House Vinyl New Releases - News

Hot Trax is back with its third release '9 Weeks', from first class female producer Davina. Injecting her sexy and seductive French touch she delivers two distinguished tracks aimed firmly at the dance floor holding onto a classic house vibe yet pushing creative boundaries and showcasing her immaculate production skills.

The A Side '9 Weeks' is a hooky driving groover of a track. Getting heavy rotation from the Jamie Jones it's proving mainstay of his sets. This is a surefire crowd pleaser. On the flip and 'Moskitoes Cries' gets low-slung a dirty, great little vocal fills and stabs effectively punctuate the heavy rolling rhythms to keep them dancing.

Originally from New Caledonia, a French island between Australia and New Zealand, Davina is now resident in Ibiza. A successful DJ and live performing artist as well as being one of the worlds most in demand music technology tutors, she has recently had several releases on Push Push record, but has delivered a great two tracker on HOTTRAX.

Filtering through apocalyptic sunbeams, the iconic voice of Róisín Murphy shimmers above Luca C & Brigante's spacey vibrations in 'Flash of Light' - the next spark of brilliance from the ever more ubiquitous duo. In the shining trio of remixes, Solomun takes it straight to the neon club, while Tale Of Us cast their ghostly spell and Blond:ish bring a dose of dreamy tech...When a friend of mine introduced me to the music of Luca C & Brigante I was stuck with an apocalyptic feeling, as if I were listening to the sound of a party at the end of the world. And with such strong imagery coming to mind I was only too happy to write with them when they asked. 'Flash of Light' is about that last night on earth, a forewarning of the end of an era and a last chance to Love' - Róisín Murphy

Tief is well know in London and beyond as being a clubnight where it resides at Corsica Studios, showcasing house and techno of only the highest quality, a standard that is now to be transferred to a record label; Tief Music releasing music that we truly love from artists who have a connection with us or what we do.

Tief001 comes from two close friends of Tief who are releasing music for the first time under the guise 'Sisterhood'. The 2 original tracks capture the atmospheres, moods and energy that fits so well with Tief's ethos and demonstrates a real skill for using analogue instruments to hair-raising effect.

A1, 'Call Me Ishmael', aptly named after the opening line in novel 'Moby Dick' is an epically symphonic track which utilises infectious, spine tingling arps that dance around hypnotic hat patterns building alongside piercing strings to produce climatic break downs.

The Arttu remix of 'Call Me Ishmael' demonstrates exactly what the Berlin-based producer is becoming so well know for, showing little regard for polishing, over-producing, or keeping those levels green, but stripping it back and keeping only what is completely necessary. Arttu turns the track into a raw, gritty weapon aimed straight at the dance floor, harnessing the arps and atmospheric strings but completely re-programming the drum patterns to turn it into a real stomper with a reworked bass line reminiscent of 90's Uk Drum & Bass and the addition of some serious pitched down vocal cuts and snipped up samples.

The second original track (B1) is named 'Tannhauser'. Sisterhood create lush spacious soundscapes that are underlined by the sparse throbbing bass notes and punctuated by crisp percussion.

The Juju & Jordash remix of 'Tannhauser' rounds off the record perfectly. The deepest, most atmospheric and perhaps most emotional addition to the Ep is testament what these 'masters of analogue' have become so well known for. The track develops effortlessly and the listeners patience is rewarded with a mesmerizing and provoking journey. Much like the Arttu remix, this track makes no effort to disguise the methods by which it was created, the reassuring hiss and clunks of various machines can be heard which adds nicely to the warmth and atmosphere that this beautiful track oozes.

With what looks like a summer heatwave on the horizon, it seems right to call on dirtybird's European extension to deliver a sun-
drenched dance floor stormer to see in the new season. The two track 'Love' EP sees Catz 'n Dogz join forces with the ever-
innovative KiNK, a pairing that has proved striking in the past year after KiNK's beautiful 'Follow The Step' release on the Polish duo's
label, Pets Recordings.
'Good Love' packs an instant punch as a hefty house bass line bangs with all the filth you'd expect from the dirtybird associates.
KiNK infuses his innate sense of liveness into the production, particularly felt in the drum work which smacks, crunches and kicks
with a crispness that is hard to imitate. The effect-loaded vocal loop is what gives 'Good Love' its hedonistic, midsummer flavor,
driving the track straight to set climax selection territory for anyone with a penchant for
the deep and dirty. The 'Bad Love' mix falls into techier territory, as the distorted beat fizzes and crackles with a master- ful touch of
vitality. Just as heavy and arresting as the A side, this is the sort of bad love that feels too good to decline.
Characteristically classy, with a generous helping of bass, expect this Catz 'n Dogz and KiNK collaboration to be working out dance
floors for the foreseeable future.

