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The title Ghost Frequency works on several levels. I was introduced to the term when I first began learning about recording techniques. It was used (usually negatively) to describe sounds that appeared on recordings due to signal interactions that resulted from “improper” mixing or recording and read as “noise” rather than the “music” that was being recorded. I became instantly fascinated with the phenomenon and intentionally creating these sounds in my recordings by deliberately using supposedly incorrect techniques has become a big part of my composing and recording process, probably the most central and consistent practice of it. I’m interested in how the presence of these sounds, and traditional production’s insistence on eradicating relates to larger ideas about the eradication of vital social practices relating to the dead such as ancestor worship, mediumship and history itself in favor of state and market dictated modes of understanding existence. The internet abounds with references to the the term, but applied to ultra low frequency or “infrasound” which can allegedly be responsible for inducing supernatural perception experiences. These posts from the margins posit a Ghost Frequency that operates on the same level as a radio station, one can simply tune into paranormal activity. It’s also a pun on an imaginary metric of how frequently ghosts might be around at any given moment. The songs on the EP employ (as does all of my music) a large amount of Ghost Frequencies (i.e. sounds that appear on the recording as the result of signal interactions rather than those sounds being performed on an instrument) and they also orient themselves toward interaction with the dead as a necessary component of human experience, and a mode of resistance to state power and it’s accompanying carceral technologies.

Diynamic's sublabel 2DIY4 will be releasing an EP of Moby remixes, with four different takes from four integral members of the label family. Swiss production duo Adriatique open the release with their version of 'Wait For Me'. Preserving the original's distinctive piano line, the pair's subtle update uses a deep bassline and rearranges the breathy vocals for a more dancefloor facing version of the original. Their latest remix of Marc Romboy and Stephan Bodzin's 'Atlas' has been a big success, hitting #1 on Beatport. Magdalena takes on 'Why Does My Heart Feel So Bad'; a stomping build up utilises elements of the original's percussion over a rumbling sub bass, before a break down mid-way through reveals the vocal line. Stimming uses a rather old school build up approach for his percussive remix of 'Natural Blues', with a gradual rise in complexity; running at over 10 minutes, the track is a more upbeat take on the original suitable for peak time sets. Meanwhile, Johannes Brecht's take on the same track features the original piano motif, a grooving bass line and the vocals taking a more prominent role. The Moby remixes EP is an original series of tasteful reimaginings of the producer's most iconic songs from some of Diynamic's most established artists.

OOSSHA continues her path with a second release by G. Markus titled Warning! OOSSHA is an outlet for music that’s dedicated to house and alternative styles while always maintaining ferce and unique ingredients that conquer hearts. UK producer Ben Gomori revisits his G. Markus alter ego for an EP that pays tribute to the Jungle and Drum & Bass soundtrack of his formative years. Dreemscape ’93 opens the EP; a vibey piece that instantly recalls old school house tracks with its use of a contagious groove, fltered elements and a specifc vocal sample taken from Dreamscape's 1993 NYE party. On the same side we find queniv turning B side track The Sleepless Moon into his unique blend of breakbeat elements and twisted ambient layers. On the fipside, Roger Gerressen turns Dreemscape 93’ into his own interpretation of lo-f fltered chord sweetness and combining it with hypnotizing Rhodes patterns. B2 makes space for the original Sleepless Moon which is all about the rhythms. Intricate midi programming triggers acoustic drum samples that intertwine with twinkling ear candy and a jungle break before breaking up the patterns with an infectious bassline.

Next strike is the long awaited Green Velvet & MIhalis Safras - Microwave on vinyl. Limited copies and exclusive cut.

