House Vinyl New Releases - News

Inspired by the early white label house music releases.

Vinyl only, limited copies, no digital promotion.

Bedrock Structures Two Vinyl 1/3.

In our never ending quest to keep it real, funky & freaky we present to you our newest venture: Sublimate Records. Presenting quality music has always been at the forefront of what we do, so it was only natural that we get into the rekkid business. A 4 track various EP with a lil bit of something for everyone, these songs reflect what a Sublimate might sound like . First up is another dancefloor beater by family friend Love Letters in his signature vocal cut up style. Next up a live jam by Russell E.L. Butler & Indy Nyles resulting in some melanin heavy electro heat. Liquid Asset continues to deliver excellent work with a warm acid drenched bubbler. Finally track-master Ali Berger pulled Turtle Bugg in his studio for a house beat and live take of THC induced shit talkin.

The Palette label head with two summerly and catchy Techno candies in his very own style. this record is one for the summertimes!!!

London based Rich NxT is up for the fourth release on Tamango Records with "Started Again", a four-tracker killer EP straight from one of the hottest name into the European circuit, which includes a remix by label boss himself Yaya. Last year was a big one for Fuse regular NxT who recently has also launched his own imprint called "NxT Records". His debut on Tamango is the evidence of his mastery on making raw and crispy beats infused with the mid-2000's London's rave touch.

The EP kicks off with "Started Again" where heavy stomping kicks, distorted claps and punchy rimshots are glued together by squeezing shots and a low and subtle melodic loop. This one is a true NxT trademark tool with a serious rough feel over it's almost-seven minutes ride.
A2 is about captain Yaya. After setting the label standard with the first 3 releases on his own Tamango, he strikes back on the remix duties. His version of 'Started Again' is a tribal percussion affair filled with mysterious filtered vocal shots and rolling drums. The pressing and rhythmic shakers create the right balance into the groove and led to vague synths and pad to move all over the track.

On the Flipside, 'Ashame' is the real deal on the EP. It's a direct and powerful tune with a super raw and rampant bassline where basement club vibes are at their best. Here Rich goes hard and direct with a peaktime roller full of electro-styled fuzzy synths, jumbled percussion, slapping pitched snares and freaky vocals to create a true dancefloor anthem, perfect to set the crowd on fire during the cold winter season.

Last track is 'Despect', a different tech house tool with an 'up&down' bubbling analog bass, breakbeat loop and infectious beats surrounded by strange and metallic background sounds and shots.

Kajunga’s fourth release and second various artists EP features a track from each of the founding members: Berndt, Cloudy Kid, Ryote and Private Guy. This special edition white vinyl elevates the label to a new level of craft with full color, hand numbered jackets featuring artwork from Minneapolis artist Jeremiah Soup.

True to form, Kajunga aims to address every angle with a new compilation featuring four infectious dance tracks unique to each artist’s sonic palette.

Berndt opens with captivating, downtempo rhythms and moody extracts, followed by a smooth n’ sassy, electro-esque anthem from Cloudy Kid. Flipping to the B-side, Ryote plunges into a cosmic swamp overflowing in deep-trench clatter, while Private Guy takes on a more enigmatic approach, closing the EP in acidic entanglement.

Different house style from New York based Juice Records!
Vinyl Only, 4 raw cuts that reminds the classic house from Deep88

Internationally acclaimed DJ, producer and label boss Guy Gerber has unveiled his dynamic new EP 'What To Do', out 2nd March on RUMORS.

A producer known for his eclectic and melodic sounds, Guy's EP embodies a varied range of sonic arrangements that the Israeli DJ has become synonymous with, starting with the opener 'What To Do.' A deep, and cosmic production clad with cymbal-claps and a wide range of isolated percussive instruments, the title track features groove-fuelled vocals, offering a stark contrast to 'Night of The Gold Diggers', Guy's punchy-house track which utilises high-pitched drum rolls and claps. With EP finale 'Hummingbird Blues' focusing on percussive bass elements, instrumental chords sweep through a track underpinned by a gruff and distorted vocal.

