House Vinyl New Releases - News

Panic Sounds Records is an emerging Berlin-based label ran by Italian producer Lorenzo Panico. Focused on all aspects of house and techno, the label promises a wide remit of different sounds, many of which come to the fore on their debut release, SixFingers' quite brilliant X EP.

Getting us underway is the sounds of Modern Cassette', a minimal effort that chugs along at a steady pace before some elegant keys breathe new life into the equation. Simple yet devilishly effective, it'll tickle any dancefloor it's allowed to let loose on.

Next up is Pleasure MPC zone'. An ode to the ubiquitous MPC sampler, this one is a rollicking journey that's notable for its tight percussion and deep motifs. A harmonious balance between two very different sounds, it combines both with an assured effectiveness that's nothing if not admirable. Much more multilayered than what's come before, it's certainly the most distinct track on display here.

The B side gets going with 'Vivi the Soul', a bleepy techno workout that's crammed with suspense throughout. We're then left with culminating effort Jazz Reverse', a track that does exactly what it says on the tin. A trippy, hazy effort that's full of melancholic wares, it signs off with the sort of distinction that's evident throughout.

Earlier this summer Monaberry misters Super Flu sailed into the summer with their stately 'Ark'. Big and groovy enough to contain 200 of every animal, they eventually crashed it after a summer of their sweetest technoid soirees. Now safely back on dry land, the duo lure us back into the clubland winter months with two more provocative slices of dancefloor theatre.

'Selee' sets the scene with strong mystic twinges and twangs and a dynamic arrangement that peaks and troughs on its own momentum. Cathedral like in height and scope, rain forest like in its density and intensity, if this doesn't grab your dancefloor by the short and curlies, you're playing to the wrong crowd.

Speaking of wrongs, 'Bongbeat' is here to abstain you from any you feel you might have committed this summer. A strident piece of stompcraft laced with fluent acid sinews and a raw gutsy call to arms preach, if you don't feel cleansed after dropping this warehouse shattering jam then you need to consult a physician.

Stone cold Super Flu remedies at their finest. Let the darker months commence!

Second reissue of Claque Musique's Formes featuring The Museri, Federico Grazzini, Calma and Analog Inside.

Moon Harbour welcome UK based, Greek born artist Tennan for their latest EP. Next to his three originals label regular Detlef serves up a fine remix.

Although a newcomer, Tennan has long been soaking up underground dance music as a dancer, DJ and student of music technology in Leeds. He has a slick sound that has landed him on Viva Music, 20/20 Vision and Repopulate Mars, and now he makes another huge stride forward with his fresh offerings here.

The excellent 'Everyday' kicks things off in infectious and party-starting fashion with restless drums and loose percussion all getting you on your toes. Enveloping sub bass rolls down low and the addition of a vocal loop and curious synth sound really finish things in style.

Detlef appeared here last in 2013 with his Daxx EP, and now shows off the evolution of his sound with a killer remix. His take on 'Everyday' flips the cut into something more incendiary, with huge hi hat loops layered in and an even more freaky and dehumanised vocal adding a weird aspect to the razor sharp tech house groove.

Tennan then comes on strong once more with 'NahDah', a track built on woodpecker kicks that rattle your ribs. Funky little bass riffs get you shaking your behind and clever filters make for playful passages of tension and release. It's essential dancing music of the highest order, as is closer 'Malouca', the prickly and spiky cut with metallic percussive sounds, whirring machines and squelchy acid synths all zipping about like a cat on a hot tin roof.

There is a real sense of humour and cheekiness to this EP that makes it yet another standout effort from Moon Harbour as they snap up an explosive new talent.

elcome to another year of Snuff Trax output. We have reached release number 019. And we are very happy to welcome Boneless One on this ace record! This guy is a real jam master from Finland. On the - Dodgy Smiley EP' he does some magic again with his dirty machines and delivers five banging cuts. These tracks are rough as fuck - just how we love it. See you on the dance floor!