Claus Voigtmann makes his vinyl debut on Lisbon's Assemble Music, applying the same high standards to his productions as he does to the Toi Toi parties he co-organises in London. In fact, you can imagine 'Spin' greeting you on arrival in a moodily-lit Shoreditch basement, its growling interplay of bass and kick drum instantly familiar and pleasurable. The plunging bass and pinpoint kicks of 'Junago' bring to mind the refined soundspaces of Peter Ford or 'The Au Harem'-era Villalobos. It's the kind of track that comes into its own the later the night gets, and just as the elements interlock then writhe apart from each other you can imagine the dance floor doing the same.
On remix duties, Ion Ludwig applies the attention to detail we've long learned to expect from him, though here he's manufactured a leaner, meaner beast than his recent releases on UGold and Trelik - four to the floor, with skittering high hats over round, menacing bass. The stripped-down elements swirl in and out of phrase to create a very modern style of techno that you can easily imagine catching the eye of DJs from all over the spectrum.
With Voigtmann's debut, Assemble Music's roster of new and established artists continues to grow in depth and quality.

180 gram vinyl only release.

Purple Velvet is Chris James and Lee Dearn, two purveyors of deep and sensuous house music since forming in late 2011.

Having gotten to know each other at various late night music sessions, the pair have increasingly honed their own house sound that's as suited to the dark conSines of a club as it is the sunnier vibes of an outdoor terrace. Sparks Fly is gritty, dirty yet soulful at the same time. DeSinitely the work of a duo with a promising production knack. On the Slip Back On On The Boulevard featuring Lisa D on saxophone and Breathin are two late night drive jams, emotive and super lush.

An EP to dance to, that moves your mind and your feet. Deep music from the soul.

A Sagittariun continues to explore the deeper shades of the electronic repertoire with the 'Rapid Ear Movement' EP featuring a remix from Terrace (D-Jax Upbeats/Eevolute). The Mojo Odyssey and the Terrace remix cater for the feet whilst A Lucid Dream is a trip for the mind.

11 totally exclusive tracks from the second Undergound Sound Of Miami release from the mighty Bedrock label, selected by John Digweed. Featuring some new artists to the label alongside some of the labels favourite producers in the form of Robert Babicz, Elio Riso, Pig&Dan, Marco Bailey and Guy J alongside an excellent bonus mixed version from Stelios Vassiloudis
Unmixed CD












Mixed CD by Stelios Vassiloudis

Special Remarks:
- limited to 333 hand-painted artwork edition
- each cover has a unique painting and a stamped number
- clear vinyl

Vocal Collaborations:
ROBERT OWENS (Coldplay / Fingers Inc. / CHICAGO)
BROTHERS' VIBE (Secretsundaze / Mixx Records / NEW YORK)
DELHIA DE FRANCE (Pentatones / Freude am Tanzen / LEIPZIG)
BAJKA (Compost / Ibadan / BERLIN)
KETER DARKER (4Lux / Arma Rec. / CHICAGO)
Other Collaborations:
strings by OLGA KHOLODNAIA (Deutsches Symphonie Orchester / BERLIN)
rhodes by MARTIN KOHLSTEDT (Compost Rec. / Marbert Rocel / LEIPZIG)
e-piano & solina string by MICHAL MATLAK (The Analog Roland Orchestra / MÜNCHEN)
youAND:THEMACHINES is the solo project of Martin who is a part of youANDme.
"BEHIND" is his longplayer debut on ORNAMENTS and is a mirror of all his influences from dub
techno, ambient, downbeat, Detroit techno and house music. Never before has Martin incorporated his
music so much in analog hardware, field recordings and hidden messages.
He has invited orchestral musicians to collaborate on the project and one of his main ideas was to use
no samples and generate every sound with a range of classic analog instruments using modern
techniques of the year 2013 without loosing the old spirit.
Guests vocal collaborations from around the world include Robert Owens, Brothers' Vibe, Delhia de
France, Keter Darker and Bajka. Each of them adding their unique character to the album indulging
the listener into new mystical directions.
here a little video about making the covers

