House Vinyl New Releases - News

Casino Times debut on Stamp Records with four carefully diced grooves.

With acid-tinged disco and house-infused jazz on the A side, and not one but two tributes to Austropop on the B, the duo show-off both their eclectic tastes and loose approach to crafting an edit.

Much like the style established by the Casino Edits series,'Enough Acid' is a disco excursion that rolls with lively organic percussion, funked up guitar, singing strings and a meaty analogue acid bass line.
Perfectly timed piano breaks pays homage to the monstrous source material, creating an abundance of dancefloor drama...

'The Glow (Estate)' achieves the seemingly unfeasible; an enchanting jazz sample is seamlessly arranged across a tight drum groove creating rich, soulful rhythms. At points the track seems to take flight to create space for a tender vocal hook, fascinating for both diggers and dancers alike.

Flipping to the other side, Casino Times go all in with a tribute to Austropop, with two stripped back new wave and punk inspired cuts. 'Gaze Into The Future' shakes bodies and pushes the bass bins to the limit, with the sound of a siren letting us know it's time to report to the dancefloor.
Its counterpart 'Overly Dramatic' lives up to its name - a jaunty slap bass groove bounces away underneath roaring synthetic atmospheres, sporadically launching into bellowing choral hits that'll make your head spin.

With some of the best DJs and selectors there is a certain mysterious sound or underlying feeling which unites the music they play, regardless of genre, year or tempo Luke Una is a master of telling a story through music and this compilation is a perfect example of his musical alchemy in action. Featuring tracks from Yusef Lateef, Airto Moreira, Crooked Man, Henri Texier and many more, it is a collection of new, old, rare and under-discovered music from around the world, all united by Luke under the banner of "E-Soul Cultura".It's best described by Luke himself, who writes: "As the 5AM city sleeps and the strobe lights are slowly turned off, we gather on the wrong side of town in a transcendental journey alone together. We are the late night disenfranchised holding on in various after parties, flats, lofts, random kitchens and basements into the outer cosmos with É Soul Cultura.

Music from exotic tear jerkers, Afro- spiritual jazz, cosmic Brazilian celestial grooves, machine street soul, dark horses, lost B- sides, £1 bargain- bin bombs, hidden gems, late night Italo dubbing, deep velvet N.Y.C garage, bass buggin sonic futurism, wrong speed 33BPM pitched up +8 new beat, majestic sunset strings, sweet vocals from heaven, no half steppin jazz dancing in outer- space and odd numbers. Yes… magical moments, together, holding on in witness protection suburban cul- de- sacs and Castle Court flats. Cosmic É high, 3000ft above the city getting evangelical to murky, wonky timeless beautiful music. This thing of ours dreaming of better days. Fail we may, sail we must, the sun will come up again."

Volume 2! MUNIR aka MIDNIGHT RUNNERS on his 5th drop with STAR CREATURE, hits us again with some diggin' deep dug ups from his corner of the world. This one picks up where his TUGBOAT EDITS VOL 14, HAUNTING ECHOES and NUSANTARA VOL 1 left off. Tidal waves of jazz funk, space disco & boogie.

Affirming their status as dedicated tastemakers, Crazy P call on some of their favourite producers, and deliver 12 immaculate remixes of their beloved 2019 album, 'Age Of The Ego' A cosmic, vibe heavy, and eclectic journey through low-slung, groovy balearic, big room disco, deep house, lo-fi, and beyond with artists Crazy P have admired, and friends encountered along the way.

Leaving the station for one last time this year, The Disco Express fire up their engines and roll out into the sunset showcasing some of their biggest tracks of 2022 compiled into one disco house lovin’ slice of joy.

