House Novedades

Hidden Spheres supplying the fruits once again. More tried and tested club material from the Fruit Merchant main man. Love Hate EP is a tale of two sides.

On Side A Hidden Spheres proves there’s no messin’ with ‘Step to me’ & ‘Don’t Front. Flipping over to the B we see that he’s really just a lover at heart, not a hatter, with the swung out sounds of ‘LUVR MAN’ and the deep sleaze of ‘SO SXY’..

Bradley Zero, DJ Absolutely Shit., Moxie,

Super rare Italo electro-pop project Habibi made available by the unstoppable archive label BEST RECORD. Habibi is a joyous Egyptian-influenced Italo piece from the time that Egyptian Lover and Arabian Prince also had their Egyptian influences. Many of the typical elements of the 'Italo-Disco' era give the song a very friendly and reassuring mood, especially the (probably) Linndrum beat with tom fills and tambourine, alternating bass, a sequencer emphasizing the eights, and strings, a nice Hammond added/ "Habibi" was conceived in 1983 by Arcangelo Li Calzi after the success of the one-off project Sahara Band, with Giancarlo Ragni, the skilled arranger from Genga that produced the piece entirely in his Vallemania Recording Studio, the studio where most of the afro-cosmic songs of the dee-days of the nearby Baia degli Angeli were made, including the album "Africa Mediterranea" by Fabrizio Fattori. The artist Myriam Ferrucci did a lovely job on the graphic work on the cover which is represented in its original way. Worthy re-issue from the depths of the golden Italo era.

Melodize label boss Beartrax announces his ‘Repertoire EP’ this February with remixes from Iron Curtis and ROTCIV.

Leading the release, the title track ‘Repertoire’ features Beartrax’s signature violin melodies along with haunted, atmospheric synths. Fresh off the back of multiple releases on Frank Music, Iron Curtis delivers a chunky, electro-tinged remix which provides a fresh interpretation of the original.

On the flip, ‘Metro Vice’ combines interplaying synths with sizzling percussion and hard-hitting drums to kick off the B-side. Rounding out the release is Berlin-based DJ/producer ROTCIV’s remix, which sees the versatile producer transform the original into a pumping cosmic trip.

Since its inception in 2019, Beartrax’s Melodize imprint has consistently pushed deep, musical house, techno and electro. With contributions from John Tejada, Fort Romeau, Carl Finlow, Lauer, and many more standing alongside Beartrax’s original, violin-led productions, the label’s back catalogue has picked up support from DJs such as Jennifer Cardini, Laurent Garnier, and Roman Flugel.

Duca Bianco is back with one of its special various artists' releases, and a mighty fine one it is too. This one finds four guest producers all with their finest studio tools sharpened and ready for action. Two of the artists are well known but use new alias - one is Israeli synth and psyche wizards Red Axes who work their magic as Der Sexa on 'Gabi Plane' and another is Beauty & The Beat party man Cedric Woo as CW. He gets nice and twisted here while the other two cuts - one from Italo king Franz Scala who builds slow new wave funk, and one from Manchester's renowned edit kings Talking Drums who offer some lovely leftfield madness on 'DMNB', all make for crucial listening.

Dieses erste vollständig lizenzierte Album seiner Art wurde aus extrem seltenen Beständen zusammengestellt, die in einer Vinylfabrik aus der Sowjetzeit in Taschkent, Usbekistan, gepresst wurden. Es enthält eine hervorragende Auswahl usbekischer Discomusik, tadschikischer elektronischer Folkmusik, uigurischer Gitarrenriffs, krimtatarischer Jazzmusik, koreanischer Blasmusik und genreübergreifender Stile aus dem sowjetischen Zentralasien. Legen Sie die Nadel auf, und Sie hören nicht nur seltene sowjetische Tanzmusik. Sie reisen entlang der Seidenstraßen, erleben wilde Disconächte in der UdSSR und tauchen in Grooves ein, die die sowjetische Jugend dazu inspirierten, sich eine andere Zukunft vorzustellen und letztendlich den Eisernen Vorhang von innen heraus aufzulösen.

Ein umfassendes historisches Paket, präsentiert als Doppel-LP im Trifold-Sleeve, wahlweise auf schwarzem oder rotem Vinyl, komplett mit seltenen Fotos aus den 1970er- und 1980er Jahren aus der Sowjetunion, Usbekistan und anderen Teilen Zentralasiens.

Titel: Synthesizing the Silk Roads: Uzbek Disco, Tajik Folktronica, Uyghur Rock & Crimean Tatar Jazz from 1980s Soviet Central Asia



c Original - Bu Nima Bu (What's This) Janto Koité Edit Live



c Original - Bu Nima Bu (What's This) Janto Koité Edit Live



c Original - Bu Nima Bu (What's This) Janto Koité Edit [Live]

Bring the epic Starfleet adventures to a new dimension!

We are proud to present the exclusive colored vinyl release of
the thrilling original soundtrack of Star Trek: First Contact!
Take a deep dive into the world of Captain Picard and his
crew with a soundtrack that perfectly captures the thrilling
moments and dramatic climaxes of this intergalactic classic.

Erleben Sie das epische Abenteuer der Sternenflotte in einer
neuen Dimension!

Wir freuen uns, Ihnen das exklusive farbige Vinyl-Release
des mitreißenden Original Soundtracks zu Star Trek: First
Contact anzubieten! Tauchen Sie ein in die Welt von Captain
Picard und seiner Crew mit einem Soundtrack, der die
packenden Momente und dramatischen Höhepunkte dieses
intergalaktischen Klassikers perfekt einfängt.

hot offer !

The cold, hard facts: Morgan Geist's last solo 12" was four years ago, and his last (and only) solo album was nine years ago. So it is a bit of an understatement to say that a new solo undertaking from the Environ bossman is overdue. Well, better late than never: we present to you the new 12" from the Mr. Geist, MOST OF ALL, featuring Jeremy Greenspan from Junior Boys

Reissue of this italo disco classic from 1985 with Flemming Dalum and DJ Tin Tin remixes.

Beppe Loda, the Marlon Brando of disco, is back with a bang for Neptune's Dispatch #3, delivering four scorching tracks infused with his iconic spaghetti disco vibe. Beppe's dance floor-tested toolkit features cosmic bliss, guitar riffs reminiscent of Santana’s long-lost Italian cousin, evocative odes to the queen of love, and a love ballad from Italy's supposed Gatsby. Limited run, no repress.

