To give end to his alter ego Mariano Marcial aka "Deep Mariano" gives us its latest album. A story filled with syncopated rhythms, elegant passages between techno and microhouse abstract sounds. This work completes in a collaboration with Exequiel, artist of San Pablo, and a rmx with a solid groove with futurist low funk bass of federico Molinari
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At the beginning of the Nineties of the last century, House music was firmly in the hands of U.S. metropolises New York, Detroit and Chicago. One of the most influential labels during that time was the Power Music branch Sex Trax, where the unforgettable 'Can You Dig it' by Mark The 909 King was released in 1994 as the first record of the new label. It was in the same year when Felix da Housecat's buddy Harrison Crump debuted with 'Deep Down Inside", an almost ideal blueprint of the Chicago House sound with rather indecent lyrics, Sex Trax in the true sense of the word. The Chicago sound has not lost its fascination in the year 2010, that's obvious in the remixes of modern Techhouse heroes Reboot and Michel Cleis, who have previously released on Cadenza, Below, Buzzin' Fly and Cocoon. The one who goes first is Frankfurt-based Frank Heinrich aka Reboot, whose almost 10-minute-long interpretation of 'Deep Down Inside' is strongly focused on percussive tribal sounds and first and foremost stands for uncompromising entertainment on the dancefloor. The flipside by Michel Cleis, whose hypnotic 'La Mezcla' ruled the last season in Ibiza, is more complex in the depth of its sound: with sensual quotes from a Hammond organ and a lot of sound effects on the vocal track, Cleis celebrates a form of Soul-soaked Techno Jazz, whose perfection and versatileness rather could have been expected from a producer from the likes of Carl Craig. As a digital bonus, the record contains the original version, which has been out of stock for years.
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DWAALs highly anticipated 003 is headlined by Russian beat chef, Matpri with three first-rate grooves. Keeping the DWAAL tradition, Traumer caps off the record with a remix which has been heard on sound systems all around the world.
Limited Press. No Repress.
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Next up from London imprint Nuances de Nuit comes another four track V/A which further solidifies the label’s sound and vision; spaced out soundscapes and music with personality.
Their slogan ‘Pour Les Danseurs’ (for the dancers) could not be more apt, with four more cool cuts that are carefully engineered to be played right the way through parties of all sizes.
Kicking things off is Mehlor and Le Louche’s Chromium, a slick fusion of cut up breaks, modulated synths and a fuckton of groove. Next up is the ‘Ode To Joy Instrumental’ mix of More Pumpin by Thyone Girls - A peak-time dance floor raiser. On the flip we have Local Dub, whom having garnered recent support from the likes of Gene On Earth follow on from a stand out EP on iO Mulen’s Hoarder with their contribution, Moon Dog. Rounding off is the return of Karaba to the label, dishing out a large helping of quirky house music with some intelligently executed synth work.
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A power Split release straight up into our vinyl catalogue. First we've got two original Prodot tunes, a majestic producer from Cordoba Argentina with releases on Re.Face and Blind Vision, Prodot delivers concrete sequences of beats and lows, perfect for extreme club situations.
On the Other Side from France "Only Slave Nation" part of Def Raw Music Concept group (DRMC) and releases on HighPath and signatune, sending us the closure for this record, a couple of deep sounding tracks that resemble France popular way of music making.
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It's a huge pleasure for Nick Curly & Gorge to welcome longtime friends Audiojack to their label. In fact a dream came true as for a long time discussions took place to find a way to release a single from their favorite british house duo. Now they are here.
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Refreshingly new oldskool techno tracks by Bornek Nowec, a project by a Rotterdam based dj/producer known for his long tied connections with the local techno scene. This release is the first outing from his large archive of techno tracks produced over the years. 4 cuts full of character that reminds us of the long nights at the Nightown basement in the 90's where he was dj'ing with guys such as Dj T!M aka Frame Six and Paul Du Lac.
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Cologne's Feines Tier is delivering their first label compilation, Including 23 exclusive tracks by a lot of friends and recent guests of their well known party series. Spreading vibes from slow chuggers and hip-shaking house to uncompromising techno - this is versatile electronic music for making the occasional narcotized convolutions of your brain feel much better. The double CD contains not only twenty three exclusive tracks, but a sweet 28 page booklet. On the double vinyl edition you'll find four slower tunes on the first disc, and four tunes to make the crowd go wild on the second one. Silk printed and numbered vinyl covers. Cover art by Zoologne
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RAWAX prouldy welcomes JC Williams to the Family! This outstanding release will be the last CHIWAX this year - we couldn't have a better final record in 2016!