Support from

Chuckie, Claptone, Breakbot, Beltek, Mark Knight, Cal-vin Harris / MK, Don Diablo, Hifi Sean, LUXXURY, Chrissy, Felix / Basement Jaxx, Elliot Adamson, Ashi-bah, Oliver Heldens / Martin Garrix, Guy Gerber, Tom-mie Sunshine, Borgore, Ben Delay, Tom / Groove Armada, Purple Disco Machine, Jamie Jones, Severino (Horse Meat Disco), Fatboy Slim, Theo Kottis, Elliot Adamson, Defected, Smokin Jo, Shane / Fish Go Deep, Tez Cadey, Bushwacka!, Myd, Josh Parkinson, B Jones, Star Slinger, TSHA, Milk & Sugar, Matt Brown, Speaking Minds, Sugarstarr, LTJ Bukem, David Penn, Nicola Zucchi, JabberWocky, Bender, Charlie Tee, Fran-cesco Mami, Round Table Knights, Raymundo Rodri-guez, Hyenah, Kiddy Smile, Loéca, Damon Martin, Ba-kermat, Bill Brewster, Michel De Hey, Mr.Diamond, Trujillo, Willie Rosado, Spiller, Graeme Park, Lenno, ROOG (Hardsoul), and Deborah Aime La Bagarre

Once again, Hi! Energy Records doesn't set any limits and keeps exploring the House & Garage Spectrum. For this 4th release, label owner: CEV's and his best friend: Wallas have worked together to deliver a 4 tracks EP including 2 original + 2 remixes from the growing talent: Zetbee. This 4th Hi! Energy Records release is an invitation to (re)discover that popular style in the '90s! Nicely spiced up with Funky / Jackin House sounds.

The least one can say, is that those cuts will leave no one indifferent!

Limited Repress !

Hen & Goose proudly presents its debut release: Cologne‘s DJOKO and Júlio Cruz team up for a split EP on the city‘s new label. Expect some soulful cuts made for the club.

Vinyl only.

REPRESSED !! Purple Vinyl Ltd Edition

Last Copies ! The Heliocentrics’ debut album, Out There (2007) was a confounding piece of work. Drawing equally from the funk universe of James Brown, the
disorienting asymmetry of Sun Ra, the cinematic scope of Ennio Morricone, the sublime fusion of David Axelrod, Pierre Henry’s turned-on musique
concrète, and Can’s beat-heavy Krautrock, Out There pointed the way towards a brand new kind of psychedelia, one that could only come from a band of accomplished musicians who were also obsessive music fans. Drummer Malcolm Catto and bassist Jake Ferguson are the Heliocentrics’ masterminds and producers, and guitarist Ade Owusu, percussionist Jack Yglesisas and keyboardist Ollie Parfitt hold constant presence within this ever-evolving ensemble.
They have been playing together for over a decade and their collective drive is to find an individual voice. The Heliocentrics search for it in an alternate galaxy where the orbits of funk, jazz, psychedelic, electronic, avant-garde and “ethnic” music all revolve around “The One.” Back at Now-Again with 13 Degrees of Reality, the Heliocentrics have returned to develop this epic vision of psychedelic funk, while exploring the possibilities created by their myriad influences – Latin, African, and more. Thus, the electro-Latin fusion of “Descarga Electronica” sits next to weeping strings piled atop “Collateral Damage’s” chunky rhythms, which nearly misses the undulating swing of “Wrecking Ball,” a dirge as irresistibly funky as it is devastating.
No surprise, then, that the Heliocentrics have earned lifetime fans in the likes of questing spirits like Madlib (with whom Catto has collaborated on
numerous Yesterdays New Quintet projects), DJ Shadow (both as a touring ensemble and in the studio), Quantic and Ethiopian jazz giant Mulatu Astatke, with whom the Heliocentrics recorded and released Inspiration Information 3, the fourth classic Mulatu album – released nearly forty years after his other three.

Omena Limited is back after a short hiatus with its fifth release.

This time Japanese producer Atsushi Yano delivers Rotties Bites EP, three organic & live-sounding percussion filled tracks that become totally infectious...

Named after their infamous Brixton club night, Basement Jaxx’s second album Rooty saw Basement Jaxx continue to push the boundaries of pop and club music. The album mixes classic house with generous lashings of punk, funk, R&B, jazz, hip hop, 2-step and pop song-craft in a mad genre crash that works like a charm. It features the massive tracks “Where’s Your Head At”, “Romeo” and “Do Your Thing”.