For the many things in life you still absolutely want to do, “Bucket List” is both a perfect soundtrack and a bipolar blueprint. The PLEXIPHONES‘ new studio album has everything it takes to be the perfect alternative pop record: shallowness and depth. Love and pain. Excellent songs and themes that will either touch or hurt you.

From a vote in favor of active euthanasia to a tribute to the queer movement, from love songs to almost sarcastic lullabies, from a profession of faith in fashionable sports to an addiction warning about excessive virtual reality consumption - everything that matters on “Bucket List” is here. Listening is more important than swearing! Now also on limited-edition vinyl!

Ahead of its forthcoming compilation House Of Riviera, Mona Musique releases a sampler EP that contains three tracks selected by label manager Nick V, taken from the golden age of Italian House Music, two of which are exclusive to the EP.

Side A is “I Have Got It” by Ricky Montanari and Davide Ruberto under the alias Riviera Traxx, a moniker shared with various other Riviera producers. Released in 1997, this is the only track that is out of the 1991/1993 time scale that the compilation focuses on, standing alone thanks to its tough hypnotic drum beat and diva vocal stabs that are very reminiscent of the Junior Vasquez NY Sound Factory era. This was initially featured on Riviera Traxx 4 in 1997, the fourth and final release of the cult “Riviera Traxx” series on legendary Italian label Irma records.

On the B side are two cuts that are typical of the deep and emotional vibe of classic Riviera House productions of the early 90s. Firstly Ivan Iacobucci, Fabrizio Cini and Nicola Dragani deliver “Tribal Love” under the name of Anxious. Originally released in 1992 this was the B side cut of the Saxample EP, the first release of Hole records a label run by Ivan Iacobucci that enjoyed over 30 releases over the 10 following years. Subway Ground Master complete the release with the superb “Queensway” taken from their only ever release in 1992 on Calypso, a sub-label of Irma records

After Nu Guinea’s LP, Nuova Napoli, and Napoli Segreta first compilation, NG RECORDS follows up with an exploration into the unknown groovy side of Naples by releasing Napoli Segreta Vol. 2 Famiglia Discocristiana, DNApoli and Nu Guinea team up again selecting more tracks from their archives, for a new compilation containing 9 mysterious Neapolitan tracks, found in the most hidden corners of remote flea markets around the Vesuvius.

But forget classical Neapolitan songs, "'O Sole Mio" or "Luna Rossa"... Forget about what you expect to find once you land in town … Oh and also forget about Google Maps.
Take a dodgy local guide, keep your eyes open, and follow it to enter the secret downtown, the underground, the routes that no satellite can detect, but beware there is no easy way out.

Napoli Segreta Vol. 2 is a musical journey into the sonic landscapes of Naples that you have never heard of before. A variety of genres merging soul, disco, funk, blues, new wave, afro-beat and boogie, including lyrics in Neapolitan urban slang, instrumental tracks with progressive flavour, and also some unexpected covers!

Repress

Going back to the vaults of the iconic X Energy Records label from Italy, THANKYOU presents yet another Balearic house masterpiece for your listening pleasure. Deep and sensual androgynous vocals, dreamy synth melodies, generously pulsating bass lines that blend with the playfulness of the rhythm – all boxes are checked. Surely a soundtrack that would have graced a daytime outdoor dance floor at Amnesia in the early 90s. Faithfully brought back to life with 4 different mixes from the original releases with a meticulous remastering job by Man Made Mastering in Berlin.

Erik van Vliet und Michiel van der Kuy präsentieren das neue Laserdance Album “Mission Hyperdrive“ und bescheren den Italo Disco & Space Synth Fans mal wieder einen absoluten Leckerbissen. Laserdance hatten in den 80er Jahren riesige Erfolge mit ihrem Space Synthesizer Disco Sound („Humanoid Invasion, Powerrun, u.v.m.“). Im Jahr 2016 feierten sie nach 16 Jahren Funkstille wieder ein vielbeachtetes Comeback gebracht. Für alle Laserdance, Italo Disco und Spacesynth Fans ist die Scheibe ohnehin ein absolutes MUST HAVE… Das Album „Mission Hyperdrive“ ist auch ab sofort auch als Vinyl erhältlich !!

Simone De Kunovich
Mythical Figure
Use variably, whenever you need: D.J. at MainStage, High Profile Fashion Event, Underground
Basement Club, Balearic Terrace Situation.
Gifted selector. Room filling presence. Oversized packaging.
He (here) deals three cards.
“Flow My Tears“ High Roller Euro House
„Super Mana Drain“ OMG Modern High Energy
„Warp Lord“ Early Morning, Playful Dark Eternal Bliss
„He who masters the sound glows“

Clear Vinyl

Gala ist eine italienische Popsängerin, Songschreiberin und Dance-Künstlerin, die für ihren minimalistischen Look und ihre Stimme bekannt ist und weltweit mehr als 6 Millionen Platten verkauft hat. Ihr Debütalbum "Come into My Life" enthielt die mehrfach mit Platin ausgezeichneten Singles «Freed from Desire», «Let a Boy Cry» und «Come into My Life», die in Europa, Südamerika, Russland und dem Nahen Osten die Top 3 der Charts erreichten und auch heute noch zum Standardrepertoire in den Clubs gehören

Create-A-Dance: The eternal mantra for each and everyone making dance music. In this case it’s Johannes Albert delivering a fresh House EP on his very own Frank Music imprint. Yes, we are talking piano, phun-ky basslines, synth melodies and vocal statements on top. Another epic break? Included! Being known for constantly trying to find the perfect sweetspot in between House, Disco and Italo, Johannes delivers one of his most catchy EPs to date. As a bonus on the flip you shall find „Voices Traces Noises Spaces“ plus Johannes’ remix for Jean Crémant’s initial super heat „Hyperspace“. As Bryan used to say: „Don’t Stop, Don’t Stop The Dance“.

2023 Repress

Outstanding Italo classic from The Countach project, covering Carlos Santana's "Aqua Marine" song and fitting them successfully into that typical italian ambient style and late eighties house formula. Did anyone say balearic
Here you can finally find in the flip side the original studio version instead of the unnecessary radio cut.

Kippis, hold on! Cold Blow is proud to announce the 12-inch re-issue of Andy Romano's sought-after Italo disco EP "Every Time Feel Allright"! The EP has been remastered by the legendary Ed DMX, with all-new artwork by Ed Cheverton.

The EP’s titular opening track is a Mike Mareen-esque roller with a playful call-and-response between Andy’s passionate vocals and robotic synthesisers, making it a master class in Italo disco. The instrumental version follows, perfect for those just beginning their personal Italo journey.

