s lumbering
moodiness in layers of impatient percussive salvos and sizzling electric stabs.
A monumental pad infuses the haunting vocals with a sense of urgency, creating a compelling emotional dichotomy to the
hypnotic original.
Setting the dissonant spoken word mantras of ‘Divine Flow’ to a mechanical, throbbing groove with pulsating blips and white noise hits, Ruede Hagelstein retains the original’s menacing quality. In a striking change of pace, the track is enveloped in layers of soothing pads and glittering percussion, artfully mirroring the original’s progression from dissonant uneasiness to divine bliss.
Yubik’s version of ‘Blade of Light’ imbibes the original’s monumentality, while infusing it with a powerful anthemic quality.
His signature drum and synth work adds a beautiful layer of massive, all-encompassing emotionality, and distills the original’s complex soundscapes into raw dance floor energy.
Contrasting to Ruede’s rendition, Jonas Saalbach chose a different route for his version of ‘Divine Flow’. Focusing on the blissful, floaty energy in the second part of the original, Jonas elevates the dreamy
original to shimmering heights of pure bliss set to an effortlessly powerful groove.

Feedback:
Mind Against_ cool stuff
Guy J_ very cool release
Andre Lodemann_ nice remixes thanks
Tiefschwarz_ very nice package. thank you
Monika Kruse_ Thanks for the music, downloaded
for Monika Kruse
Eelke Kleijn_ Nice collection of remixes here!
Anja Schneider_ SDuper REmixe
Hernan Cattaneo_ big stuff
Lehar_ thanks
Echonomist_ Thank you!
Trikk_ thank you, x
Fur Coat_ Great pack of remixes
Âme_ thanks
Lexer_ Frankey & Sandrino Remix is huge! Thanks.
Brina Knauss_ like it yes!

finally repressed

Phoenix G's latest output is another Mr.G effort with great versatility. Showcasing the original G sound throughout the whole EP, the G man comes up with funky bassline samples, analog string action and the signature vocal cuts that have elevated most of his records in some way. PG055S comes in a special full colour sleeve with an iconic picture of the G himself. Licensed from and thanks to Rekids.

Pil Love Records inaugurates its launch with the debut of the first release: Ma Bouche. The Original Mix is produced by it’s co-owner Simone Barbaresi, featuring Danny Losito.The track reflects Barbaresi’s idea of how a party should be: a journey, a truly unique vibe that will make you dance every time and everywhere, accompanied by the sexy vocals of Emanuelle.

To keep the party going, the flip side holds another killer remix, produced by Barbaresi’s good friend/producer, Manuel De Lorenzi.


DJ Support:
Shiba San (Repopulate Mars / Relief / DIRTYBIRD)
Archie Hamilton (FUSE / Moscow / Moss. Co)
Stacey Pullen (Blackflag Recordings / Transmat)
PAWSA (Solid Grooves / PAWZ)
Waifs & Strays (Lovecrimes / VIVa)
Rowen Clark (Repopulate Mars / South Of Saturn)

MOVIN' returns with a special - a Various Artists EP with DIREKT, JULIEN SANDRE, STEVN.AINT.LEAVN & LORIK. Four talents who don't need much introduction & we're happy to welcome them to the label. They're contributing extraordinary music, all in their own way & made for the dance floor!

Early support from Arpiar, Priku, Nu Zau, Cosmjn, Viceversa, Iuly B. & more

Athens based DJ/producer Dino MFU joins musical forces with vocalist Alxandra Good for their dance floor shattering single “Not True.” Kicking things off is the original mix of “Not True,” a deep, driving, and forward-thinking dance single perfectly crafted with uplifting moments punctuated by the gorgeous vocals of Alexandra Good. Following suit, dance music pioneer and legend David Morales take the remix reins with his powerful, Afro groove influence vocal remix that will leave international dance floors wanting more! Morales gives us more next with his ‘Dub’ mix of the original that takes his previous vocal mix a bit deeper and darker for those perfect late night dance floor vibes. Finally, we complete the release with Dino MFU’s instrumental mix of “Not True.”

