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House News
DJ W!ld is pleased to announce a second instalment of remixes from his well received album When You Feel Me. After Jus Ed and Chris Carrier appeared on the first EP, now comes Classic aligned producer Miss Honey Dijon, Peacefrog regular Dan Curtain and the one and only Detroit talent that is Andrés, who serve up one remix each, with an original by DJ W!ld also being included.
That original is 'Love Every Day' and is another fine missive from the studio of French house king DJ W!ld. It is a fat, deep, rolling cut with pinging toms and kick drums, cool vocal samples and a laid-back jazzy vibe that will really bring people to the 'floor.
This same cut then gets remixed by Andrés, who used to DJ with Slum Village, runs his own label La Vida and is a regular producer alongside Moodymann aka Kenny Dixon Junior on his label KDJ. His remix here is a jazzy, hip hop influenced affair with raw hand claps, jazzy piano motifs and loveably louche and dusty groove.
The next remix comes from Chicago's Miss Honey Dijon, who regularly plays places like Panorama Bar and has remixed and produced for her good friend Derrick Carter's Classic label before now. Her version of 'Get Busy' is a slick, up tempo and acid riddled affair that will drive people wild on the dance floor. It is urgent and supple, seductive and has a beautiful breakdown that makes for a fine moment's pause before the acid and drums kick in earnest once more.
Finally, Holic Trax and Bass Culture man Dan Curtain has been doing his do since the 1990s and has contributed greatly to the development of techno in that time. His remix is a full on techno forcefield with manic melodies and thumping drums charging along, hypnotising you as they go.
Buy this EP digitally and you will be treated to two extra tracks, namely two great remixes of 'Come To Me' by huge Defected act Flashmob and left of centre tech house pair Italoboyz, who both turn out infectious grooves to round out this special release.
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aux44 is a radioshow, tapelabel and a subdivision of mindcolormusic curated by dj mnvr.
the first two numbers were limited tapes with collaborations and productions by mnvr himself.
on this 150 limited and handstamped items dj mnvr himself debuts on vinyl with various experimentations handrecorded and overdubbed, all live recorded at aux44 lab.
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Nacho Marco's 'Warm Trax Vol. 1' was an Ovum highlight in 2015 and a much welcomed return to the label for the Spanish producer. Vol. 1 with its rich analogue textures and acidic flair, picked up a wealth of support. Today Nacho returns with Vol. 2 and a new trio of Trax for our trip. One of the most acclaimed DJ's and producers from Spain, Nacho Marco's rich musical history is evident in all of his productions. As comfortable creating a peak time acid number as he is rolling the depths of house, Nacho is clearly influenced by the early sounds of Chicago and acid house and always delivers a modern twist on what is a timeless sound. It's one thing to take influence from the past, but its quite another to ensure that you keep on pushing forward. Hypnotic and sparse, Afterlife opens the Ep with its bubbling acid line and stripped, raw beats that bring you back to the Warehouse. Let's Play continues with the acid theme as it ripples away under a drowsy bassline, broken by tight snare and shining hats that build to peak time bliss. Finally we're treated to the smooth balearic vibes of Tell Me Something, with its hooky piano riff and smooth synth chords. Sunset/rise anyone - Nacho Marco continues his Warm Trax series on Ovum showing his diverse production talents. This is his third EP on the label and his tracks have seen the support from such luminaries as Laurent Garnier, D'julz, Danny Daze, Soul Clap, Marc Romboy, Joris Voorn, Skream and more. - These tracks have been road tested by Josh Wink with huge reactions.
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- A1: Down In Chicago
- A2: Outta Area
- B1: Out Yo Mind
- B2: Funky Tonight
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A self-proclaimed lover of irreverent and profane music, rising Spanish producer Carreno is LB takes the helm on the 33rd offering from Jennifer Cardini's Correspondant label, with a remix from returning artist Andre Bratten.
Since supplying the label with the Anxiety and Neurosis EP in 2013, Carreno is LB has collected production credits in partnership with fellow Madrid-based label affiliate Javi Redondo, and as a remixer for outlets such as My Favorite Robot. (This December also heralds the release of a collaborative album with NYMA, due to drop via German imprint Items & Things.) Arriving in both 12" vinyl and digital formats on January 19, the Disharmony EP finds him channeling a vampyric sensibility, pairing dark though dancefloor-ready originals with more conceptual, angular interludes.
