House Vinyl New Releases - News

Der britische Produzent Ross From Friends ist mit seiner einzigen Veröffentlichung in diesem Jahr auf Brainfeeder zurück!

Während das Debütalbum von Ross From Friends (aka Felix Clary Weatherall), „Family Portrait“, teilweise seinen Eltern gewidmet war, ist die neue 12“, „Epiphany“, eine Hommage an und benannt nach Ross From Friend's Schwester. Die drei Tracks sind schlanker und härter als sein gefeiertes Debütalbum, aber die charakteristische Wärme und Persönlichkeit ist immer präsent. Das Artwork stammt von dem legendären Pro-Skateboarder, Unternehmer und Künstler Chad Muska.

„Family Portrait“, von Groove als „ergreifend vielschichtiger Richtungswechsel“ gelobt, der „Weatheralls Können in einem neuen Licht zeigt“ - wurde vom Musikexpress auf Platz 22 der besten Alben des letzten Jahres gewählt und von Spex als „das musikalische Äquivalent zur Eastpak-Bauchtasche“ beschrieben, außerdem hob ihn das neu gegründete Gosh Magazin gleich in seiner ersten Ausgabe aufs Cover. Ähnliches Lob kam von Resident Advisor, The Wire, Pitchfork, AV Club, Loud & Quiet, DJ Mag, Clash, PopMatters, FADER und vielen mehr.

Cape Perpetua is a thing of beauty.

Sordid Sound System has taken his unique, raw, dub-infused sonic vision to a new level. With 'Cape Perpetua' we travel dem spaceways to a place that seems to grow more beautiful by the second; a textured, melodic, blissful interplanetary landscape where further words fail. From here Sascha Funke manages to take the controls and steer the mission on an urgent futuristic space odyssey. Faint background signals of the original remain but are violently ejected from the airlock by the most synthetic, syncopated sounds the human ear has ever been exposed to that result in a peak time techno frenzy that would most definitely work in a nightclub if such a thing existed in this new dimension. Flip over and we're straight into 'It's About Time'. This one is equally high octane ..... but this time of the afro-tinted psychedelic surf punk variety. If you aren't dancing to this you're probably dead. No rest for the wicked, however....because before we manage to get our precise bearings and a firm grasp of what just happened the acid techno space rock of 'Pneumonia Gulch' kicks in and takes us to places Hawkwind could only have dreamed of. Respite soon follows when the seductive voice of Eva Geist transports us to yet another beautiful paradise. Slowly it dawns on us, however, that we're now in a solar system elsewhere entirely. Mind boggling. Nothing comes close. If you were to take a cockatil of mandrake, opium, LSD, ecstasy and a variety of amphetamines in the company of the heavenly host, the cosmic machine elves and a group of your best human friends with access to every instrument you ever wanted you would only know the half of it. This takes a very twisted, talented, mystic mind to come up with. I'm sure of it.

Let's open the doors to a whole new world.

A new world where the bastard love child of Tangerine Dream, Hardfloor, Sun Ra and The Gun Club rules supreme.


“Sordid business! Top notch as ever” (Andrew Weatherall / A Love From Outer Space / Rotter's Golf Club)

“Amazing” (Mr TC / Optimo Music / Hard Fist / Phase Group)

“Super nice as usual” (Alexis Le-Tan / Idle Press / Bahnsteig 23)

“Love it” (Dreems / Multi Culti / Malka Tuti)

“Nice stuff!” (DJ soFa / Elsewhere / Emotional Response / Kalahari Oyster Cult)

Rhythm Section INTL continues its quest to unearth the rawest new talent with this stellar debut from Glaswegian duo 'String Theory'. Opening up with the majestic 'Dirty High' we're treated to a symphony of modular synthesis, swelling strings and the bounciest drums we've heard in a long time. Rarely has house music been so fun yet so musical. Live bass-tip toes over an ocean of synth stabs and piano chords to create an anthemnic track that's sure to be the soundtrack to long summer nights and early mornings.... We don't know where the RS crew keep finding these gems, but long may it continue. String Theory tick so many boxes we just can't wait to hear more...

GENESIS continues its journey with a second exclusive vinyl release that consist of four original tracks from Bronxy&Gorbani, KiRik, Bvoice, Andrey Djackonda & Osvit.

2X12" repressed !

