Driving weirdo techno, warm melodic acid and daring sound experiments - Killekill welcomes a new duo on board: SKEW & SATIRIST are Max Cooper and Gareth Williams who met in the Not- tingham, UK club scene in the early 00s, living together for a number of years, leading to an effec- tive collaboration.
Max learnt production from sitting and watching Gareth in the studio, Max helped show Gareth the way with his DJing. Both became successful in their solo projects, Max as a regular guest
on stages all over the world, Gareth starting a music technology business with partners such as Richie Hawtin, John Acquaviva or Daniel Miller.
Over the years the musical collaboration between the two friends has continued in the background and they've finally found the time to bring it to fruition and start this project for their darker, more extreme and twisted techno which has been lying dormant over the years.
House News
There is no in-between, neither is it only black or white - it is always, also, a question about contrast.
This is the third edit release on the newly reborn Tech-nology label.
The first was played by Luca Bacchetti at Burning Man 2023 and by Michael Meyer in his Soundcloud, radioshow - a big thanks.
The second is yet to be discovered, but mostly jazz and afro with a Minimal and Chicago touch.
The edit series is a mix between techno, which was initially the start of the label, so!
The edit series is not disco in the sense that is most popular or most accepted, this is a new way!
Making a techno approach to attack the original disco track.
Tech-nology!
This output is the third and not a secret track.
Here it is black, like the techno sound behind.
There is the basic well-known one-to-one production with extra techno breaks for your dancing
pleasure.
But the flipside, with 2 versions, is the big room killer.
There is always white noice
Kwench Records is synonymous with homage-driven house and techno. Cassy's guilefully-curated selection of releasing DJs and producers is to be admired yet again with the arrival of heritage artists Jesper Dahlbäck and Alexi Delano under their respective aliases The Persuader and AD. Together they collaborate on a deftly-cut four-tracker with artist and writer Bella Hardcover adding her touch in spoken word.
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Friebe and Puestel — two souls, one heart, back again with a his new Breakbeat-infected single "Y.K.M.U." and "My Word And Sound" spreading some massive love...
Buckle up for N°05 - a thrilling rollercoaster of groove that will keep you on your toes. With a catalog that reads like a love letter to the golden age of house, HDL N°05 is a homage to the beats that got us grooving. Hard Drive Library remains a pulsating force for those in pursuit of releases that are not only avant-garde but also set the dance floor ablaze.
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Rekids welcomes HUD with the ‘Sugar’ single, remixed by Mark Broom and DJ Deep.
Unearthed by Radio Slave via a 2022 Ricardo Villalobos set, UK artist HUD lands on the celebrated Rekids imprint with ‘Sugar’, alongside remixes from scene legends Mark Broom and DJ Deep.
HUD’s ‘Sugar’ is a high-energy breakbeat track assured to set the dancefloor alight on every occasion, rife with lush piano melodies, a driving bassline and a cheeky, earworm vocal. Reimagining the track first is Rekids regular Mark Broom, infusing ‘Sugar’ with a dose of his mutated battle breaks, turning up the flange on the drums and amplifying its gorgeous piano top-line. This is before DJ Deep closes the record with a big party anthem remix, complete with tripped-out vocal chops and infectious techno rhythm.
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If you prefer things sweet and concise, here is all you need to know about Morphena and Narciss and their Lingua Erotica release on Running Back: a project of passion made while living across the globe thousands of miles apart from each other while falling in love, sensuality, tenderness, longing, authenticity.
Making waves on the festival and club circuit and meticulous productions like Forbidden Fruit or the Immer Remix for Running Back, Narciss found the perfect partnership with Morphena and their multitalented artistry between DJing, music making and vocal work.
Informed and inspired by a mutual enthusiasm for Italo blueprints, new romantic mannerisms, synth pop poetry and an uncanny knack for subtle and yearning dance floor euphoria (see Paradise and the club version of Per Aspera Ad Astra for further proof). it works like a mix tape or love letter to the listener or any of their adored ones. While the obvious club cuts Mi Amor and Fleeing Into You are sandwiched between the ambience of Per Aspera Ad Astra and Cocoon Cracking, one cannot help to be mesmerized by the coherence and monolithic magnetism of Lingua Erotica.
Captivating, catchy and confident. Here’s to many more.
Nach den beiden limitierten 12inches erscheint das neue Album des britischen DJ/Produzenten Pangaea (aka Kevin McAuley), sein erstes seit der gefeierten Debüt-LP In Drum Play (2016), nun als kompakte Doppel-LP, inklusive dem aktuellen Clubit 'Installation' als Opener. Pangaeas neue Tracks sind galoppierend, ansteckend und hypnotisch und fangen seine Fähigkeit ein, Banger mit einer experimentellen Neigung zu konstruieren, ohne auf Wirkung zu verzichten. Ihr Fokus auf den Dancefloor ist dringend, nachdrücklich und von einer unbestreitbaren Präzision. Die beeindruckenden, unaufhaltsamen Grooves glänzen wie Marmor auf Beton: glatt und doch rau, attraktiv und doch aggressiv. Wie ein Zwielicht mitten in der Nacht, mit mysteriösen Elementen, die sich nicht als Bedrohung anfühlen, versprüht die Musik eine Wärme, die die Dunkelheit durchdringt.
