House Vinyl New Releases - News

AdMaiora hits release number 20 in style with a fresh EP from Romanian established duo NTFO which includes two superb remixes by Lauren Lo Sung and Ilario Liburni. The guys of NTFO (Jargon, 20/20 Vision, Objectivity) are familiar faces for the label as we had the pleasure to release their remix of Ray Okpara's latest 'Sligerstai' which got tons of positive feedback and is currently dominating our Beatport top 10. Now they return with 'Lusy EP' - a lush pleasure of deep house vibes infused with their very own tech groove trademark.

Opener 'Lusy' rotates around a simple but effective shaken groove with thorny kicks and a super crafted sub bassline. The main vocal sample only appears in the right moments and adds a extra sense of elegance to the wandering synths and pads.
Up next, 'Unvelied' goes more minimal for a rubbery tech house piece where little jumbled percussion are immersed into a dark dimensions of gloomy bass and low freaky vocals. The electric synths give an extra spin to the track, derivering a slick house number and we're sure that the melody will stuck in your head for a long time.

On the flip side we have Liverpool's rising talent Lauren Lo Sung on remix duties for 'Lusy'. For Lauren, 2017 was her biggest year so far and 2018 is proving even better. She is consistently delivering well treated club hits on labels such as DJ Steaw's Rutilance, Vatos Locos and Circus, also co-founding her very own 'eleven records' and running sell-out LOLiFE parties in Liverpool, UK.  Lauren's deep stripped-back style focuses on, dub techno with a fresh, organic housy feel and this remix for 'Lusy' is no exception. With a crescendo hands-in-the-air version, Lauren arranges the remix on a pluck that dominates the track above teasing drums and intergalactic pads. A one-to-watch remix from one of the ones to watch stars of the near future.

Lastly goes the remix from Italo-Belgian Ilario Liburni who close the EP with a chunky and funky interpretation of 'Lusy'. Ilario had some massive vinyl hits lately and he also dedicates a lot of efforts on his own Invade and Cardinal labels. His version is dreamy and driving with bubbling synths and an infectious sense of loopines until the breakdown comes in with vague lo-fi synths and strings before it drops with the whispery vocals lending it into a late night feel.

After delivering a gorgeous gem in Nebulae’s last release, Sound Synthesis is back in the house with a 4 track EP, carrying us through an elegantly melancholic cosmic field, dressed with an intense electro flavor and a pinch of acid rawness.

For COS_MOS's next trick they serve up a special 12” that features a brand new single from M>O>S super group R-A-G, also known as MaSpaventi, Aroy Dee and G-String. It comes backed with a re-release of one of the key tracks of the previously released Crystal Maze album on aDepth Audio. A fierce and full 45rpm re-cut of 'Dr Claw' that has been a secret weapon of Aroy Dee for many years. It's a raw cosmic adventure, with warm solar winds blowing over prickly drums. Twisted bass and knotted pads wrap round the groove as a detuned lead synth heads into a Legowelt-ish future. 'Larry Venom', stirs things up with a deconstructed, off kilter mix of beeps and drones with marching drums adding to the feeling that this is a robot party in meltdown. This is a brilliantly left of centre EP of intergalactic house.

The second installment from LA-based label, LEMAK Records, has landed. Featuring music from UK rising star, Harry Wills.

Wills, who has been on a tear as of late, explores a genre-less realm of music throughout his Capri Swung EP. Ranging from jazz-infused breaks, to heavy bass-forward garage, to ambient sonic textures, the four-track release is filled with music fit for every mood a dance floor may need. Always with love,

Lemak Records

For their final release of 2018, Planet E present DJ Deep & Traumer's remixes of Klauss & Craig, the collaboration between Argentinian synth ensemble Klauss and Carl Craig, which debuted with the 'Momentum' EP earlier in the year. Out November 30th, the three-track remix EP's origins were as a pair of spec mixes by DJ Deep (Cyril Etienne) and his regular collaborator Roman Poncet aka Traumer. The duo found inspiration from the original Klauss & Craig EP that led to spontaneous experiments on their own remixes. Soon a trio of versions emerged, with two by the duo together, and an additional solo mix by Poncet under his Traumer alias. Etienne sent their work to Craig, who immediately decided to give them their own release on Planet E, in turn helping Etienne achieve one of his own dreams to release on the legendary Detroit label. Weaving intricate percussive themes with analogue melodies they deliver two takes on 'Repeat After Me' - 'Free Your Mind' and 'Free Your Soul' - before Traumer, inspired by the process, goes on his own for the final track 'Repeat After Me - Reduced Mind', creating undulating bass loops which glide under warm pads.