On March 24th, in 1992, German act Snap! released their international awarded album “The Madman’s Return“, which includes the singles Colour of Love, Exterminate, Do You See The Light and their worldwide hit Rhythm Is A Dancer. The album proves Snap!’s special flair for massive dance beats, driving lyrics and beautiful vocal lines. From the album’s opening number Madman’s Return to the end, the synthesizers will make you move to the dancefloors of the 90s. The track “Keep It Up” has been originally produced for the movie soundtrack of Rocky 5.
The album charted in more than 10 countries and was awarded with Gold and Platinum.

Celebrating 30 years The Madman’s Return will be released remastered as 2LP set on transparent red and yellow vinyl on October 21st 2022.

repressed !

Straight from Italy, FrescoEdits is a brand new edits/cuts label
born in 2019, unearthing gems from far-flung music scenes.

S Transporter is Izaak S and Ryan Spencer, a pan-American duo of exact origins unknown. With roots spanning from Detroit to San Francisco, the project is somewhere around four years old, though no one remembers exactly when it started. The songs were initially demoed in Ryan's bedroom and promptly forgotten about in the chaotic whirl of both members’ efforts in other music projects, DJing, and party-throwing ventures until Ryan played them at his weekly, Monday Is The New Monday (co-founded with PGS' Ben & Zach). Immediately, the songs burst with new life into our ears, and we excitedly requested to hear more. In a tale every creative can relate to, Ryan simply didn't know if they were any good. We found them extraordinary.

What followed were several months of additional recording sessions in a collective effort to finalize the tracks, done at Ryan's apartment in Southwest Detroit, Izaak's in SF, and the Portage Garage in Hamtramck. Bay area DIY underground luminary Anya Ghiorzi joined the group and contributed her vocal talents to the songs, which began to exhibit a sound representative of the genre-collisions featured at MITNM– from krautrock and boogie to trance, acid, and house– in a way other PGS releases have hinted at, but have not fully expressed until now.

S Transporter is the name of the EP, the project, and all four songs. A maximalist sound with a minimalist presentation, naming the songs - so many years after their inception - would, perhaps, take away from the feeling that struck all three of us the first time we heard them on a club-grade sound system.

Izaak S and Anya Ghiorzi are San Francisco residents, musicians, and DJs in the Loveshadow dance collective.

Ryan Spencer is a Detroit resident, DJ, co-founder of Monday Is The New Monday, and is a member of Freakish Pleasures.

"S Transporter 1"
Uptempo, backspin-laden electro/acid with a winding 303 bassline that reveals itself slowly over the pulsing breakbeat backbone. Immersive, haunting and enchanting.

"S Transporter 2"
Downtempo electro. Slap bass. Heavy boogie. Sensual vocals reminiscent of early Chris N Cosey carry you through this industrial funk heater. Heavy synth lines and rhythmic grooving guitar that is club-ready for dance floors of all kinds.

"S Transporter 3"
A fast paced, percussion forward adventure with balaphone melodies and bending synth pads. Spoken words guide the journey, arriving at a movement inducing Juno ascension that dances into a calm end.

"S Transporter 4"
Encompassing the seemingly disjointed, individualistic styles of S Transporter 1-3, ‘4’ combines elements of the entire release into one final gesture. ‘4’ could be Byrne/Eno ("Regiment"), but it's something else - the product of decades of dance music history, distilled by two musicians & DJs into one song.

credits
releases July 19, 2019

PGS 010
S Transporter
"S Transporter"
EP

2015-2019
Written, Mixed and Produced by Izaak S & Ryan Spencer
Vocals by Anya
Bass on “2” by Lucas De Leon Turner
Percussion & additional production on "3" by Shigeto
Percussion on “3” by Julian Spradlin

Mastered by Josh Bonati at Bonati Mastering
Recorded at Izaak's apartment in San Francisco, Ryan's apartment in Southwest Detroit and the Portage Garage
Records Pressed at Archer Record Pressing, Detroit, MI
Design by Will
MMXVIX

Liberdade was a short lived studio group from Salvador da Bahia, Northeast Brazil. The band consists of 9 members all born and raised in the Afrobrazilian city of Salvador da Bahia.