Welcome to - Industrie & Zärtlichkeit , the raw, quirky yet emotional debut album from Moon! Although the Berlin-based duo is revered for dancefloor bangers such as - Ze power', Johannes Albert and Johannes Paluka (better known as Iron Curtis) have put much effort into making this album a true listening experience without sacrificing their roots in House Music. - Industrie & Zärtlichkeit (which translates into - Industry & Tenderness ) effortlessly achieves what is claimed in its title, namely a fusion of seemingly disparate elements: the rough and the smooth, dirty beats and soothing harmonies, bizarre sounds and comforting chords. The title track is a fine example of this perfectly-dosed blend with its detuned strings that glide over a crisp electro beat and an infectious melody which would make Kraftwerk proud. Cafe Del Landwehrkanal' is a lighthearted and kinky gem while - Light Of Virtue combines warm synth pads (Detroit is not far) with dusty drums and an acid bassline. MFB Nights' and Machine Rhythm Tomorrow' are also illustrations of the duo's undeniable savoir-faire, with the former celebrating garage classics thanks to its cheeky vocal sample and gorgeous rhodes chords while the latter plays out as a dedication to the early 90's, a time when people didn't care about genres and just dived in the novelty of electronic dance music.
But as we all know, there is a dark and secret side of the Moon, an aspect which is best expressed via the freaky organ chords of - Proto and its detuned melody. Not to mention the excellent ambient pieces - Fjordig or - The Bitter End which showcase the duo's ability to venture into uncharted territory.
All in all, Industrie & Zärtlichkeit feels like drinking fresh orange juice gently sparkled with chilli... and it concludes flawlessly with two reworks that prolong the album's laidback yet assured vibe. First off is Black Spuma (Lauer of Tuff City Kids fame and Italian disco legend Fabrizio Mammarella) who rework the title track into a hands-in-the-air boogie monster that will definitely be a festival staple this summer. Finally, Lerosa emphasizes the deeper shade of the album's spectrum with an impressive new wave rework of - Appeal .

Hungarian-born, now UK based producer Pauli takes over the second release on Synkronized. Two meticulously crafted originals represent the dedication and attention to detail in his productions. We are also welcoming Vlad Arapasu to the label family with his own take on “Wonderdust“.

Retrospect vol. 5 - Reshaping the 70s, 80s, & 90s with the sounds of now.

Finally Repressed!

Coming soon, the new e.p. from Konstantin Sibold on Snork Enterprises! What about him Born in Stuttgart in 1987, grew up with hip hop music, high school in fine arts, study of aviation and space technology, teacher of drums and percussion, active as a drummer in a classical orchestra, co-founder and artworker of the renowned Common Sense People event series & resident DJ at the club Rocker 33 in Stuttgart, music repertoire includes hip hop, pop, indiependent, folk, classical and electronic music. His musical design can be best described as opposites attract with attention to the everlasting basic principle: As little as possible, as much as necessary or better: if no girl is dancing, I've made something wrong! Noisy and clear, functional and strange, stereotyped and unconventional, wide and narrow, stereo and mono. Sampling takes precedence over the programming of sounds, every element must have a function and must be internally consistent, vinyl is the sample source and acts as patina supplier, Presetsound-"not"-sound is absolutely taboo. Everything stands or falls with the sound of the elements used. These need to fuse together to a foundation, where your first impression can sit. Is this
foundation given, you get things deliberately to collapse. The arrangement is derived from the items that are available and not the other way around.

Ramrod is a rebell on the dancefloor and on the decks!Known for his guitar and rock based productions he brings us 4 tracks with strong songcharacter in his rebell-rave style. He´s also known for his great DJ Sets together with Syntax Error as the "Die Bomclikks" (german pronounciation ;)) DJ Team. Another new record which can be used to bring the dancelfoor up to the boiling point.

Repress!

One of the first visitors to Planet Euphorique, Melbourne-based producer Roza Terenzi makes her triumphant return with the first LP release on the label. A playful yet cohesive collection from post-electro and extra-terrestrial techno to dreamy prog-house and low slung zingers, bumping us into the new decade. Modern Bliss, the sound of Roza Terenzi fully realized.