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When two dudes collide in a cosmic paradise, very special things happen. Black Spuma, otherwise known as regular transcendental misfits Phillip Lauer and Fabrizio Mammarella, come correct with a new EP of enchanted grooves for Futureboogie.
Breaking their run of EPs for the International Feel Recordings label, a trio of cuts are lined up on the ‘Crunch Level’ EP.
Title track, ‘Crunch Level’, is a throbbing, pulsating, bit-crunching beast of a track, a full mind and body workout that evokes the darker shades of early acid and new beat. ‘Agguato’ also packs a punch, with drums so big that Stock, Aitken & Waterman would most definitely approve, whilst a waves of hedonistic tones cut through feint melodicas and space invader tropes for a mind melting moment.
Never to end on a whimper, Adamantine goes out with a bang, with an ecstatically buoyant rhythm section and glacial melodies that’ll be transporting you back to the bright neon lights and dry ice of some long forgotten 80’s sweatbox.

For our latest sequel, a fresh team of highly skilled workers has been employed. Each contributor has developed convoluted techniques, utilising their apparatus to its full potential. Rube Goldberg Series proudly reveals the fruits of their labour.

Max Duke's first LP “My Sins” is a journey between house and Techno via electronica, with a unique french house touch that forms an unusual and cohesive debut album. It’s the sound of the musical universe and the influences that have taken hold of the french artist. The album unfolds over the course of 11 tracks, each piece serving as a building block and the result of many months of Max’s work. It is the product of experimenting in the studio, seizing the mood of the moment and reflecting on life experiences. Each song has its own story and helps to complete and close the circle of this captivating musical journey. Guitar, piano and synths are his words in the story; the channel that perfectly transmits all the emotions and feelings bottled up in the album. The range of moods, tempos, impressions, sounds and rhythms oscillates between
downtempo and techno with hints of breaks and house.
Straight up dancefloor cuts like “Almost Done”, “Echoes” and title track “My Sins” rub shoulders with the closed-eye mind wandering soundtrack of “Covered”. “A New Reality” emerges as a tribute to 90s trance. The two sections of “Characters” explore an instrumental middle ground between almost orchestral and minimalism. “My Sins” is the work of an artist in constant movement and evolution who opens the door to his unique world in full. The album will be released 30th September on Redlight Music.

Newcastle-born DJ and producer Patrick Topping has unveiled accomplished new EP ‘Turbo Time EP’ , out 9th August via his own TRICK label.

The groove-laden three-track release represents a clear departure from the darker techno sound of TRICK’s maiden release ‘Watch What Ya Doing’ - further demonstrating Topping’s versatility as a producer. Kicking off proceedings, the EP’s title track is underpinned by an infectious vocal sample and the funkiest of beats. While over on the B-side, ‘Let Wa Gan’ is a darker, moodier number and ‘Galaxy’, featuring the scintillating vocals of Liset Alea, is a celestial melodic stomper. The collaboration with Liset came about after Topping heard her vocals on Alex Kid’s ‘Don’t Hide It’. The track quickly became a staple in his sets and he made the decision to reach out to the Cuban-born singer shortly after.

Proper Tech-Funk from Brasil. Welcome back Renato Cohen!!

rRoxymore's long-anticipated debut album, Face To Phase, was born of her annual creative hibernation practice. Whereas her previous appearances for Don't Be Afraid - Thoughts Of An Introvert, Parts 1 & 2 - revealed inner worlds of saturated colour and natural expressiveness, she retreated into her studio at the turn of winter 2018 occupied with the idea of dismantling the dancefloor-centric pressure paradigm.


The resulting album, Face to Phase, finds rRoxymore methodically and mindfully stripping back to fundamentals: rumbling minimalist dub, sparse polymetric drums, boldy unpredictable melodic narratives and subtleties which hover out-of-reach or disappear into vapour. Forged by the spirit of club music cultures, Face To Phase favours deep listening; resisting the temptation to reflect on the past or project towards the future, it's an album that is firmly rooted in the contemporary.