Z Lovecraft AKA Rhythm Section International's Mali Baden-Powell, offers up four originals on the Utopia Club Tracks label that showcase the disco/house end of his varied output. 'Exotic Passage' coasts along serenely with gently slapped bongos and warm electric piano, definitely a weapon to have in one's warm up arsenal. 'Release (The Tension)' ups the heat a little with a busier bassline, filters and disco licks, before B-side opener 'Lust In Denial' comes with more jazz-slanted piano riffs and 'People Get Too Deep' closes proceedings with the most spacious and dubby arrangement of the quartet. Musically refreshing and understated but lively enough to move feet onto dancefloors, this is the business.

Multi Culti tune in to earth’s axial tilt in the second round of its flagship 12” series with EQUINOX I: The global occult label kick off the seasonal shift with a magical collaboration between Mexican chug-guru Iñigo Vontier and Moscow based brothers Simple Symmetry. ‘Hocus Pocus’ is an anthem for the fuzzy-minded, post-lockdown party-goer. It’s a mesmerizing merger of contemporary electronics and vintage psychedelia. We don’t know much about Ponty Mython, but their sound is right at home on this eclectic record. A freeform flea-market of samples strewn around a broken beat, strung together around a catchy melody, ‘Pinto La Meah’ has an optimistic feel, a subtly nostalgic sense of travel and discovery that suits the global groove collecting theme.

The B-side tracks take the tempo down while raising the hands in the air, perfect for lockdown house parties wherever big-room raves are still ruled out. Ecuadorian Pancho Piedra leads the proceedings with ‘Servio’, serving up a loopy banger that recalls classic Comeme in the best possible way. Punchy, no nonsense party track with just enough spice in the salsa. Colombia via Buenos Aires producer Hermetics teams up with ZZK affiliated, Quito based Hannah Lee on ‘Lux Naturae’ with an absolutely massive sounding beat with killer sub bass. Finally, Magic Pirate takes the downtempo breakbeat vibe into trippier territory with a wicked sounding piano and aphex-synth-sounding romp through his wild imagination on ‘Make me a Jazz Coffee.’ These are fresh, genre-defying and tracks to enter the autumnal equinox, and a fearless move forward in time for earth dance fans the world over.

Once in a blue moon a singer comes along that stops you in your tracks, Lady Blackbird is one such talent. Dubbed by Gilles Peterson “the Grace Jones of jazz”, her album Black Acid Soul dropped in September 2021 to glowing reviews across the board from the likes of The Guardian and New York Times.

One of the standout tracks ‘Lost and Looking’ - a cover of Sam Cooke’s sparsely arranged original, where Lady Blackbird builds the track with her haunting vocal and sparkling piano notes performed by Deron Johnson, gets the rework treatment from none other than Colleen ‘Cosmo’ Murphy.

Released via Ross Allen, and long-time collaborator Andy Thompson’s Foundation Music, the Classic Album Sunday’s originator, co-founder of the Lucky Cloud System parties and David Mancuso protégé, turns in her ‘Cosmodelica Remix’ muscling up the track for the dancefloor, with a demon bassline, funk fuelled bass guitar, and cosmic acid lines. There’s also a dub for those who prefer a more stripped down but equally pumping affair.


DJ Feedback:

LAURENT GARNIER
Ohhh that’s super funkyyyyyyyyyyyyyyyy

THE REFLEX
Loving Colleen’s mix, great way to start the year.

GREG WILSON PICKER
Sure Greg would love to hear Colleen's gear here!

RON TRENT
Flames.

OSUNLADE/ YORUBA
Lovin this 1`! great to hear some new coleen! and who doesnt love lady blackbird?

FRANCOIS K.
I have played it already. I will try to see where I can fit it again.