- A1: The Blacksmoke Organisation - Danger Global Warming (Trentemöller Remix)
- A2: Trentemöller - The Forest
- B1: Mathias Schaffhäuser - Coincidance (Trentemöller Remix)
- B2: Jokke Ilsoe - Feeling Good (Trentemöller Remix Chronicles Edit)
- C1: Röyksopp - What Else Is There (Trentemöller Remix)
- C2: Trentemöller - Gush
- D1: The Knife - We Share Our Mother´s Health (Trentemöller Remix)
- D2: Trentemöller - Kink
2024 repress
We are happy and proud to present „The Trentemøller Chronicles“.This new double album is not a new studio album, but an overview of Trentemøller‘s impressive body of work. The Trentemøller Chronicles include Anders‘ personal selection of his best songs and remixes and includes one extremely excellent exclusive track Trentemoellers hymn against global warming
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We are back, and pleased to introduce you the first ever physical 'Various Artist' release with some of our favourite producers and good friends.Our dear Pily who has been the secret weapon inside many USB's and record bags lately, opens up with A1. 'Bailo En Circuito' sampling Alma Matris vocals, adding an infectious beat, simple and quirky enough to keep you going, masterpiece/.A2. Coming all the way from South America, Uruguayan super newcomer DJ/producer Marcos Coya debuts on DID with a straight fire tune. Hypnotic and with a characteristic acid strength, 'Buahh Trance' has been heavily supported by legendary DJ KOOLT this past summer. Flipping the record B1 is none other than the prince of fast heart-beats, recently moved to Spain, Prince De Takicardie brings the 'Badalona's House', an after-party happy/trippy tune, let's take the ride!.B2 by the Ibizan boy's JNJS (Jacob Saavedra & Jay Nortown) 'X-Money' is an economical broken-tech story, it will make you think about it, if you are deep in dis one enough...B3 is London's upcoming Dub Dealer Eren Arif with 'High Volume' a breakbeat dubby tune to close the V/A.
Despite building their careers out of strikingly different musical places, both dBridge and Radioactive Man have taken influence from the field in which each other operate. dBridge (Darren White) was part of the iconic drum & bass outfit Bad Company and he helms one of the scene's most solid and quality imprints in Exit Records and Radioactive Man (Keith Tenniswood) was born from the acid house scene and the off kilter electronics of his Two Lone Swordsman projects (alongside Andrew Weatherall) which led him to create his decidedly UK take on Drexciyan electro. It's by no means a stretch to learn that both producers have crates that contain their favourites from each genre but they've also found a mutual respect and connection in the studio over the last few years, leading to the dBRm moniker for Craig Richards' The Nothing Special label.
Repress
After huge releases on big labels like Apollonia, Rawax and many others iO (Mulen) is back to his main label dropping a big LP. The "Lucky Fish" album consists of three different vinyls full of killer grooves: between smooth deep house and techy bangers, cooked in unique iO (Mulen) style. These cuts were tested on dance floors around the world for a long time, so now we have no doubt that all of them are lethal weapons for any set. Hurry up, it's limited and of course vinyl only as always.
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‘Zeitgeist’, the debut LP from celebrated Italian electronic music producer Dukwa, begins with a timeless dancefloor equation; swung drums, a clattering cobwell and flickering hi-hats lurch forward into a serious bassline. Within seconds, dancers are flung into the house anthem ‘You Don’t Want It’ that’s equally raw and charismatic, sensual and powerful. For the next forty-five minutes of rhythm, melody and studio trickery, ‘Zeitgeist’ continues to bend time, eras and bodies.
Having released EPs on respected labels including Numbers, Gudu and Diynamic Records, invariably with the support of Jackmaster, Peggy Gou and Solomun, Dukwa folds into the Slacker85 philosophy with ease, laying down a statement of intent that’s squarely for the dancers. Indebted to a youth digging in Florence’s record stores, embracing the peerless Italian rave scene, as well as his recent appearances at Circoloco and Kappa Future, ‘Zeitgeist’ subverts it’s knowing title to dance between styles with an urgency you can feel in your heels.
Before long, Dukwa is smoothly oscillating between acid overdrive and weightless house on ‘Catch All’, while the balance between softness and severity is refined even further on ‘Show Me’, showcasing the record’s first euphoric breakdown, a heads down, hands up moment that sacrifices none of his organic flow. Ably mastering many corners of his record box, ‘Avec Moi’ makes a confident left turn into tunneling trance, interspersed with a sensual french vocal.
‘All You Need’ provides the record’s beating heart, Dukwa’s overarching philosophy front and center around layers of synthesised groove, build and release: “The world is full of fighting, ignorance and greed, but right here on the dancefloor - the rhythm’s all you need”. Meanwhile, ‘My Turn’ channels more cinematic instincts, zoning in on an elegant piano riff in order to unravel a quietly epic deep house trip.
As ‘Zeitgeist’ heads toward its conclusion, Dukwa effortlessly squeezes the most emotive juice from his well-oiled studio. ‘Sad Eyes’ possesses the emotional punch of many vintage end-of-night anthems, still driving yet touched with a wistful ecstasy. Finally, for closing passage ‘Stck1’, Dukwa truly lets the machines sing, capturing a brief symphony of harmonising modulations that dip into weirdo electronica, without ever skipping his signature beats.
TELUM returns with three huge unknown weapons for chapter 012 of the series!
Massive support around the world from some of the biggest names in the business and now it's your turn to raise the energy on the dance floors with these gems!
An essential for everyone's vinyl collection!
Grab your copy whilst you can!
It's Sunday. You're at the after party. And the DJ is playing white label edits you've never heard before.