On the B-side, we are treated to a slightly more modern twist on the classic style. Starting with L’amour Robotique, a dramatic-romantic instrumental of robotic love, perhaps reminiscent of the classic Spacer Woman by Charlie. The final track Sayonara Robot sweeps us to the Far East with its percussive synth leads, rolling bassline, and vocoder vocals declaring “I am the robot, Sayonara Robot!”

This time Dmitry Distant with his Comme Un Coeur project presents newest, and probably the most luscious release so far – a romantic take on the classic ‘Eyes Without A Face’ ballad written by Billy Idol and Steve Stevens back in 1983. Languorous vocals by Valeria Simonova, Dmitry’s longtime collaborator, are set off against a backdrop of lush, sparkling synth parts, to create a hazy, dreamy sonic atmosphere. The title track is juxtaposed to the expertly made remix by Franz Scala, a well-known DJ and owner of Slow Motion Records label – this hypnotic throbbing banger with Italo and EBM influences is surely meant to rock the dancefloor.

ZYX Italo Disco: Best Of : The ultimate new vinyl compilation series
dedicated to our Italo Disco fans around the globe enters its 5th
round.

Of course, also this edition is released as a 2LP set on colored
vinyl.

Dance and sing along to 14 unforgettable hits and rarities from the
80s in best sound quality.

Enjoy songs like Valerie Dore - King Arthur / Savage - So Close
/ Ken Laszlo - Don‘t Cry / Radiorama - Chance To Desire and
many more.

Another debut record on LBF is coming from Saint Petersburg habitant - Pasha Mikheev aka Cable Toy.

Former game soundtracks and ad music maker, he found himself attending dance parties more frequently in recent years, and eventually making dance music himself.
After some time he started throwing parties at Tancploshadka club in Saint P, touring around Russia and quite often playing at Denis Simachev Shop & Bar, so it makes perfect sense that his first record appears on the affiliated label.

First tune here is a peak-time banger with an Acidic feel featuring a vocal hook from Kirill Ivanov, frontman of a Russian indie pop band SBP4, followed by a huge percussive hypno jam on A2.
The B-side offers two versions of a tune made in a collaboration with Lipelis, one of the label heads, and it's up to you to decide which way are you going - deeper Italo-house journey with the first version, or ravey, breakbeat territories of the second one.

In the last few years since their previous record on Low Budget Family, the Lipsky Brothers have been very busy, releasing plenty of proven dance weapons written or remixed by them, touring around the world from Ibiza to local underground parties and just living their life in the Moscow rush.NAR ('fire' in Arabic) is a simple yet crazy effective club tool, which has regularly been played at Denis Simachev Bar, home to the label and their very own parties, that is untimely gone. While original is quite housey with an irresistible bassline , Autarkic serves a more trippy take with some unexpected harmonic shifts and finally, the Inigo Vontier version offers a percussive big stage tribal killer.

-"Change of Heart" is Change's 4th album, released in 1984. This album marks a significant turning point with the production of Jimmy Jam and Terry Lewis, both well known for their great effort with artists such as Janet Jackson. With their distinctive touch, Jam and Lewis brought a more sophisticated and contemporary sound, integrating elements of funk, R&B and pop. The record contains remarkable and unforgettable songs like "Change of Heart," "Say You Love Me Again" and "You Are My Melody," which deeply helped to define the '80s musical era. Deborah Cooper and Rick Brennan give powerful vocals that pretty enrich the olistic sophisticated melodies. The album received a very positive reception from both critics and fans, strengthening Change's reputation as innovators in the music landscape. Although it did not reach the mainstream sphere of previous works, it has maintained a solid following among fans of the genre. "Change of Heart" remains a cornerstone of the band's discography, reflecting the evolution of their style and the lasting influence of producers Jam and Lewis. -

PARKWAY PRESENTS
WPKY JAMS
8 EXCLUSIVE HOT JAMS

A compilation featuring all new JAMS from The Whole Truth, T-Kutt, Trey Risqué and more!

''More Than Ever'' is another impeccable pearl of Roberto Ferrante, considered one of the most extraordinary and evocative Italo-Disco productions, one of those songs that attracted millions of followers and made everyone fall in love with the genre. GLAM's original 1985 12inch is no ordinary record. This vinyl reissue from Planet Records Classics with stunning new mastering makes it even more special. The voice of GLAM is Clio, according to followers one of the favorite singers in the distorted and mirrored world of Italo-Disco; she always has full control of the voice, therefore a perfect interpretation, full of emotion. If you listened to ''Faces'', ''Feel the Fear'' or ''Eyes'' by Clio and liked them, I'm sure you'll love this epic piece too! Thanks again to Roberto Ferrante for this new powerful mastering of ''More Than Ever'' fresher overall, performed with much more vitality and energy.

Mit “ZYX Italo Disco Spacesynth Part 2” setzen wir die Vinyl
– Compilation-Serie mit den größten Spacesynth Klassikern
der 80er Jahre fort

Alle Spacesynth- und Schallplatten Fans können sich auf die
legendären und unvergessenen Hits von Koto, Laserdance,
G.G. Near, City Center uva. freuen.

Cover versions of international songs have long thrived in South Africa’s music industry. Often unable to license the original tracks (until the early 90s the result of an international boycott of the country) labels instead hired producers and session artists to re-record them for the local market. Early house music in SA was no different.

When Ron ‘Robot’ Friedman, former bass player for local rockers Rabbitt, was winding down his label On Records in the early 90s, he reached out for new inspiration as the popularity of ‘bubblegum’ disco waned. For one of the label’s final releases he hired young DJ/producer Quentin Foster, obsessed with the new soulful house sound coming out of the US, to take the reins on a studio project dubbed Citi Express.

On Robot’s insistence it included a cover of Stevie Wonder’s ‘Living for the City’ (from 1973’s Innervisions) as the title track. Foster set to work in his home studio, dubbed Tone Def, selecting and re-working other US and UK tracks — ‘It’s Too Late’ (originally released in 1989 by Kelli Sae), ‘Love is the Message’ (influenced by the 70s soul anthem and credited to Gamble & Huff but bearing a closer resemblance to Better Days’ 1990 release written by Steve Proctor), ‘People of The World’ (recorded by Sorell Johnson in the UK in 1990) and ‘Victim of Your Love’ (released in 1990 by Gary Vonqwest as ‘Victim of Love’) — adding some signature South African touches in the process that foreshadow the imminent rise of kwaito. One original composition was added for good measure, ‘Open Invitation’.

The result offers a glimpse into those early days of house, a uniquely South African take on a global sound that still resonates today — reissued for the first time on Afrosynth Records.