LUKE SOLOMON
Love this.

DANIELE BALDELLI
Nice !!!!

PETE HERBERT
Yeh spot on remix!

LARS BEHRENROTH/ DEEPER SHADES
This is FIRE !


TERRY FARLEY/ FAITH
Yes fucking please

RON BASEJAM
Like this, groovy and understated but like the build to the more dynamic synthy stuff, Noice!

SEAN JOHNSON/ A LOVE FROM OUTER SPACE
This is wonderful!

KENNETH BAGER/ MUSIC FOR DREAMS
Love it one of the best LBBremixes. Killer.

BILL BREWSTER/ DJ HISTORY
Love these!

MR V
Cosmo starting off 2022 with a bang….I’m so fuckin proud of her, she’s come a long way since here NYU radio days.

HORSE MEAT DISCO/ SEVERINO
YES LOVE IT

MATSURA TOSHIO/ WWFM
It’s real dope stuff.

GRAEME PARK
What a delightful release. This is the first thing I've listened to since coming out of Covid isolation and I love it.

DJ ROCCA
Wow...this single is awesome!! I'm definitely a Cosmodelica fan

FRED EVERYTHING / LAZY DAYS
Good to see Colleen on production duty. Great remix!

STEFANO TUCCI/ HELL YEAH
Black Acid Soul is the Soul album of the year without a doubt, and this track is one of the stand out.With Cosmo on remix duty is a match made in heaven.

LEA LISA/ LA MONA/ WOLF
Great Remix from Mrs Cosmo.

RAINY CITY MUSIC/ IRFAN
Colleen told me about this ! I love Lady Blackbird !! It’s a winner !

JIM ANGEL/ SANCHO PANZA
Loving this….. a very groovy start to 2022! Nice work everyone.

HOT TODDY
This is got a great feel and rhythm, favouring the dub

FRANK BOOKER
This is wicked! Feeling it.

RICHARD ROBERTS/ BBC DANCE TRACKS.
The absolute standout album of 2021… Saw her at the Jazz Café and she blew my mind,,,, This remix is stunning….simply stunning… a real symphony start to finish a proper journey… Amazing


STEVE PARRY/ FOR SASHA
Holy moly - these are HOT

ANDY WILSON/ SONICA IBIZA
Love Lady Blackbird and I love Colleen’s remixes, and it didn’t disappoint at all , absolute belter of a track , can’t wait to play it loud !

SHANE JOHNSON/ FISH GO DEEP
Thanks for sending… big fan of Lady Blackbird and Colleen’s remixes here are fantastic. Great song and such a slinky groove, can’t wait to play.

DJ PIPPI
Great Remixes by Cosmo!!!

CRAIG SMITH/ 6TH BOROUGH PROJECT
Yep this works, loving the bass led groove. Funky indeed.

SEAN BROSNAN/ FORWARD DISCO
This is sounding super smokey, Cosmo has done a great job.

BEN DAVIS/ PAPER RECORDINGS
Absolutely love this, peak time banger ahoy! X

ROCKSTEADY DISCO/ PETER CROCHE
Really great remix here, loving the way it builds. Unexpected acid synth attack! It's gonna blow up some dance floors once we can have those again.

FELIX JOY/ SWU.FM
Really enjoying this one, super vibey but also laid back at the same time. A track I could definitely play in a lot of places!

LEO MAS
I love Lady Blackbird, the Cosmodelic Dub Rmx is great

ALAN DIXON/ MIDNIGHT RIOT
Great stuff, will include in my Keinemusik radio show in a few weeks :-)

DAVE JARVIS / FAITH
Definitely a Faith fav for the dancfloors ! Spot on

THE SUB CLUB/ HARRI HARRIGAN
Wow this is lovely.

RUSSELL FOREMAN/ PIKES/
That´s cleared the cobwebs, dancefloor direct, do not pass go , do not collect 200 / I´ll be mixing up original and remix.