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London-born producer Colin Lindo aka Nubian Mindz is not your average predictable artist. You know his stuff's gonna be good, but there's a solid chance you'll be surprised with a thing or two in every track. Similar approach applies here. Generally speaking, the music is deep and rich, yet very direct and club ready, but with plenty of those unpredictable moments which made us go crazy for these tracks in the first place. A1 - "Aqua Lifeforms" is perhaps the least intense cut on the record, a sort of a slow grower which builds up momentum by layering sounds and pads. A2 - "Body Mover" is exactly what the title tells you. Crunchy peak time tune for the dance floor, with shuffling broken beats wrapping around deep chords that hint what's happening on the flip side. B1 - "Doorway To Her" is a nod to the classic deep techno chord-ish approach. Well, sort of. The song lets you think that until the first curveball just before the half of the track. After that, it's just deeper than deep. B2 - "Pulsing Hearts" is another well-crafted dance floor cut. The track moves from deep meditative vibe to subtle acid tripping, just to be finished with a proper bass workout. Overall, we couldn't think of a better way to mark the 10th Barba release.
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TJ Hertz's first original release since 2014's critically acclaimed Flatland LP comes in the form of Objekt #4, a continuation of his club-focused white label series and a tribute to the sadly now defunct Basement Q, a formative and beloved haunt in Berlin's Schöneberg district which quietly but profoundly shaped the musical identities of Hertz and several of his contemporaries until its final closure in 2012.
There really was no place quite like it,' remembers Hertz. Even in the later years when Joe (Call Super) and I would go, the sense of vitality was palpable, you had all these regulars who must all have been pushing 50 years old but still had more energy and passion than any 25 year olds we knew at the time. God only knows what it must've been like in the 80s when it opened. I think it changed a bit over the years but I know the horse fresco on the ceiling was there from the start and the custom-built soundsystem too. Bogdan, the sage and amiable but somehow kinda unhinged old Bulgarian dude that owned and built the place, he had this obsession with right angles, he hated them, said they were fascist or something. So everything was slightly askew and you never quite knew which direction was up, much less when he or Emil or one of the other residents were playing. It was disorientating and beautiful and in the midst of such an experience your eyes would offer your brain no valid explanation for the wonderful confusion of sound that your ears were reporting. Meanwhile this old, fabulous, rave-weathered crowd of 40 to 60 people would be gradually losing their shit, feet glued to the floor but bodies flailing as if caught in a hurricane. It was something else.'
The two tracks on Objekt #4 pay tribute to two of the many musical facets of Basement Q in its later years. A-side Needle and Thread' aims to condense several hours of a Thursday night in the Basement into 9 minutes and 26 seconds, embellishing a hypnotic rolling techno backbone with hyper-detailed atmospherics, enchanting melodies and tight, strident breakbeats. B-side Theme From Q' is Hertz's reinterpretation of a Basement Q anthem, owner and founder DJ Bogdan's own Love Inna Basement (Morning Dub)', which never saw an official release despite providing the soundtrack to over 20 years of late morning love-ins in the cellar underneath the Sattler & Söhne glue factory. Together, the two tracks offer an incomplete but nonetheless seductive illustration of one of the most idiosyncratic and overlooked clubs in Berlin's recent history.
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Ozel AB follows up releases on Lobster Theremin and Workshop with this highly accomplished genre-busting ep for Third Ear. Ozel AB approached Third Ear with a selection of tracks for us to consider, which he thought would suit the label. He was not wrong.
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With his album IN BETWEEN re:deep presents not only an impressive specimen of his musical spectrum. The artist also merges Deep House elements and experimental Folk as well as extremely minimized Indie Pop into a whole new sound concept. re:deep intensively bends the boundaries of the genres, delves deep into the soundscapes of different epochs and styles. Thereby warmly crackling field recordings blend into analogue basslines and sequencers as well as melancholic guitar drones meet sensitive vocals.