Seer Record Co is back with even harder hitting trax! Our second release comes direct from Montreal via Brazil. Seer DJ Hermano ful«lls his prophecy and is forever etched on the soundwaves of the Discodrama EP. As if fallen from heaven, this Balearic driven 12” has everything you could need. From
downtempo to peak time 303 business, seer-002 is a must have in DJ crates. On the A side A1 explores the 303- Balearic connection, while on A2, we are blessed by Kodemul’s essential bass thumping rub, battle tested at Panorama and approved. On the ¬ip side for B1, fresh off their Mutek Debut, DJ Hermano summons OJPB to help him weave spells of sound into the fabric of time. A hazy, windows-down, synthesizer-draped downtempo hit! Last but certainly not least, is CDMX’s «nest, Soos. Bringing us on the PM side of things for B2, with coma-inducing 90s style deep house stabs, immensely lush roll-your-eye-back pads and cutting edge «nger snaps ! “Turning the intangible into something that can be heard, felt, and lived.” -Seer Record Co.
Encore!? Say no more.. Plush number 4 is here!
Elusive local live hero JCow soft launches into the arms of Plush Records, bringing a modern day classique to the underground masses. The Berlin based producer & DJ has been humbly making waves amongst prancers and dancers; unless you’ve been living under a rock!
“Wish U Were Here W Me” is a pupil dilating, rump shaking sunrise anthem; a melodic masterclass with a bassline that puts funky town to shame. Vocals expertly extracted from Brandy’s “Long Distance'' which soar like silk over a breathtaking breakdown.. tugging at heartstrings across the globe. The Emotional Breakdown mix is catering to the softies out there, stripped back and filling up your cup, pure natural ecstasy.
Close your eyes and get lost in the groove.
Warm welcome to the label this time comes to the duo of producers from Netherlands called pH Project. The musical union formed by Pelle and Herra that are both have been doing what they do for many years and played alongside as well many admirable artists which you can find on the archives of the internet if the curiosity will get the best of you. The maestros of the project have provided us with 3 ready to tremor up the speakers cuts with their signature groove and knowledge that they have acquired in the trenches of rave during their activity on the scene. Finalising this 12” vinyl cut is Levat, the producer who doesn’t need introduction as his persona and non-stop dedication for music speaks for itself. Taking non-standard approach of taking stems from all the originals hence the name of the work is “Thritrakk”, combining the elements of all three tracks we have this dark electro monster audio gracing the B2 side. The work of a collaboration of styles and sonically dedicated minds have resulted into this EP “Obvitrip” coming to life for us to enjoy.
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Depthful is the new label runs by Dotan Bibi aka Dot - dedicated to the exploration of the vibrant and immersive worlds of house and techno music. strive to unearth tracks that resonate with both the mind and body, creating an auditory experience that transports listeners to a deeper state of being. You can expect releases from Dot himself and close friends who share the same style & vision.
first release comes from label owner Dot :
A1.'The Setting Of The Sunrise' opens with an ethereal atmosphere, inviting listeners into a world where time seems to stretch and bend striking a perfect balance that encourages movement on the dance floor while also inviting moments of reflection. Along with the vocal pieces that are scattered throughout the section and create a lovely flow.
A2.'That Place' is a vibrant house track that radiates energy and warmth from the very first beat. The pulsating bassline sets a solid foundation, driving the rhythm forward with an infectious groove that invites movement.
From the outset, the track features lush synth chords that create a euphoric atmosphere, transporting listeners to a sun-soaked dance floor.
B1.'Past And Future' is a captivating deep duby track that immerses listeners in a rich, atmospheric soundscape. From the very beginning, the track unfolds slowly, enveloping you in its lush textures and resonant basslines and small pieces of vocals that connect amazingly with the atmosphere of the track. deep, hypnotic rhythms that create a sense of space and time, inviting introspection and exploration.
B2.'Hide & Seek is the closing track of the EP and is a mesmerizing breakbeat deep track that masterfully weaves intricate rhythms with atmospheric soundscapes. From the first beat, listeners are drawn into a world where playful breaks and deep basslines create an engaging and dynamic listening experience.“Hide & Seek” is a standout track that perfectly highlighting Dot’s innovative approach. It’s ideal for both the dance floor and intimate listening sessions.
repressed !
F4E002 is the second vinyl release in the House Music genre of a well known label Friends f4 Ever. This vinyl has only three tracks, and they’re all edits of Classic House tracks.
Only 500 copies of this vinyl have been made, and each one is unique due to being hand-stamped.
The artist has done a great job of updating these Classic House tracks while maintaining their original charm.
Because this vinyl is so limited, it’s a highly sought-after item for collectors and House Music fans. If you’re a lover of this genre, you won’t want to miss out on the chance to own F4E002. Whether you’re new to House Music or a seasoned enthusiast, this vinyl is a must-have for your collection.
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Almost a year after his last outing on Dungeon Meat, Borren is back with more hefty slabs of hardcore house and garage fusions. 'Space Mode' kicks off with shuffling beats and low sling bass that can't fail to amp the party. 'UKTD Gangsterloop' is another naughty and smiling cut with characterful samples and filthy bass. There's some nice and trippy melon to 'Warp Garage' that makes it perfect for those inky blue late night hours and 'Zeer Zakelijk' shuts down with chunky drum funk and rolling bass that is so deep it rattles foundations.
Carebears strike again!
Finally the eighth release.