As a performer, Guy Gerber is consistently rated one of the best touring acts in dance music, earning a top 10 live performer nod three years in a row for Resident Advisor. Launching in 2014, Guy's RUMORS imprint served as a home to Guy's colossal collaboration with Dixon, 'No Distance', as well as his crossover album with Puff Daddy, 11:11, which proved one of 2014's most startling and impressive LPs. Since then, the label has released music from the likes of Seth Troxler, DJ Tennis, Chaim and more, and Guy's own standout releases 'Secret Encounters' EP in 2016 and 'Here Comes The Rain' last year.
The genre-bending spiritual journey 'What To Do' encompasses Gerber's signature sound, set for release on 2nd March.

It's safe to say that Detroit, a city steeped in economic, cultural and musical history, will soon weave its way into your soul should you spend any sustained time there. This rings all too true for Monty Luke. He has immersed himself in Detroit's scene since moving to the Motor City in 2008. His new eight track LP, released via Dogmatik, showcases the style of a new generation of Detroit producers carrying the beacon for a deep, Detroit sound that blends analogue weight and punchy drum programming together with masterful synth work and raw emotion.
Even at first glance the polarised artwork, an aerial map of Detroit, shows the more introspective nature of this Motor City ingrained release, with Luke purposefully steering away from writing club ready material. Introductory track 'City Lights' gives a first taste of this, combining swelling synths, dreamlike arps and crisp percussive hits. There's a real weight to the bass synth that compliments Abi B's soulful vocals all too well. 'Anton's Room' & 'Crime Wave' follow suit -the former with itslayered gritty bass, expansive stabs, glitchy bleeps and undulating arps and the latter creating a sonic swell between your ears manifested by a surging, panned arp, alongside sirens and punchy, gunshot like snares. Inspirations from Moodymann to Theo Parrish are clear to be seen in tracks like 'Move', taking a range of jazzy loops and samples and chopping them into a low slung, bouncing MPC laden jam.Progressing into the 2nd half of the album there's a transition from deep, Detroit house into harder hitting, electro territory. 'Willie Maze' with its killer drum programming, reverberating Rhodes and dynamic bass and 'Roja', combining emotive late-night chords and melancholic synth melodies, really honeinon that pensive, thought-provoking aesthetic. One of the highlights, 'Wasteland', is the best example of this transition -interlacing a commanding electro drum pattern with squelching, synth melodies and Serene Arena's introspective lyrics.
Then taking it full circle, closing track 'Block Is Hot (Black Hole Mix)' -co-produced by King Britt in Philadelphia (alongside City Lights, Crime Wave & Willie Maze), returns to the 4/4 path with a thumping party track, carrying through that raw nature emanating from the dark melodies and Monty's adlibbed vocals.
'Hard Work/ Not Hype' is a record flying the flag for those underground artists working tirelessly behind closed doors to produce material that's based on feeling, emotion and skill, rather than riding off the back of an inflated, socially constructed image. Monty Luke, as someone that follows that mantra, has been able toconstruct an album showcasing this, creating a real weight and depth to this release; it's raw, powerful and thought provoking, expertly capturing the soul of Detroit -the city that's had such a profound effect on him

DETROIT SWINDLE
Ouch that's HOT! Bring it on.
KRISTIAN RAEDLE/ INNERVISIONS
Yes please. Very nice.
AYBEE
Fanatastic Work Monty!!
ASHLEY BEEDLE
Thanks for sending over the Monty Luke album to listen too. It's a great
contemporary album with of course Detroit running through it's veins! It
really pulls you in and I think the arrangements and productions are great.
Fave tracks are City Lights, Roja, Willie Maze and Block Is Hot.
LAURENT GARNIER
Oh yes..This is so elegant and sexy. Love it Would love to play it
OSUNLADE
This one is a guilty pleasure vibe..hate that I love every song equally

Nathan Micay is pleased to present another member to the Schvitz label family: Original Schvitz, a home for tracks he made purely for the rave. On the inaugural 12’’, Micay provides three of his most dancefloor-friendly cuts to date. A-side stormer ‘The Canadian Shield (Loon Song)’ is an epic trance journey that contextualizes the Canadian loon like never before. On the flip, Micay finally gives the heads the sought-after ID ‘Feed The Planetary Sharks’, a playful house groove that has worked dancefloors the world over. Finally, ‘I Like My Nudeln Fried’ successfully merges UK garage and trance to create a roller for the ages. As always, Schvitz gives back. This time all proceeds from record sales go to Give Something Back to Berlin, an inclusive space that offers free workshops, courses and events to teach people new skills in music and beyond. Hello Schvitz trifecta!