Originally released in 1990 ‘Voaria’ was written by Benjamin Nhassavele and produced & arranged by the late Tata Sibeko, the revered South African producer and member of Kabasa. Taken from the LP of the same name ‘Voaria’ was released at a time when early house music was emerging as a key influence in the South African musical landscape, an evolement of the Bubblegum pop sound that had fused disco and boogie with township funk. Characterised by Roland kick drums, Yamaha DX7s and Juno Synthesisers the Kwaito sound is the musical heartbeat of ‘Voaria’.

As well as being in Novidade, Benjamin toured the world extensively as part of Alec Kaholi’s Umoja and ‘Voaria’ is a song about his desire to go back to Maputo, his hometown in Zimbabwe. Featuring Benjamin on lead vocals ‘Voaria’ comes in 2 versions, a main House mix on the A side and the Clubhouse mix on the flip which switches up the arrangement placing more emphasis on the magical groove. The 12” is housed in a full sleeve jacket by Bradley Pinkerton based on the original release design.

Giorgio Records teams up with Bordello A Parigi for the reissue of this beautiful italo disco tearjerker, originally released in 1984 in very limited quantities. Straight from the original master tapes provided by the maestro himself; Rodolfo Grieco.

Chromium Dioxide brought Leitstrahl’s sound to world. The three man group of Stoff, Paul Raal and Boogaloo Steve return alongside Alberto Melloni with Azimuth. Bordello A Parigi’s own Furór Exotica are drafted in to help with the Dee D. Jackson inspired “Automaton Lover”. Disco infused and bombastic, this powerful piece employs bold synthlines and breathy vocals to devastating effect. The title work follows. An addictive melody is cut by a crisp beat in this bright and inviting instrumental.

Thick basslines and a mirrorball groove introduce “Spectral Fantasy”. Featuring the smoky lyrics of Vongold, a tale of unexpected encounters and possibilities unfurl amidst warbling analogue strings. Slung back basslines and a low throb are central in “Light Years”, a smooth longue affair to finish this diverse 12”.

Il progetto "Muzic Family", nasce da collaborazioni di lunga data con ar+s+ molto importan+, come Fred Ventura & Paolo Gozze/ aka Italoconnec+on, Roberto Tura/, Maury Pirotta aka Pirmaut, NU.MA., Annerley Gordon, Mark Hoogkamer...tu/ insieme per il nuovissimo singolo di Stylóo "I'm Gonna Dance", in 5 fantas+che versioni + una bellissima b-side, "Crimson & Clover"

This EP could arguably be the peak expression of Filippini's, (aka Enrico “Big City” Filippini) career in Italo-Disco. Without doubt a more polished pinnacle within the genre, elegantly and efficiently conceived, with less grammar mistakes than many of its contemporaries. Downtempo paced in the low 100's, Enrico takes his time with the nostalgic lyrics in confident efforts of mending some questionable past romantic affairs. A production with melancholic nuances that would very deservingly find its place in a mix by the late visionary DJ Zecky for example. The kind of track that could be played 3 times in a row before offending anyone, very digestible to the ear, a delightful pleasure for the less sober soul, to be served with cocktails and high SPF sunscreen, just cruising along.

March sees studio wizard & cult UK live artist The Emperor Machine serve up his latest thrilling full length, Music Not Safari.

Andy Meecham is a long-time stalwart who remains unconventional and inventive in all he does. He hasvbeen dazzling dancefloors for years as ​The Emperor Machine ​with his synth-heavy, tough edged andvpsyched-out disco beats on​DFA,vPhantasyvandv​SkintvRecords​, and has a musical history dating back to thevUK’s acid house explosion as part of ​Bizarre Inc. and latterly ​Chicken Lips. His grooves are tough and designed for dancing but are always full of space-age cinematic details that make them stand out from the crowd.

That is also true when serving up one of his unique live shows; few conjure the sort of soundscapes as ​The Emperor Machine​, and for that reason, he has been a hit at ​Craig Richards’ Houghton festival and is the only live artist to have been invited back twice to the bi-annual ‘Revolting‘ party ​Berghain’s ​infamous Lab.oratory. In the studio, he has collaborated to critical acclaim with the likes of ​Erol Alkan as ​Future Four​, and picked up high profile support along the way from DJ’s including ​Andrew Weatherall, The Black Madonna, Francois K and ​Laurent Garnier, to name just a few. Across his latest full length, he once again runs a gamut of styles with a true sense of studio flair few can match, making ​‘Music Not Safari’ ​a truly unique listening experience.

Opener '​C.C.​' is a colourful synth opus, with skyward chords and disco beats all getting you up on your toes. The shimmering synths continue on '​What You Need​', which has hip swinging claps and perfectly squelchy boogie bass that goes back to the future. Recent single, '​House Des Lowe​' is full of trickery, reverb, and peerless sound designs, with its rubbery bass and elastic grooves all lit up by darting chords and dancing percussive patterns.

The Emperor Machine's tracks are never less than luxurious and ebullient and that's the case again on 'Moscow Not Safari,' a cosmic adventure filled with lithe synth work and sonic definition of the highest order. After more rumbling drums and rugged bass that are designed to ignite disco lovers from all eras on 'Stiff Poly' comes the latest single. '​Danse Blanc​' is an electrifying track that speeds up as it unfolds, with a knotted baseline and organic, wooden percussion all tumbling freely beneath celestial synths and keys. Like all recent singles, when this one gets its standalone release it will be in three forms;​‘Extended’, ‘Version 54’ and ‘Warehouse mix’. ​Former singles '​Function​' and '​Two Voice​' then keep the good times alive with the prickly and upbeat disco charm of '​You Two​' sandwiched in between.

This is another timeless offering from one of dance music's most consistently excellent names and comes ahead of live performances at ​Golden Pudel Club in ​Hamburg​, ​Good Room in ​N.Y. and two slots at the UK’s best-loved Somerset festival​ ;)

Enter Planet Dust’s next release is our first album, courtesy of Manuel Jesus aka World Wild Web. His debut LP follows lead single Cursed Fruits which featured remixes from Epsilove and label head Donald Dust.

World Wild Web’s organ, guitar and drum machine-led music nods to the global Cosmic continuum, and explores themes of anxiety, overconsumption and Web 3.0. The album features creative and catchy vocal dance tracks in both English and French (Colony, La Nuit, Je Mange Des Animaux, The Best Is Yet To Come), scrappy guitar anthems (Pills, Don’t Quit!, Scrolling) and exotic Cosmic joints aplenty (PA 2, M-Gola, Druid Dance). We at Planet Dust are reminded of the likes of Suicide, Rizan Sa’id, DJ Stefan Egger and more.