Four dancefloor tracks that mix the 90's sound with a modern vision.
The entire musical spectrum of the label in one dancefloor-proven anniversary record.
Mastering by Kashatskikh Studio, Saint-Petersburg (RU).
Design & Illustration by Kirill Kashatskikh.
We are proud to welcome Myungho Choi to the family of Sakskøbing for our twenty-third release. Residing in the big apple New York and baptised in the early 90’s of the warehouses of the Midwest we can safely say the man has seen and experienced the music first hand. Boss of Transit records with the first official vinyl release dating to 1999, Myungho has acquired a ton of knowledge through the years of digging and listening to the music on any medium it came on. Having an opportunity to witness his heroes and get inspired by them sufficiently to create his own story within the sound frequencies.
The EP is a boat of smooth sailing but with the turbo jets attached to it, to get to any needed destination as comfortable as possible. Heavy influenced by the sounds of Detroit and Chicago, having grew up with an abundance of the music that comes from there resulted in JET, the formation of the artist’s skill and knowledge which has been executed on the canvas that is a beautiful to look at and pleasure to listen - the 12” vinyl record we are beholding today.
Berlin’s NIKK drops ‘Paradize EP’ on Radio Slave’s Rekids this January.
Fresh from releases on FJAAK’s Spandau20 and Unknown To The Unknown, Berlin-based DJ/producerNIKK prepares to release ‘Paradize EP’, his latest collection of funky yet hard hitting techno cuts for Radio Slave’s Rekids.
Leading the release, title track ‘Paradize’, played to a raucous response at Printworks by Radio Slave,combines meaty drums, emotive chord stabs, and floating breakdowns for a track sure to cause many more memorable club moments. ‘Mylove’ brings punchy bass and sizzling percussion alongside subtle vocal chopsfor a chunky 4/4 number to round off the A side.
On the flip, ‘Flakes’ brings bubbling low end, pumping drum work, and choppy stabs for a pacey slice of breaks-laden techno, before ‘Give A Funk’ brings together swinging percs and rolling synth lines atop glistening pads and leads to close out the release.
Spectral Bounce proudly presents Zevar, the debut release by Aedis, an alias of David Iriarte. This new undertaking sees the Amsterdam-based artist plumbing the depths & tunnelling further into a sound that has surely been in the works for some time. One half of Iro Aka, Iriarte is no stranger to the exploration of ambiance & rhythmic play: the duo released a trilogy of records on John Talabot’s label Hivern Discs between 2020 & 2023.
On Zevar, Iriarte first traverses the deeper territories of tech house before conjuring up mystic 2-step and delving into rolling techno. The sense of spaciousness throughout the EP is vivid: perpetually unfolding modulated delays; cavernous reverb; weighty, grounding sub frequencies. This expanse is punctuated by fragmentary voices, psychedelic refrains (“Xtz”), intricate break deployment (“Station”) and thudding bass tones (“RTHM”). Just enough is given, just enough held back. With these 4 tracks, Aedis brings you that little bit deeper.
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DC Salas returns to his own Higher Hopes imprint with the ‘Pixelated Dream Theory’ EP. A club-centric, no nonsense four tracker, the EP is a collage of in§uences drawn from various strands of dance music knitted together in Salas’ imitable style. Kicking off proceedings we have the aptly named ‘Acid Breathe’, a brooding number punctuated by spooky synth work and a gnarly (you guessed it) acid line that sets the tone for a release loaded with peak time madness.
Next we have the title track ‘Pixelated Dream Theory’, a track that nods back to the rich heritage of the Belgian underground, effortlessly fusing some of the key motifs of New Beat & EBM with a modern perspective. The B-side opens with a secret weapon of Eclair Fi¦'s ‘Blaes’. Named after the street Fuse is situated on, it is crafted with the institution’s dance§oor in mind. A bassbin warping, head spinning affair that’s sure to be a critical part of DJs sets throughout spring and beyond into summer.
For the EP’s ¦nal stanza we have the impressive ‘Phased Dance’. A suitable closer, the track leans slightly more into house than previous offering with §ourishes of progressive, balearic all whilst maintaining the chugging fundamentals of the EP, teasing whats to follow with Salas’ planning a new album for the second half of 2024.
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Black[28,78 €]
After dropping several tracks and performing at select festivals throughout the years, Ólafur Arnalds and Janus Rasmussen dedicated the year 2014 to explore the area in-between Ólafur's more acoustic, piano-based solo work and Janus's synth-heavy electro pop, with their collaborative electronic project Kiasmos.
By focusing solely on their self-titled debut album, Ólafur and Janus have been able to combine and further develop their unique sound aesthetics to complete an album driven by their mutual love for electronic music. Made in Ólafur's newly build studio in Reykjavík, Iceland, a majority of the album was recorded using acoustic instruments next to a variety of synthesisers, drum machines and tape delays. It features a live drummer, string quartet and Ólafur performing on the grand piano, producing an ambient, textured sound, which makes it a perfect home listen and equally danceable record. If you listen closely, you can spot them record the thumb piano, finger snapping and even the sound of the metal grinder of a lighter slowly to replace the usual electronic hi-hat sounds, giving the album a far more intimate and unique atmosphere.