KASSAIN/ WARREN LUKE CUMMINGS / BALAMII
So Groovy, love this one

MAX ESSA / BONOBO
Love these mixes, both the vocal and dub will be getting a lot of plays!

WHITEY DELUCA/ KOLOURS LTD
Absolutely blinding collection of remixes!!! In immediate rotation!!

MAX P
So precious, beautiful cover and a fantastic rmx pack by Cosmo. Love it.

DR ROB
Another balearic bandwagon jumper. But a big tune : )

STU PATTERSON/ MI SOUL FM/ FAITH
This is rather special, will get it on next mi-soul show (recorded from a beach in Goa ; )

Classic hard-to-find NY backstreet disco-funk from 1981 via Lloyd Barnes' Wackies powerhouse. ‘Squivatch’, a B-Boy-P-Funktified masterpiece coupled with the old school Bronx rap grail 'Mix Master' featuring Golden Voice and crew backed by the Bullwackies All Stars.

The new era of Nu Groove continues to deliver exceptional house that meets the gold standard of the cult label’s original offering, with its latest vinyl package distilling the sound of imprint’s next phase. From a state steeped in house culture, Harry Romero is one of New Jersey’s finest house exports, taking control on the A-Side of this 12” with exquisite two tracker ‘I Love / The City’. Harry plays tribute to classics from the Nu Groove catalogue with his modern ‘Choo Choo’ twist he’s loved and revered for across the two tracks, with enough depth and warmth to get you in the mood. On the flip Trilogy Inc, a new anonymous project from one of the UK’s most esteemed house duos of the 80s and 90s, explore their formative influences with ‘313’ and ‘Calling’. Two tracks destined for the darker recesses of the dancefloor, this is an unmissable package for club heads after serious underground heat.

Sound Signature celebrates 20 years with an LP from Dego & Kaidi.

18.b1 1096 n 77.2975 w : 18.1096 n 77.2975 w

Truly a special EP! the title track is definitely the one on here with the biggest peaktime dancefloor potential, the three other tracks show Franklin's firm talent and diversity in crafting organic deep house tracks that step out of the ordinary.

The elusive devil behind Ron's Rework's returns for another heavy dose of disco deliverance.

Prepare for takeoff as 'Your Brain On Music' fires you out on an extended tour of the outer cosmos, filling your body, mind and soul with some of the sweetest strings and synths known to man.

On the flip 'Be Bizarre' hits first with some pure '80s sleaze. Boogie business done right squelching, sauntering and primed for a party. Finally, 'Call Me' closes out proceedings as the lovers take to the floor.

Newcomer Cody Currie looks to Better Listen Records to host his sophomore EP, after lighting things up with his debut on Pusic late in 2016. The effort is stacked with deep disco stylings similar to that of sample + synth maestros Brame & Hamo and Fouk.

Spiritual sermons from The Funk District and Gledd on this latest Editorial release. Four cuts delivered from the disco tinged, deep house altar, that will be sure to convert any naysayers. Hands raised to the sky, this powerful EP comes complete with a killer remix from Art of Tones.

Repress coming soon!

Purple Disco Machine unveils sophomore album ‘Exotica’ in all of its disco glory.

With the release of his debut LP ‘Soulmatic’ released in 2017 via Sweat It Out, Purple Disco Machine gave us the first glimpse of what we could come to expect from the now world renowned producer. Responsible for a multitude of hit singles from the club world including ‘My House’, with the debut LP also birthing the massive successes of ‘Devil In Me’, and ‘Body Funk’.

Now the formidable producer offers a more intimate side to his artistry, inviting us into the world of his sophomore album ‘Exotica’. The LP pays homage to the 80s and the plethora of artists that inspired him to create and set him on the path of becoming the internationally acclaimed producer he is today. The 14 tracker boasts all the elements of his heartfelt favourites throughout the decade - the synth pop from the UK, Italo disco styles of Moroder, Milan & Munich, the funk of Prince, the R&B electro soul of Luther Vandross & Jam & Lewis, to influences from George Michael, and Quincy Jones. So ingrained in his musical identity, Purple Disco Machine’s artist name is a deliberate collage of the colour of his 80’s funk hero Prince and the uplifting fun dance beat of Gloria Estefan’s Miami Sound Machine.