Never shy to experiment with unconventional sounds or mingle influences, the album presents 9 offerings to suit every flavor of raver. Opener, "Jungle in the City," takes down-tempo to a new astral plane with blushing pads and tumbling pixels, perfectly poised for a spine-tingling after hours sunrise.The title track "Modern Bliss" featuring Barcelona based singer/producer Ivy Barkakati encapsulates the dancefloor euphoria we have come to expect from Terenzi; in essence the energy of this release, contemporary jubilation and contentment amongst a chaotic world. Flickering percussion prancing above deep rolling bottom end, allowing bubbling stabs and synth sequences to lift Barkakati's intoxicating vocals to dizzy heights. “Exactly where I need to be, my thoughts create reality” truer words…

Flipping it over to the B side things heat up, “Yo-Yo” chimes in immediately with a tough onslaught of metallic polyrhythms and a pulsating melodic bassline coaxing you down a path less travelled and preparing you for the sexy sub action that demands your attention, "That Track (Rewired Mix)", buckle up to sweat. Sweet relief comes with the C side “Exhale”, dipping in tempo; esoteric atmospheres to fill your ears, something fresh to absorb with each listen. To close off the record, something old and something new, “Eternal Lust” a delicate ode to the lovers and from the vaults “My Reality Cheque Bounced (Feat. DJ Zozi)” - a raucous party starter serving up that label defining sound, futuristic and bombastic, tipping its hat to the break.

With subconscious salutes to the astrological world of OG maven Fiorella Terenzi, “Modern Bliss” invites you into an encapsulating, electronically ethereal universe. A record to summarize the myriad of diverse and evolving sides to Roza Terenzi, the full length allowing her to capture a moment in time with possibilities to transcend dance music expectations. It’s the listeners' decision whether to take a personal introspective journey through the sounds - or share the bliss with friends, united strangers and all those who dance in harmony on the tiny Planet Euphorique...

Just weeks after releasing his new studio album Flourish, Damian Lazarus returns with two cinematic remixes of the lauded Jem Cooke collaboration ‘Into The Sun’. Damian carefully chose two of modern electronic music’s most celebrated producers to reimagine the original, welcoming unique takes from Mano Le Tough and Nathan Fake.

Lazarus remains a curator fixated on showcasing new sounds and emerging talent in everything he does. Much like his tenure breaking artists and pushing boundaries through the influence of Crosstown Rebels, he has brought an innate sense of purpose to Flourish’s remix selection.

The package leads with the distinctly delicate touch of Mano Le Tough, an Irishman who’s quest for deeper dancefloors has made him one of scene’s most in demand artists. Mano’s Crosstown debut adds to an already decorated discography across labels like Pampa, Permanent Vacation and his own Maeve. Adorned with his signature pitch bending and uniquely layered percussion, his remix retains the hopefulness embodied by the original while priming it for the return of rave.

Nathan Fake brings a different set of tools to the package, wielding a sense of grit and atmosphere that can be heard throughout his Blizzards album released this year on his own Cambria Instruments. His remix retains the broken beat energy and haunting mood of ‘Into The Sun’ while remapping its melody for both beauty and cadence. It is this elevated understanding of texture and suspense that has earned mainstay status from Ninja Tune and Border Community, while attracting remixes for Radiohead, Jon Hopkins and Tiefschwarz to name a few.

Dapayk with a new freaky solo project on Snork Enterprises. Three tracks which are out of a snorky evil underground world, dark, groovy and distorted. No weakness is allowed if you need to be ready. 'Be ready' is marching straight forward, leaded by the staccato hi hats and supported by loads of laser shoots. 'Kaya' is the house version of a tool combo.Lots of metal and drilling sounds, somebody who is hammering the pipes to get the heaters on. 'Down the toilet' is a sound demon which tries not to get flushed down the toilet, scratches the porcelain with it´s horrible claws which makes your ears bloody and deafly. This crazy fight only gets interrupted by some bells from far away. This release is really some crazy stuff, once again some funky work from Mr. Dapayk!

The first taste of Kiria is brought to you by non other than Sepp's "Lacul Lebedelor".

On one side we've got "Intr-un Ritm Suav", a more laid back, melancholic statement, centered around classic percussion and overlapping harmonics, the likes of which we've become acustomed to from the romanian throughout the years.
Shifting shlightly away from his usual form but staying true to his trademark sound with the other part of the EP ,"Intr-o Seara Joviala", Sepp storms of with a furious electro, noise influenced peak time screamer, untamed and grandiose in it's execution which will surely bring any dancefloor to it's knees.