We decided to start almost completely over with this record, so most of the material is written this year with the idea of making a record that can stand as one piece rather than a collection of songs. I am very excited to get a proper record out exploring a different territory than I am used to. I touch a lot on electronic genres in my own music but never have the opportunity to go full out electronic like we do here.' - Ólafur Arnalds
The Kiasmos project has been around since 2007, but because of all our other projects we never really got the time to sit down and write all the tracks we always wanted to. So when we early this year finally found the time to sit down and make a full length album there was so much we wanted to try out. The result surprised us a bit, it's deeper and more emotional than we imagined it to be, but that's the beauty of being able to make an album.' - Janus Rasmussen
Long-term Erased Tapes graphics collaborator Torsten Posselt at Feld Studios in Berlin created the cover artwork. Feld Studios was a natural choice for Kiasmos, seeing he also designed the cover for their Thrown EP, released previously.
Kiasmos is made up of Icelandic BAFTA-winning composer Ólafur Arnalds, known for his unique blend of minimal piano and string compositions with electronic sounds, and Janus Rasmussen from the Faroe Islands, known as the mastermind of the electro-pop outfit Bloodgroup. Based in Reykjavík, Arnalds used to work as a sound engineer, often for Rasmussen's other projects, where the two musicians discovered their common love for minimal, experimental music. They eventually became best friends, often hanging out in their studio, exploring electronic sounds.
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The new label engorn celebrates its second catalog release, once again featuring gustav krach and taschendrachen. The A side kicks off with two dreamy deep house tracks by taschendrachen. The first track, the meaning, blends lush congas and bongos with smooth pads. dont forget us stands out with its warped bassline, while both tracks feature lovely, haunting vocals. The side is rounded off by a sweeping ambient
breakbeat track from gustav krach, closing it with atmospheric depth.
On the B side, taschendrachen showcases his passion for
chords, creating a drive infused cut with tell me do and crafting a dub influenced soundscape with tides, where the chords form a vast sonic backdrop. The release closes with gustav krachs atmospheric ambient track, offering a fitting, introspective conclusion to the journey.
The Diyeis is the brainchild of Concret and Inigo Vontier, a DJ duo united by their love for edgy, psychedelic music and the pursuit of raw, pure sounds that transcend emotional layers. Their mission? To harness the primal, tribal effect of ecstasy on the dancefloor, creating a space where connection thrives through rhythm alone.
For the first time ever, the highly regarded Anything Goes release series is curated by a single act – or rather, a duo: The Diyeis. Known for their raw, edgy sound and boundless creativity, the duo presents a unique selection of reworked tracks. These edits, crafted as playful DJ tools, are designed to create those cheeky dancefloor moments where nostalgia blends seamlessly with the thrill of a sunrise rave.
Chat Noir Tools continues to dig into the new scene to put the light on up & coming producers. For our first release of 2023 we're thrilled to introduce parisian DJ & producer Lungo! His Game Over EP is a four-tracker inspired by the retro-gaming universe and crafted for a heavy dancefloor use.
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Goodtunes is back and this time with a highly regarded compilation of various artists.
Kicking off this label’s second release we have Mungo Sound Machine. Positioned as the A1, ‘See You Next Thursday’ functions as one of the heavier tracks on the release. With a downright dirty bass line, crisp percussion, and creative arrangement, this track tells a story that will never get old.
On the A2, comes ultra-talented friend of the label and NYC resident, Chuwee. Here he delivers with a magical evening steamer in ‘DX Tornado’. Shuffled drums and a deep rolling bass line accompanied with funky stabs and tripped out Japanese vocals are the perfect combination to start a party or keep it going.
J. Feierabend is no stranger to the punch. Sharp and ripe kicks, snares and a thick bass line drive this clubby groover to great heights. Bright vocoders and tech’d out bleeps take this one step further. When it comes to being simple but effective, the B1 ‘Listen’ knocks it out of the park.
Lastly, worlds collide from the Berlin to Paris link-up between Natebytheway and Local DJ. Crafted on a sunny day during the Olympics in Paris, this collaboration is a gentle taste of the deep and clubby combination the two producers love. Techy, gritty and soft in all the right places. Let ‘PB Saucers’ and the others aforementioned take you and your loved ones to brighter places.
And another! One Eye Witness rounds up 4 more acts to deliver the latest instalment of their V/A series, WITNESS07. The EP brings together names from across Europe: here fresh faces — the likes of Bristol’s JoeLy — rub shoulders with more established dancefloor exponents such as SameSame from Germany and Rome’s Christopher Ledger, all utilising the hypnotic tech house aesthetic championed by O.E.W.
Young Adults’ “It’s Only Temporary” kicks the EP into gear, a perky cut loaded with bounce. The The Hague duo employ a rubbery bassline and sound palette with plenty of boing, whilst working in a playful nod to a certain 1997 Loveparade anthem. Christopher Ledger gets classy on “Change That”, its slinky, steady break keeping hips in motion whilst tricky dubwise FX swirl across the stereo field. JoeLy slows things down and reigns it in with “Transitional”: beneath the filter sweeps, a seductive, sliding acid bassline is accompanied by augmented 303 action. As punchy as it is textural, the fittingly titled “Novel End” by SameSame seems draped in gauze — delicate drones wrap the drums in a soft cocoon, offering something a little more cerebral. WITNESS07: A tech house Tour de Europe, brought to you by Amsterdam’s all-seeing eye!
Upfront business from London’s Baby Rollén. Kaleidoscope EP is a club ready four-tracker exploring a fusion of sounds from the dazzling arps of the title track, to the groovy bassline pulse throughout Nerve Glider.