Milanese duo The Barking Dogs return to the Gomma label for a superb new single featuring Rush Hour's Tom Trago and a remix from the ever-excellent Analogue Cops. 'You High' show's why the pair have been picking up dedicated support from the likes of James Murphy (DFA), Soul Clap and Toally Enrmous Extinct Dinosaurs.
Italian DJ/producers Cristian Croce and Nicola Mazzetti AKA The Barking Dogs have been building an enviable reputation over the past 5 years. Releasing music through their own Barking Dogs label, running their own Discosafari nights and touring as DJ's, they have established themselves as a force to be reckoned with. The pair are also the owner of one of Milan's leading record stores Serendeepity.
2012 saw the Dogs join forces with one of German's pre-eminent electronic music labels, the Munich based Gomma. Gomma need little introduction having been the driving force behind music from the likes of Munk, Headman, Whomadewho & Dimitri From Paris, pushing the boundaries of nu-disco, house, techno and electronica for well over a decade with a perpetual eye towards the future. The Barking Dogs 'Mamarracho / Linked In' single has been one of the highlights of the year so far, generating heavyweight DJ support and being used to open the Radio 1 Essential mix from Total Enormous Extinct Dinosaurs.
The follow up EP kicks off with title track 'Your High' and sees The Barking Dogs team up with Rush Hour artist Tom Trago for a wonderfully off kilter slice of electronic music. Warm bass, heavily delayed claps and skittering percussion work around subtle vocal edits, abstract piano chords and sonic sweeps to wonderful effect and create a record that has a truly unique feel. The original is backed up with a remix from Italy's The Analogue Cops who create a mix that is a wonderful fusion of live elements and techno sensibilities, sublime stuff.
The EP is completed with two further original recordings, the bubbling acid techno/disco of 'Margherita' which sees the boys melding acidic analogue lines with jazz inflected techno percussion and 'Ebony' which takes things on an interplanetary tangent with its bass driven, sci-fi brilliance.
The Barking Dogs are genuinely talented and truly unique, pair them with the Gomma label, Tom Trago and The Analogue Cops and you've got a pretty special single indeed!

Roundtree could be the alias of a very well known (perhaps legendary) producer who might want to remain anonymous. We're not saying, or perhaps we just did, I'm not sure. Anyhow, two rather crisp housers on offer here, 'G-String Diva' with it's sharp as nails percussion and female spoken vocal which lends the track a nicely sleazy edge and 'No Need For the V' with it's prominent baseline driven grove. Enjoy!

2012 will be a year for new faces on the boe release schedule and first up is Professor Inc.; a producer from Paris who has taken inspiration from the masters of the early dub house and techno sounds, incorporating samples borrowed from the days of floppy-disk sharing to create fresh new soundscapes with a very modern feel. He delivers a 4 track EP of stripped back house with complex peripheral textures and effects; from the evolving strings and moving sub bass of Path Illumination and VTM Beos Tribute to the sinister echoes and delayed drums of Elements Combined and Essence Dub.

Press by Tailored Communication
Reviews confirmed: Resident Advisor, Sonic Router, Juno Plus, Hush House

Jackmaster Cunt EP is the 5th release from Sound Black. Its a departure from the Lady Blacktronika's signature slo mo sound taking us on a journey into jack. She's got 4 deep groove laden tracks here to please the hardest of deepcore house fans and the deepest of hardcore house heads. The tracks here borrow largely from the sounds of Chicago and New York/New Jersey in the 90s, sounds near her heart. These are the roots revisited and brought back to the future of house.

With an overwhelming passion for Chicago // Detroit and Italo-House, Mayo Soulomon has long studied the genres' analog roots and carefully created his own studio spaceship of synthesis. It is with this that he has produced for Fly By Night Music three classic translations of these essential movements in dance music history, which we have backed up with an authentic remix from Detroit's own, Rick Wade.
If Riviera Traxx, Jovonn, Mistiness & Don Carlos was your things you must check out this cracking EP!!
Supported by:
LTJ Xperience, Severino, Soul Clap, Massimiliano Pagliara, Terry Hunter, Memoryman aka Uovo, Kai Alce, Joey Negro, X-press 2, Marco Passarani, Glenn Underground, Leftside-Wobble, James Johnston, Nicholas, Jamal Moss, Andy Ash, Moody Manc...