Sparked by her own archive of field recordings, and produced primarily but not exclusively in the box, Face To Phase adds several facets to rRoxymore's already wide repertoire. The pensive and beatless opener "Home Is Where The Music Is" was inspired by her longtime friend Planningtorock, while "Forward Flamingo" is a spiraling dream-state of house music dissociation; elsewhere "Energy Points" remains anchored to the ocean floor, radiating heavy dub waves, "Passages" is a ghoulish skeleton of UK break beats, "What's The Plan" closes the album in a blissfully blunted fashion, while twisting, shape-shifting rhythms push and pulse "PPS21" into series of ever-evolving shapes and forms.


Through and in between the eight songs of Face To Phase, rRoxymore fortifies her status as a seasoned artist, grounded by over a decade of live performance and touring, collaboration, composition and experimentation. With a new live performance collaboration with a percussionist set to debut the LP at Atonal on 1st September, rRoxymore is primed to expand her reputation even further as one of the most vital and distinctive artists on the fringes of contemporary club culture.

Antam Episode Four: Worm Hole Battle EP
Four artists gather their frequencies on this various to defeat the galactic worm: the live performers Oden & Fatzo, the young Italian talent Solidwood, the french newcomer Sans Sucre and the mysterious La Maison Dieu. These pieces have respectively their own style, making an eclectic vinyl fitting to every situation, as a cosmic Swiss knife of the dance floors.

LTD Repress !!

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Andrea Vier debuts with a four-tracks Ep onto Ambiwa Records catalogue bringing a mixture of House and Techno through Electronic soundscapes accompanied by different uplifted Breakbeats and heavy bass. The title-track is enriched with a magical dark remix by the two shamans Silky Raven, aka Jakob Seidensticker and Henrik Raabe from the marvellous German trio Wareika. All tracks are strongly treated by the warm hands of Sawlin, well known Techno producer and audio engineer from Berlin. Wish you to melt the thoughts within the weird atmosphere of this trip.

Aequilon records proudly present it's superb first release!. Boyd Goosman (who used to be part of the techno outfit Noirdegout) was known for his powerfull releases on No Fear Records, and White noise (Dave Clake's inprint) which have been played by some of the most recognised DJs of the scene (Laurent Garnier , Fabrice Lig , Dave Clarke...). He now works on his own , finding his niche in strong but deep and evocative Techno.This new material on Aequilon show his love for Electro, Detroit vibe's, but also Berlin's modern Techno. After spending so many hours in recent years dancing all other Europe on the weirdest and wild dancefloors, Boyd Goosman felt that it was the right moment to express again his unique sonic trademarks. For this first release on Aequilon , we asked to Berlin's resident CADENCY aka Héctor Oaks (Reclaim Your City, Key Vinyl, OAKS records...) to deliver an absolute killer remix of 'Lost control' and he did it with an ultraphat bassheavy monster !!!. 300 copies limited.Already support by Convextion aka ERP, Voiski, Dave Clarke, Eduardo De La Calle, Anthony Parasole, Marcel Fengler, Bleak, Arnaud Le Texier, Minimum Syndikat, Hector Oaks, Hadone, Laurent Maldo...

Detroit Acid master Jared Wilson with 4 fresh grooves that makes your ears melt...

Sawtooth Novel is a killer track, a special weapon intended for the dancefloor. The rest of the EP turns around powerful techno to more deeper and mysterious atmospheres. After his brilliant works on Token and Cocoon Records, Johannes Volk continues to impress us ! Some Johannes's words about his work for Artcub Records : "The title track Sawtooth Novel is my little hommage to the old Sägezahn sound. There was a Sägezahn renaissance in the Rhein Main area end of the 90's, which was a huge influence for me when I went to clubs during this time. Counterbalance has a rather subtle approach, the track lives from it's effects and filtering. For the others tracks I want to express the more darker and dramatic side of techno, which is also well-equipped for the more excessive dancefloor hours