With two standout singles under their belt, Fur Coat now deliver their highly anticipated 12 track album, ‘Polyphony’…

‘Polyphony’ is a term specifically chosen by Fur Coat to emphasise the celebratory concept behind their new album. “Firstly, poly means many, and we are celebrating our 10th anniversary this year,” explains Sergio, “so it was important we reflected that milestone in some way. Beyond that we wanted to create a project with many layers that captures the perfect spectrum, ranging from experimental sounds through to more familiar dancefloor tracks. Whether blending a cinematic feeling, infectious groove, indie vocal or slower BPM electronica, we used multiple layers and patterns to create a textured, forward thinking soundscape. ‘Polyphony’ really does say it all in a single word.”

To further the theme of ‘many’, Sergio and Israel also open up their studio, inviting friends in. From the haunting, indie beauty of ‘Hurricane’ with Running Pine (already a Beatport chart topper), to infectious melodies created alongside Julian Wasserman, Hunter/Game and Sly Faux, or Delhia De France’s seductive vocals, the duo generously and effectively demonstrate the benefit of collaboration.

This is not to say their dedicated compositions should be overlooked, quite the opposite, which they are rightfully proud to point out, “This is our second album and we really wanted to deliver something that showed our musical influences and the evolution of the Fur Coat sound. We’ve come a long way in the past decade, with many more years yet to come - the future is undoubtedly polyphonic!”

PDD are pleased to welcome Kerri Chandler's Kaoz Theory imprint to our exclusive roster.

Kicking things off we have Hot Creations label boss Jamie Jones who storms back with yet another highly anticipated dancefloor focused release, the Illicit Behaviour EP consists of two originals and two remixes, delivering a diverse collection of tracks with a common theme for setting an infectious groove.

The title track has numerous elements progressing with hypnotic rotation, adding a deep bassline to carry the track. 'New Skool Acid' follows with a rapid assault of percussion, leaving the breakdowns to give the track it's name with funky low-pitched acid stabs, while subtle vocal stutters add extra detail.

Matthias Tanzmann of Moon Harbour takes on remix duties for 'New Skool Acid', letting the percussive elements shine with his own variation that's met with a nostalgic motif. FUSE's Seb Zito to round out the release with his jacking remix, perfect for those peak time moments at any dance.

This archival release on Organic Analogue digs back into the prolific ‘90s period of Swedish techno maverick Jean-Louis Huhta, aka Dungeon Acid. These days he releases on iDEAL, Fit Sound, Börft and Klasse Wrecks, but he cut his techno teeth on labels like Hybrid, Svek and H. Productions. Clad in artwork details by Swedish graffiti legend Nug, Wormhole Of Time comprises unreleased cuts and long out-of-print jams spanning many of Huhta’s aliases. The release also comes with a zine featuring photographs and an interview reflecting on Huhta’s multifarious life in music.

crystal blue vinyl

South London based producer Lxury is a subtle experimentalist, pairing house rhythms with eclectic genre blending and risk-taking. Returning to Shall Not Fade's Lost Palms series for a second record, Smart Digital Life EP shows the maturity and complexity of his production while keeping the energy light and summery.

"1722" opens things up with dreamlike pitched vocals that provide a vaporwave feel, hypnotizing over stuttering synths and a wonky beat. "Spin" has an experimental sound palette, a euphoric pulse and a sweet melody, dance music doused in honey.

This sweetness spills over onto the B side; "Pad Ma" sounds like a pumping club track meets a trip to the fairground - unstoppably buoyant and headsy. The vocals in "When I Wake Up" spin around your head before a muscular beat kicks in, the most stripped back and raw sounding of the record. This one is certain to get heads down and feet moving. "Up High" is an expansive closing track, built around fuzzy drums as the clever use of vocal samples creates a melody with a loved-up feeling; it's a tour-de-force of Lxury's delicate production skills.

Amidst a creative explosion of new ventures cutting across genres and forms, Gavin Lynch aka Matador releases the Cyclone Series at hurricane force. All three tracks are fast and furious, power-packed and compelling. Aptly for a noted tech-maestro, even the visual impact of the waveforms has an intriguing architecture. Detail has gone into every aspect of this release and new series, as Matador goes back to his roots, paying homage to the nascent years of his career, crate digging in Dublin’s record stores.

‘Come With Me’ builds and disperses, creating an increasing tension while the fast pace and percussive beats keep up the pressure. Hi hats and distorted chords back an offset beat, with rising sirens in the breakdowns. Each build is marked by a sudden pause and a vocal of the title, with complex percussion, twangy notes, rattling beats, and fast sharp riffs.

'Connected’ also goes for a triple whammy of builds, this time with an increasingly echoing cool, deep bass vocal riff behind assertive hi hats, hissing cymbals and clapping beats, taking off in a superfast joyride of percussion and pizzicato.