The first release since Romanthony's tragic passing had been sent to the pressing plant before he died. Following discussions with his family and advisors, Glasgow Underground is continuing its series of re-issues to help create a legacy for Romanthony's children.

Andre Crom takes Roman's 1995 classic and takes it on a modern day garage journey filled with skipping beats and stabbing chords and - in tribute to the original - one massive organ bassline. Big tune.

Ejeca opts for a more direct, heavy on the kickdrum treatment and while he's opted for a similar sound palette to Crom but in the young Belfast producers hands 'Ministry Of Love' becomes a hypnotic, crowd-pleasing piano anthem that is up there with the best work he's done.

On one of his 3 mixes on the package and given that this was one of the few Romanthony classics where the remixes had access to the full parts, Kevin McKay reproduces Roman's original jam in his '90's re-edit' to give a flavour of what the original would sound like had it been released today.
The Ejeca Remix and Kevin McKay's 90s re-edit are vinyl exclusives.

The first release since Romanthony's tragic passing had been sent to the pressing plant before he died. Following discussions with his family and advisors, Glasgow Underground is continuing its series of re-issues to help create a legacy for Romanthony's children.

Andres - and its some feat - takes Roman's garage classic and turns it into a tripped out disco groove. Pure and blissful this superb mix of wandering bass and crackly chords is the kind of record you want to dance to when the sun is out and the mojitos are flowing.

Young Glaswegian producer Mirrors teams up with McKay and take Roman's vocals down a pitch or two, get out the juno & the 909, slap on a thunderous kick drum and deliver the kind of synth workout that wouldn't be out of place on Power House.

Finally McKay delivers his own re-interpretation of 'Ministry of Love', wrapping the full song around a simple, acid-driven groove.

The Andres Extended Remix and the Mirrors & Kevin McKay Remix are vinyl exclusives.

RON TRENT does all the music and produces this single featuring TKUMAH SADEEK on vocals.

No rest for the wicked, after launching OneOffs earlier this year and releasing our first EP with three fresh cuts from three talented producers we're back.

Each of the four cuts is a highlight in its own way, from the afro inspired house on 'Size Up' with a superb Herbie Hancock tribute from Crackazat on keyboards, to the slow and bass heavy techy 'I'm The Jack' from Will Berridge on the A-side.

The B-side starts off with JMX's 'That's The Way', another exercise in dynamic house with punchy chord stabs, finishing things off is Keumel's feel-good disco surgery incisions roll 'California My Way'.
Local Talk is talking to you!

After the release of their acclaimed 1st anniversary compilation, ClekClekBoom Recordings already have another EP ready to go,
coming in the shape of a vinyl-only white label from CCB's co-founder and figurehead French Fries.
Having supplied the imprint's inaugural "What to Do / One ting Dub" white label in July 2012, the second installment finds the
producer going back to an prior analogue jam session, where producer used only his beloved Minimoog Voyager, an old Sequential
Circuits drumtraks and the classic TR 909.
Inspired by Chicago's producers from the Dance Mania era, French Fries also lays down his own vocal freestyle of "Drums-Traxx"
across the EP.
The first part, 'Drums' uses an infectious acid bassline to cut through an overdriven Detroit inspired groove.
The flipside, "Traxx" is the result of a lengthy jam session with Chaos in the Cbd in French Fries' studio and uses the same sounds for
a different purpose. For this Chicago flavoured version, a 4x4 kick propels the groove accompanied by loose, pitched toms and
distorted hats
'Drums / Traxx' undoubtedly drips with old-school Detroit & Chicago House influence but as the impassioned vocal chant of the EP
title sprinkled across both tracks reinforces, it is not purporting to be anything but a sincere, superbly executed homage to a classic
era.

New Jersey based producer Jorge Velez returns to Echovolt under his brand new guise Bridge & Tunnel Kids with three tripped out, psychedelic journeys of the Detroit kind plus a remix by fellow 'outsider' Willie Burns!

DJ / Press Quotes
2012 was a prolific year for the New Jersey based producer Jorge Velez also know as Professor Genius. He recently spread even more his name with his 'MMT Tape Series' release on Rush Hour Recordings and the blinding sountrack-ish 'Hassan' album on the notorious L.I.E.S. from New York.