Carreno is LB opens the seven-track affair with "Step 0," a brief prelude steeped in eerie atmospheres. "Step 1" and "Step 2" elevate tempos with jacking rhythms and metallic, planar shifts, while the industrial, atonal sound design and broken, percussive techno of "Step 3" dismantles itself. "Step 4" warms up like a b-grade horror film but turns into the housiest track on offer, with a cheeky Italo-influenced bassline and taut, drum machine rhythms, offset by sliding, pitch-bent organ chords.
Norwegian producer and Full Pupp affiliate Andre Bratten returns to Correspondant following an outing on the label's second V/A compilation; his "Trommer Og Bass" swiftly became an anthem of summer 2014, played out by Agoria, DJ Harvey, and Laurent Garnier, and also featured on Errol Alkan's recent Fabric mix. While the original version of "Step 5" stands as more sketch or shadow, cutting out at a crucial moment, Bratten's "Half Life 2 Gravity Tool" remix yields an emphatic, dancefloor-ready adaptation.
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Slow trippy acid by Tight Pants. "Action increase the screaming this crazy guy with tight pants is another EP. Because he fights evil with his synth-sword of Samurai reincarnation has some say. Trump only dance if maybe he beats these world would hate. Tight Pants! Tight Pants! Yoga ! Tight Pants!"
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Limited to 150 - be fast to secure your copy! - no repress. Lower Parts is a Greek label involved in music, fashion, art and multimedia projects and it has been since 2013. After starting by showcasing lots of local talent, next up on the label is international talent Andreas Gehm aka Elec Pt1, who gets remixed by Damcase and Anoplois. German Andreas is an acid and techno innovator who has released on Mathematics and Chiwax and here comes correct with two great new cuts.
First up, Universe is a busy, mind altering track with cold, serene chords front and centre and manic synths gurgling about in the background. Funky and weird, abstract but colourful, it's a truly fresh track that will make for plenty of WTF moments on the 'floor. 'I Don't Care' is a more traditional deep acid cut, but still the textures and hooks are odd and occult, standing the track apart from the crowd. The acid is increasingly energetic throughout and manages to sound both clean and crisp and dirty and naughty at the same time.
Remixing 'Universe', Anopolis are a collective of four Thessaloniki based producers who recently released a well received debut album. Their version of the track is all reflective surfaces and sprightly drums with plenty of groove electro overtones tied up within. Live specialist and hardware man Damcase is a greek guy currently living and working as a sound engineer at Roodkapje Rotterdam. His remix of 'I Don't Care' is deep and bubbly, littered with sci-fi signifiers and grows increasingly untuned throughout.
This is an inventive package from the Greek label that suggest they are well worth keeping an eye on.
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Contra Communem Opinionem shortly CCO, own name Florin Büchel is the pure acid lover from Zürich. He has debuted on Mathematics records in 2008 and since then he has been quite active with several releases on Lux Records and few other brands. There is a strong analogue character in his music based on 808 or 707 beats seasoned with melancholic pads, melodies and already mentioned acid lines. He is also involved in Savage Ground project formed by him and Daniel Cosmo. This is 'Space Race' from melodic electro through overdrive madness to drone beats. It comes with remix from man behind Endless Illusion, Layup.
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Delft is delivering more sick acid tunes! This time its Delft's chief LA-4A on duty and giving us some advanced modern acid jackers. We cant get enough of some good old traditional tracks, but its always extra exciting to hear someone who can give it a new contemporary twist. 4th release on Delft records and from the first release (cat-000) its spot on! Recommended.
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Aion, or Aeon, in the tradition of Greek cosmology, was the personification of Time, with the more famous Kronos, corresponding to Saturn Latin. Revered as "Lord of Light", Aeon (AION) represented eternity, infinite time, as well as the succession of eras. Just time talking this new vinyl published by JAM TAXX: somehow it shows how the same song, born in a given context in time and space (a marginal Italy of the late 70s sets in a still immature europe) can be re-interpreted 30 years later with a new spirit, remaining in part what it was originally, but also becoming another completely new thing (that didn't exist before) ... The statue of the boxer from the Roman stadium of the marbles, pictured on the cover, is juat Aion represented as an athlete who fights between light and shadow, past and future, divided in half just like in the inner label of this precious vinyl, in sharp contrasts and games of symmetries used in the graphics of this speial edition (white vinyl) ... Heraclitus wrote: "the time (Aeon) of human life is a child who plays his games moving his toys: to a child belongs the sovereign power" What is a remix if not a game where you move elements to create something new And of course to a child belongs the sovereign power, the demiurgic ability to redefine reality starting from what has been already done. And that child is us.