Underground Trip Vol. 1 is the first vinyl realease by artist Carmine Cioppa aka Sleepover for Klebmusic label.
On side A it features two nice versions of Beatz and Pieces. The first one is a very clubby banger that contains classic house vocal samples on a great bassy modern beat. Loud!
A2 is a hypnotic drumbeat flavored with an old school punchy piano that finds its way into a drop, to chill for a second, and then make everybody jump up and scream when the drums build up to start booming again, for younger crowds.
So far, real dancefloor, and we could think it is already enough for this 12'' to be bought right away. But it's when we listen to the flip side that we find the real nice surprise: Deep In The Underground is a wondefully laid track that really reminds us of the 90s club sound of epic labels like Bassline and BiG BiG Trax.
On this beautiful classy tune, organ, background samples, bass and rhythm section melt into a very special old fashioned atmosphere that takes us back in time, and the piano solo by Sep Sarno gives it a great passionate touch.
Jazzy, groovy, sturdy classic deep house with a very modern finish that will always be a gem. Timeless.

Two years ago I played at Studio 9 in Vilnius, Lithuania. The following day I missed my flight home and ended up spending an extra day, which gave me a chance to explore the city with my friend Linus, who took me to the Contemporary Art Centre. It was there I spotted a book named 'Rojus', that Linus told me translated as 'Paradise'. The word and striking cover of the book stuck in my mind. A few days after returning home, I turned on to a National Geographic documentary named 'Designed To Dance', explaining the courtship rituals of Birds Of Paradise. As I watched, i jokingly began drawing similarities between these birds' attempts to captivate and impress the opposite sex with dance, and the way strangers try to attract one another in clubs and interact on the dance floor. This gave me the idea of creating a record of functional club music, sequenced as if it were a club night, from doors to closing, using samples of these Birds Of Paradise and their habitat. Thus, Rojus. Leon Vynehall 2016

Berlin’s own Steffen Linck, a multi-instrumentalist known as Monolink, announces the 2ndpart of 12” remixes release, due December 6th via Embassy One.
ADAM BEYER + NICOLE MOUDABER + ACID PAULI + PURPLE DISCO MACHINE + MONOLINK – no more words needed.

Originally released in 2009, this was the final 12" from the now disbanded Peace Division (aka Justin Drake and Clive Henry).

Its fair to say that Peace Division were the pivotal UK act when it came to groove lead underground house music, selling over 10,000 copies of their 'Junkyard Funk' debut album alone.

As a parting shot 'Eh Oh Um' is almost the definitive Peace Division track, centering around the mother of all rolling grooves topped off with a subtle but very hooky vocal lick. An essential 12" for your collection!
**Repress**

4-Storie varied EP with classic Redshape tropes. From slow motion techno poems to clever DJ tools.

ODT presents its second vinyl release. This time we have croatian producer Zarko Rebac delivering his Meridian EP with strong remix support by Franco Cinelli and a dub techno legend Thor. It's all about dub vibes on this one. Originals, named Vibracija and Dimenzija are straight forward, dub influenced tracks. Thor delivers strong remix, with relentless groove and great dynamics, while Franco goes into the slightly more minimal approach with slick drums and dreamy pads.

After his last release on Dirt Crew in 2017 we are more than delighted to bring back the talented Harry Wolfman.
With impressive records on labels like Phonica, Omena, Outplay and Toy Tonics in the last years he has drawn up a fine new selection of music that spans across many genres and moods. This is also the first release for us in the new year after a lil break and it continues to explore the more eclectic approach we are following for a while now since the outings of artists like Dampé, S3A and Dan Only.

Harry presents an exciting opener for his new EP, together with vocalist Christian Crow he has made the blissful and breaks laden “poppy” good feel tune “A Way You Come Home to Me” that shines a bright light in these darker months. Followed by the deeper club tune “Step by Step”, building around yet another vocal recording. This time it’s Harry sampling his own voice and looping it into a repetitive piece of good feel House music.

We are getting deeper on the B side with “Speaking Raman”, one of these signature Harry tunes, a playful dusty lo-fi piece of music build around a piano theme and embedded in deep bass and driving beats, his sound trademark on all of these more floor orientated tracks on the EP. To close out the record we added two of his cinematic, ambient electronica works that we personally love so much. The haunting “Always 3” is a deep sphere that sucks you in a meditational and soothing womb of sounds. Ending with the electroid cut “Green Trees”, it’s broken and fragile and gives this indie-tronica track a warm and gentle touch.

We hope you enjoy these tunes and that they may be your soundtrack to the upcoming warmer months.