We are happily welcoming Jacob Groening to the Earthly Delights family,
a talented producer that has been on our radar for a while. Jacob comes
through with a very special 3 track EP, which will be our first ever vinyl
release. The EP features his unique sound that he masterfully integrates
into his live shows. Working more with musicians that he records at his
studio, he plays around with the recordings, taking it to the extremes
when it comes to cutting, pitching, warping. “...following my
intentional flow, not trying to force a specific sound. I am more listening
to what sounds are good to me and feel right.”
Jacob uses Prophet 12 a lot for the pads and most synthesized sounds in
EP, using the almighty moog voyager for the bass, recording percussion
and vocals. Most of the recordings are made with long-time friends and
other Berlin musicians. Noah Rott, who played the keys for Fask is Jacob’s
first Piano teacher from Hamburg and they have often collaborated since.
“Another very close friend of mine, Joel Silberkuhl, played the hang drum
for Fask and the guitar for Lacun. I visited him at his house in Luneburg in
northern Germany and we made music all day long. It brought us back to
our jam sessions when we were just 13 years old, playing reggae, hip hop,
jazz and rock...” Joining the release is a Canadian smooth vibes operator, Gab Rhome, who delivers a minimal melodic house vinyl only version
that's perfect to have on a 12”.
This EP interlines Jacobs friendships and experience making it a
heart-warming and truly personal release we are thrilled to share with
you !

LTD Repress !!

1x each customer !

vinyl only!

Matthias Tanzmann has released countless classic tracks on his Leipzig, Germany based label Moon Harbour. In the past he has played at Claude VonStroke's Birdhouse event in Miami and Claude always seems to run into him in Ibiza. We have always wanted to work with him and then out of the blue a demo showed from on our doorstep! This two tracker has a great, jackin Dirtybird sound and we are very happy to welcome Matthias to the family.

Constant Black regular Michael James back with a killer 3 track EP.

Thread captured our ears with their early outings on Reach Recordz, where they showed a unique approach to stripped down breaks and electro, mixing broken beats with minimal, electro and tech-house.

A project run by two hard-working veterans involved in the electronic music scene for the past 15 years, Marc Ashken and Ben Micklewright, Thread is just one of the several facets of this productions duo which is playing a key role in silently and relentlessly defining what we believe is a very unique sound, that blends influences coming from the vast legacy of the UK electronic music culture.

For this EP we’ve selected four diverse cuts that showcase Thread’s distinctive sound while keeping in line with our ethos of finding music that’s out of trends and time.

DJ Koyote and Too Smooth Christ team up to release 'On Some Party Tunes', a 3-track EP of collaborative and spontaneous jams. Willing to produce coupe-decale-inspired tracks with old analogue gear, they crafted at the end an hybrid sound mixture, somewhere between South African House, Grime and UK Funky. On 'Error : Does Not Compute', a TR606 meets swirling arpeggios spiced with crystal riffs. A sneaky bass line provides an even more swaying groove to the track. On 'Strike (On-A-String Mix)', a straight-out-of-Pretoria riff meets a strong and conquering string stab on top of a really dry and thumping beat. 'Modern Action' is the most introspective track of the EP, with an M1 pattern flipped upside-down and hazy cymbals rythms.

vinyl only!

Seven years down the line and Tamed Musiq is proud to present its first-ever album release: ,,Upstream Color" by Iron Curtis. This long-awaited follow-up to ,,Soft Wide Waist Band" represents a milestone for the Berlin-based producer and easily ranks as his most accomplished (and personal) work amidst an already brilliant repertoire. Similar to an impressionist painter, Iron Curtis portrays a well-known subject (house music) in a dream-like environment by employing a palette of ethereal sounds, subdued melodies and bass-heavy beats. The outcome is a beautiful aural experience and while ,,Upstream Color ,, never strays too from the dancefloor, the album requests multiple listens to unlock all of its mysteries.

LTD Repress !!

1x each customer !

vinyl only!

The 6th release on July Z imprint is here.
12” Vinyl Only Release
Limited copies

Tammo (aka The Invariants) debut's on Nous'klaer Audio under his real name. Two building techno tracks for night-time workouts plus a live jam on the B2.

SFV Acid takes you on a tour of Trillium Towers, a defunct business district located in Woodland Hills California.

The 3rd release from Tokyo based INIT. The label owner Shintaro.D's solo single including the remix work from
Rio Kawamoto who released under Skadat and What Now Becomes.