Magic Black is happy to share with you this third release by already featured label artist LAROYE. This very particular ep showcases this time his talent to do an unique mixture of afro, lapsteel guitars and yoruba inspired theme and grooves. This ep's roots are deep in the collaboration with Maïa Barouh, whose magnificient flute playing abilities give a soulful afro driven groove and a cosmic touch that reminds us the best hours of Clausell or Chez. Her playing on Awon Iye was very inspiring for Martin Iverson, better known as Atjazz, who picked the tune and turned it into a blasting uptempo broken jazz fusion that he can only create. The opening track is also a must have track which breaks barriers between house, bossa, lapsteel and dreamy vocals. Already a Favourite for many radio deejays. Last but not least, Basamsike is a deep driven afro conga track with vocals coming from a beautiful Malian singer who stays secret for now. Here you have cosmic, groove, melodies and uncommon patterns all together in the best way :definitely what Magic Black has always came for. Tip!

Bontan makes an eagerly anticipated return to Crosstown Rebels with 10 days, a scintillating two track release that features a stunning remix from Osunlade.

10 Days begins things in an emotive fashion, as rustling hi hats pave the way for featured vocalist Bengle to state, “ten more days”. This echoes before a bleepy yet similarly driving kick wobbles along, as the sample plays out, to form an emotional, dance-ready cut. Osunlade’s Yoruba Soul remix is a similarly moving piece, as warm pads are coupled with a dubby kick, before the same poignant vocal calls upon us in a heartrending manner.

UK native ​Bontan has produced a number of the scene’s standout tracks. A regular on the likes of Hot Creations, Circus Recordings and Crosstown Rebels, his releases ‘Call You Back’ and ‘The First Time’ furthered his worldwide reputation as a breaking act. Such an ear for the perfect dancefloor record has not relented, as he continues to push his melodic, acid driven sound in an ever-growing direction, one that traverses the many forms of house and techno alike. ​Osunlade ​is a musician and producer, an artist who has been releasing records for a decade now. Someone with many strings to his bow, he has produced eight albums and debuted on Innervisions in 2012 with a three-track remix package of his esteemed Envision vinyl release.

Hot Creations welcome an incredible collaboration from four of the house scene’s most talked about artists, as Jean Pierre, Jesse Calosso, Harvard Bass and Kid Enigma team up on the mighty Krispy.
The release begins with the driving, high-tempo title cut. A raw kick is complemented by the infectious vocals from Kid Enigma, as whistling keys are aided by intermittent pads. Bogus completes the EP in a similar fashion: pronounced kicks merge on whip-like percussion, as the BPM ratchets up with the help of fizzing hi hats and another pumping vocal.

Jean Pierre is no stranger to the production realm, having found fame on some of the scenes most respected imprints, including Cuttin Headz, Defected and Desolat. Another affiliate of The Martinez Brothers’ Cuttin Headz, Jesse Calosso has released a selection of quality releases on the label, as well as a standout EP on Tuskegee. Harvard Bass’ knack for the perfect dancefloor melody has been picked up by the biggest labels in the game including Relief, Turbo Recordings, Saved, Do Not Sleep and VIVA Music. Having worked with many of his contemporaries in recent years, Kid Enigma has previously collaborated with Mat.Joe and Nathan Barato, releasing on the likes of Kaluki and Defected in the process. He also released on Hot Creations earlier this year, featuring on the huge Back & Forth from DJ Sneak and Jesse Perez.

Radio Slave enlists two heavyweights remixes from Dixon and Underground Resistance, who reimagine 'Trans' - the twisted, bass-driven cut on Radio Slave's excellent inaugural album.

First up, Innervisions co-founder Dixon offers an inspired retouch containing an amalgamation of cosmic synth arpeggios, each one unfolding in a unique way as the track develops, supported by a prominent vacillating bassline.

On the flip, Detroit techno pioneers Underground Resistance provide a 'Hamtramck' remix features crunchy modulated synths and heavily delayed vocal slices that duck in and out before funk influenced guitar licks resonate alongside a plethora of dark effects.

Following the success of the now sold out Freundchen EP, True Romance revisits the disco anthem with this hot hot hot trio of remixes, right in time for the summer. On the A side, Red Rack'Em puts Freundchen through his cut and paste wizardry delivering a heavily filtered, bass heavy, hypnotic disco version. On the flip, Lauer cranks up the groove and unleashes the pianos for a classy house rendition that oozes sunshine and smiles. Russian producer Phil Gerus's gets gritty on his take, bringing the track on a mad chopped up italo road.