Hitting hard on the A1 with Psychology which takes equal measure from early Detroit techno and fuses with the steadily popular Baby Rollén blueprint of contrasting pads and melodies. Voodoo combines influences of jungle with euphoric piano hooks, scattering throughout an extended arrangement.
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The third time is the charme...that's right. Thus, the joy about the third album by Marek Hemmann is huge. Likewise, the third album is perceived as an important brand which ought to show the actual extent of a musician's potential. Either hold one's ground or dare something new Marek Hemmann is not deterred by such expectations. He was merely in the mood for new tracks. The eight newcomers on Moments' sound accordingly - easygoing, detached and characterised by the same profoundly and harmonically balanced musicality for which Marek Hemmann is world-renowned. Anyhow, a just continue as before' mentality is not an option for the Berliner my choice - from the beginning, his music effortlessly blurred the established genre lines. In this vein, his new work is influenced by a great candour.
As already accomplished with his highly esteemed albums In Between'and Bittersweet', in Moments' Marek Hemman takes the listeners - and certainly the dancers - on a journey through different spheres of contemporary electronic music. Nestled in Helio' and Bob' branches to significantly different moods are introduced from silent pauses to weightlessly lifting off to dancing around dreamily. Yet, within the many interwoven details, a noticeable sophistication can be picked out. Even more seamless and subtle, Marek Hemmann manages to unite euphoria and sweet melancholy, playful and sublime sounds, warmly shifting basses and sweeping synth-melodies.
Moments' provides moments of life and moments on the dancefloor with the fitting soundtrack. We are very happy
about this.
R.A.N.D. Muzik Recordings proudly welcomes Dresden’s
mpeg to the label for a 4-tracker of deep tech house
nostalgia
After already working on yeyeh005 together, it was more than overdue to do a solo EP together. Our lives crossed over ten years ago, and the past six years saw us grow into a deep friendship. All four tracks were made around the time of preparation for a Breakfast Club ADE 2021 with De Lichting live. Three years later, we are releasing these solo club cuts.
2024 Repress!
The eye of the storm: welcome to Tornado Wallace's debut album! The accumulation of about four years of work, with tracks written in Berlin and Melbourne, 'Lonely Planet' is nothing like you may have expected from the Australian expat. No stranger to fans and followers of ESP Institute, Beats in Space and Music From Memory's sister Label Second Circle, Tornado Wallace's strain of releases so far merged functionality with a musical playfulness that led him to find himself as one of the producer's behind José Padilla's International Feel album. Here, he leaves the needs of the dance floor behind in order to create a magical mystery tour de trance into his and our inner jungle. How about some references New Age sounds meet new wave melodies, Grace Jones runs into the Dire Straits at Compass Point, while a Korg Mini Pops and a Roland CR78 make amends for Sly & Robbie's absence, Michael Mann pictures Joseph Conrad's 'Heart of Darkness', Robert Rauschenberg tries his luck at naturalism and an imagined Wally Badarou echoes through all of it. Sandwiched between the title track and the yearning beauty of the album's final point 'Healing Feeling', you get all of that as well as collaborations with and contributions of NO ZU, David Hischfelder and the voice of Sui Zhen on 'Today', who would easily make Anna Domino take her proverbial hat off. Tornado Wallace created an album that supersedes the requirements and expectations of a debut. Like a lost Island Records or a never released Made to Measure album, 'Lonely Planet' soundtracks notions and ideas that recall the nostalgic future in the past as much as it looks ahead.
"BlackFilter is the project of Pellegrino Mazzucchi, a percussionist, DJ, and producer residing in Modena, Italy. Pellegrino became passionate about music at an early age, thanks to the influence of his mother, a Fado singer of Indo-Mozambican descent, and his older brother, a DJ of Latin and World music who encouraged him to study Afro-Cuban percussion. Drums, or "Batuki" (as his mother called them when she was getting mad at him for the continuous rhythm that echoed through the house at all hours of the day), served as Pellegrino's first means of expression. He later expanded his sound palette through experimentation with analog synthesizers and drum machines. The fusion of these elements over time gave birth to the distinctive sound of Black Filter and "Batuki": a dialogue between Afro-Caribbean rhythms and futuristic Jazz with hints of electro and disco, offering the listener a sonic and refreshing sound experience."
"Batuki" is out on Ragoo Records.
In every human's journey, there should be moments of reflection and renewal.
After an interlude of six months, stepping back from the city life, Nabil returns home with a selection of tracks that echo his innermost thoughts and feelings through deep, well revisited inspirations.
Phreaky Friday takes us on his ride, embracing this soul search.
A true outsider on the American dance underground, Mike Simonetti steps up to Slacker with a long-awaited return to his most acidic mode in collaboration with Paris duo CLAAP! The founder of rip-it-up institutions like Italians Do It Better and 2MR, Simonetti is reunited with Sylvain & Santana for a driving trip to the very belly of the club.
Having crafted a now highly sought-after rave artifact in 2016’s ‘Release Your Body To The Best / Slave’, the trio return to wax and digital with precision expertise, freshly pressed to stir up further house trouble. ‘Priest’ pushes Simonetti and Sylvain’s analogue synths to guttural extremes, finding sensual rhythm in tough dissonance and encouraging submission to CLAAP! vocalist S.A.N.T.A.N.A.’s proclamations and predictions, her seductive French accent operating in the grand electroclash tradition.