*repress*

SPhonica's white label series returns with a real deep house excursion by Chilean producer Massiande in the form of his 'Freedom EP'.

Massiande is an artist of multicultural roots. He was born in Santiago, Chile, yet he has lived most of his life alongside US American people and has Dutch family roots, which has greatly affected the way he perceives and lives music. Growing as a big fan of US Soul, Jazz and Disco, he found his way into music production through House and his biggest influences have been artists such as Larry Heard, Ron Trent and Chris Brann (aka Wamdue Project).

After a well-received, excellently-produced EP on Aroy Dee's MOS Recordings and another on Rawax offshoot Housewax, Delsin, the 'Freedom EP' is a strong 4-track conceptual record based on the feeling of freedom in life and, for Massiande, how it relates to house music.

The title track 'Freedom' launches the EP attempts to recreate an aural scenery of flying exploration centred on a spacey synth line and an almost Detroit techno bassline. 'Be With Me' starts with an almost Mr Fingers-esque groove before melodic elements take over.'Straight' is more of a straight-up dancefloor track with obvious elements from US house from the 90s, clipped Chandler-esque beats, nagging stabs and a vocal sample 'Gonna take you to another land, where there is no race', going straight to a place where you can allow yourself to be free on the dancefloor. Many '90s U.S. American House and Garage influences go through this track, which brings us to the final track, the epic 'Ode To A Tortured Soul'. Deeply melancholic with an end-of-night feel with its own flute solo, channelling Frankie Knuckles 'The Whistle Song' or Flow's Bottom Line classic ' Another Time'! Rounding off a strong EP.

*repress*

Phonica unveil the third in a series of three 12" samplers featuring a selection of tracks from their new compilation 'Ten Years Of Phonica'.

As a long-time supporter of Phonica, Mr. G was a natural choice for the compilation and his contribution is yet another stone-cold Colin classic, named after his preferred day for record shopping no less! Ol of Faces Records is up next with the exceptional house/garage hybrid 'AMC Edit'.

On the other side, Lady Blacktronika starts things off with the deep and wonderful 'Gods And Planets', one of her strongest productions to date. Finally, DJ Kaos teams up with Loudtone for their 'Buffalo Dub', an old-school inspired house gem aimed at the dancefloors of today.

Phonica Records was established in September 2003 and set up shop in Soho, London, adding to the high concentration of independent records stores that inhabited the area. Founders; Simon Rigg, Heidi Vanden Amstel and Tom Relleen joined The Vinyl Factory with the aim of creating an exciting outlet for innovative dance music, traversing all sub-genres and cultures. Over the past decade the emporium has developed into a well-respected destination for DJs and enthusiasts, and has subsequently become a bustling hive of conversation and inspiration as part of a wider community of music lovers.

While trends and movements in music have grown and faded over these years, Phonica has always remained in a state of evolution. It is this openness to change alongside a commitment to it's original ethos and an enduring ardour for quality, cutting-edge sounds that has fuelled the shop's staying power.

To celebrate reaching this milestone, Phonica Records have invited some of their favourite artists to produce a track for an eclectic yet cohesive compilation, which will hopefully go some way towards sonically unfolding the 'Ten Years of Phonica.'

*repress*

Phonica's seventh release comes from Paul Woolford as he delivers a double dose of quality crossbreed dancefloor music taking his sound to new depths and illustrating he's an artist who never stops evolving.

For DSD021 we welcome Australia’s DJ Life with his high energy, Hypersonic EP. This EP provides it all, from pumping tech house to 90’s inspired trance, it’s got all those peak time moments covered. On the flip side we welcome Adam Pits and Ciel, both providing 2 killer remixes.

Colors of Crocus continue with micro house tune , it’s two original tracks by label owner Kirik , and amazing remixes by well knows house djs from Russia :
Swoy
Matpri

Enjoy the journey with us

Los Bastoneros deliver their signature sound on this release containing three of their dancefloor breakers with groovy baselines, uplifting vocals and minimalistic features. On the A-side you'll find La Guitarra and Floralis, providing the bit more aggressive part of this vinyl, while on the B-side we feature La riviere pourpre and Mihai Pol's remix of the same, that have a deeper touch of the minimalistic subgenre.

Banoffee Pies Records begin their newest venture with a nod to the past. Introducing the latest Re-issue series focusing on old and lost gems. All five tracks originally produced in 1991-1994. Paradise 3001 aka Dr Nunu kicks things off with "Low Sun Archives". A deep dive into a small section of his outstanding back catalog which flaunts many layers of adventurous and floor ready music across Trance, Techno, Ambient, Dub and DownTempo.