In ‘Fidgit’ a loose elasticated bass backs a metronome ticking beat before the full percussion blasts in, to take us on a switchback journey of sharp, low reverberating bass riffs, the breakdowns bringing high melodic tunes, morse-like notes, and imperious builds to further heights.

With a whole new live show in development, and his first ambient album imminent, together with his RUKUS imprint keeping the talent flowing, this year sees Matador embrace each new avenue of creativity.

The next chapter of the Auroom story named Maxvorstadt EP including two stunning original tracks on the A side w/p by talented Nihko. The remixed B side is a masterpiece by Wareika. A truly mind-bending journey into the sonic depths of minimal techno.

AUROOM to be back with a gorgeous three-tracker release featuring for the first time label head Oana Leca together with Subtil head Nils Weimann, thoroughly reinterpreted by Giuliano Lomonte.

A-side settles up ‘Ritmic’ grooves along a +8min meticulously-cadenced creation, followed up by this cerebralish atmosphere on ‘Rambush’.

B-side takes place with Giuliano Lomonte ‘Rambush’ remix which is buckling this EP up through blissful modulars.

A must-have!

12",180g, Vinyl Only. Limited copies!

Both regulars of the club, arts and queer scenes of New York, Berlin and London of the last three decades, it's surprising Wolfgang Tillmans and Honey Dijon only met five years ago. A walk between clubs in Brooklyn resulted in the two having a mutual interest to collaborate. Busy as both are, the wait was long, but well worth it. This week's release of Honey Dijon's Euphoria Mix of 'Can't Escape into Space' sets the tone for what is left of this summer: Our desire to be together, with friends and strangers, close up on dancefloors, festivals and open airs. Honey's and Wolfgang's shared unapologetic spirit comes alive as Dijon transforms Tillmans's original song into an electrifying dance floor banger. As we can already sense a reawakening of our freedom blowing in the air, even if many clubs remain closed, the two musicians' call to come together again is euphoric and inescapable.
The original version of the song was released last winter in the midst of lockdown, accompanied by a video showing an empty nightclub and its mirror balls performing for the camera, filmed in 2017 by Tillmans, in pre-pandemic Fire Island. A new video accompanies Honey Dijon's Euphoria mix with three vignettes of longing and passion.

The Signs Within is Drunken Kong's debut album on Tronic, featuring collaboration with label boss Christian Smith. With this work Japanese duo prove they are here to stay with some top notch techno. Whilst keeping the groove alive, they deliver some punching bass lines, rolling subs and deep synths.

Dan Shake makes a solid return to his Shake Records imprint with three tunes ready to make an impact. ‘Paper’ and ‘Bounce’ are tinged with records from Dance Mania, hip house and acid house legend Tyree Cooper, and a cheeky trance mix Dan made with Yomanda ‘Synth and Strings’ in mind, one of the last track he played out to a crowd.

‘Paper’ and ‘Bounce’ are the reflection of an artist still feeling the vibe from his last gigs, which saw Dan make a debut at Printworks, and coin one of the last live Mixmag labs before the world went into lockdown.

Dan explains - “I made these tracks in April 2020, immediately after the sudden cutoff of nightlife. My last weekend of gigs was incredible and left me with a big room, high energy mentality. I’d been listening to and playing out a lot of ghetto house and Dance Mania style records which no doubt pushed these tracks in that direction. Faster, harder and heavier than the majority of the music, ‘Paper’ and ‘Bounce’ gave me a hit of a sound I was craving and had just been immersed in. Directly inspired by an urge to be back on a dance floor, the thought of playing them out feels slightly surreal, but something that gives me tingles thinking about too.”

Did Dan know he’d sit on this music for over a year before releasing it or playing it out? Perhaps not. However, timing is key and clubs and festivals within reach, he’s waited patiently for a time he knows they’ll hit the sweet spot we’ve all been missing.

Red Marbled Vinyl

Jad & The is an Australian producer based in Berlin, where he's been putting out consistently cool and sleek dusty house on the likes of Toy Tonics and Banoffee Pies. Jad is now joining Shall Not Fade for his debut on their Seasons Series imprint, showcasing a selection of tracks that ooze space age sounds and cybernostalgia.