The always smoothly appearing and cocooning sound is the subtle recurring theme of the whole album, which develops a close intimacy and captivates by its analogue warmth, which you can't escape of. Tender strings float on vibrant drums and wafting surfaces. The album features the Japanese artist COKIYU, her voice in combination with the arrangement form a symbiotic relationship and evolve WEARING LIGHTS into a journey through slowly drifting Electronica landscapes.
The field recordings, which were made - inter alia - in Iceland's rough countryside, are particularly noticeable between the lines and infuse the soul of the album as well as the love to detail in general. A total of nine tracks are featured on the album, which convince not only by their sound density and close interconnectedness, but also by the shift in emotions. Music, that is enjoyable at your home as well as on the dancefloor and - after all -just touches your body and soul.
Mit dem Album IN BETWEEN präsentiert re:deep nicht nur eine beeindruckende Werkschau seines musikalischen Spektrums. Der Künstler fusioniert Deep House Avancen mit experimentellem Folk sowie bis aufs Mark reduziertem Indie Pop zu einem vollkommen neuen Soundkonzept. Genregrenzen lotet re:deep intensiv aus, und taucht tief in Klangwelten unterschiedlicher Epochen und Stilarten. Dabei treffen warm knisternde Field Recordings ebenso selbstverständlich auf analoge Basslines und Sequencer wie auch schwermütige Gitarren-Drones auf feinfühlige Vocals.
Der stets weich anmutende und umhüllende Sound zieht sich dabei fast unmerklich wie ein roter Faden durch das gesamte Album, dass durch seine analoge Wärme unweigerlich eine intime Nähe entwickelt und in den Bann zieht. Zarte Streicherarrangements gleiten auf IN BETWEEN über pulsierende Drums und dahinschwebende Flächen. Japanerin COKIYU ist als Featuregast vertreten und beflügelt mit Ihrer Stimme WEARING LIGHTS - Stimme und Arrangement gehen hier eine vollkommene Symbiose ein und avancieren den Track zu einer Reise in langsam dahingleitende Elektronika-Landschaften.
Zwischen den Zeilen machen sich vor allem die Field Recordings bemerkbar, die unter anderem in der schroffen Naturlandschaft Islands entstanden sind und die Seele des Albums ebenso erfüllen wie die Liebe zum Detail überhaupt. Die insgesamt neun Tracks überzeugen jedoch nicht nur durch die Klangdichte und tiefe Verwobenheit, sondern auch durch den Wechsel der Emotionen. Musik, die gleichermaßen im heimischen Wohnzimmer, sowie auf Tanzflächen ihren Platz findet und am Ende eines gemein hat - Körper und Seele zu berühren.
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Timeline is back with the ''Next Step 4wrd'' in the ever-evolving Hi Tech Jazz movement. ''Light My Fire'' features an enchanting female vocalist over a bed of choice chords laid by Timeline's Jon Dixon. ''Next Step 4wrd'' on Side B has been tried and tested here in Detroit as well as Europe! A favorite of Timelines well received performances.
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Detroit Electronic Quarterly Music Magazine celebrates newly found non-profit status with a diverse, eight track release. From house to techno to experimental music from Detroit producers DJs and fans alike can find tracks to use in the club, at home or in transit. Solid tracks across the spectrum from scene veterans Jon Dixon (UR), John Briggs aka Zoetic (Atjazz, Yoruba), Claude Young Jr (Frictional and many more) and Techmarine Bottom Feeders (Paris the Black Fu of Detroit Grand Pubahs, Luxus Varta) as well as a remix from Rocksteady Disco’s Peter Croce and tracks from Viands (David Shettler and Joel Peterson of Two Rooms Recordings), DJ Moppy and DJ Holographic of Detroit Sound System. Support!
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Our next Seven Hills release Skies Over Sheffield returns the label to its Yorkshire roots. God’s own county yields this long-lost gem of a track courtesy of Sheffield legends and Bleep pioneers Forgemasters, with three new, home-grown remixes from John Shima, Luca Lozano and 96 Back to complement.
The Forgemasters trio: Winston Hazel, Sean Maher and Rob Gordon first gained acclaim with their now iconic, Track with No Name and hold prestige as the first to ever release on Warp Records (WAP1). Skies Over Sheffield however, has been waiting in the wings ever since its conception back in the early 90s; for nearly two decades the sun had stayed set over the track which lay nestled in an old recording of Winston Hazel’s Sheffield Community Radio from 1992. So we’re very proud to announce the long awaited dawn break of Skies Over Sheffield on Seven Hills Records.