The release starts with "Several Huge Yellow Snaplike Somethings" - A forgotten beach trance titan with instant teleportation to another time, neatly followed by the mesmerising sunset plod of "Low Sun In Dub" riding slow at 94 bpm. Keeping steady, the B side opens with the heavy drums and spaced pads of "Inner Rhythm (Bio Sensitive Mix)". The second injection of speed comes from the tribal percussion and heavy swirling sounds of "Beautification Bang Bang Bang (Daktari Mix)". The release then falls to a calming close with "Gates Of Eden". Waving you off the shore into the night. For all the moods. Love BPR x

The continued rise of Alan Fitzpatrick is the biggest story in UK techno right now. Having enjoyed a rapid ascent since his emergence as the new kid on the techno block in the latter half of 2009, Fitzpatrick now enjoys a status as a highly respected and in-demand producer. By releasing his debut album for Adam Beyer's globally renowned Drumcode label, Alan became the first act to record an album on Drumcode since 2005. The well-received 'Shadows In The Dark' long-player marked the culmination of a run of productions that saw Fitzpatrick publically name-checked as a one of the most exciting producers in techno by Adam Beyer, Dubfire, Carl Cox, John Digweed and Len Faki and being awarded a BBC Radio 1 Essential New Tune for his anthemic Reflections single on Bedrock. 2011 will see Alan evolve an already impressive production CV via collaborations with Adam Beyer, Cari Lekebusch and Joseph Capriati as well as remixes of Mark Broom, Funk D'Void and Alex Bau.

It has been Alan's partnership with Adam Beyer's Drumcode label that has produced his most significant work to date; releasing three chart topping EP's (Static, Face Of Rejection, Insurgent Series) on the label in addition to his 'Shadows In The Dark' LP and being one of a select handful of producers invited to remix Beyer's classic Remainings III. Elsewhere, Fitzpatrick's studio services have been recruited by the likes of John Digweed & Nick Muir, Slam, Joey Beltram, John Digweed, Dustin Zahn & Joel Mull and Pascal Mollin. Indeed, such has been Fitzpatrick's dominance of the techno scene in the last eighteen months that his productions have regularly filled the top positions of Beatport's techno Top 100 chart at the same time.

The same unstoppable momentum has come to characterize Alan's style of techno; powering demand for his music worldwide, and filling his gig diary with weekends spent touring all over Europe as he completes the transition from being a highly regarded newcomer to a bonafide member of techno's producer vanguard. Focusing on his trademark sound of tough, hooky grooves and incendiary beats, An intuitive and dynamic exponent with Native Instrument's Traktor software, his big-room techno sound has seen him draw crowds in Germany (Berghain, Cocoon, U60311, Maria Ostbahnof), France (Rex, Inox, Le 25, S'Kandalo) The Netherlands (Awakenings, Paradiso, Catwalk, Doornroosje, Poema), UK (Fabric, The Arches) Italy (Old River Park, Rasmonan), Switzerland (La Zoo, D-Club, Das Schiff) and Eastern Europe (Kiwi Lithuania, Forsage Ukraine) plus key festivals like Kazantip Ukraine, Streetparade Zurich, SW4 London, Boom Portugal and Sziget Hungary.

Already well passed the landmark of 25 releases, Alan Fitzpatrick's 8 Sided Dice Recordings label keeps on pushing forward as one of the most exciting new techno labels to emerge in recent times. Established as both an attractive home to high profile artists and a outlet for emerging talent the labels output continues to strike a balance between original tracks and remixes from Alan himself, as well as featuring productions from Cari Lekebusch, Slam, Heiko Laux, Gene Le Fosse, Dustin Zahn, Sasha Caressi, Harvey McKay, Nicole Moudaber, Rich Jones, and Chris Colburn.

Damian Lazarus presents ‘Mountain’ - the opening single from his first solo album for over 10 years.

Released on the 24th July, ‘Mountain’ is a fusion of darkness and light circumnavigating the outer edges of the dance floor. Complete with a Balearic infused remix from Tornado Wallace and deep-chugging transcendental Tibi Dabo Remix to throw the arc wider still. This new body of work, written and recorded by Lazarus at home in Italy during lockdown, is entitled ‘Flourish” and will be released on the 4th September on Crosstown Rebels.