Space Swingerz EP feels like the soundtrack to a classic science fiction film; opening with "Dance (Can't Dance Mix)", the most house-oriented track on the record, a grooving and smooth party piece that has just a hint of the electro inflections to come. The title track itself is a swirling electro track filled with popping futuristic synths and spaced out pads, leading into "Industrial I-Beam" that swaps out the ambience for a deep funky bassline - headsy and ready for a darkened Berlin club. "Circum Navigator" is a clean-cut but hypnotic piece of nineties revival, while "OK, Computer" taps into the sci-fi edge of the EP, the sounds of early internet imaginations of the future.

Repress

Next round for Another Picture. After exploring the highs in electricity and the lows of the deep grounds we go further into things. Sensing vibration of the fire below and turning it into a never-ending evolution of sound and groove. This is what you might know about Losoul tracks - and here you can't go wrong either. There are scattered artefacts of the city bringing vibe and inspiration - the streets, the people, the concrete, the action - it's all in between. Then there's the ever-changing beauty of nature out there on a day to just leave things as they are. Soul, movement and emotion. Again Losoul gives a strong example of experience from his longterm career in house and techno production and performing. Two pieces of music timeless in many ways. See you on the dancefloor. And everywhere else.

RAWAX proudly welcomes Miguel Herrnandez to the family!
We are very happy to present you "Inchowax" on HOUSEWAX.
Springtime music for a hopefully better 2021!

Repress

Sintope bosses NTFO are back on Bondage-Music to present their ‘Overdose’ EP, on the release we have Miami Florida's rising talent Barut. Vinyl pressed on 180g, B-Side comes with two vinyl only tracks

The debut “Moover” EP from the young Bulgarian producer and DJ - Raredub (Petar Vasev) on Sofia Records features energetic and emotional music that finds its place equally in those hands-in-the-air moments in the middle of the dancefloor, as well as laying on a carpet in the afterhours.


Far from formulaic fast-food dance clichés, SOF005 offers fine and delicate layers but as always with its base in spicy street rawness.
Playing the records from start to finish one finds immersed in care-free optimistic melodies, passing through deeper and dreamy sequences, towards stripped down and honest groove. All garnished with the youthful energy that Raredub generates.

Flambéing it all, we have Sofia’s own KiNK collaborating on the track “How The Fire Started” urging all DJs and dancers to grab a fire extinguisher.

With this EP Raredub displays his unique musical personality combined with a strong execution - forming something very special that promises to age well.

Finally we are thrilled to announce our 5th release on the baby Abduction with the talented French artist RWN. 3 trippy originals perfect for every situation and dancefloor and a killer remix from our Romanian closed friend VERN. Amazing support so far from Sit, Cristi Cons, Arapu, Viceversa, Prichindel, Herodot, Lizz, Mera, Sublee, Dewalta and others

"Palinoia returns in 2021 with an EP I've been eager to release for ages now. Andrew Tighe is an unknown name to everyone, but his ear for quality shows a wisdom that extends further than this, his debut release. Originally sent to me when I was first forming Palinoia, there never felt like the right time to get this out despite how much I've adored these three tracks. With my mindset being away from clubs and more to the deeper side of music, I'm ready to get this triptych of deep, dubby, soul-infused house to you all." - Eric Cloutier

For our new Savor Split Series, Bok.P from Uruguay and Tade Kop from Argentina jumped on board. 2 cuts on each side exploring diverse soundscapes ranging from house, funk, electro and breaks.

Mind Control is the amalgamation of Samo DJ and Morgan Wright. That formed while on tour together in Ausralia during 2018. After spending a day at Healesville WildLife Sanctuary.Samo and Morgan were inspired by the playful movements of kangaroos, wombats and foxes and decided to interpret these together in a hot studio on a 39 degree day in coburg. The results of which were two functional dance floor tracks combining the signature rhythms of Samo DJ and the delicate melodies Morgan is known for.

The latest from Dam Swindle's Sound Support alias, Méhari, will keep you warm and bouncy, wailing and flailing, all through the fall and winter.

Big electro energy on this five-track EP. Funky, sassy synth melodies snaked around tight and punchy drums that instantly make you wiggle like a worm.

It starts with the title track, a thumper with a herky-jerky swing, then slides into a slightly more melodious and noodly territory before completing with “Detox Your Feelings,” a high-speed Hi-NRG and Italo disco rocket ship off this planet into interstellar space.

Everyone's favourite trans-national non-denominational dance imprint joins forces with the dark lords of CALYPSO - the ever prolific Mexican Inigo Vontier and his Argentinian cohort Thomass Jackson.