Jorge Velez and William Burnett joined their forces in 2009 and their collaboration tracks became the first release on the Echovolt label's catalog. Their debut EP came under the name 'PG&S - Motorik EP' and contained some freaky krautrock electronics.

After four years, Jorge Velez and William Burnett (aka Willie Burns) return to Echovolt. This time Jorge Velez delivers three tripped out, psychedelic journeys of the Detroit kind under his brand new guise Bridge & Tunnel Kids. This fresh Echovolt release is topped off by a remix by fellow 'outsider' Willie Burns with his unique sound signature!

Berlin based Quell aka Nikolaos Raptis, is a relatively new name to the house scene, but the up and comer has been striking chords as of late with releases for the likes of Kolour, Tsuba and Ibadan.

The EP kicks off with 'Check You Out', which sees Quell ride out hooky, shuffling drums, raw chord stabs, and heavily delayed vocal lines in an evolving, progressive fashion. The near six-minute duration embraces a variety of classic house elements such as hi-strings, 909 drums and chopped up vocal samples, with variations in the groove being introduced every 16 and 32 bars. 'Don't Go' follows, embracing a similar aesthetic with weighty drums, an infectious saw-wave bass hook and bright stabs. Quell draws out the background delays to build tension, while shuffling snares and additional synth melodies add a further depth to the dynamic.

The latter half of the release takes things in a more raw direction, firstly with 'Loose Meanings', a gritty bass hook runs alongside resonant pads, crunchy drums and a smooth chord sequence, while the late stages see Quell develop the melodies with additional tones thrown in for good measure. Lastly to close the release, 'Right' is offered up, Quell opts for a boomy sub bass to drive the track, while string hits, looped acidy tones and an amalgamation of vocals are tightly blended to create a heady house cut.

It's no secret that Ben Watt has chosen to close his acclaimed Buzzin' Fly label to new music after ten great years as one of the UK's leading dance independents. But the label has chosen to go out with a bang with one final single. Unearthed from the vaults are two dazzling tracks from cornerstone artists, Rodamaal, and Manoo & Francios A.
· Rodamaal's 'Fortune' was originally completed back in 2007 but scheduling problems prevented it from being released at the time. Produced by the Franco-Portuguese trio (Rocco, Darkmountaingroup's Alex Santos and Manoo) it is a stark but emotionally-charged deep-techno masterpiece, that deserves its place alongside their other classics for the label, 'Musica Feliz' and 'Insomnia'.
· On the flip, and originally produced in 2005, is 'Other Places' a long-lost track by Manoo & Francois A. Full of summer shimmer and heavy bass tones, it was produced by the duo during their heyday at the label, and was a secret favourite of label boss, Ben Watt.

DFTD is a new, breakout label to Defected Records focusing on fresh, new and undiscovered talent from around the globe - along with the occasional curveball release from established acts. DFTD complements its parent with a more diverse musical remit, releasing a broad range of electronic music, focussing on quality, discerning dance music.
This is the very first vinyl sampler from the label, showcasing three incredible forthcomings tracks, all due to drop on digital early in the summer. First up is Hope from Guti, a stunning Balearic cut from an Argentinian artist who has previously released his outstanding material on Crosstown, Cecile and Supplement Facts. Created with the White Isle in mind, it features a warm bottom end and the intoxicating vocal from Jason Hate's 'Pray For Love'; the much lauded track has been a staple of Guti's sets for some time now and finally sees a release on DFTD. Mercury steps up next with a stripped-back, bass-driven version of Jonas Rathsman's Tobago - the original mix of which was initially licensed to Chris Malinchak's French Express label. Rounding things off is Forrest., and artist who shot to notoriety on labels including Noir Music, Souvenir and Gruuv. His inimitable production is characterised by its depth and warmth and Creep is a shining example of his skill.

The White Man & The Arab - an uneasy pairing of minds designed to deliver dancefloor bliss via the medium of limited 12s - is Ben Micklewright aka BLM (of Fear Of Flying / Underground Quality fame) and Souhail Zaatari aka Soho (of Phonica / etc fame). Together they been secretly labouring away in the studio and this four tracker is their first joint outing.

The EP kicks off with 'I Said', a subtly hypnotizing analog jam with deep chords, a cleverly manipulated vocal snippet and a galloping beat that's impossible to resist. Next up on the a-side is 'A little bit of the 80's'; a moody slice of emotive house, that rides a disjointed drum pattern, reverb-drenched chord stabs and an eerie melody.