Wink returns to the Ovum motherland after a year of big hitters on Intec, Boysnoize and R&S. And he's packing some serious substance. The clue is in the title, the message is in the hypnotic signature vocal loop, the attitude is in the spiked-out sinewy tendrils of acid, sharped in the way only Josh knows how: 'Resist' is the sound a man who, like all of us, is confounded and frustrated with the current political and media climate. Tension, fear and adrenalin ripple throughout as we dynamically ride the tangible, visceral highs and lows in a quintessential classic Wink way. Remix-wise Truncate forges through the blurred truths, manipulation and divisiveness with two clear dancefloor tactics: a thundering, roughly-hewn late night techno roll-out and a deeper, leaner approach for slightly earlier hours with a rising siren that acts as a call to arms for like minds to unify. Truncate isn't alone with the multiple versions: in echoes of some of his most influential tracks 'Superfreak' and 'Don't Laugh', Josh has also provided two stripped-back acapella-style tracks to ensure the critical message is entwined beyond the track itself. And that message is clear: Exist to resist. You know what to do. - Josh Wink is on a roll following last recent big tracks on Boys Noize, Cocoon, Soma, and of course Ovum. - DJ support from Chris Liebing, Scuba, Len Faki, Slam, Jamie Jones, John Digweed, and more. Radio support from Eats Everything (Radio 1), B Traits (Radio 1), Coco Cole (Capital 1Xtra).

MR107
Mother Recordings continues to dominate the contemporary house landscape with a new one from NiCe7 that packs two hefty punches and a drum tool. DJ and production outfit NiCe7 are Italy-based Nicola Daniele and Cesare Marocco and they have been making big tunes on the likes of Suara, Noir Music, Cr2 and more.

First up, Groove Key is a big vocal tune that builds suspense on chunky drums. When the impassioned vocal breaks out, and the bass line joins the party, the club is sure to blow up.

Go Back is a slow burner that will have the floor in raptures. Disco house loops, funky bass riffs and lush claps all build and build to a frantic peak. After the cosmic breakdown the tune drops and makes a huge impact. These are three tasteful house bombs once more from Mother Recordings and the dope NiCe7 boys.




MR108
Almighty Berlin’s No. 1 House label Mother Recordings welcome hottest Italian export Brokenears to their latest team. With a phenomenal and breakthrough year in 2019 they kick off 2020 with their debut EP Friday Night at Nhan Solo ́s imprint Mother Recordings. Their musical output can also be find on labels such a Downtown Underground, DVINE Sounds or Too Many Rules.

„Friday Night“ is one for the ladies! A 6 minutes jam with a driven bass line and funky guitar licks rolling over a slick House groove. The powerful and gnarly repetitive female vocals add full and warm emotions to this dance floor burner.

Next is „Feel The Power, a party starting tune with big catchy vocals to sing along and an organic and warm bass line roller. Def a real peak time hands up track to make the crowd stomping and pumping. We say Feel The Power, Feel It!

B1 = vinyl exclusive
A true son of Berlin, Nico Stojan has synthesized the city’s hedonistic, tripped out soul into a sound that is instantly recognized as his own. Just as likely to be found playing epic sunrise sets at Burning Man or producing mesmerising tracks over a cup of green tea in his Berlin studio, the co-head dog of Ouïe (along with Acid Pauli) always provides a wide screen take on underground dance music. With the Cardano EP, Stojan contines on the path of mind expanding house grooves - the title track is a nine minute exploration that uses a few sounds in a subtle and intricate way to create a psychedelic dance floor burner that seems perfect for those sunrise moments. Together is a mid paced chugger that utilizes a simple melodic motif to create a spacy, loose vibe - the perfect track to get lost for a moment to. Inhale has a baggy groove with intricate percussion leaving lots of room for the gentle, wandering keys to work their magic. Once the kick arrives it’s a moment of pure endorphin rush.

MR103
MOTHER RECORDINGS warmly welcome new charming and talendet producer QUBIKO from Bari, Italy top their latest family. With a hot of releases on the likes of DFTD, Defected and Glasgow Underground he makes his debut on Berlin s finest House label Mother Recordings with a floor stomping two tracker EP.

Disco Musique is a massive House jam. Rolling and driving bass line, full of cheeky and cathcy vocal bits are layered over the top to get the place pumping and stomping.