Hector's Vatos Locos Recordings returns with the label boss himself joining forces with VL family, David GTronic.

Unravelling across 10 minutes, 'Holding On' opens up this three tracker, offering a deep journey through the minimal grooves that Vatos Lacos is becoming a go-to label for. Surging kicks and crisp hats lay the groundwork for expansive undertones and sweeping pads, layered up with modulated stabs that delve into the depths of the track's melancholic makeup.

Taking to the flip, 'Gabacho' follows with an immersive roller coupling a rumbling, big room kick with glitched out synthwork and overdriven vocals that twist and turn with crunched up hits. It's lo-fi, sci-fi, set to take listeners to another dimension.

Closing out the EP, 'Villa Kubu' probes even deeper with menacing pads thundering in the background as crisp percussion cuts through to the fore. Erie and ominous in equal parts, it never loses that sure-fire groove that Hector and David make looks so effortless in their programming.

The OUER guys just live down the road from us in Berlin and we have been crossing paths many times these past years so it is with great joy we can finally present a full EP with their unique approach to electronic music on Dirt Crew Recordings. Since their debut on 'HEIST' in 2016 Xaver and Oliver have consistently pushed their sound and production, on their own OUER imprint they released four EP's up till now and the latest called 'E' is just a few weeks old as we speak. The A side opens with the title track 'Stingray Nebula', a bliss composition of layered arpeggios underlined by a deep sub bass, building steadily towards etheric strings setting in and descending again with a break beat ending that builds perfect grounds for the following dance floor stomper 'Undine'. That second A side track is a great mix of Deep House and Electronica and is what makes OUER's music so special, almost entering trance territories here but keeping those Chicago and Detroit references alive. When we head over to the B side we encounter some new tracks that really made us want to release this EP in the first place. The beautiful 'Thales' contains live bass and percussive instrumentation and is a crossover indie-tronica gem. Following that is the deep 'Inside' where an 'emo' piano themed House jam meets clever vocal sampling and filtered synth stabs to produce a great going groove. Closing out we have some real ambience electronica for you in 'Train Ride to Bratsk', again played mostly live and using acoustic instruments recorded in their Berlin studio the OUER guys are crossing borders again and turned out this piece of goodness. Enter the world of OUER, we hope you like it as much as we do!

Jack's House Recordings is back with another instalment of the Jacks Tracks VA series. Previous releases have included artists such as Alex Arnout, Terry Francis, Tuccillo, James Dexter and 2VILAS. Instalment number 3 features 4 great artists feat Rich Nxt, Politics Of Dancing, Julenn and Legit Trip.
First up is Rich NxT from the UK with a dark rolling number with a quirky melody coming in and out of the arrangement with subtle drum n bass influences also coming through.
Next up on the A side are popular duo from France, Politics Of Dancing with a solid house track that grooves all the way through carried along by a strong baseline and stabs.
On the B side, Julenn (also from France) who launched his first track with the imprint, is back with another brilliant slightly jackin influenced track full of punch, drive, busy percussion and some celebratory vocal snippets popping up in the breakdown
Last but by no means least, the talented Legit Trip from Russia with Djedai. This super cool understated minimal house track will have you head nodding from the start to the end and has a interesting Russian spoken vocal ! This track definitely is the definition of less is more, and this one will stay in your head.

Fourth release by Japanese artist Kosei Fukuda from his own platform. Great atmospheric sound scape with Japanese precision. Minimalistic Experimental IDM Techno. Including one Digital Bonus.

Fresh from appearing on 'Herbert's Best 7' earlier this year with the beguiling 'Handmade Desire', Sobek returns to Monaberry with his first full release for the label. And if you know his material from previous releases on the likes of MoBlack and Chapter 24, you'll already know how much attention this should command... 