An essential part of the European disco history... "Livin' Up" and "Stop" by B.W.H., these two tracks are true 'milestones' and Italo-Disco in the purest form. The sound that only the most virtuous and innovative young Italian DJs and arrangers were able to create in the early 80s. B.W.H is Stefano Zito (aka Black Way), Stefano Galante, and the late Carlo Favilli, "Stop" is dubbed "the best B-side ever!", but "Livin' Up" is also incredible, making this vinyl the hottest 12" ever assembled in the Italo Domain and for decades incredibly underrated.

It was I-f's Mixed Up The Hague mix that brought this to the attention of a wider audience and have been considered one of the holy grails of Italo ever since. Here the 2 original versions from 1983 remastered with care and passion by Dom Scuteri and Claudio Casalini (Best Record) in two different editions: the classic one in black vinyl and the strictly limited one in gray vinyl. Two essential tracks available in a high quality edition.

An essential part of the European disco history... "Livin' Up" and "Stop" by B.W.H., these two tracks are true 'milestones' and Italo-Disco in the purest form. The sound that only the most virtuous and innovative young Italian DJs and arrangers were able to create in the early 80s. B.W.H is Stefano Zito (aka Black Way), Stefano Galante, and the late Carlo Favilli, "Stop" is dubbed "the best B-side ever!", but "Livin' Up" is also incredible, making this vinyl the hottest 12" ever assembled in the Italo Domain and for decades incredibly underrated.

It was I-f's Mixed Up The Hague mix that brought this to the attention of a wider audience and have been considered one of the holy grails of Italo ever since. Here the 2 original versions from 1983 remastered with care and passion by Dom Scuteri and Claudio Casalini (Best Record) in two different editions: the classic one in black vinyl and the strictly limited one in gray vinyl. Two essential tracks available in a high quality edition.

Straight Outta Belpaese, MORE disco – exotica – balearic - Italo-funk for the demanding digger!!!

An Italo Disco rarity from 1984 now available again on colore 12“ Maxi Single: Fokewulf 190 - Body Heat Enjoy the rare original version on side A and two new exclusive remixes by Flemming Dalum and DJ TinTin on side B.

Super db is a 4-piece band from the South of England whose sound is a distinctive mix of pop, disco, funk, rock and jazz is evoking the sound of the early 80s American West Coast. The lineup consists of twin brothers J-M Sutcliffe (Guitars & Vocals) and J-P Sutcliffe (Keyboards, Percussion & Vocals), along with two new members, Jonathan Wills (Drums, Percussion) and Indigo Pearce (Bass). Following their second album "Ecoute Ca", Super db now release their third album "Downtown". The album has spawned four singles so far, "Back To Me", "Downtown City Girl", "Side By Side" and "Hard Drivin'".

"Downtown" features all the trademark Super db ingredients, including soulful close harmony vocal stacks, popping bass lines, ripping guitar solos, and jazz infused harmony, all set to the tones of the West Coast Funk and Disco era of the early 1980s. The band also hark back to some of the Latin flavors featured on their previous album, with songs such as 'Brazil', and the album's infectious closer, 'Maquina'.

"Downtown" is an album that promises to take the listener on a journey back in time when Disco was king and Walkmans were all the rage. Twelve songs all evoke the feel-good vibes of summer nights at the beach.

After the successful 7-inch release of Agip, Roman producer and composer Azzurro 80 is back on Four Flies with another triple-single that continues his love affair with dreamy synth-pop and Italian Eighties culture and society.

"Notte Inchiesta", on side A, could be the title music to an imaginary '80s investigative/true-crime program broadcast on late-night television. Clearly reminiscent in mood and texture of the soundtracks of late-70s/early-80s Italian detective-action films, it brings back the jazz-funk, post-prog and fusion overtones that characterized the music of those films. In short: a contemporary-retro sound nestled somewhere between Goblin's funk-oriented recordings, Azymuth's "Jazz Carnival", and electronic disco with a sprinkle of new wave.

Side B opens with "Equilibrio", which could serve as additional, more dynamic music for the same TV program mentioned above. The style is once againelectronic jazz-funk, but here we have abreak built upon a trail of notes chasing each other.

In contrast, "Sambuca", the single's closer, is deliberately nostalgic and melancholy. Perfectly suitable for visual narratives of an Italy that no longer exists, it sounds like one of those great Italian soundtrack themes that are able to convey tension and calm at the same time. The track is titled after the anise-flavoured liqueur that Italians often drink after their espresso, because "making references in my music to things that are part of our national popular culture is really important to me", as the artist has explained.

Let's go back to Italy with the dynamic duo Marvin & Guy aka Alessandro Parlatore and Marcello Giordani.

On their first release for Live At Robert Johnson they team up with another dynamic duo: Hard Ton - and you guessed right, they're Italian too.

So what else to expect than some real cool contemporary Italo Disco just in time for summer? »Save Me« comes in two different mixes: The »Disco Mix« and the »Club Mix« - both featuring the marvelous falsetto voice of Hard Ton's singer Max - himself quite a passionate singer in the field of Heavy Metal - AND Disco - yes, you heard right. But fear not, the Heavy Metal part isn't audible at all. We're talking Hi-NRG sounds galore and of course D.I.S.C.O. - the Munich style disco of someone like Giorgio Moroder doing his thing with Donna Summer or Harvey Fuqua's and Patrick Cowley's work with LGBT legend Sylvester - yes, the »You Make Me Feel (Mighty Real)« Sylvester. Not a bad company to get name-dropped, right?

Especially the »Disco Mix« of »Save Me« features many of those typical sounds of said producers and is a beautiful tribute to the golden disco era. The slightly darker »Club Mix« does a great job too by pulling all dancers straight onto the floor with its drum machine generated bass drum and its euphoric claps.

Marvin & Guy's solo track, the aptly named »Supported By Your Favourite DJ« will surely be supported by everyone of our favourite DJs: It's a happy and positive track which definitely will not fail as a secret weapon in everybody's DJ bag.

Now let's get saved by Marvin & Guy - and let's support the Italian scene - it's mighty real!

Brace yourself for a trifecta of Ben Liebrand interpretations on Moses – We Just, each one leaving an indelible imprint on this iconic Italo Disco anthem. With his deft touch, Ben infuses the track with a modern twist, showering it with his signature drums and analog wizardry. The result? A colossal sonic experience of this Romano Musumarra produced anthem, that resonates deep within your soul, paying homage to the song’s origins, its entrancing melodies, its pulsating rhythms, and above all, its sheer originality. Close your eyes and surrender to the nostalgia of bygone days, whisked away on a euphoric journey to the vibrant 80s. The ‘Our Evolution” mix, featured on the B-Side, being almost 12 minutes long! Prepare to be dazzled by the unparalleled brilliance of this outstanding Italo Disco reinvention!