Few producers are hitting the nail on the head of the zeitgeist with quite as much impact as these two, and their label has crystallized their sound. Frequently play-listed by the likes of Red Axes, DJ Tennis, Chloé and more, Calypso have found a niche for their hard-hitting, voodoo-licious tracks.

Inigo drops fierce power-chug that will melt minds at peak-time moments at Mayan Warrior or MN Roy, Mr. Jackson turns in eminently playable mid-tempo grooves sure to fit in to the early and late hours in all kinds of sets.

The seventh volume of Drumcode's annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba's SCB project, among the collection of topline artists to release their maiden productions on the imprint.

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fuelled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others.

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting unreleased tracks that have taken prime position in his sets over recent months.

Who better to step up to the stage to open Part 3 then Bart Skils, who offers a work of consummate skill in the form of 'West Of The Moon'.

Next up on the A side Secret Cinema team up Reinier Zonneveld to present 'Pain Thing' an electric techno workout featuring their trademark analogue bass & synth lines.

The B side sees Drumcode regulars Pig&Dan supply their powerful composition 'Pushing On' & in true Pig&Dan fashion it takes no prisoners from the get go.

Last but not least & rounding off part 3 Berlin-based producer & emerging talent Juliet Fox is brought into the fold with the infectiously engaging 'Wanted Me'.

Tamango Records 12th release is undoubtedly its biggest one to date because Yaya's debut album "You Decide" is getting a massive remix treatment by 4 real heavyweights of the house music panorama.
The first remix is entrusted to a long friend of the label and one of the most iconic figures over the last 20 years, Loco Dice. The Desolat boss heads to trippy directions for his version of "Black Mamba", which is dominated by bubbling minimal percussions, swingy dirty hi-hats and pressing shakers, wrapping an 8+ minutes ride that will keep you hooked on the dancefloor.

Next up, Spanish groover Cuartero turns "One Way" into a heady dancefloor tool that features swinging rhythms and energetic grooves throughout, mainly focusing on the mighty bassline and a compelling bold pace.

On the flip, FUSE head-honcho Enzo Siragusa re-arranges the meandering moves from “Be Yourself” into a tremendous basements destroyer, within which the vocals are combined with hi-pitched synths to increase the drama right before an impressive "hands up, heads down" drop pours on the crowd with a grain of UKG flavour.
Rounding off the package is the formidable S.A.M. who delivers one of his many club anthems: the original bassline bursts back into life again, and so do the juicy vocals that inevitably lead the track into a massive breakdown guided by his trademark catchy lead to form something that’s built solely for the dancefloor.

Next release on the label is a collaboration between ISSUES x Woodland studios who run a competition with more than 100 entries on remix duties for Detlef’s “Dub Clap” and Campbell Fryer’s “MOODY”. Honcho of Woodlands Iglesias delivered a strong remix of Dub Clap with heavy basslines, rolling beats and the vocals slightly pitched to create a darker vibe. RN ISMO remix of Dub Clap was definitely close to the sound of ISSUES with a driving bassline, minimal beats, quick drops and a playful vocal breakdown.

On Campbell Fryer’s MOODY the first remixer is Woody who delivered a super groovy remix with a funky bassline, straight beat with swing hihats and atmospheres at the background merging nicely with the beats, using the riff in a different and extra playful way that creates an amazing breakdown. The last remixer for MOODY is Shuski who delivered a housy version of the track. Straight funky beats with a big driving bassline, synth stabs and arpeggios through out the track and some wicked breakdowns with clever fills before the track kicks back in.

we wanted something to listen to in the car...”

Network’s 30th Anniversary celebration continue with a dig in the vaults finding three timeless treasures from UK Techno pioneers Nexus 21.

The “Progression Logical” 12” highlights how skilfully the Stafford duo - Mark Archer and Chris Peat - combined their love of Detroit inspired Techno with North of London Bleep culture.

This is the first time the much loved original mix of “Self Hypnosis“ (that track with the ice cream vans sound)has been released on a commercial 12”. Up till now it could only be found on a sampler 12” for one of Network’s iconic bio-rhythm albums, and on that LP Itself, with a remix being done for a subsequent 12”.

That original still sounds amazing. The 1990 recording was made at Derby’s much lauded Square Dance Studio,

Next year saw a move to nearby Nottingham and Network (nothing to do with the label) Studio where “Mind Machines” was conceived. This is its’ debut on any format ever!