A not so kind release from somewhere outta space!

We’re excitedly announcing RELIKT’s vinyl release 001.

Head of the label Yves Bonjour comes with
his very first vinyl EP called Lava Flow.

Included are three original tracks and a remix of the second
label head Roman Zindel aka Spaceplucker.

restricted copies 200 only.
no repress.
vinyl only.

With another surefire fire hit in the works, Cocoon Recordings demonstrates once again it's got the stuff that keeps us coming back for more.

The Italian writer Italo Calvino described melancholy as "sadness that has taken on lightness", an idea that perfectly encapsulates the emotional pull and insatiable drive of top notch melodic techno. "Holocene" by Apir & Justin Marchacos is just that, an electronic soundscape of epic proportions, built for a huge soundsystem and best experienced under cover of a warm, balmy summer night. Executed with poise, precision and restraint, this expanding mosaic of sound has a classy musical sensibility at it's heart in the form of a haunting piano part. While the rolling beats, morphing hook lines and seductive breakdowns take the listener to the brink but never let go.

Keeping that in mind, it's no surprise to find out that Apir is actually the alter ego of Tim Green whose decade long relationship with Cocoon Recordings culminated with last year's acclaimed "Her Future Ghost" LP. Here, together with New York freshman Justin Marchacos, he continues this rich vein of form onto the flip side as we're invited on another deep space exploration in the form of "The Fifth".

A warm, percolating, arpeggiated bass line acts as the driving force on this stripped down excursion, while gentle automation lends a crackling neon glow to proceedings. It's a slow burning affair that peaks as gleaming hi hats slice through the darkness to reveal another mystical riff, danciüng and flickering in the twilight.

R&S presents a killer 12" from Instanbul duo Bärtaub - composed of Mutlu San & Batu Guler. The duo count heavyweights like Ricardo Villalobos and a:rpia:r as fans as well as R&S's own Renaat Vandepapeliere for whom the duo contributed a track for Vandepapeliere's RVTrax imprint. Crafting roughly hewn grooves from analogue synths and drum machines, the duo conjure up stripped back machine funk blending intricate rhythms and sublime textures of into an intoxicating dancefloor confection.

As well as their globe trotting DJ exploits, San & Guler are primarily stalwarts of their local electronic music community, leaving an indelible mark on the Istanbul music scene over the years, whether kickstarting the legendary Indigo Club in 2004 with longtime associate Onur Özer, creating soundtracks for movies or innovative sound design all from their Circuit Room studio their influence is undeniable and far reaching.

Derek Neal is a Turin based producer born in Vermont (USA). He started his DJ'in career as an undergraduate student at his college radio station and since then he's been cultivating his interest in house and techno music. Fostered by his brother's own producer career, who goes by the name of Motions and is 1/3 of the Montreal collective 00:AM, Derek pushed further his own interest in production to the point of proposing a set of tracks to Funnuvojere Records. Probably struck by the simplicity and effectiveness of Derek's sound, the Berlin label agreed on releasing Reason Machine, Derek's debut EP.? A comforting sound distinguishes this record, it is gentle and deep at the same time. If A1 - Sky City feels like diving in calm water, A2 - Jet Fuel could soundtrack a romantic date. On the flip B1 - October has a cinematic personality, envisioning a urban landscape, while B2 - Stereosense expresses a special dynamicity of sound.? Don't get tricked by my rather emotional introduction though, Neal knows about beats and you'll hear. From breakbeat to funk, Chicago house to dub this EP is all-round a delightful expression of contemporary club music.

Fast rising Manchester talent Joseph Edmund presents the scintillating Dreams to Reality, his debut release on Hot Creations following his well-received The Pressure EP on sister label Hottrax.