The album encompasses all the grooves, signature guitar licks, and funky basslines that are synonymous with a Purple Disco Machine record, whilst having moments of light and shade inviting you further into his universe. Having already released a handful of singles from the LP, including the Sophie and the Giants collab ‘Hypnotized’, ‘Fireworks feat. Moss Kena & The Knocks’, ‘Playbox’ and more recently ‘Dopamine feat. Eyelar’, Purple Disco Machine has quickly gained a mammoth international following eager to hear more. ‘Hypnotized’ became an anthem the world over, having been streamed over 275 million times across platforms, whilst going triple Platinum in Italy, Poland and Switzerland, with the carefree stylings of ‘Fireworks’ quickly following suit with over 80 million streams to date, whilst dominating airwaves across Europe hitting #5 on the overall chart, and #1 across Italy and Germany. Further skyrocketing up the Shazam Charts, the single went to #1 in Germany, and #3 across Italy, Denmark, and Austria to become another certified hit for Purple Disco Machine.

The album opens with ‘Can’t Get Enough’ featuring Australian songstress Sahara Beck, and for all his fans across Europe, is the perfect follow on from ‘Hypnotized’- hitting all the same feels as the breakout single. Teaming up with long term collaborator Lorenz Rhodes once again for the release of ‘At The Disko’, the duo have created an instant and lively dance floor heater, incorporating the vocoder as they did previously on ‘Music In You’, and breaking into some seriously heaving piano chords and claps to keep that energy all the way through. ‘Don’t Stop’ is a return to his more traditional club leaning records, likewise, title single ‘Exotica feat. Mind Enterprises’, and the ‘Body Funk Part 2’ vibes of ‘Playbox’ which has been represented in video as a truly incredible cosmic journey. Also sitting on that club tip is ‘Loneliness’, his track with cult underground Italian producer Francesca Lombardo, which oozes a patient charisma throughout.

Taking time to slow things down on ‘I Remember’, Tino has collaborated with Elderbrook, who has become one of the most iconic singers in the electronic space in recent years - his transcendent vocals shining through, with soaring synths, and harmonic vocal effects, creating a heavenly slice of melancholy disco. Following through with another mellow jam is the album closer ‘Wanna Feel Like A Lover feat Ed Mac’, which is a true amalgamation of 80s flair even boasting the decade’s trademark sax solo! Moving further outside his contemporary disco template, Tino has teamed up with Ukranian / English duo Bloom Twins on ‘Opposite of Crazy’ colouring their unique blend of alt dark synth pop, with quirky and boisterous squalls of Prince-esque guitar throughout. Energy, soul, and pure fierceness shines through from the very first note of the anthemic ‘Hands To The Sky’ featuring the outstanding vocal talents of Fiorious and House Gospel Choir, and last but not least is the collaboration with Brooklyn disco hipsters Pink Flamingo Rhythm Revue, the uber funky ‘Money Money’ incorporates the slickest of all vocal lines reminiscent of the sassiest best of Big Apple boogie.

Now boasting over 1 billion streams across his catalogue to date, and over 10 million monthly listeners on Spotify, Purple Disco Machine continues to live up to the hype of #2 Beatport Artist of All Time. With a succession of notable remixes for Dua Lipa, Mark Ronson, Foals, Calvin Harris, Fatboy Slim, Sir Elton John, Royal Blood, Lady Gaga & Ariana Grande, Duke Dumont, and Diplo & SIDEPIECE, coupled with his continuous stream of original hit singles over the past four years, Purple Disco Machine’s influence on the global dance music scene will be felt for generations to come.

Veteran artist Sebra Cruz releases his debut album ‘Don't Worry Psy Happy’ on DJ Tennis’ revered Life & Death imprint. The daring eleven track LP is as experimental as it is definitive and encapsulates the Italian spirit in perfect style.