'Modest Is Hottest': not just a fine life motto, but also vitalising slice of incredible dancefloor emotion. A rolling agenda based around a rising arpeggio, this surges beyond limits taking you and the crowd higher and higher on every bar, this is the epitome of evocative story telling techno. 

It's joined by two more startling and ultimately cosmic, feel-enriched trips: 'Emotional Chastity' builds around swooning chords, sparkling drum work, otherworldly flurries and textures before a bassline cut through and makes everyone in a five mile radius levitate. 'Stoned Romance', meanwhile, strips everything back to a hearty percussive shakedown that's spacious enough for the arpeggio, pads and chords and fuse, smelt and continually rise in a provocative way that Sobek is swiftly sculpting into his own signature.  

Timeless sonic science from an artist who took his name from the Egyptian crocodile god Sobek, let's hope he makes a snappy return...

Freerotation Records Returns With Another 12' Featuring Freerotation Residents And Regulars. The Theme For This Release Is Live Hardware Techno And The A Side Features Two Cuts From Juju And Jordash's Live Improvised Set From Freerotation 2017, While The Flip Showcases Two Of Freerotation 2017's Live Hardware Acts, The Evergreen Shawn Rudiman From Pittsburgh Usa, And The Recently Revived North-easterners Cubic Space Collective.
Collectively These Artists Are Some Of The Best Live Techno Performers In The World Today, With Decades Of Experience Behind Them, And True Dedication To Their Craft.

"20/20 Vision's was founded on the idea of 'perfect sight'. We wanted people to have a clear vision of music. A big part of that musical vision was our influences from the origins of Electro music - from the original Electro Pop pioneers Kraftwerk and Yello to more experimental laboratories of Raymond Scott, Tomita, Wendy Carlos and the BBC Radiophonic workshop. We also loved the next wave of Electro from Detroit brought by Juan Atkins and Cybotron. All the early 20/20 Vision output was produced at Farmhouse Studios by Carl Finlow, who went on to record as Random Factor, Voice Stealer and Silicon Scally. Now that output is regarded as classic Electro. It now seems like a great moment again to dive back into the deep and find the next generation of electro artists... Welcome Chris Roman aka 214 with the 'Ingalls Way', a record filled with the kind of creativity and production skills we have become accustomed to with his music over the years. After previous outings on electro institutions Frustrated Funk and Central Processing Unit, 214 now appears for the first time on 20/20 Vision. From the atmospheric tones of 'Potential Events', the manic energy of 'Windeye' and the deeper grooves of 'Back To Sine', it's an EP that leaves no stone unturned in the intergalactic sonic quest. On remix duties we have none other than Keith Tenniswood aka Radioactive Man, who also makes his first appearance on the label. Along with his work as Two Lone Swordsmen with Andrew Weatherall, Keith and his Radioactive output is generally regarded in the upper echelons of British electronic music and we're really excited to have him feature on the label. "

Welcome to Another Picture. After two decades of releasing music and much longer time being involved with music and production Losoul introduces a series of fine yet outstanding pieces of music. Being based on classic sound production this release opens a space for a wide range of musical exposure. You know the high times - you know low life. You can't deny both ways can't really exist without each other. There is the raw energy of 'BZA' consisting of rolling beats and basslines with sounds from the acidic realm being presented to the restless dancefloors by true originators' poetry. Believe that. This is counterparted by 'Sediments', a jam from nowhere else but the deep. Down here many things you might have taken for being lost remain in the abstract vibe and the groove. It's all in there. Let's go full circle.

Joe Hart and Scott Fraser's Body Hammer, London's legendary jack party has been capturing the hearts, minds and feet of Londoners for 11 years strong. Having kicked off in 2008 at the Korsan Bar, and now comprising only of residents Scott & Joe, it takes place in various venues every month. Their open minded music policy commands a friendly, spirited, diverse and fiercely loyal crowd making it consistently one of the best nights out in the city, hands down. More recently, taking the party out of London they have been touring at clubs and festivals from New York to Berlin in and everything in between. They now have their own label and its 100% Body Hammer dancefloor certified.