Have you ever heard about Basketball House? Rebound Lounge is a label and production project consisting of DJ Dog(aka DJ Fett Burger) & Double Dancer. Both of them are Norwegian dj/producers and they have been based in Berlin for the last 10 years. Together they produce all the music released on the label as well as creating the graphic profile. Now it is time for the slamming 3rd record in the series and this one is cleverly named ‘Rebound Lounge 3′. They have been ‘Rejuvenating the basketball house scene since 2016′ as they like to say. A genre they claim to have invented and thus rejuvenated since day 1. The statement does not make much sense.. Anyway, in the music presented they are using sounds from the basketball world and weave this in to the productions. It can be a shoe rubbing on the wooden court, a cheering audience, a yelling coach or a heavy slam dunk. Sometimes clearly audible, sometimes hidden deep in the mix. From this mixture the unique Rebound Lounge sound is created.

finally repressed !

At the end of 2014, Moon Harbour celebrated their decade long association with Luna City Express in the form of a fine
compilation of hits. Featuring all the German duo's greatest tracks, the label has now enlisted some serious talents to remix
them for this new Ten Years Remixed compilation.

Luna City Express is Norman Weber and Marco Resmann, a production duo that has defined the modern house and tech house
scene with their continuously on point and inventive originals and remixes, and now their greatest moments get new surges of
life at the hands of a range of contemporary stars. Some are label regulars and some are brand new to the stable, but all come
up with the goods.

Up first, AudioJack flip 'The Next Level' into a trippy bit of groove driven tech with tightly coiled bass. Hamburg's Sidney Charles
- one of the most charted artists around - then turbo charges 'I Don't Think So' with his trademark hard hitting drums. After that,
Einzelkind's Para Yok Mix of 'Magic Bazar' is a more melodically inclined effort that twists and turns with a slick energy.

Spanish star Hector Couto then keeps things deep and rubbery with his version of 'Are You Ready' and Oliver Dollar and
Matthew K layer up warm and soothing loops on their Play Prime Mix of the steamy and sensuous 'REM'. One of the most
seminal names in deep, spiritual and jazzy house is Kevin Yost, and he is enlisted to do his thing on 'Celebration Of Life', which
turns out to be a spooky, late night cut full of percolating tension.

Elsewhere, Supernova step up with a direct and piano laced remix of 'Gloria', Marco Faraone injects some lithe acid into his
techno leaning version of 'Get High', the lovable Italoboyz let their personalities shine in their big and bouncy remix of 'Luna City
Lab', young Defected stars Flashmob keep things chunky and kick driven on their take on 'Mr. Jack' and finally Oliver Dollar and
Matthew K serve up another remix of REM that is deeper and more organic, sombre and richly melodic.

All in all this compilation offers up lots of heat for DJs and dancers alike and proves that as well as Luna City Express being an
unstoppable force, that Moon Harbour also have their finger on the pulse when it comes to the next generation of stars.

After already putting out great efforts from the likes of Josh Wink and Jesse Rose, Moon Harbour serves up a second selection of remixes of key tracks from Matthias Tanzmann's 2016 album, Momentum. This time it is family member Emanuel Satie, plus house legend Kerri Chandler, new school innovator Acid Pauli and UK talent Hot Since 82 who all get the call.

It is the Knee Deep In Sound boss, Hot Since 82, who kicks things off. He has become a headline star in the last couple of years with his own parties and heartfelt house jams finding favour with DJs and dancers all over. His take on 'Tamarind' is an unsettling tech cut with snaking synths bringing a sense of paranoia to the fluttering percussion and loopy drums. Hard to pin down German innovator Acid Pauli then flips 'Coffee Clouds' into a spacious and warm, rubbery and deep house groove with delicate little synth droplets and wooden percussive ticks. It's gooey and hypnotic, to be sure.

Moon Harbour man Emanuel Satie is next and goes for the peak of the night with his busy and high pressure take on 'Frenzy'. Its brilliantly blasted synth stabs, jostling drums and all action vibes make you want to loosen every limb on your body and really get lost in the beats. Last but not least, New Jersey don of the deep and genuine house legend Kerri Chandler turns out a masterful version of 'Sfumato' that is moody and atmospheric from the off. The kicks are lazy and inviting, the details bring a sci-fi feel and the whole thing just welcomes you right into its groove.