Listening to something so epic now, that decision not to issue it at the time seems bizarre,but as Mark recalls: “The mad thing is it’s just a live mix because we wanted to listen to something in the car. We never finished it. That was live with us muting things, and and me changing patterns on the drum machines and turning the sounds up and down. There are so many small mistakes in it, but it adds to the character of the tune.”

A later “proper” mix was never done as Nexus 21 turned into Altern 8 and life got ravey.

The third track is well and truly an historic piece of Techno history - Carl Craig’s first ever remix no less.

Nexus 21’s “Still Life” was conceived as a homage to Inner City’s “Big Fun” and “Good Life”. Upon signing to Network, the label thought a deconstruction by Inner City’s Kevin Saunderson would complete the circle. A kind of Stafford does Detroit and Detroit does Stafford back with 808 and 909 knobs on odyssey.

Kevin obliged big time, and arranged for other remixes by then young Motor City hippersnappers MK and Carl. As the intro to his version proclaims - Mental!

VINYL ONLY TRACKS, 180G VINYL

After 9 years, Nima Gorji is back on Bondage-Music to present his first EP.

- pressed on 180g, B-side with two vinyl only tracks -

Getting straight back into the stride they hit on 'Different Strokes', the duo land a double whammy of deeply swung grooves laced with airy Detroit influences.

Laying down the law with "Straight to the Source", the pair conjure up a cheeky homage to the garage influenced sounds of the late 90's. Featuring a full level of bass in your face, jacking beats and super catchy off kilter stabs - there's no mistaking a groove like this... they really do mean business.

On the flip they revisit 'Hypnotonic.' The "West Side Shuffle" version is similarly sparse in feel to the original, yet strikes a fresh balance as less pervasive percussion bounces around to tight rhythmic bass end pulses, dubbed up vocals and subtle effected tweaks. Continuing to capture a less frenzied moment, this new take will certainly please the heads down massive.

Debuting on Kompakt with a masterfully twisted remix of Gui Boratto's "Take Control" (KOMPAKT 302) in 2014, Miami-based DJ/Producer DANNY DAZE had already made himself a name with outings on tastemaking labels like Maceo Plex's Ellum Audio, Ultramajic or Miami's very own Omnidisc - but it was the raw and muscular SPEICHER 80 that really opened up our receptors. Danny's recipe for bendy, electro- infused techno turned out to be insanely catchy and ripe with bass, a bold, futuristic and funky vision for the dancing floor that finds a brilliant follow-up in his latest outing: two new exercises in off-the-cuff mayhem grace SPEICHER 91, with face-melting uber- jam SWIM kicking off a weird and wonderful parade of synth riffs, belting beats and pure arpeggio anarchy - while the flipside is held hostage by the razor-sharp, robotic funk of MACHINE, Danny's second collaboration with TRANSLUCENT for Speicher after the hard-hitting "Speaker Language" (KOMPAKT EXTRA 80).

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30 years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in....

Back to 1990 and the Uk's Bleep Techno scene is in full flow. Following the success of 'Psyche', Peter Duggal set about raising the bar yet again with his follow up
'Labyrinthe' under his new alias Demonik. Originally released on the UK's hugely influential Rham! Records, this EP perfectly soundtracked the early rave scene in the UK and beyond.

'Labyrinthe' itself needs no introduction, a truly mesmeric and highly sought after warehouse anthem. The previously unreleased 'Labyrinthe' (Raw Mix) keeps up the pressure. Retaining the heavyweight sub-bass, this mix heads off into a sparser world of machine made funk and rave inducing stabs, whilst skittish bleeps and tones overlay the sinister chords and strings. There's yet more gold from the vaults in the form of '6-5-0-2' a once lost, and now found, future classic of the genre, where infectious melodies interweave and really stir the electro soul. Lastly 'Frenzy' adds an uplifting synth riff, making this episodic ride a true Bleep and Bass Bomb!

'Labyrinthe' has been legitimately re-released with the full involvement of Peter Duggal and features previously unreleased tracks and never heard before versions that Peter has unearthed from his DATs. This is an essential archival piece, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

After releases on Steyoyoke and Musica Autonomica we are happy to present the duo Innellea on Underyourskin. The "Magnolia EP" is hypnotising and straight to the point - Remix works are coming from Berlin based Francys and Duno Kardi from Tel Aviv.