Matteo Mussoni and Nicola Zucchi were raised on the disco romance of the 1970s and early 80s. Channelling their shared love of music machines and mirrorballs, the duo founded Sparkling Attitude. Their debut EP draws on the magic of italo disco, the synthesizer soundtracks of the silverscreen and the open stretches of the Italian coastline.

“Dov’eri Sabato Sera” recounts the tale of unrequited love; youth, possibility and dashed hopes play out to a crisp rhythm and wistful melodies. Those heart-strained notes then take the limelight for the instrumental version, analogue strings soaring to impassioned heights. The flames keep burning on the flip with “Melodico Romantico”.

Disco infused, bold and brazen beats are made-up in dark rouges and effervescent greens as breathy vocals whisper. Mussoni and Zucchi dive deep into their machines for the curtain close. Inspired by Japanese culture, made in Italy, daring key stabs and astral echoes are draped in a late-night groove for this glittering finale. Joyous sounds from a Sparkling Attitude

Ludus Pinsky (Lapo Lombardi) and Alexander Robotnick (Maurizio Dami) are Italcimenti, a fuzz project seeking to re-construct the way to heavy-cement music, so sadly famous in the early 80s.
Thanks to their boldness and daring a new generation of survivors will have the chance again to listen to the sound that makes your legs feel as heavy as cement blocks.

Previously released in a CD in 2005 this is the first ever pressing on vinyl!
It includes an exclusive extended and dj friendly version of "Beyond The Mind" the "Italo Club Mix" not released in the vinyl single, and the electric jumping vocodered ballad "Somewhat You Need" , not be overlooked!
All the other tracks are the same versions of the Cd release, and all tunes have been rewarmed and remastered to get the best sound on Vinyl!
A must have release for all Electro-Techno and Italo-Disco lovers / collectors..

“More secret edit weapons from the vaults of DJs like Manfredas, Iñigo Vontier, Simple Symmetry, Dreems and Thomas Von Party, aka the Multi Culti Family. New wave Latino body music, peak power extended space disco and wiggly electro funk combine for definitive dance floor approval and chin-stroking trainspottery.”

transparent yellow vinyl LP

Remastered 2022

A great and classic euro/italo disco gem from 1981 completely remastered and re-pressed on limited edition yellow vinyl, this is the Jimmy Ross' biggest breakthrough indeed. James Albert Ross, also known as Mel Turner , was a singer from Trinidad who teamed up with Kano's founders Luciano Ninzatti and Stefano Pulga, to write this iconic album

It includes the massive hit "First True Love Affair" which reached #7 on the Dance music Charts and the song reached #90 at the US Billboard and it was Larry Levan's favorite at the infamous Paradise Garage, and remixed by Levan's himself the following year. "Fall Into A Trance", "Chocolate Ice", and S.O.S. Of Love" are the other major highlights. A must-have for all collectors! Out on October 7th!

Pleasant Systems is back with its 4th installment „Time Unlimited“ from Budapest based Pleasure Voyage with special remixes from Tilman. The duo provides us a blissful journey through the most uplifting corners of house, making stops along the way at Italo, Balearic and ambient house.

Whilst the jubilant opening track „Feels So Right“ set the tone for the release with a feel-good danceoor banger, „Portraits Of Us“ and „Seashell Island“ are driven by deep dreamy pads and synth melodies with intricately crafted and richly layered soundscapes.

Riotvan is thrilled to announce the latest installment of the "Familiar Faces” series, with label bosses Panthera Krause and Peter Invasion once again opening their arms and welcoming an exceptional group of friends. Some familiar faces return, while others make a glorious Riotvan
debut. Originally conceived as a four-track release, in line with previous installments, the project took on a life of its own as the incredible music continued to flow in. Today, we are delighted to present "Familiar Faces IV," an eight-track selection that showcases the freshest and most diverse sounds from a group of our incredibly talented friends.

Italo Disco rarity from 1984 with exclusive remixes by Flemming Dalum and also Playable Mono.

Giorgia Angiuli’s 13 track album ‘Quantum Love’ on her UNITED label combines and contrasts fast, insistent dance beats with her signature melodic synths and dreamy lyrics; ‘an eclectic work including piano downtempo tracks and techno melodic tracks with ethereal vocals’ (Angiuli).

The multi-talented live artist/DJ/producer/vocalist/lyricist and studio-building tech wizard used lockdown as a creative nexus. Einstein’s ‘Imagination is more important than knowledge’ led her to explore quantum physics, while her first India tour inspired ongoing interest in sound meditation and philosophy, culminating in the LP.

‘Quantum Love’ has many moods and speeds; physics and philosophy, contemplative and full-on fast, sweet vocals, meaningful lyrics or purely instrumental, it’s all there. ‘’Quantum Love’ is my inner soundtrack to my recent transformation, summarized in the following sentences: we are made of energy, everything is vibration. We are each our own placebo, happiness can be a choice, we have all the elements inside us for the right path. Nature can teach us everything.’ (Giorgia Angiuli)


Press:

DJ Mag Feature

Flow Music Interview

DJ Mag Post

Four Four Magazine News Piece


DJ Feedback:

Sasha (Last Night On Earth) - solid!

Guy Mantzur (Kompakt, Bedrock, Lost & Found, Sudbeat) - love them all

Anthony Pappa (Selador) - The Timo Maas Remix is excellent.

AFFKT (Sincopat) - Superb remixes!

Fur Coat (Oddity / Delete) - Nice Armonica and Glowal remixes

Israel Sunshine (Fur Coat / Oddity) - Great job! digging all tracks specially Timo and Glowal

Animal Trainer (Mobilee / Stil Vor Talent) - fab remix by Armonica!

Dee Montero (Knee Deep in Sound, Selador Recordings, Anjunadeep) - Timo Maas mix for me

Siavash (You Plus One) - Glowal mix takes the cake in this ep

Chris Fortier (Thoughtless / Sullivan Room / Balance) - super super

Pisetzky (JUST THIS / Last Night On Earth / Oddity) - amazing giu

Sinca (Anjunadeep) - Great remix ep

James Trystan (Suara / Bedrock) - Feeling this!!! Timo Maas for me

Henri Bergmann (Automatik) - armonica always!

Cesar Romero (Simply City) nice!

juSt b (Bedrock / Configurations of Self) nice release, love the key work and vox.