Next up is Chicago a slamming House groover full of swing. Both tracks are proper House music right here. Enjoy and dance!





MR104
MOTHER RECORDINGS kicks off 2020 and make big moves with youngsters YINGYANG (UK) and REN PHILLIPS. Both linking up for some serious dance floor destruction on their new two track single. The pair have collaborated to great effect recently on the likes of Jacky & Friends and Solardo s Sola imprint.


Harlem Shake is lively house with sleazy bass, big synths and a bristling sense of party and atmosphere that really pumps any club. It has slick production values and a mad lead that is full of fun.


Flashback is a track that gets you ducking and diving with its turbo bass and great female vocals. The whole thing is a really characterful and explosive cut. This is a standout EP from this duo.

Sascha Funke strikes back with the second part of the Genex series. Expect four more genre bending tracks from the versatile Berlin producer, that are building bridges between Italo House, Cosmic Trance and otherworldly Techno.

We dive deeper into the sublime sounds of Unic sub-label apă, as a mystery guest joins the highly sought after imprint. Contributing 3 magnetic slices of elegant and free flowing minimal. Fans of apă will find plenty to enjoy on this record, from jostling basslines and heady melodics, to irresistible breakbeat grooves.

Limited to 300 copies, no repress.

'Cala Bassa' oozes nostalgia with a nod to the Balearic sound of Ibiza. Those piano keys, combined with the faint female vocal bring that perfect House sound. On the B-side, 'Girl' from Sirkea - The perfect track to compliment 'Cala Bassa', making for more easy listening. Capturing the laid-back side of Nu Disco, with soft piano keys and broken vocal, this is some seriously stunning production skills and a must for every vinyl enthusiast.

Meet the second part of the YOIONWAX series!
YOIONWAX is a series of limited-edition vinyl only releases by YOI RECORDS.

This time we present you 4 tracks assembled in one EP from our friend from Greece - Daniel Ortiz.
You have already met Thanos (this guy's real name) in our YOICAST, he took part with his previous nickname - Son House.
During the production he managed to mark releases on Blind Vision Records and Looking Back.
With his new name, he discovered a new chapter in his music.

The name can change, one thing remains unchanged - quality house vibes that carry to the serene sea, bring the freshness of wind at sunset, then plunge into the depths to unknown forms. All this on both sides of the YOIONWAXOO2.
The sound component of the record is complemented by an inseparable part of the YOIONWAX series - a unique unusual artwork - the animated label. When the record is spinning on the turntable, all you have to do is point the camera with the flash of your phone and the image comes to life!
As always, YOIONWAX will take a special place in the collection of every house music lover!

Repress

Various creatures of the native flora and fauna are interpreted musically on Dominik Eulberg's label 'Apus apus'. The music pieces are thoughtfully presented with 2 tracks per EP.
His first EP features the track 'Bienenfresser' (eng. bee-eater) on the a side and - Blauracke' (engl. blue roller) on the flip side.
The bee-eater is the most colorful bird of our native lands; a quality which is echoed through the piece of the same name. The composition oscillates from one color into another without losing its significant habitus. It is a musical journey through the color scheme of the bee-eater, through which Dominik Eulberg takes us by way of his iconic style. He succeeds at a striking balancing act between sensitive subtlety and steady pressure, in order to offer us a satisfying share of hedonism.
It is a piece of music that provides an intimate listening experience, while simultaneously supplying listeners with a collective, mobilizing anthem. The long introduction of the track emulates the agile flight for prey of the dazzling bird, but then it fervently taps out the stinger of the captured bee, and finally nothing can stand in the way of the massiveness of the celebratory bass drum. Intrepid, yet with a high degree of ataraxia, Dominik leads us through the skies on an expedition into the colorful land of the bee-eater.
The magnificent turquoise blue plumage of the blue roller glimmers green or blue, depending on the quality of light. These colors, translated into worlds of sound, are reflected in this piece of the same name. Sparkling melodies intertwine gracefully along musical chains, and create a constant redefinition of the theme. The piece is inviting and catchy in the typical Eulbergian manner; submerging into the auditory tract and manifesting itself with much elegy in the deepest cortex. The blue roller is a sit-and-wait hunter - at first occupied with idleness, until finally capturing its anticipated prey. This imperturbable serenity is felt in this piece of music and illustrates Eulberg's many years of knowledge and experience. He steers his audiences through the true essence of music, while always keeping both hands firmly on the wheel.