On the flip 'Future Moves' is the rawest out of the four tracks on offer here... It's a ruff and ready basement jam that gradually builds it's way to a tight 909 pattern, an acidic bassline and a a blink- and-you'll-miss-it vocal sample. Finally the EP rounds off with 'T.H.T', a straight-up dancefloor tool, where the emphasis is on the groove and percussive elements. An excellent EP from these two producers who definitely know where it's at...

The unstoppable Boris Bunnik is back once again, this time as Vernon Felicity with a four track EP for MOS Recordings. The tracks see him explore his usual analogue heavy sound, but there is a little more space in his arrangements, a more rueful mood.
The title track 'Dawning' is slow and purposeful, with acid pricks and twitches peppering a churning groove. Next, 'Breaking Silence' is more kinetic, with claps, hits and squiggly melodies all bouncing off each other as pronounced basslines strike a melancholic note below.

On the flip, 'Wrong Notion' has plenty of height to it, again with eco systems of analogue lines and acid belches all weaving their way around each other and the raw, splintered beats below, before last track '3' explores wide open cosmic synth spaces with lingering pads, mournful Blade Runner style synth lines and gently churning rhythms all soothing your brain and body in equal measure.

Warehouse Find! Test Pressing!

Time for one of Freerange's longest standing regular producers to return to the label for his first EP in three years. The Stepping Tones EP is absolutely classic Shur-I-Kan from start to finish with two original tracks plus a remix from the very excellent Berlin newcomers Kim Brown.

The title track opens with a big, bold, bouncing bassline and driving groove but as we hear the arrangement unfold the layers of keys build and drop bringing the trademark Shur-I-Kan musicality and energy to the track. In our opinion this is one of his strongest tracks yet and we're pretty sure this will be a firm favorite this summer, set to be heard everywhere from Croatian boat parties to Dalston basements and beyond.

Up next we have Kim Brown with their remix of Stepping Tones and what a job! The Berlin duo have made a big impact the last couple of years with their incredibly deep and beautiful Spring Theory and People's Republic releases on Just Another Beat. Completely sublime downbeat deep house is the key here, owing as much to ambient and orchestral music as to the rough and raw lo-slung club beats we're hearing from labels such as Dial and Smallville. Their remix brings rugged drums, dubby keys and lush strings to the fore with the addition of a twisted, filtering vocal enhancing the warm glowing sunrise vibe which emanates from this track.

Conundrum closes the EP with another deep, jazzy and cinematic Shur-I-Kan masterpiece and once again he layers up the textures and harmonic elements slowly and expertly, introducing the little hooks over time until before you know it you're bathed in a warm shower of lushness with tingles running down your spine.

2020Vision mark their 250th release with a very fitting project from the originator of the label Ralph Lawson. Lawson presents a selection of classic mixes and unreleased gems produced alongside his original production partner Carl Finlow.

Ralph Lawson received a call last year requesting permission to re-release a mix he had done for DJ Dove over 10 years previously of a track called 'Come On'. He had forgotten all about the mix but it still sounded good so he agreed. Then two things happened - a journalist called Kristan Caryl picked up on the track and asked in his review why Lawson didn't produce more and at the same time people started buying and reacting to the track as if it was a new release.

People started buying and reacting to the track as if it was a new release. Both events got Lawson thinking; what other tracks were produced at the infamous Farmhouse studios that he may have forgotten and what could be new discoveries

So on the first day of this year he ventured into his Garage lock up where all the old DAT master tapes were stored and started to root through them. It was a challenge to find a working DAT player and one even started to chew up the precious and only copies of the recordings. Eventually he managed to extract the recordings and sat down with Discogs to see what was up with this material. He was amazed to find that there was loads of material that had never been released and that much of their work was now highly sort after, deleted or unavailable digitally. Every exciting discovery added to the project until it became something Lawson felt had real worth.

Many tracks were made 10 years ago but listening to them today will be the first time you (or anyone else) will have heard many of them. They will also be new for a whole new generation of DJs and music lovers.

This vinyl EP includes 3 tracks that have previously been unreleased on vinyl, they are taken from the full fifteen compilation.