Nhii (No Human Is Illegal) (Sounds of Khemit / Stil Vor / Kindisch) - Timo Maas remix right up my alley!

EP with four dancing motion tracks, selected from the vaults of the secluded Archivio Fonomeccanico Ornavassese.

The evolutionary restoration of the rediscovered pieces is the work of “I Bellissimi Dischi di Ornavasso” who, through structural modifications and sophisticated refinements, made them fit again for listening but more importantly for dancing.

All the source tracks stem from 70s and 80s Italian music, revised and guaranteed by the Archivio Fonomeccanico, one of the few ultraphonic overhaul specialists in Italy.

With their state-of-the-art audio department they can support the conception, production and mixing of melodies the quality of which is demonstrated by the famous psycho magical side effects.
Let yourselves be thrusted into hyperspace by the undulations of your pelvic bone.

The next project on Opilec Music is a fine EP produced by label boss I-Robots together with the legendary Piatto brothers, Alessandro and Davide, and comes with an unreleased dub as well as a remix by Rekids boss Radio Slave. Davide Piatto is a member of N.O.I.A. who co-produced the original 'Dirty Talk' single and seminal De-Ja-Vù album of legendary proto-house outfit Klein & M.B.O. in 1982 while Donna McGhee exclusively agreed to provide the vocals for the I-Robots remake released by Opilec earlier this year.
The new version of this track presented on this great new EP uses exactly the same vintage equipment and as such the "Unreleased Dub" is six minutes of dubbed out bliss with pixelated chords, soaring synth lines and slick grooves that come laced with arpeggiated disco dazzle. A rugged bassline underpins the whole thing and it is easy to see why this one is already in such hot demand.

The Original Acapella, without any beats, is also included for DJs who like to do their own tricks, and then there is the incredible Radio Slave Magnetic Feel Remix already played by Dixon and thus one of the most sought after tunes of Sonar 2015.
Radio Slave is a big Italo Disco fan who wanted to remix this classic for Opilec Music and already Felix Da Housecat is playing it, whilst DJ Hell, youANDme and Rocky Jones from D.J. International Chicago all personally requested it.
And no wonder because it is eleven minutes of seriously steaming, slow building and long burning house pleasure with massive rubbery kicks, cleverly filtered vocals and a slowed down bass line from the original that adds serious weight.

From 1984, Nat King Cool’s stunning in-demand one-off single release ‘Checking Out’ sounds like a blend of MFSB’s ‘Mysteries of the World’ meets UK brit-funk complete with very cool flip-side instrumental. Originally released on the tiny Tai Wan label, this track sounds fresh!

R&C Records boys are back with a new sampler of their "feels-good" sound, digging deeper into the 80's Italo Disco scene.
The logo side captures a Gaznevada inspired re-imagination, magically moved into a newElectro-SpaceDisco dream with a Balearic flavour; on the flip side a Firefly's classic disco anthem re-grooved to an Electro-Boogie 'desire', laid on spacey synths and balearic keys.
Limited. VINYL ONLY

The unmistakable Skatebård classic “The Bells of Mist” has received special remix treatment by Bård’s friend and co-conspirator Lauer. Twice! Accompanying the original are two new takes on the tune, stirring up the heavy grit of the original with some complimentary upbeat melodic rhythms. “Lauer Flute Mix” is a punched up house version with melodic keys and a spacey backdrop, enhancing the playful elements of the track. The “Marshall Mix” adds a distorted gritty touch topped off with classic piano riffs. Together with the memorable dubbed-out disco tune “Farver/Flimrer” also found on CDIII, this release reunites us with two Skatebård hard-to-find-on-wax originals and hot interpretations by Lauer. On red vinyl!

From House To Disco is a hotly tipped all-female duo known for their fine taste in records, in-depth research into house history and fresh productions. They have been tipped as ones to watch by Brazilian tastemaker Renato Cohen and have released on his Massa Records as well as Get Physical's COCADA Music. Now they tap into the esteemed Definitive Recordings catalogue and add their own spin to four tracks which make up this EP, which will also be included on the 12-track 'Disco House For All' compilation which includes more key selections from the label.

First up, they tackle Blunted Dummies's 'House For All' and flip it into a thumping house cut with old-school synth stabs and a low-slung bassline. Their remix of Las America's 'Look, Listen, Love' brings jacked-up drums with plenty of original Chicago swagger, seductive vocals and a raw analogue bassline. The duo then bring a deep and stylish twist to Wax Fruit's 'Be Yourself', which has rueful pads that encourage you to gaze off into the distance, lost in thought, while the tender piano chords bring extra soul. Last of all is their fresh remix of Barada's 'Gasoline', which is a driving deep house gem with neon chord vamps and another timeless bassline.

There are still some pearls of dance music from the late 80's to early 90's that have remained in obscurity and have gone unnoticed or at least there has been no special attention, so Jose Manuel has dug deep as he already did in the first chapter of the compilation " Milagros del Ritmo ".

Among the annals of releases between '89 and '93 Jose has found pearls that he wanted to encapsulate in the second chapter of " Milagros Del Ritmo II ".

Nine tracks among which we find : Come To Me (Ven Aqui) by La Luna produced by Erik Kupper, where percussion and Latin influences dominate over a house beat, then there is Teknology by Dj Raffa, a well known Brazilian Dj, followed by Lorena with Tu Eres Igual Que Los Demás (De Luxe Dub), where the beat vaguely recalls Los Niños Del Parque by Liaisons Dangereuses.
This second volume of "Milagros Del Rirmo II " cannot be missed by DJs who love and play the retro sound.

Old, lost, obscure and forgotten gems and a boundless focus on the new balearic scene for a wider audience of collectors, djs and music lovers. all releases are limited edition.

This release is 350 copies limited edition 7" (50 on Transparent Marbled Pink vinyl and 300 on black vinyl) with the Original Version + Pellegrino "I Feel Glow" Rework. Artwork by Maurizio Schirò.
Neapolitan sound.

An Italo Disco rarity from 1987 now available again on colored
12“ Maxi Single

Following on from the standout second Ciao Italia compilation, the mighty Rebirth bring together another collection of tracks that surf between the past, present and future, highlighting the importance and continued influence of the Italo dream house world. Alternate versions, unheard gems, certified classics and pure class as you’d expect from the likes of Nikita Warren, Alex Neri, Marco Baroni, Deseo, Lorenzo Morresi, Anxious and Spinapsys.

Reissue of this italo disco classic from 1984. Comes with Flemming Dalum remix.