The first release, of course, features two banging club tracks written and produced by Fraser and Hart at Fraser's East London basement studio, mastered and cut by Keith Tenniswood at Curve Pusher.

The A side, 'Spit from the Sun' is a peak-time jacking acid number which will set any dancefloor on fire. Its rattling drums and pulsing bass stabs capture all the intensity of the convict poet on the vocal telling his story and lamenting the waste of his life behind bars.

Over on Side B, 'Igniter' strikes a more subtle tone with its gently rising strings and breathy vocal. But don't let the subtlety deceive you as those kicking drums and thumping bassline come through to get the dancers screaming for more as it hits its crescendo.

Without a doubt this EP by Torolf Stendik is going to touch your senses. HEL-TXL includes four different tracks all aimed for the dance floor and the storyline is simple: Torolf Stendik is flying to Berlin for a weekend stopover.
Fresh off Tegel Airport, Torolf goes for a Mezeplate (A1) looking out on the street, thinking it's nice to be back. The mood is good. Into the night, Torolf is barhopping and then standing in the line for the club (A2). After that out for a Do¨ner (B1) and into to the next club. Memory blanks. Torolf wakes up on the gras in the park (B2), it's Sunday afternoon and the flight home is leaving soon.

After three major releases by Tell, Nachtbraker and S3A, its time for debuting Italian artist Verner to close our beloved Trophy Quartet. This Milanese key virtuoso is ready to blow your mind with this eccentric yet humble ep, taking you on an emotional journey. Long stretched pads, playful chord progressions, organic percussion all produced with analogue 70's and 80's vintage synthesizers and drum computers in Verner's studio reminding us a bit of Harvey Sutherland and Nu Guinea's style. We're talking groove, funk, jazz but also house and soundtrack style compositions which together form a very complete record carefully A&R'd by Nachtbraker.

Drop the needle on the A side and you'll start off with L'inizio, a majestic piece of synthwork. Hurdling through different emotions and vibes, this could easily be the intro of one of your favourite 80's tv series. Upset takes you on a happy groovy tour whilst Crash of the Web Era and The Motion Pictures take us on a trippy and ambient voyage that is hard to wake up from. When flipping the record to the B side, Verner is stepping back into the groove and funk with Tecladista, arguably the dance floor hit of this debut EP. Starting of with again a majestic synth intro Area drops into a festive funk and jazz bomb with some intricate synth work treating us with some lovely solos. Closing this versatile EP is Late Night Job, a deep, deep tune with a thriving baseline and mesmerizing synths.

We suggest to don't sleep on this one and have a listen to this piece of art by the very talented Verner.

Ecuadorian posse Chicaiza joins our family with an excellent EP which resume what dancefloor means for Where We Met.

An all-time rave classic gets the Gerd Janson re-loving as he works his magic on the 1992 anthem 'Don't Go'.
26 years on from it's first release, Gerd takes the tempo down a notch laying out that all too familiar drum break, instantly recognisable piano line and Julie McDermott's timeless vocals. His subtle touches and added weight, behind a pounding kick, are sure to set any dancefloor alight. About as euphoric as they get - if this doesn't do the business then god help us all.
On the B side, Belfast's Ejeca flips 'Don't Go' into a heavy-hitting, rave tinged, techno bomb. His inventive sampling turns the synth stabs and vocals on their heads, making them almost indistinguishable, but no less impactful, from the original. It's over four and a half minutes till the iconic chord progression is heard in it's initial form, before Ejeca throws it back into a rapid fire, industrial thumper.Lastly, Gerd serves up a VIP Dub mix echoing claps and synth lines into the stratosphere whilst leaving the vocals at bay, save a short cry of 'Don't Go' from Julie towards the end of the track, allowing those anthemic elements to do the talking. A modern touch on an all-time classic from Gerd with a complete reinterpretation from Ejeca, this is a heavyweight release and one that's already being played by the biggest and the best out there.