Offering some slick variations on the great originals, this remix EP mixes up old and new school talents with equally impactful results.

After a two-year gap, Moon Harbour's family focussed Inhouse series is back with an eighth excellent instalment. Once again it is jam packed with 12 new and exclusive tracks from the likes of label regulars Re.You, Darius Syrossian, boss Matthias Tanzmann, Zohki, Anek, Dan Drastic & Sven Tasnadi, Yousef and many more.

The Moon Harbour label always pushes the boundaries of tech house. On point A&R means new artists constantly join the family, while long time members continue to evolve and hone their sound so that, in its 18th year, the label is as fresh and exciting as ever. This new compilation once again proves that and is an essential collection of tunes for DJs and dancers alike.

Re.You kicks things off after appearing on the label with Floyd Lavine already in 2018. His 'Voodoo Tool' is a tribal number with big drums and plenty of attitude. Do Not Sleep main man Darius Syrossian serves up a typically chunky, sweaty house cut with 'Hammer' and Emanuel Satie's 'No Sleep' is a silky bit of house with infectious drums and smooth chord stabs warming it through. The ever-innovative Daniel Stefanik then offers an edgy, tripped out tech cut with sharp hi hats and brain frying synth lines.

'Concrete' from label head Tanzmann is a playful tune that teases with breakdowns and sweeping filters before his prickly drums and unhinged vocal sounds drive again. Circus founder Yousef caters to a main room crowd with his huge 'You Can't Hide Nothing' feat. Moji, Zhoki keeps it tight and kinetic with perfectly programmed drums and lush chords, and Danish pair Anek pump it up with big loops and whirring machines that will get hands in the air. A bumping cut from Leftwing & Kody, dubbed out groove from Paul C and bobbing bassline from Tennan then lead into last track 'Final Call' by Dan Drastic and regular collaborator Sven Tasnadi. It's wonky, twisted affair with a wild bassline that brings excellent house looseness to the compilation.

Mixing the right amount of functionality and personality, these are 12 more terrific tracks that will detonate any dance floor.

Oliver Dollar returns to his own Industry Standard imprint after his debut album ‘Another Day Another Dollar’ and the run of singles on IS were licensed to Classic Music Company.
‘Dreams for Sale’ is stellar collaborative cut with Detroit’s Mike ‘Agent X’ Clark featuring vocals from Dr Tingle Fingers. The single also welcomes Bendersnatch to the Industry Standard family who step up on remix duties. The original work kicks off with a rich house groove, paving the way for a slightly eerie strings loop and subtle pumping bass line which locks you in from the off. Dr Tingle Fingers delivers beautiful spoken word in classic house form proving simplicity really can be key as the track develops effortlessly throughout its entirety.
Bendersnatch takes things towards the backroom as darker fuzzy kicks rattle you inside and reverb soaked stabs float effortless over the even more minimalistic percussion. Tingle Fingers’ vocals appear in stripped back form complimenting the more underground tones of the rework. Dreams for Sale’ is a strong return for the label with two tracks that cover classic
deeper house, and crunchy off-kilter techy vibes. The limited vinyl release will be
followed by a digital release at a later date.

Flip Open Your Samsung And Fire Up The Wap Cos Phone Traxxx Volume Two Is Working
The Web. Four Fresh Cuts For The Cellphone Steppas.

This Is The Second Studio Collaboration Released On Fossil Archive Between Label Owner Roberto And Artform's Jamie Anderson. This Time We Have A Four Track Ep Compiled To Take The Listener On A Sonic Trip Through An Authentic All-night Warehouse Experience.
On The A-side Are Two Tracks Which Feature The Vocal Talents Of The Chicago Legend Robert Owens. 'broken' And 'bare Essentials' Are Exclusive 'warehouse' Versions Of Songs The Trio Worked On At Jamie's Studio In Berlin For Robert Owens' Forthcoming Album 'naked'.
On The Flip We Have A Raw Acid Track Composed With A Classic 303, 808 And 909 Din-sync Configuration Running Live Through The Mixing Desk With A Spring Reverb For Effects And A Joe Meek For Compression. Finally 'bell Theory' Explores Synthesised Analogue Sequences With A Deep Hypnotic Provenance Which Serves Up Mind-food As The Sun Breaks Through The Rafters.