The 'industry' of dance music can be as soul-crushing as any other. Those thrills and spills of late, loud nights come with a best-before expiry date, after which even the most seasoned selector-producer-scenemaker begins to wrinkle their nose. To have experienced it all over 15+ years and seek to see it unfold again through fresh eyes, what sort of lunatic would willingly put themselves through that V would. So it's a new character, but who was the mysterious V in a past life Make your own conclusions. A little digging will lead you toward the origin story, but sometimes the pleasure comes from the unknowing. Opt to enjoy the Silence. Silence, however, is not the focal point for V. In fact, this new form is a way to discard baggage and revitalise the process of music making. Tremors had become to show up in recent years on record labels in Glasgow and London, flickers of subterranean volcanic activity. Yet what proved to be rising was no big bang, nor even a phoenix from the ashes - but closer perhaps to a Nautilus. A relic by some standards but a pretty point of curiosity to others, slowly bobbing to the surface. Something ever-present and familiar to thousands, yet with mysteries left to be revealed. But hey - what does V stand for anyhow For Vilnius By origin and by where the heart lies, yes, although V for Vedett is also an acceptable answer given the artist's transposed second home of Belgium; so too is V for Volkswagen, given the production work put in around Frankfurt as of late. For Vendetta Too strong, although V does bear a grudge match against hobbyists and dilettantes. If you're going to be a new name in town, you may as well be a new name in town with years of hidden history, right For Vishnu Perhaps this is the one. V's tangle of arms extend forward in many directions: some clutching 303s and LinnDrums; others pushing fingers i

supported by Apollonia, Subb-an, Praslea and many others. Andy Catana & Daniel Kovac deliver their first Ep on Do Easy Records remixed by none else than Robert Dietz under his alias R10. He returns as a Remixer after remixing the first Do Easy Records 10 years ago. So take your time and listen!

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Three Little Birds is proud to announce the 2nd release produced by Berlin based and eclectic producer Alexkid.
Sophisticated and captivating sounds characterise this EP composed of three tracks directly aimed at the dancefloor.
Limited copies,

FJAAK back on FJAAK, full send!

THE VERY FIRST ADULT ENTERTAINMENT RELEASE COMES BY INSERT NAME HERE.

IS IT ACID? IS IT HOUSE? IS IT ELECTRO? IS IT TECHNO? IS IT DETROIT? IS IT CHICAGO?

IT'S MUSIC FOR ADULTS!

21+

MUSIC SPEAKS FOR ITSELF!

Reissue des massiven Clubhits des Kollektivs Turmstrasse von 2015. Zeitlose Dancefloor-Qualität.

King Of Kong Records, a new venture of Artur8, Anton Klint & Edvin E. presents it’s new release, the “World Museum” EP - a modern classic from Newborn Jr.

Warsaw-based producer Adam Brocki released a string of collaborative records - with Earth Trax (Bartosz Kruczynski) for Phonica, Dopeness Galore, Echovolt and Rhythm Section, or as Private Press for Rekids and Indigo Area. His mature, carefully crafted sound, stripped yet powerful, now finds its place on King Of Kong.

“What What What” starts the EP off on a right foot: broken rhythm, clever voice snippets, cosmic pads and heavy bassline reminds of some archetypal Shake productions, off-kilter yet somehow infectious. “World Museum” rolls out relentlessly on a steady kickdrum, and again the backbone is held firmly by bass. Swirling noises come and go, adding a dash of melancholy into this club-ready tool. “NJ Public Pool” again sounds like a long-lost timeless classic, with just right amount of melody and irresistible party vibe. It’s accompanied by a moodier and denser remix from Warehouse Preservation Society (aka TK Disco and Tavish (ESP Institute)), a druggy chugger for late night and dark corners. Rounding off the EP, Yourhighness of Rollerboys & Cocktail D'Amore Records fame straightens the beat and pushes up the tempo of “What What What” to deliver a proper party stomper. A classic sound of two decades of dance music underground updated for here and now.