London house & garage sounds drawing on influences from the past and mixing them with the future.

Four years since his last EP release and Josh Wink is back with Balls on Ovum.
Since his acclaimed album release in 2009 with 'When A Banana Was Just A Banana', Josh Wink has been heavily touring and working on building a new studio. Last year he produced his greatest creation to date, a beautiful baby son. After taking some time out to enjoy his newly found fatherhood, he finally got into his brand new studio towards the end of 2012. The outcome was 'Balls' - a ten-minute drive of pulsing intensity bating towards a huge breakdown, unlike any of Wink's work to date...
'I am always surprised with what happens when I go into the studio after not being in there for a while. I feel heavily inspired to make music by all the great things I hear and from personal experiences that have occurred over the past year. I didn't expect to make a techno track. However, the grooves came quickly and naturally along with the hypnotic analog pulses. Originally I came up with the foundation of my grooves using a beta version of Ableton's Live 9. And after I constructed the fundamentals of the track- I hit record, tweaked and grooved the components live for 20 minutes, and then tightened up and edited the best parts into a sequence. Then I played out, got some new ideas from crowd interaction, and re-tweaked and made improvement.



When describing the track to Matt (Ovum label manager) I was saying that I think that you really have to have balls to play this track, as it's a little different from most of the music out there right now. The track's time couldn't be edited down any further as the story and journey wouldn't be conveyed. So, the ten minutes is DJ friendly and I'm happy that I can express my tale. The track, usual of my work, is based on aural textures and tension. The breakdowns have changed through several attempts, and are now adjusted to drive the crowds, whether in clubs or festivals.' - Josh Wink
When you're as iconic a figure as Josh Wink, it's noso easy to sum up a career in a few words—but there are a couple of terms that might serve to get a handle on the seminal electronic-music producer's lifework. One of the most apt, certainly, would be longevity. A brief scan of Wink's mammoth résumé reveals the following: Early-'80 days as an underage mobile DJ; a major role in fostering his native Philadelphia's burgeoning warehouse scene during the house-music explosion later that decade; name-making '90s club hits like 'Don't Laugh,' 'Higher State of Consciousness' and 'I'm Ready'; a label, Ovum Recordings, that's undisputedly one of the most essential dance-music imprints; and his current position, after all these years, as one of the scene's most vibrant and creative DJs and producers (witness the critical success of his 2009 long-player When A Banana Was Just A Banana).

It's one year since our child has been captured, it's one year of Rowle, It's one year of traveling. We present Michael James's new ep "Apologies for the delay" like a break point, a game changer. Both original tracks have Michael's unique style with a massive bassline packed with a heavy hit series of drums. "Apologies for the delay" and "Land of living" are set to move worldwide dancefloors. On the B Side a gem from the well known French talent: Traumer. He decided to escape a bit from standards and the result he got is absolute, a track full of some acid sounds with an unforgettable break. This ep is already supported by Apollonia, Enzo Siragusa, Archie Hamilton, Giuliano Lomonte, Alci, Diego Krause, Nick Beringer, Mariano Mateljan, Fabe and more. Don't sleep, you have to be as fast ... as an asteroid.

After the extremely solid album of the Romanian due earlier this year, Cristi Cons and Vlad Caia (SIT) are coming up with a beautiful limited edition vinyl release on their new home label - Sushitech. The original version of Alternate is a warm and dreamy, atmospheric track that keeps pushing the boundaries of the modern Romanian / Berlin minimal house sound.
On the flip UK legend and label veteran Steve O'Sullivan takes things dubby and funky with his original strong trademark sound. As all other limited edition releases on the label this will probably be very much sought after - don't sleep.

Debut release on USA imprint. out of mind delicate techno and house. experiments for the jocks.

repressed!