We were really impressed by "Invisibility Theory", the Sushitech released debut album from Christi Cons and Vlad Caia's Sideways Invisibility Theory project. This speedy follow-up for Half Baked Records (under the truncated SIT pseudonym) is rather good, too. Check first A-side "Spectral", a typically epic excursion where warm ambient chords, deep space electronics and glistening electric guitar motifs bob and weave around a chunky analogue bassline and locked-in tech-house drums. B-side opener "Owl Farm" is notably wonkier and weirder, with druggy drums, mind-altering electronics and the trademark glitch-laden shuffle we've come to expect from Romanian electronic music. That vibe is explored further on twisted closing cut "Animation", a particularly alien example of skewed tech-house funk.

The Brothers Jonathan And Ferdinand Bockelmann Aka Glaskin ... The kellerkinder' Who Are Taking Care Of The schall Im Schilf' & back To The Woods Festival' Form Together The Duo Glaskin. In Recent Months, A Lot Has Happened To Them, They Have E.g. With Esacpe Velocity Released Her Debut Ep And Another 2 More On Hotflush. tymewriter' Is Carried By A Broken Beat Over Which Gloomy Surfaces Overlap. Just Fat !!

Simon D And Pluto Produce Together As Preset. With club Sub' They Deliver A Dirty Techno-breakbeat Board That Does Not Look The Same. Techno Smasher !!

Blitz Resident & Lighthouse Festival Booker Leo Küchler Aka vince' Made His Vinyl Debut With namechanger'. He Does Justice To His Style As A Dj With This Housig-playful Number In Each Case.

Phillip Von Bergmann Is Rote Sonne Resident And Firmly In The Circle Of Friends Of Ilian Tape, Maurice Paloni Runs The Label Alden. The Result Of Their Collaboration Is A Breaker Club Track, Perfect For Building Tension.

Eagles & Butterflies readies the third instalment in his Art Imitating Life label series. Boldly detuned and expertly defined, The Last Dance showcases trademark E&B chords and arpeggio sequences, backed with elegant vintage pads, tumbling, drum machines and percussion. The flip sees two reinterpretations of the title track, where a nineties broken-beat is accompanied by a beatless, synthapella edit.

New Vinyl Only Label straight from Cologne.
The Founders of bangarang David Schreiber & Alex Kronenberg teamed up together under their moniker " Lost Boyz " and delivering 2 spooky House Tracks like it's 1998.
Don't sleep on this one !

This Time from Cordoba (Argentina) Lucianno Villarreal
We're not going to make any reference about this Release.
This is already some serious shit !!!

Shoutscire & Francesco Mon : Lady From the East
Incl. Ashley Casselle remix
You breathe Dope effect in the deep soul of this release, in proper sublime psychedelia of Assie vocals, weaver of ancestral melodies able to transform listening in an open-eyes dreaming. As well as in the cutting edge textures and sharp grooves of the original mix where ethnic mood of composition is soaked with never ordinary tech energy. First product of collaboration between our Francesco Mon and the Sicilian, Ibiza based, avant-garde producer, composer-multi-instrumentalist and much more: Shoutscire. As well as in the refined Ashley Casselle's interpretation we can not stop playing anytime after the first hearing, as hopefully you will love loving like this superb mix.

Gians :: THE GUARDIAN - Incl. Erly Tepshi Remix If you love to fly with the music, feeling like being in a space shuttle loaded of empathy and soul vibrations, then The Guardian will easily give what you need. The last opus of an always more espressive composer and producer like Gians with a fantastic remix of Erly Tepshi conducts on a proper lysergic planet never to be leaved.

Emerging UK talent Casey Spillman debuts on Infuse this July, accompanied by FUSE boss Enzo Siragusa on remix duties.