The provenance of this record has always been close to our hearts here at Seven Hills; accordingly, we wanted to have a concept for the remixes that kept close ties to the Sheffield music scene. As such, we have two tracks from born and bred producers - John Shima and 96 Back - alongside one from longterm resident and honorary ‘Sheffielder’ Luca Lozano.
Music fathoms the sky!
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So, in the spring of 2017, Fritz dusted off his old drum machines and his Jupiter 8 and immersed himself in the sounds, that first brought him to electronic music twenty years ago and which were to form the basis for his present album 'Drown'. At the beginning of his career it was about establishing himself through a new approach for Fritz. Now it is about celebrating those sounds and their liberating effect on our consciousness. The focus is electronic music as Fritz Kalkbrenner first got to know it in the German capital's now legendary Techno and House clubs as an impressionable young man. The cut, that leaving out the now so familiar baritone voice represents, opens the door to a whole world of electronic music, which is suitable for home listening as well as for the club.
There are no confining conventions on these 12 tracks and at times one could also say: no restraint. Fritz Kalkbrenner indulges in his fascination for Dub Techno, in clear and dominant House arrangements and also in the anthemic melodies that shine through the tracks several times on the new album.
Fritz underlines this new beginning, which is at the same time a reflection on his own beginnings and his own origins, by choosing not to appear on the album's artwork himself this time. Instead of a picture of him, there is a great, atmospheric landscape painting. The brush strokes form the bank of a river or a lake. They are abstract, which makes them all the more expressive. It is the work of Fritz' grandfather, the famous East German painter Fritz Eisel and its title is 'Winterabend (winter evening) in M.'. It was created in 1990, when Fritz was nine years old.
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For the third installment of Chat Noir Tools, we’re heading to the south
of France, in Marseille where Jo’z quietly crafted his art since nearly a
decade. It’s a great pleasure to release his very first solo EP called Débord
Discal loaded with 4 amazing tracks. The record is divided in 2 parts, the
A side contains two amazingly effective tracks crafted for the dancefloor.
Jo’z has successfully find his way between different styles to create his
very own sound. On the B side, he shows us a different part of his work
with some breakbeat tracks with influences from the UK and even some
trancy elements. We bet this record will find a way in a lot of Dj bags and
will stay in it for a while ! C’est le sang !
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Shimza, one of South-Africa’s shining talents, makes his return to Cadenza with ‘Eminence’, a burning compound of profound percussions and late-night rapturing synths. This Gauteng-born artist is one of the most celebrated African electronic musicians and has garnered the reputation of the “Effect Master” and “Vinyl Assassin” for his technical prowess and intricate mixing abilities. The vibrating drums and persistent arpeggios of ‘Eminence’ make for a captivating peak-time anthem, offering the nostalgic essence of Detroit’s late-nineties splendour. As the EP journeys to ‘Dancefloor Keeper’, the slick trance-inspired stabs and permeating bassline expose its ominous nature as it swells to a seismic drop. On the B-side, Shimza expresses his creative flare with ‘Kunye’; a hypnotic cut that blends the spirit of futuristic synthwave with the soul of African tribalism. ‘Warrant For Arrest’ is a charged number, driven by a snappy compressed kick drum and chiming sequences. As its percussive forces fall away to the second break, a monstrous siren and obscure vocal cuts take focus, guiding it to its summit. The penultimate offering ‘MSC’, is a euphoric gem that flows with expressive phrases and evolving synth pads. The EP’s digital-only bonus track ‘Mirrors’ shuffles effortlessly with a funk-tinged riff, maintaining a high voltage pace, closing the EP in an emphatic manner. Shimza has been on a mission to make 2019 his biggest year to date. Launching his One Man Show concept in Soweto in 2009 to help raise funds for underprivileged children, the project has now matured into an annual event that draws in over 25,000 people each year, hosting some of the country’s most in-demand artists, such as AKA, Black Coffee and Black Motion. The show has seen international editions in France, Spain and Portugal and has helped position Shimza as one o
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Peckham basement trax. Our friends heard the call and delivered. Simply the West vol 1.2
Copenhagen’s Percy Records affiliate and nom de plum factory DJ Pollen comes with a p-bar certified slammer (look out for more from him this year elsewhere wink wink)
Medlar teams up with Tom Unlikely with the electro anthem (made entirely from the show) about nothing.