Following his debut full length in 2016, Youandewan returns in 2017 with four pacey club tracks on his own label, The Brane.

Scottish producer Austin Ato collaborates with Jamaican reggae artist Brushy One String for this release on Defected Records, 'Oh Mama'. The producer has been active under various guises for over a decade, recently releasing on Phonica White and Futureboogie as Austin Ato, as well as some very fine remixes for the likes of Balako and Folamour. 'Oh Mama' is a stripped back release, giving space to the folky qualities of Brushy One String's voice alongside the warm acoustic tones of a double bass line. The Dub does away with the majority of the vocals, substituting saxophone and synths.

Jansons is a name that has come into real prominence on the underground dance scene in the last couple of years. The established producer has engineered for artists releasing on some of the industrys leading labels like Knee Deep In Sound, Leftroom Records and VIVa Music and we are happy to give this burning EP a home at Nick Curly and Gorge's label 8bit.

The enigmatic Monsieur Blue returns with 5th chapter of his journey. Tasteful and charming, ready to give a magic touch to your set.

Producer and DJ O'Flynn has announced his new 12' 'TKOTN/Siberian Goose Down' on his brand new imprint Hundred Flowers, to be released in 1st February 2019.

London based producer O'Flynn has announced his latest 12' on his new label Hundred Flowers, following a string of critically acclaimed single releases on Blip Discs and Ninja Tune, further solidifying his status as one of dance music's most captivating new club producers.

His new 12' release further refines and develops his signature afro-influenced house sound. A side TKOTN functions as a tense, glitchy club cut punctured by an explosive tribal drum pattern, manipulated vocals and a visceral, bass-driven pulse. On the flip side, Siberian Goose Down begins as a propulsive house track which intensifies throughout with warm percussive energy and intoxicating groove.

O'Flynn rounds off a busy 2018 having toured the festival circuit with stops including Farr and Kelburn Garden Party, as well as providing live support on tour for Hunee, Bicep, Joy Orbison, Mall Grab, Kornel Kovacs and more. Since debuting in 2015 with standout 12' 'Tyrion/Desmond's Empire', his rich productions have garnered support and acclaim from the likes of Four Tet, Gilles Peterson, James Blake, Bonobo, Denis Sulta, Hessle Audio and more. The young producer is set to go from strength to strength in 2019 with his latest release, and more new music on the horizon.

vinyl only, handstamped !

The 2nd vinyl release on the prolific Kraftmatic Records further exemplifies the forward-thinking excellence portrayed in the distinct multi-style abilities of new dynamic duo Fatima Njai & Jerome Sydenham. In the current new diverse club scene, Fatima & Jerome are sure to flourish.

The secret gem of Space Disco vibes, Ichisan will be releasing his new EP via Kanto Records. First track of the EP, Megla (The Fog) is some sort of an instrument showcase by the Slovenian producer, who used his analog synthesizers deftly to accompany the funk-house strumming of his bass and electric guitars, both played by the artist himself.

Veter (The Wind) is a five-minute-long journey into the depths of unique and captivating musical mind of Ichisan, daring to be simple yet invoking majestic feelings. Third and fourth track of the EP, Planica and Yassa are more dancefloor oriented tunes that beam with positivity and energy, both have the potential to become anthems of the summer and beyond.

Arranged, recorder and mixed in Ichisan's own studio in Ljubljana, the EP MEGLA is brimmed with phenomenal beats that would not disappoint even the pickiest ears.

Lovefingers' versions of LCD Soundsystem's 'Oh Baby'.

The future doesn't exist anymore, everything and nothing has changed, the weapons are visible and invisible at the same time, the war is real and it will continue. But we will stand strong till the end'. Moreon & Baffa returns this time with a very special pack for their own vinyl imprint. 2 originals that go further up on tempo times, bringing a futuristic space war concept, influenced by some acid and uk techno sounds from the late 90's, but without loosing their essence, always with those dubby 'deepchord / basic channel' influenced lines. And again (as 'Zamacona' did on the 002 release) in this case they bring back another legend from the late 90's. Mark Ambrose delivers a 'breaky techno tool' remix that will blend perfectly with anything at any moment, again timeless material for the heads.