Norrr kicks off with a chunky, addictive house beat, as playful vocals are injected before the introduction of a whirring bassline. The foot is then taken off the gas as the track breathes, before being hurled back into a peak time cut. On Fuego, zippy electronics combine with sirens, whistles and vocal loops, in a piece that is both charming and devious when these elements become tightly fused.

Joseph Edmund is an underground house and techno DJ/Producer from the musical city of Manchester. After starting to DJ at the age of 19, he began playing at Manchester’s best venues including Gorilla and Sankeys. Quickly turning his hand to production, he became immersed in the studio, spending countless hours learning his craft and developing his sound. His early releases have already been supported by Steve Lawler, Solardo, Patrick Topping, Mark Jenkyns, Nathan Borato, Jey Kurmis and Latmun. The pinnacle came when his music reached the attention of Hot Creations boss Jamie Jones, who swiftly signed a three track EP to his Hottrax label. Joseph has also received regular support on BBC Radio 1 from Monki and Danny Howard.

Human Capital EP is the second release of the Barcelona-based label Kommuna. The A-side reveals a well-crafted breakbeat piece by emerging Catalan artist Artes while CMYK brings us a slower paced, dreamy track infused with gated vocals. The B-side focuses on the dancefloor with the addictive wiggly beats of Crump’s Model Response while Pekkuliar and Driahn bring a shuffling housey groove. Track by track, we build a Kommuna of well-established artists but also unknown studio dwellers who share our fixation for music discovery without following any trends or limitations.

Ever-impressing Ukrainian talent iO (Mulen) makes his debut appearance on Infuse this October as he delivers his slick three-track ‘Basic Truth’ EP. A rising name within the scene for a number of years, Kiev-based DJ and producer iO (Mulen) has been consistently delivering and crafting a stream of quality cuts from right across the house spectrum since making his debut back in 2009, releasing stand out material to date via the likes of Apollonia, Rawax, One Records and most notably via his own revered and heavily championed Mulen Records imprint. Having continued his prolific output through into 2019, here we see a debut on FUSE sister imprint Infuse with three impressive cuts forming his ‘Basic Truth’ EP this October. ‘Double Cable’ opens the package as iO introduces a bubbling low-slung groove, driving low-end tones and flickering hats, before weaving into ‘Camp Trip’ which quickly introduces trademark funk-heavy bass grooves amongst deep chords and sci-fi atmospherics. Last up, title cut ‘Basic Truth’ closes the flip side as stripped back organic percussion grooves meet floating lead synths and hazy pads to round out proceedings in classy fashion.

With releases already on Relief, Matteo Rosolare & Jojo Angel come to Addiksion Music with a powerful track. This one was remixed by Andre Salmon and CASSIMM. With support from Mihalis Safras, Yvan Genkins and many more, his latest offering will doubtless amass further support worldwide.

For the third instalment of Detroit Love's acclaimed mix series, none other than Dirt Tech Reck label boss and Slum Village co-founder Waajeed steps up for a 20-track mix paying tribute to the margins of Detroit and beyond.
Hot on the heels of Carl Craig and Stacey Pullen's mixes, Waajeed's tells a highly personal tale of the Detroit spirit, of someone living and breathing its culture since a young age. Having grown up to the sounds of Roy Ayers, Kraftwerk and Funkadelic, cultivated his sonic profile alongside J Dilla as part of Slum Village, Waajeed launched his own Dirt Tech Reck label that veers towards more dancefloor-focused tracks. And even though Waajeed's sound has gone through a multitude of changes over the years, his cautious understanding of the symbiosis between soul and grit has always remained true to its Motor City roots.
For the mix he calls upon a number of his most respected contemporaries, forging an authentic blend of genres spanning familiar grooves and a slew of unheard exclusives. From Patrice Scott and Doc Link to LADYMONIX and DJ Rimarkible, Detroit Love Vol. 3 blends the old and the new, the jazzy and the industrial, bound together by their idiosyncratic nods to the city's legacy.

Tokyo Palace
Come and join us at the W!ld side with the new snorky release by French master DJ W!ild. After his first smashingly successful release on Snork Enterprises in 2012 the highly recognized DJ and producer now returns with his distinct style of techno, minimal, acid, house and hip-hop inspired grooves resolving in four wildly danceable tracks. Each of them stands out with clear-cut beats that immediately drag you into the groove. The Join us at the W!ld side with the new snorky release by DJ W!ild. With his distinct style of techno, minimal, acid, house and hip-hop inspired grooves the renown DJ and producer presents another true snorky release - straight ahead, surprising and super groovy.