The LP follows two previously teased singles; ‘Margaret’, an ode to Cruz’ girlfriend which is a deeply passionate and expressive melodic house offering and album title ‘Don’t Worry Psy Happy’ a hedonistic, tripped out soundscape.
The lead track ‘Sunfish’ is a melange of powerful synths overlaid with sporadic vocals and a swinging breakbeat which make the record the perfect soundtrack for early morning dancefloor euphoria.

The album continues its genreless motif and is hard to pin down. It broaches a variety of styles including cinematic and ambient leaning sonics such as ‘Optimist’ and ‘Poliziesco’, the latter which includes Gabriele Fabbri’s atmospheric guitar riff throughout.

‘The Siebel Road To Mars’ is a similarly powerful yet emotive record which samples current Italian President Sergio Mattarella between the piano and the extraterrestrial sound palette. Continuing with the more abstract tracks ‘Flying Junior’, which was named after Cruz’ own sailboat, emulates the peacefulness and tranquillity of the sea. It’s yet another reflection of Sebra Cruz’ artistic personality.

Juxtaposing the calm and serene records from the album, ‘AltreCose’, inspired by the energy of the Neapolitan people during Sebra’s DJing residency in the 90s, is a more high energy disco-infused record. Similarly ‘When Life Was Slow’, released on Life & Death back in 2020, is another upbeat dance interpretation and a tribute to Cruz’ passion for Italian composers from the 60s and 70s.

Speaking about the album Sebra says: “What emerges is in my opinion an album with predominantly Italian spirit, disco, house with both edgy and gentle influences. I never decide what to do first, I simply follow my spur of the moment instinct. Releasing an album for Life & Death is cool because I've always had huge respect for Manfredi.”

Sebra Cruz and DJ Tennis have a long lasting and trusting collaborative relationship exhibited by the former's numerous releases on Tennis’ Life and Death label. DJ Tennis’ encyclopaedic musical brain and shared passion for Italian composers perfectly complements Sebra’s stylings.

Striking an impeccable balance between abstract and obscure sonics and more methodical and conventional melodies, 'Don't Worry Psy Happy’ is a body of work that exquisitely expresses Sebra Cruz’ personality via different worlds and mediums.

Transparent-Blue vinyl 12” (500 copies hand-numbered)

The Man Called Love Drop is back with his highly anticipated 3rd release on his sell out series of rework disco rockets.

His deeply enchanted, almost spiritual form of mutant disco packed full of never ending grooves and heavy delays conjures up fond memories of early Moodymann jams. And his releases have attracted plays and support from discerning jocks around the globe such as Gilles Peterson, Art Of Tones, Horse Meat Disco, JKriv, Dicky Trisco and many many more.

A digger's desire for an original source blended together with a dancer's feel for the floor produces a powerful magic spell that is ready to be let loose on your dance floor.

So let's go!

New York flavoured edits by Jacques Renault in NeighbourSoul Rhythms’ third reference Top house tunes and a lot of funk. This is how NeighbourSoul Rhythms’ third instalment of edits sound. This time under the stamp of Jacques Renault -currently resident in New York- NBS003 follows in the wake of its predecessor: 4 cuts direct to the dance floor, now cooked with special Brooklyn ingredients.
In NeighborSoul Edits Vol. 2, Renault, old acquaintance and emblem of the North American house scene, dusts off his art of sampling in 4 tracks that take a look back at a time in the America of discotheques, guitar riffs of funk and most importantly, dance.
4 edits from the late 70s and early 80s that confirm the label’s taste towards the oldfashioned sound born in the American continent. The EP begins with 'Magic Rhythm Machine', a true 70s disco banger and a prelude to what precedes it on the same side, 'JFK Disco Dub': a megafunk cut to be played at late
night hours. The B-side wanders between softer and more elegant sounds. Like ‘Real To Real’ (B1), with that fine and subtle touch of elegance of the North American master; or the B2, ‘Gotta Serve Somebody’, a slow closure, Groovy as hell and a fine line of acid cooked at low revs.