The next offering on Crosstown Rebels comes from Italian trio Pastaboys, who gift us with a rhythmic and hypnotic three-parter. They invite the inimitable Rebolledo to take on remix duties to complete this package.

The EP is a trance-inducing affair. The trio lure us in with opener Kolo Kolo. Its funky rhythm sets a precedent as its trance-inducing power builds layer upon layer into an intoxicating and hypnotic groove. Abbassa is up next. Heavy on the bass, with a sensuality that is palpable. The African vocal adds a tribal touch before the track tumbles into a crescendo of urgent synths. Rebolledo's version of Abbassa is a more cosmic affair, staying true to his psychedelic inclinations and with an added a bass guitar groove.

Pastaboys have been releasing music since the dawn of the new millenium. They've showcased their tasteful and highly refined productions on imprints such as 83 West and Defected. Releases such as Born Again, Body Resonance, Limit, Hozho, Deep Musique prove that their music is timeless and that dance music is still a matter of groove and soul.

What do you do when you have a collection of Edits that have been working amazingly in your own sets and you're constantly being bugged by friends and fans about getting hold of them. Well, if you're Pets Recordings bosses Catz 'n Dogz you contact the original artists and agree an inclusion in a special new series of vinyl releases through the label... Welcome to PETS EDITS. 001 is the Catz 'n Dogz Edit of Blue Hawaii's 'Try To Be'. A track that has received an incredible response when played out and through their official soundcloud stream. Canadian duo Blue Hawaii have been releasing music since 2010 but it was their Untogether album from 2012 that really announced them on the world stage. Recorded throughout the Vancouver and Montreal Winter and Spring the album was said to reflect the vast world of self-awareness and delicacy. Try To Be instantly stood out for Catz 'n Dogz and became a firm ipod favourite on their global travels. A little tinkering and soon the guys had a version for their sets. The perfect blessing came from the band themselves who contacted the pair to let them know how much they liked it. Staying true to the original, Catz 'n Dogz underpin the Guitar line and beautifully melancholic vocals of Ra with a crisp understated 4/4 beat. On the flip and an exclusive vinyl only cut is the Catz 'n Dogz Edit of Shinedoe's 'Pure Groove'. Taking last years Bpitch Control original, the boys stripped it of its original synth breaks and sharpened it with a techier edge for their own sets. its been a fan favourite ever since and perfect track to kick off the Pets Edits series.

Smallpeeps doing the Crystal Fandango. After a little while, Just and Julius are back on wax with a
fresh three-tracker, that was well tested on the road by some close friends for quite a while- and it was
about time to put out this groover right in time for the summer. As always it comes with a full cover
artwork by Stefan Marx.

From the redwood forests of Big Sur and the industrial warehouses of downtown Los Angeles comes PFEIFFER, a label dedicated to quality and a diverse musical output. Pfeiffer follows in the footsteps of labels such as Svek and Kompakt, known for releasing a wide range of techno and house with a common thread of unique and unpredictable energy. Looking to bring this type of eclectic curation into the modern era, Pfeiffer draws inspiration from the raw simplicity and effortless magnetism of its namesake location on the central coast of California.

Pfeiffer's third release sheds its veil of anonymity in style, bringing U.K. pioneers Waze & Odyssey to the label. Hot off the success of their summer smash "Everything," Waze & Odyssey's latest track 'Upper Thrust' is a veritable journey, twisting and turning through deft synth stabs, ravey vocal cuts, and a dreamy breakdown. The Chicago influence is clear, but it's truly a beast all its own. On the flip side, label head Chris Simon offers a dance floor-focused remix centered around a driving groove and a weighty bass riff.