MR092

DJ MAG - AMAZING!
FRANKEY RIZARDO - Absolute bomb!
DE LA SWING - Wicked tune my man :)
SUPERNOVA - Really nice. Thanksss :)
RICHY AHMED - Wicked!
FLASHMOB - Down My Way :) Thanks Flashmob
CHRISTIAN NIELSEN - YES!
TENNAN - Awesome release! Thanks!

MOTHER RECORDINGS label boss and house hero NHAN SOLO is back with another hard hitting bomb, this time entitled „The Jungle“ and due out on March 22nd.

This six minute sizzler has rubbery, rolling drums and loose bass that will pump the club. The whistle melody catches you hear at first and makes you all day and night sing along. :)
The female vocals shouts flavour to the beats and are sure to get hands in the air. The whole thing is full of charm and atmosphere and is a typically lively house weapon from this contemporary tastemaker.

MR093

DMC WOLRD - Dang Dang Dang that's all I'm saying!
DAMIAN LAZARUS - Listening Now. Xx
PETER KRUDER - Night & Day is very nice.
DANNY HOWARD - Party starters!..
SASHA - Dang Dang Dang is nice!
HUXLEY - Strong from the boys!
MANDY - Nice!

Hot on the heels of their last outing on the label back in October, MAT.JOE are back on their regular MOTHER RECORDINGS label. This time the hot duo from Berlin delivers again an incredible 2 tracker HIT EP.

The first cut is "NIGHT & DAY", a slick and atmospheric affair with silvery and slithering percussive loops, house and rubbery drums and the sort of emotive vocals that really send crowds wild. Clever effects and lovely, glossy melodies and vocal chants add a summery, humid feel and all in all it makes for a sure fire winner.

The flip is „DANG DANG DANG", a 100% disco jam! Boys are digging deep, expert vocal sample, massive brass sounds really add flavour to the funky groover. This kind of record every DJ needs in their collection to make the lady´s hips shaking on the dance floor. ;)

All in all, this EP finds both MOTHER RECORDINGS and MAT.JOE in ultimate top form once again.

Rich NxT returns to Fuse London for his 6th solo EP and it is perhaps his most crucial and striking material yet.

repressed !!

Following the success of the last Parquet Most Wanted EP´s, here comes the 10th volume with four beautiful melodic-techno hymns by SOLEE, RANCIDO, MARIUS LEHNERT, SUPACOOKS and DOUGLAS GREED! Already massive international DJ support by STEPHAN BODZIN, , KÖLSCH, KOLLEKTIV TURMSTRASSE, GUY J, MACEO PLEX, FRANKEY & SANDRINO, HERNAN CATTANEO, EELKE KLEIJN and many more...100% Must-Have!

INCLUDING MANDAR & DIEGO KRAUSE REMIXES!

After the success of Burnski's debut album DNA, now come the remixes from Mandar, Diego Krause and Laura Jones

Edward makes his first appearance on the legendary Trelik label with three tracks of reduced, refined and utterly psychedelic house music for the witching hour. Gilles Aiken has been prolific since first emerging more than ten years ago, initially releasing his otherworldly jams through White before joining the Giegling contingent. His acclaimed Desert Sky alias has been an outlet for more experimental fare on Assemble Music and PAL SL, but as Edward he offers up a distinctive take on minimal house and techno that matches studio flair with warmth and personality. From the meditative sunrise lilt of "Mikko" to the uneasy machinations of "Groaning Ghosts", this record finds Edward at the top of his game crafting utterly workable club tracks for adventurous souls.

Nick Curly's first solo EP of 2018 arrives on his own 8bit label, and sees him deliver another powerful dancefloor cut with 'Freedom', which is powered by an emotive vocal from Munich-based singer Bashkka.

For this single release, three exponents of leftfield beats and psychedelic leanings get to grips with reshaping and remixing some of the album hi-lights.