Also 4 u, blissed out breaks from The Soft, some 150 biz from the AKA Boys (Fyi...) And two delicate soundscapes from Sierra to end. Play at unnecessary volumes.
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Evolution, passion and determination in the things you believe in the lead only to great results. Tommaso Dibello managed to perfectly fit these 3 ingredients, giving life to this intriguing and engaging reworking of a song that marked the history of the Musica House. History and present come together in a very homogeneous way, you just have to listen and get carried away by the rhythm. The project is supported by international artists: Loco Dice, Marco Faraone, Robert Dietz, Carl Craig, Andrea Oliva, The Martinez Brothers and many others .....
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Mind Against are back on Afterlife with their first solo EP since 2014! The brothers have crafted two melodic, synth-heavy productions for the new record, with Dystopian affiliate Alex.Do tapped to remix one of them.
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Stamp Records is back with an EP produced by the label's owner, Petit Batou. On side A, there are two mysterious original mixes which by their melodies, highlights the emotional face of the talented producer. On the B side, romanian Piktor delivers a sumptuous hypnotic remix while romanian Bucurie brings a poetic rework to close this beautiful release.
Supports from Janeret, Romar, Sublee and more...
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Japanese living legend Satoshi Tomiie is the latest in a number of affiliates to join the Vatos Locos label. His debut Late Night EP unfolds between three driving originals, ranging from the techno roller "Late Night", to the raw and filthy jackin' anthem "Out Of Nowhere" to acid and stripped back "Left Over". As a bonus FUSE boss, Enzo Siragusa delivers a massive remix for the main track, turning the original into a heavy stomper with a grain of UKG flavor.
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Dubby Minimal Deep And Techno Tracks By Guido Nemola, Synkrone, Herr Spiegelhauer and Luca Ferrari
Support from Danny Tenaglia, 2000 And One, Gel Abril, Satoshi Fumi, I-Robots, Eric Cloutier, Marcos in Dub,
Luciano Esse, F.E.M, Tronik Youth, Noah Pred, Jonny Cruz, Jamie Stevens, Anil Aras and more!
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So here we are with Riotvan's second installment of the "Familiar Faces", showcasing what's happening with the label these days (a lot), making label-residents shake hands and welcome affiliated folks to the syndicate. Just another evidence of how Riotvan has evolved into a renowned think tank of likeminded artists and indicator of state of the art sonic bliss.
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Deep driving & pounding dubbed techno where E-GZR's chorded patterns are all segued with its simple palette of wavering EQ'd beats & sonics. Each separate track is like a dub of the previous one and the basic skeleton allows some kicks to hide while others punch the sound system to a 3D outlet box. Or in short: Solidly banging 4 tracker by E-GZR. Loud & heavy cut, beware of needle weight!
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Upon the arrival of our third release, we are welcoming a Romanian producer who delivers a unique combination of House and Breakbeat with a hint of grooviness. The EP Is signed by Andrei Bumbu aka Hansel! and it contains 3 track's, one on the A side and other two on B side
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Four very nice stripped & warm but raw US-influenced house tracks by the man from Dublin. Some absolutely stand out tracks from this talented guys who has some obvious influences such as Larry Heard. Theo P and KDJ, but he always manages to give the hot house grooves some kind of unique and own twist. Winner!!!
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Side label for Millions Of Moments with deep chords and big dubby basslines and everlasting echo's getting lost in space. 4 tracks by Bvdub, SF100, Masafumi Eno and Shinsuke Matsumoto. Futuristic vintage techno on this fine label from Berlin.
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Old records spun in new directions: Nebraska re-examines the space between the grooves, zooming in to the textural detail of old vinyl and amplifying the incidental and transient. The music of sound for dancefloors without edges.
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Raumakustik should be a notion - at the latest after their successful
single "Glaub Mir Doch" this year. The duo from Dresden, Germany
was always on the go in 2011 with several releases and remixes for
Labels like Deich Records, Klang Gymnastik or Keimzelle. And right
before 2012 they strike back with "Traumtanzen". This is pure
dancefloor pleasure and already approved within the last months. To
complete the label debut of Grain Audio Mister Marcapasos (Toka
Beatz, Housesession, Dusted Decks) delivers a real house remix to get
you back to the good old days.