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clear vinyl pressing!
Soundtravels Recordings proudly presents "Point Of View Part 1". We have compiled six contemporary, electronic bombs from artists all around Europe.
For some we didn't have to travel that far though...
The Hagues Baz Reznik provided us with "Nightdrive To Stuttgart", a moody, sinister track with that typical raw Reznik sound and a melody that will stick in your head for days after you first heard it.
Amsterdam based Arctic Boogie boss Endfest came up with another killer, "Von Heijden En Verre". Almost ten minutes filled with frosty synths and arctic melodies, accompanied by an ever present, very sophisticated 303 which peaks halfway the track, shivers!
Our last, but not least, Dutch contributor is Rotterdam based Louis Guilliaume who you might know from several straight forward techno releases on various quality underground labels. "Promiscues" is a rough edged, energetic track which fits somewhere between Detroit techno and Dutch Westcoast elektronica. At the end of 2013 he will release the "Unknown Forces EP" on Soundtravels.
Okay, now we fly all the way over to Croatia for Le Chocolate Noir with "Futu.e Is B.ight". A short but powerful EBM track with vocals from the man himself. Dark industrial mechanics accompanied by a threathening bassline, but no need to worry... cause Futu.e is B.ight! In 2014 he will release his first EP on Soundtravels.
Next stop... Düsseldorf. After discovering Dircsen's tracks we definitely had to have him on board. The first result of that can be heard on his astonishing "Aspiration EP" (Soundtravels 003). This guy keeps on producing his solid, high quality electronics and shows us his love for the TB 303 machine in a brilliant way. "Exist" is actually a downtempo dubtechno track but off course it has a fierce 303 all over it. Timeless again. Early 2014 his second EP named "Acid Wheel EP" will be a fact.
New to our family is the Russian Neotnas. He makes his first appearance with "Rewind". Typical for his sound is that warm, organic feel all over his house and dubtechno productions. Very often accompanied by female vocals and it's almost like you hear somebody play a live instrument if you listen carefully. At the end of 2013 he will release his "Slow & Steady EP".
Hot on the heels of their recent twelve from Tilman and Florist, Charmin Records are very excited to be motoring onto their third release with this excellent VA bringing in material from new friends of the label. The East German imprint expand their sound to take in rougher techno, acid, and also more hypnotic and spacious territory. The artists on the roster are label founder Florist, Stanley Schmidt, Matt Thibideau and Billy Dalessandro and the result is a diverse excursion that stays true to the core ethos of the label.
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Ovum's 20th birthday celebrations continue with Vince Watson Déjà vu"! How do you end an amazing 20th Anniversary Celebration We think we've figured out our final flourish by bringing you the last of our 20th Anniversary year from the amazing Vince Watson. This is also our 250th release and a package that not only includes a remix from label boss Josh Wink, but features two bonus digital tracks that see Vince delving into his ambient side. A true celebration... We bring you Déjà vu". Vince Watson is one of the house-techno crossover pioneer's and helped facilitate the tech-house genre's appeal to the masses. A long musical history saw him release his debut album Biologue' at the end of the Millenium on Alola. The album was a big success and included the now classic track Mystical Rhythm". His work had a huge impact on the global electronic scene for setting a personal hypnotic perspective of groovy, melody and atmospheric sounds, a unique signature sound. He would continue his relationship with Alola, but also record for such acclaimed labels as Delsin, Planet E, and F...U F CCOM. He went on to establish his own labels Bio and Everysoul. 2014 saw Vince step out and explore new and old relationships in regards to his releases. He rekindled his relationship with Plant E and released on Poker Flat, Bedrock and Cocoon. We are excited to say that now Vince is gracing Ovum on what will be our 250th release and the final culmination of what has been an incredible 20th Anniversary Celebration. Deja Vu' is an incredible slice of deep and emotional techno. Prepare to be taken on a bubbly ride with many twists and turns and an all-enveloping groove. The deepness is there, but this track still packs a serious punch. Illusion' is a wonderful combination of beauty and musicality with an inspiring drive.