Bruce (Timedance/Hessle Audio), Mor Elian (Hypercolour/Fever FM) and Nathan Micay (Whities/ESP Institute) each deliver their own compelling interpretations, each one bearing the unique styles and sonic trademarks of these excellent producers.

Julius is finally back on his own home Smallville with Along The Coast- it's the first solo 12' since his mesmerizing Flocking Behaviour album in 2014. After remixes for Telfort and Lerosa recently, a 12' together with moomin on his Closer label and some Smallpeople material last year plus a surprising non-electronic album with his band-project Tonight Will Be Fine (together with Abdeslam Hammouda) on Japanese label Mule Musiq, Julius is now back on his own imprint, delivering 3 deep cuts for the dancefloor. Next to running the Smallville record-store and -label, Julius started his own club-night and accompanied stamp-label Down By The Lake (catalogue number 03 is out now) in Freiburg, plus hosting the Smallville & Friends thursday at legendary Golden Pudel Club in Hamburg every month as a Smallpeople residency together with Just von Ahlefeld. They also put out record no. 5 on Smallville-offshoot Fuck Reality recently. Watch out for more good things to come this summer.. As always Along The Coast comes with a full Cover Artwork by Stefan Marx. All Tracks are written, produced and mixed by Julius Steinhoff Mastering & vinyl cut by Helmut Erler, Dubplates & Mastering Artwork by Stefan Marx

Rich NxT heads to FUSE to deliver his ‘Suburban Skool’ EP this November, backed by fellow London favourite East End Dubs on remix duties.

An artist that has remained a central part of the London electronic music scene for over a decade, FUSE residentand NxT records boss Rich NxT is an artist that embodies the sound of the city’s evolution throughout the years, taking influences from all pockets of the scene - from drum’n‘bass and jungle through to the minimal and tech house sounds that later took hold of the blossoming after-hours circuit.

Having touched down on the label earlier this year alongside East End Dubs as the pairing released the impressive ‘The Four Slip’ EP, whilst also recently providing two collaborative cuts on label boss Siragusa’s latest ‘A Decade Of Rave’ LP project, November sees Rich return to home turf to deliver his second solo EP on the label of the year, with Eastenderz head East End Dubs also returning to provide an energy-fueled remix on the flip.

Opening proceedings, title track ‘Suburban Skool’ offers up a trademark slice of rolling house music as slick percussion arrangements meet bumping bass stabs and scintillating electronic melodies swirl around old school rave samples, whilst the slinking ‘Rex Press’ keeps the energy high as echoed vocals ebb and flow amongst bright lead lines, crisp drum licks, intriguing breakdowns and builds throughout. Shaping up the package, East End Dubs steps up to offer up a dynamic interpretation of ‘Rex Press’, utilising punchy kicks alongside soaring synth lines and driving snare rolls to impressive effect.

Vinyl only imprint DMK (sub-label of Dogmatik Records) returns this November with the ‘Future Funk’ EP from Alex Jann.

Alex Jann’s material has amassed a wide array of supporters over the years, from Solid Blake and Alienata to Dave Clarke, Afrodeutsche and Posthuman his strictly hardware and modular synth workouts perfectly weave emotional synthesis with raw, gritty aesthetics. He’s released several EP’s over the years on labels such as his own Censor imprint with remixes of his work by such artists as Marco Bernardi & Animistic Beliefs, multiple EP’s with Clive Henry and shared label space on Rhythm Cult alongside Deadbeat, Barem, & Aquarius Heaven.

Title-cut ‘Future Funk’ leads with crunchy 808 style bumpy drums, tension building strings and squelchy acid licks at its core, while ethereal pad swells and wandering sub bass tones wander within the groove. ‘Robotic Prayer’ follows next, with shuffled percussion, soft atmospherics and a choppy bass line smoothly carried across five and a half minutes all subtly nuanced throughout.

Opening the flip side is ‘The Return’ which employs robust drums and murky synth flutters alongside cinematic string melodies before ‘Liberation Of Mass’ rounds out the release, fusing a broken rhythm and intricately programmed oscillating synth effects to create a hypnotic end to the EP.