The next big thing to come out of Denmark! exclaims TRENTEMOLLER and heshould know as he is the brains behind this album. Beautiful music andvocals with a dark and eerie sound. Pressed on 180 gram vinyl and comes ina full color gatefold sleeve. (MUSIC F The next big thing to come out of Denmark! exclaims TRENTEMOLLER and heshould know as he is the brains behind this album. Beautiful music andvocals with a dark and eerie sound. Pressed on 180 gram vinyl and comes ina full color gatefold sleeve. (MUSIC FO

Release number eight on London house maven
George Fitzgerald's ManMakeMusic label, the
Laszlo Dancehall EP, connects two of the UK's
most exciting young producers: Leon Vynehall and
Christian Piers. The sample driven crunch of
Vynehall's earlier productions on ManMakeMusic
can be heard loud and clear complementing the
canny but irresistible percussive and vocal
shimmies of Piers. Aside track 'Gave Up',
championed by George FitzGerald on his recent
BBC Essential mix for Radio One, sets the pace
and aims straight at the dancefloor with its strange
sonic palette, at once euphoric and gritty. On the flip
we get 'Ain't No Time' on which Vynehall and Piers
give us their interpretation of classic house. The
final track, 'Manley Harrison', is the strangest and
arguably most original of the bunch and leaves the
listener in no doubt as to why there is such a buzz
about these two producers at the moment....

Nsyde is highly delighted to introduce and welcome a new family member: Project01.
Essential House Music, rough, sexy and soulful.

New These Days release by Julien Sandre. Expect a high energy blend of 90s inspired house and techno music and attitude. Includes a futuristic new school, New York influenced remix by Ibadan Records mastermind Jerome Sydenham.
A musical offering that will alarm any kind of floor in any part of the world, as well as satisfy the most demanding "ear" for sonic detail and perfection. A fool sees not the same tree that the wise man sees.

An Italian based DJ & producer & current man-of-the-moment, who is deeply in love w/his old synths & drum machines. Releases on Aesthetic Audio, Skylax, L.I.E.S., Balance, Mathmatics, Echovolt, Thug, Traveller, On the Prowl, have him all set up.

A psychedelic mixture of electronics and analog rawness infused with more than enough soul to keep it going on and on...
What are the odds Asan!!
We met this funky cat from London while he was wandering around the city and needed directions to the party friends of ours threw that night.
Later on the dancefloor getting more acquainted with one another, Asan asked if it would be okay to send over some music he made.
Sure... and wow!!!

***ltd repressed***

After his debut 12inch on Actress's Werkdisc label comes Moiré's new 3-track 12" on Rush Hour.
In February, ears were picked by the debut release from Moire, a mysterious producer hiding behind hypnotic visuals and a well-groomed cloak of anonymity. Now he's ready to show his hand further with this second release, a three-track EP of what he proudly calls 'London techno'.

You see, London means a lot to the man behind the Moire mask. While not a native Londoner, he is proud to call the city home. From the dazzling lights of the West End to the grey housing estates of East London, Moire has immersed himself in the city. You may spot him lurking in dimly lit basement spaces, documenting urban decay in Canning Town, admiring the city's eclectic architecture or contemplating the ongoing gentrification of Brixton. That is, of course, if you can identify him.

'London,' he says matter-of-factly, 'is so raw, yet so full of soul'. It's a theme that he keeps returning to, and an aesthetic that sums up the City's musical output. You can feel it in his new EP for Rush Hour, too, from the clattering, Tube-inspired rhythms and heart-aching chords of 'Rolx' - a kind of West-East journey through subterranean London - to the intoxicating after-party pulse of 'Don't Get It', where the city's insomniacs gather to raise themselves to the rhythm one more time. Then there's the tumbling, discordant chords, carefree melodies and intense rhythms of 'Real Special', a celebration of life on the city's musical fringes.

This is Moire in a nutshell. There's much more to the man - we've barely touched on his visual inspirations, and his love of the chaotic simplicity of moiré lines and patterns - but he'd rather leave it to the imagination. Not because of some high-minded desire to protect his anonymity at all costs (naturally, many are curious thanks to the runaway success of his 'No Sleep' EP on Werkdiscs), or to simply keep us all guessing, but because it doesn't matter. After all, it's the music that matters.

From Detroit 'third wave' producer Sean Deason comes a new release, 'Detroit City EP'. Featuring 3 cuts that will showcase Sean Deason`s full range as an artist. 'Detroit City' is a cut with lots of energy. 'Detroit City 5AM' brings a deeper vibe, while 'The Drive Home' features a deep Detroit inspired feeling.