Disco Segreta is happy to introduce you the official reissue of one of the most sought after italo disco records ever!

Born in London, Karen Louise Freeman experienced vast popularity in Italy in 1982-83, where she appeared on Sunday’s most popular TV program of the era, Domenica In, where she sang the show opening and end tracks: “Wow Mamma Mia” and “Play the music”.

But only the hardest italo diggers know that Louise made another single, “Aa Ee Oo Uu” b/w “Mirage”, which was released in 1983 with close to no success. Over the years, both “Aa Ee Oo Uu” and “Mirage” turned into absolute staples of a typical 1983 italo disco sound: dry, crispy drums, cold ice sweeping synths and melancholic vocals. Vastly overlooked at the time, this record slipped into oblivion, contributing to make the original 12” with extended longer versions to be highly sought after and expensive on the collectors market.

Oddly enough, Karen’s sister is singer Tracy Spencer, who would score a massive hit in Italy during the later years of the italo disco movement, with more pop oriented italo productions by Claudio Cecchetto such as “Run To Me”, which was the second best selling single in Italy in 1986.

As far as we know, Karen left the music industry and now runs a successful fitness and health business.

repressed !

Trailblazing instrumental synth pop experiments created to soundtrack Japan’s booming 1980s cartoon and comic industries. The brightly futuristic instrumentals on this collection reflect the mindset of composers and musicians who believed in a technological future where everything was possible.

In the late 1980s Japan experienced a brief but heady period where societal changes combined with new-found wealth to open up a world of possibilities. A huge influx of cash - artificially created by slashed interest rates after an agreement with the US to weaken the dollar relative to the yen - resulted in the inflation of real estate and stock market at a rapid pace. While the economic bubble it created was unprecedented and impossible to sustain, for a while money was in plentiful supply.

The musical genre City Pop reflected the aspirations of the country’s booming leisure class. Video games flourished with Nintendo's 1983 launch of their Family Computer (or FamiCom). Studio Ghibli was founded 1985 to later became one of the most famous and respected animation studios in the world, and Anime and Manga were established as major forms of entertainment for all generations of the Japanese public.

Music was no mere footnote to the anime and manga boom: the two forms of media often went hand in hand, and not simply through the presence of background melodies. With generous budgets available, even two-dimensional static manga comics could be released with an accompanying soundtrack of original music known as an ‘Image Album’.

Composer and arranger Kazuhiko Izu was one such beneficiary of this open budget approach. Written to accompany artist Katsuhiro Otomo’s manga comic Domu, the composer and arranger took advantage of the world-leading (and wallet-busting) Japanese synthesiser technology available at King Records’ fully equipped studio. Featured on this compilation, A3: Act 2 Scene 26 reflected the story’s sci fi themes with a blazingly futuristic yet warmly funky slice of synth pop that presents a joyful celebration of synthesisers and their seemingly endless possibilities.

Kan Ogasawara was another composer who made early mastery of the litany of synthesisers, drum machines and sequencers that had become available. Two tracks written to accompany the 1985 period manga Yume No Ishibumi are featured here; Honowo’s experimental electronic textures add spice to a jaunty electro pop melody that recalls the Rah band’s 1983 hit Messages From Stars; the jazz-tinged Utage rounds out Ogasawara’s shimmering synth textures with beautifully crafted backing from legendary musicians Yuji Toriyama (guitar), Pecker (percussion) and Jun Fukamachi (piano).

Before becoming one of the pioneers of Japanese Kankyo Ongaku (Ambient Music), Takashi Kokubo worked on the proto techno track Kiki (Jungle At Night). It was put together for the 1984 anime film Shonen Keniya (Kenya Boy) using some of the most expensive music technologies available at the time. This Africa-Inspired dance track offers a contemporary parallel to the early techno music that young Detroit based producers were then creating using cheap Japanese Roland drum machines and synthesisers.

This is the first compilation of Japanese anime and manga soundtracks curated by Kay Suzuki and Rintaro Sekizuka from Vinyl Delivery Service (a Tokyo based online record shop which also operates in East London's renowned wine and hifi shop Idle Moments). With a cover by artist Kazuki Takakura and two pages of liner notes, this vinyl only compilation of music never before released outside of Japan, captures a vital aural snapshot of an era whose forward-thinking sounds went hand in hand with cutting edge technology.

Disco Segreta resurrects an extraordinary chapter from the captivating world of late 1970s Italian disco music!

In this installment, we pay homage to Sicilian producer, Franco D’Accardi, hailing from Palermo.

Franco assumed the helm of the small record label ASA (Artisti Siciliani Associati), known for its diverse catalog, which included progressive rock, folk, and a sprinkling of disco. In 1978, Franco’s path crossed with that of American model Adrienne Edwards while in Sicily.

He enlisted her talents to contribute vocals to two tracks, “Mystic Night” and “Disco Dancing,” which were released in 1979 on a 45 RPM record limited to 1500 copies, exclusively distributed in the local area.

While “Disco Dancing” on the B-side offers a fantastic rendition of Stanley Turrentine’s disco classic, “Mystic Night” stands out as an electrifying, enigmatic, and seductive disco masterpiece. It’s a captivating fusion of drums, congas, snares, slap-bass, and mind-bending synthesizer work, where Adrienne’s voice harmonizes with a deep male voice, attempting to entice her.

In short, “Mystic Night” is an utterly unique and indispensable gem in the landscape of underground Italian disco, marking the twilight of the golden disco era.

After extensive efforts, Disco Segreta is reissuing these remarkable Italian disco treasures, fully remastered to meet contemporary standards.

GREETINGS returns with release numero five ‘Look Within’. Stepping up to the mic for the first time, his original vocals up the sauce factor with dreamy hooks that will have you singing along into your wildest dancefloor fantasy.

The EP kicks off with A1 ‘Look Within’ – an evocative tribute to the magic of discovering the dancefloor, with commanding lyrics centred around discovery and inhibition. A2 ‘Come and Go (Dirty Talk Mix)’ expresses the ecstasy of meeting someone on the dancefloor and finding passion among the grooves. To be played when the dancefloor is just right and ready (il bon tempo), consider it your next club serenade. B1 ‘Won’t You Believe’ weaves an epic acid bass line into a ground-shaking chugger, that will whip any crowd intona frenzy – to be used responsibly!

B2 ‘When I Dream at Night’ is a cosmic closer, taking you on a journey into forbidden nocturnal yearnings as GREETINGS dreams of a certain someone, unable to shake them from his mind, lost in a memory of melody.

Reissue of this italo disco rarity from 1987. Comes with Flemming Dalum and Hysteric remixes!