Fabe has become an integral part of the Infuse label, with his 'Square Town Story EP' and Ho Do Ri collaboration picking up various plaudits.

collecting orders for repress

Acclaimed imprint Disco Halal reveals their 1st 2019 release with Moscoman & The Organism collaborating on the 'Rite EP2 due Feb 8th! The project includes the titled track as well as the atmospheric blisters of 'Chumbai' and ercussive textures of 'Rubab', a track steeped in the Middle Eastern sonic influences of Moscoman's home country of Israel. Flipping the leading track on its head, the Disco Halal remix of 'Rite' is turned into a loopy, hypnotic edit suited for the oddballs. The EP follows Moscoman's recent remix of Three Drives On A Vinyl's classic anthem 'Greece 2000'. With truth at its center, the sound of 'Rite' RP is an open-ended prospect; a shared vision which Moscoman rounds off with his own Disco Halal mix of the opening production.

The 12th release is here, made in our beloved Berlin, featuring a collaboration between EWax resident Maik Yells and our favorite lady Monika Ross. On remix duties we find Mr Diego Krause to add that authentic deep and spacey house sound he is so admired and loved for. Safe to say the "Fifth Avenue" EP is ticking all the boxes

In times where objectivity of genre barriers is ceasing to exist, Cueva Records aims at the curatorship and exposure of their open-minded personal taste.

A side of this first chapter presents two forward-thinking house tracks filled with Latin American percussions.

B side sets home for a long, smooth, textured remix. Nothing else to say, just feel the groove...

Petra Beat Records is back with a new EP produced by the Italian talent "Tommaso Dibello'.

4 quality tracks for the dancefloor, a must-have!

A six-track release, ‘Fun Is Fun’ opens with the infectious, synth-driven title track, with a dub version and ‘Mamacita version’ also making it onto the record. Next up, ‘Dancefloor Anarchy’ is a similarly slick cut, while ‘Kill Your Friends’ is 140bpm and harnesses a killer bassline and unnerving scream sample to devastating effect.

“The title track ‘Fun Is Fun’ is a heavy bassline track, meant as a provocative poem, or as a joke you tell your friends who DJ,” Kessler explains. “When I did this track I was smiling because it’s my message not to take yourself too serious in this business. I think that's a big problem all over this scene.”

Following energetic releases on underground labels such Coméme, Get Physical and Numbers, the Cologne-born DJ, producer and poet’s distinctive sound has helped him grow into one of Germany’s most celebrated electronic artists. He has previously collaborated with the likes of DJs Pareja and Christian S while his music regularly receives club plays from Dixon and other A-league selectors.

TRICK was initially launched as a platform to exhibit Topping’s versatility as a producer, as well as a platform to showcase the wealth of emerging talent which he has been pushing in his DJ sets. Kessler, who played the TRICK launch party at Gateshead’s 4,500 capacity Mainyard venue, will also return to the tour with a set at the series’ upcoming Warehouse Project in Manchester on 8th November.

“I first heard ‘Fun Is Fun’ when Jackmaster was playing it in 2016 and it's become one of the most ID'd tracks online since!” Topping adds. “This was also the first time I’d heard of Bryan Kessler. Since then I've been hammering so much of his music and I'm absolutely buzzing to sign ‘Fun Is Fun’ a few years later as I think it could be an underground anthem. The other three tracks also show how much of a unique talent Bryan is!”

A collection of club-ready heaters, ‘Fun Is Fun’ sees Bryan Kessler craft six cuts with the dancefloor in mind.

Hate it or love it - thats the beginning of the Yippiee Story.
More then six years after their first EP the Hannover based Crew has released its 10th Vinyl and it's again a real special one.
The white 10inch comes with two massive Tracks from the leaders of the label and an awesome Design by Kiatone.

repressed !

Person Of Interest making his debut on Clone Records!. Fresh adventurous house tracks with offkilter melodies and seductive synth lines and irresistable grooves. Easy to make a link to mid 90's Detroit vibes... but it wouldnt do justice as this is by no means retro. Person Of Interest is delivering!

Limited edition 12" vinyl including a magic deep house track by Tony Lionni (Ostgun Ton, Madhouse Records, Wave Music, Freerange, etc.) and "Dissonite Bar" by Stefano Greppi (Schermate, Goldmin Music, Azuli and more)