“I’m your priest, I make your dreams come true, I’m the future you…”
After the filters have burst into ecstasy, ‘Groove (Acid Crashed)’ focuses it’s energies entirely on the benefit of the dancefloor, turning the screw toward pandemonium with worming, climbing synth lines, dramatic crashes and S.A.N.T.A.N.A.’s timeless invitation; “Let the groove take over you.” Now and forever, with pleasure.
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Spencer FM kicks off his new label Madrugada with a diverse five-track EP of psychedelic late-night house. Kicking things off, "Chicken Billy's Last Stand" rides in with dusty film reel textures and gritty drum programming, while "Good God" pays homage to the upper Midwest’s prodigal son with a spaced out deep cut that’s tailor made for those closing moments. "Alpenglow" wraps a spiraling earworm around ethereal pads and a slamming bassline, with "Miss E" conjuring a world where 90s R&B was birthed in a South London basement. Capping things off, Massimiliano Pagliara's remix of "Alpenglow" adds a touch of acid-tinged Italo to round out the record.
Back on track setting the tone for the new year with the highly anticipated EP "Speed to Burn" by T.E.C. This sonic journey blazes through a spectrum of tempos and moods, delivering five dynamic tracks that navigate effortlessly from floaty downtempo atmospheres to high-octane peak-time bliss. On the A-side, "Angle Grinder" takes center stage as a club-ready anthem with snappy drums and trippy chords, destined to elevate energy levels. Following suit is "Hi Set & Lo Set," a meditative piece that glides through a serene ambient landscape, offering a mixed excursion of airy textures and subtle dynamics.
Flipping to the B-side, "Myriad" goes off with a trippy, pumping jam that’s as captivating as it is infectious. Next up, "7001 On Plastic" kicks in with a fast-forward techy chugger—a proper peak-time weapon designed to ignite the dance floor. Closing out the EP, "Wasp" delivers a phased-out, downtempo voyage that lures listeners into a hypnotic state with its breezy, introspective flow. With "Speed to Burn," T.E.C. delivers a masterclass in versatility, showcasing a rich tapestry of sounds that perfectly encapsulate Serenity Now’s ethos. This EP promises to light up dance floors while offering moments of introspection—an essential addition to any selector's collection
Split #3 is the latest installment in the Split Series released by Overthink Records, showcasing a dynamic blend of techno and EBM from talented producers. This record features two sides, each offering distinct yet complementary styles.
Corsica producer Charlou takes over the A side with two techno tracks, delivering a unique sound that seamlessly blends retro and modern elements.
On the B side, Italian producer Waveratio 618 makes a strong debut with two solid techno/EBM tracks. Waveratio 618's music is marked by its gritty textures, driving beats, and dark / atmospheric tones. The tracks merge the raw intensity of EBM with the precision and complexity of techno, creating a sound that is both intense and hypnotic.
Dana Ruh offers up the aptly titled ‘This Journey So Far’ 2x12’’ project via Yecad here, comprised of eight original cuts.
As a long standing and widely respected figure in the world of underground house and techno through her releases on the likes of Slices Of Life, Ostgut Ton, Cocoon, Cave and of course her own Brouqade, Dana Ruh’s reputation stands tall as one of the finest purveyors of this sound. Amongst her releases, Dana maintains a heavy tour schedule taking her across the globe each year to many hotspots in key cities, here she marks another milestone in her career with a 2x12’’ release, entitled ‘This Journey So Far’, as a musical reflection on all that’s led to this point.
Across eight tracks Dana presents her distinctive style which often straddles the lines between house and techno, opening with the airy, swinging dub aesthetic of ‘Case Of V’, while diving into deeper, murkier realms on ‘Bruv’. The B1 ‘KMA54’ then shifts focus towards choppy breaks, textural tension and hypnotic voices before B2 ‘Babel’ lays down a true dub techno feel across ten minutes of crisp drums, spiralling echoes and expansive reverberations.
Kicking off the C-Side is ‘MF Now’, stripping things back to a shuffled, bumpy rhythm section, resonant synth chimes and billowing textures. ‘Grey With Some Light’ then leans into a more experimental glitch realm via twitchy oscillating percussion, unfurling atmospherics and drifting keys. ‘The Look’ leans back into House territory with raw stabs, sax lines, metallic chimes and vacillating low-end tones before ‘Song For The Lonely’ concludes the project, encapsulating the essence of deep house with ethereal pad swells, circling stab sequences, low-slung drums and cossetting subs.
Detroit house and techno staple DJ Holographic launches her new label, Through The Veil, with the release of her newest 12” EP with influences that trace back to the Detroit funk of the ‘60s. ‘House In The Dark’ part of a new body of work that will channel Holographic’s deep ties to astrology.
DJ Holographic’s spiritual journey has taken her deep into the practice of shadow work, a type of psychotherapy that allows her access to repressed parts of herself, finding answers about everything from her childhood experiences to romantic relationships to creative blocks. Born and raised in Detroit, this experience of inner exploration has educated and empowered her and serves as the inspiration behind her new project.
Holographic will debut this extremely personal work fully uninhibited on her new label. The releases correspond to each zodiac sign and will arrive monthly alongside her busy tour dates as she bears the flag of Detroit through global electronic music’s most regarded spaces/parties.
irst remix single cut from latest eddie c album "country city country". we invited two favorite new producers. one is italian edit master "marvin&guy". after the big success of their record on let's get lost, they are into more original production. their remix is simply killer for dancefloor. brightest hope from australia "tornado wallace" reconstructed original of kraut rock oriented tune to excellent psychedelic slow mo house. it's for the fan of quiet village or andrew weatherall. vol.2 of remix single with kza&young marco is coming very soon!