Mood 24 returns with the "Mood Series" various artists. For this installment we have 4 special tracks each one to suit different styles and tastes. First up we have "Nima Gorji" with his Contraction track. A groovy minimal track, repetitive but at same time brings you along through a little journey on the dance floor. "Dragutesku" gives us a deep and dark track with special little sounds here and there to bring suspense and anticipation to this wicked track. "Negru" has a more solid house style. 808 drums, sick sub bass and a jazz melodies. "Petar Cvetkovic" gives us some more tech house orientated sounds, simplistic drums, groovy rolling percs and a sick vox to wrap things up nicely.

Weirdo house from an idiosyncratic French producer. Were you expecting something normal with a title like this?

Hooky and melodious, fidgety and urgent, these tracks will electrify any moment. Joyous and warm, a beam of sun on your neck, a warm breeze through your hair, they're bound to bring a toothy smile.

The Black Loops remixes lend “Sense of Love” a more mischievous air, adding another layer of complexity to the EP and rounding out its character.

"In these times of dawless jamming JBS from Karlskrona brings you a release where the A-side is entirely made with samples on a ensoniq eps, while the B-side is entirely made on a computer. Which also means this record is the perfect gift the analogue hardware purist that despises all use of digital equipment. All tracks are somehow on the classic new york house vein with a distant homage to the nearly disturbing sample use heard in stuff from labels such as nu groove, but with the B?rft twist! Worth noting is that the first track on the B-side is a re-edit of a track made a long time ago by Pean Romael where his little sisters friend was the unlikely guest vocalist. Blasphemy Release! Get it now before its banned!" -DJ Joakim Cosmo

2019 bietet das Tag am Meer Festival nicht nur die gewohnt
schöne Kombination aus Landschaft, Musik und wunderbaren
Gästen, sondern es gibt auch noch einen kleinen Geburtstag
zu zelebrieren: unsere Tag am Meer Vinyl Compilation
zelebriert ihre fünfte Veröffentlichung. Seit 2015 präsentiert
BlackFoxMusic jedes mal eine ausgewählte Selektion an
Tracks von Künstlern, welche im jeweiligen Jahr bei Tag am
Meer gespielt haben und das gepresst auf schwarzem Gold.
Dieses mal mit Kid Simius im Magit Cacoon Remix, Kollektiv
Ost und dem Live Act JPattersson. In Zeiten von Spotify,
Deezer und Co. mag das für manch einen kurios anmuten,
doch so wie wir unser kleines Festival an einem ganz
außergewöhnlichen Ort veranstalten, ist auch die Idee und die
Umsetzung unserer jährlichen Compilation etwas Besonderes.
Die DJ’s und Live Acts liefern die Musik und die
Besucher*innen, liefern jedes Jahr aufs Neue die Bilder für das
Plattencover im darauffolgenden Jahr. Jedes Plattencover
setzt sich aus euren Schnappschüssen zusammen die Ihr uns
zusendet und ist somit ein waschechtes
Gemeinschaftsprojekt. Für uns ist dies eines von vielen
Puzzleteilen, welches zum Tag am Meer dazugehört, denn
Gemeinschaft lässt sich nicht nur zwischen Campingareal undDancefloor erleben, sondern auch im Rahmen eines Projektes
wie einer gemeinsamen Platte. Und dafür möchten wir euch
allen einfach einmal ‚Danke‘ sagen.

Enveloping us in the very constant mysterious and magnetic sound universe that Alci previously has built in his past releases, the new EP "HIRAGANA" reports on the multitude of experiences he has had lately and his subsequent undertaken creative evolution. This organic enrichment, which is an addition or better said, an enhancement in Alci's soundscape, result from the various inspirations Alci underwent during his travels and time spent surrounded by nature as well as urban nightlife.

DEEP DARK BLUE presents an album filled with gentle surprises. When We Get Together takes you through lightly psychedelic melodies for the heart and mind to get lost in. Though highly polished as a production, a sense of underlying spontaneity implies a process that's closer to an improvised jam session than a planned composition. The lush synths, complex percussion, and shimmering melodies create rich backdrops for reveries. Each song bobs and weaves through opposite contrasts, often going back and forth between melancholic to bright. Yet each song remains cohesive and leaves you wondering how you arrived at the end of each track.