A rising DJ and producer within the UK’s bubbling scene, London’s Casey Spillman is most certainly an artist to take note of for 2019. Taking influences from UK dubstep and garage through to film scores and beyond, his slick blend of bumping house music has seen him take to key institutions across the country including Fabric, Village Underground, and Distrikt in recent months, whilst also joining the FUSE crew at Studio 338 late last year as part of their ten year ‘Decade Of Rave’ celebrations. Following releases on Daydream, Sukhumvit and Blind Vision to name just a few, he now makes his debut appearance Infuse, offering up three lively productions in the form of his ‘Adore and Edure Each Other’ EP with FUSE head Enzo Siragusa turning in a slick interpretation of the lead cut to complete the package.

Lead track ‘Avec Moi’ is a pacey effort that balances skipping hats and shuffling percussion with rich chords and infectious female vocal hooks, whilst ‘Temperature’ introduces a weighty garage-tinged bassline that snakes amongst off-kilter bleeps and sharp lasers. Next, Siragusa’s remix of ‘Avec Moi’ employs rolling percussion arrangements amongst soaring atmospherics and warped vocals, before ‘Endure’ combines swinging drums and groove-heavy bass guitar licks to reveal an impressive house cut that closes out proceedings in style.

Nicewon kicks off 2019 with the 'Live on DuPont EP' from Christian James. Christian drops three new cuts, stamped with unmistakable mid-west vibes, fresh from flyover USA and pulls in a super-phat remix, from one of London's most exciting producer's- Cody Currie. Following up on his SummerSota EP, he stays true to his roots with driving drum-grooves, heavy use of samplers and drum machines, with some great synth work and pulls it all together by jamming it out- live. Cody Currie brings that floor-stompin attitude to this remix and cracks the WHIP with those beloved filter disco vibes, for all the heads. This EP kicks some serious Minneapolis warehouse flavor, to fit all corners of the dancefloor. We hope you enjoy NCWN04!

Produced in Minneapolis. Mastered by Rob Small Mastering ( Leeds, UK ). Artwork by Jeff Swiff.

Nacho Bolognani has been steadily building up a solid foundation of work over the past few years, moonlighting on labels like Fun Records, Momentz and MyHouse YourHouse. Now the house producer brings his skills to Purism, Enrico Mantini's on-point label that deals in all kinds of sublime stripped back jams. DKGF EP leads in with "Distance Dub," a steady ticking tool that should sit easy in the mix with all manner of sounds and styles. "Kip" brings a more shuffling strain of dancefloor goodness to the table, with some spooky key flourishes and slithers of vocal pinging out into the spacious mix. "Grey" plies a more nagging, techy trade, and "Flow" takes things deep with pattering percussion and atmospheric pad tones.

Red Axes is the project of Tel-Aviv-based producers and DJs Dori Sadovnik and Niv Arzi. They had a meteoric rise over the last 12 months with a string of releases on labels like Multi Culti, Crosstown Rebels, Hivern Disc as well as on their freshly founded own imprint Garzen. As a result they've deservedly become sought after remixers and global DJs. Coming from a band background (as members of new wave / post punk band Red Cotton) Dori and Niv often use live instruments, Oriental influences and techno elements on their recordings thereby blurring the boundaries between songs and tracks. For the 'Sun My Sweet Sun' EP - Red Axes first outlet on Permanent Vacation - they've added a tropical facet to their sound, that instantly lets your brain recall happy times. Percussion-filled and sun-drenched club music for long days and long nights.

White label alert! Wolfram delivers a darkroom soundtrack featuring Egyptian Lover. On the flip he meets with legendary Haddaway to deliver a piano anthem! the EP is completed by excellent old-school remix treatments courtesy of “Westbam” and “DJ Gigola x Rip_Swirl”…..sold!

Laced is a slice of groovy electro pop, slinking along w/ snappy syncopation. B finds a re-working of the unreleased Dreamlogicc ambient house tune 'Shuffs', brightening the hazy original with C. Cigol's signature shimmer.