On this second vinyl from the new label of Barcelona’s club Les Enfants Brillants, Mannheim-born producer Fabe has taken control of this new release delivering 'Hyped By Light', an EP consisting of four deep club-ready deep house tracks with heavy-bass sound and sparkling groovy notes.
Inspired by the sounds of his native France, brought to life by Barcelona, the city he now calls home, Late Night Superglue present 5 exquisite tracks from Farres.
A1, a brooding pumping number for turning heads on dancefloors at peak times. A2, a delicate, ethereal flight. There’s something sneaky at B1. B2 is a lighter vibe, a subtle nod to 90s house, but with a hint of something moodier. The record is perfectly wrapped up by a superb remix from the inimitable Tommy Vicari Jnr at B3. Enjoy.
Following the impressive launch of Menikmati, we are dedicated to delivering timeless, groove-filled tracks for the dance floor. Homebase continues to offer outstanding tunes, including an exceptional remix by Diego Krause.
pressed on limited colored marbled and vinyl only
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Exarde’s just keep it spinnin’. This time our protagonist was originally born in Transylvania, so he knows something about the dancing vampires you often see at parties. This is confirmed by the fact that his release also contributed a lot to the gothic side of the dancefloor.
MAR.C is obsessed with dark sounds but specifically loves a guitar, acid and weirdly uplifting electro sounds. So, by his words this EP is exactly concentrated on frequencies between these two spectrums. On the remix duty’s we got P.O with his interpretation which gives an even more unique vibe as a groover for the closing scene.
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The third release of our vinyl-only label Les Enfants Records, ‘Quest of Samurai EP’, is by the hand of the talented British Miller, one of the masterminds behind Real Gang project. Packed with mesmerising minimal sounds, the EP features 3 original tracks, one of them with a collaboration with Italian producer and After Caposile resident Yaar Kü, and a remix by Varhat. LER003 it sure comes in a form of a pure blend of musical craftsmanship that's sure to transport you into the heart of the underground scene.
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South Korean label Walls And Pals is back with their split EP series, featuring label co-founders Mogwaa and Jesse You. Mogwaa is in charge of A Side, showcasing his very own minimal approach with electro-progressive touch. On B Side, there's Jesse You, armed with raw and heavy floor burner as well as 2000s influenced acid.
Daydream is super happy to welcome back the brilliant Nick Beringer more than 2 years after his last appearance on the label, with a new timeless classic. Modflow EP is the perfect combo between Nick and Daydream universes with 4 raw tracks full of groovy dubby sounds and deep classy vibe.
As we reach the 10th release milestone for the STRWB00 series, we proudly present nothing short of some of the best tracks to ever land in our inbox.
Dedicated to his first-born Laura, Philip takes us on a journey through his curation of dubbed out atmospheric deep house and techy goodies. Sub-heavy bass notes, hypnotic conga grooves & echo-chambered pads, moans & tones, this EP is built for those blue bird happy hours, sunrise sessions or any deep club journey in between.
A very special first release from Mr. Chernikov!
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Hailing from Sydney, promising up-and-comer Pistaccio takes the carpet for a pleasure cruise around the Australasian subcontinent. Close your eyes and taste the salty spray as we skim over a perfect blue ocean. Feel the heat coming off the rocks as we sizzle in the outback. Hear a doof from the bush as we approach our destination… Bounce and bliss in equal measure on this record, just in time for summer!
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S.A.M. is back on their own Delaphine label after a four year hibernation period. The leading cut ‘Project050’ comes in two version, a Studio Version and a Live Mix. The foundation is a grooving 12bit 909 pattern that’s as crisp as it’s phat. Combed in between the syncopes of the groove are layers of acidic and resonant tones padded with swelling chords lifting you in and out of the metaphysical. Second track ‘Ha’ reveals references within a wide range of dance music history from early Derrick Carter-esque beats and 90’s dub techno to organ Melodies and UKG sub bass-lines. The transient beats work like tent poles for the thriving and continuously evolving melodic culture growing underneath. S.A.M. is showing a drive and a ferocity with this EP that speaks to an interesting 10th year of Delaphine.
For its 2nd release, Sweet Notes is happy to welcome the Italian duo Two Opposites to its imprint! Begin the adventure with "Escape Reality", where celestial synths elevate you to the cosmos. A dash of pop flair in the playful bassline lightens the mood, making you groove from head to toe on this mind-bending escape!
The second track, "Gravitone", means business from the start. A serious vibe that compels you to exchange intense looks with your mates or strangers on the dance floor. The whirling stab? It's like an old computer crashing, but in the coolest way. Paired with an acid house beat, get ready to techno-nod with newfound seriousness!
Dive into the EP's third track, "Magic Gate", where a deep bassline takes you on a mind-soaring journey. Shimmering synths elevate the experience. Once open, the magic gate leads you into its twisted slide tunnel—a wild, memorable ride awaits, so you better buckle up!
Enter the laid-back realm of "Melocity," where multi-directional stabs guide your mind on an intense self-trip. It's mellow yet positively infectious, and those shiny stabs? They're the secret giggle-inducing agents. Let the carefree vibes roll!
















































