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Trulz & Robin aka Trulz Kvam & Robin Crafoord do slowburning, airy but distinct fascinating house music, warm, bright, focussed but playful, reduced, but open to surprise. Signed with atmospheric grooves, a stomping kick, subtle klick and lurching bassline. Spiced with plentyfull electronic or sometimes acidic elements this is like straight out of a future club that we like to visit over and over and never seem to get over - until breakfast time arrives. written by Full Pupp´s HH, on the first sunny Day in May, 2016
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- 1: Polytechnic Youth - Intro Theme
- 2: Groupuscule - Je Suis Marxiste
- 3: The Home Current - Wix
- 4: Detox Twins - Einhorn Suicide
- 5: Xyzips - Cosey & Warm
- 6: Volume Groop - Movement
- 7: Mass Defect - Magnetic Melodie
- 8: Polytechnic Youth - Intro Theme Ii
- 9: Middex - Space Sorry
- 10: Volume Groop - Stillness
- 11: Detox Twins - Paradox (Previously Unreleased)
- 12: Thefreqdesign - Rache Dont Dance
- 13: Groupuscule - Imagine: C'est La Guerre
A long anticipated collection of long sold out 45s on the tiny North London minimal synth imprint, Polytechnic Youth. The label began it's life in 2014 when an old friend went to Germany and bought a cutting lathe, enabling us to release hand cut 45s in micro editions of varying quantities. From there, a dizzying array of collectors' dream releases flowed, clear 5' singles, 8' singles, 45s that played from the inside label out and releases that came with personalized 'glow in the dark' centre adapters, to name a few. All sought after now. The LP features a selection of tracks from these releases, which, while allowing newcomers to the label a more affordable foot in the door, also gels and works well as a free flowing full length in it's own right. The label has a deep love for both the look and sound of key period '78 to '83 minimal synth, experimental and primitive, DIY electronic music. Often released as private press style vinyl or low key cassette only releases. If forced to throw names at you as reference points, think Fad Gadget, early Cabs, early Mute, John Bender, Neural Circus and Transparent Illusion etc. .
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Notorious HNS-X strikes back with two bangers. If you like good, plain club food without added fancy go for it. If you like it basic, juicy and straight to ze point go for it. You like basslines with a ravey touch Go for it. You know what: go for it anyways. unlimited vinyl only. What's your name darlin
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Always Stays The King This ist he Vinyl edition of Tigerskin's Album - All Those Goodbyes. This special Vinyl features 3 exclusive tracks that are not on the CD version of the Album. - The Essence', - Out of Breath' and - The King always stays the King' are three club bangers that will destroy your floor. As part of this 2LP we also added the strongest dancefloor titles from the CD. Main Info Album : After being the main artist on Dirt Crew Recordings for over seven years and with a staggering 13 EPs in that period either solo or with his buddy Till von Sein, the Berlin based Alexander Krüger has finally put together a full artist album for the Dirt Crew team. The album also features various collaborations featuring established artists such as Ulrich Schnauss, Eddie Richards and of course Till (all titans in their respective fields of 'electronica', 'techno and 'house') plus new producers and vocalists that Alexander has been working with such as The Lazarusman, Sebastian Oehlschlegel and Uffe.Alexander Krüger is one of Germany's most consistent producers and has a huge release list on Discogs ranging from the mid nineties when he started out as Korsakow and Dub Taylor on classic labels like Force Tracks, Müller and Raum Musik. The output of this man is enormous, not only solo under his 3 monikers but also with fellow producers he works with, most prominently the work he does with DJ Phonique. It has also been nine years since his last 'real' album on Resopal Schallware back in 2004 so 'All Those Goodbyes' comes as a welcome relief for Tiger fans. On the album you will find 14 tracks that reflect a broad variety
Limited 200 red vinyl pressing
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Juan Ramos lives on planet Earth but channels voices from the aether. This is his first offering for the ESP Institute. On side A, Last Of The Natives shows us just what we're dealing with, a master manipulator of sound and consciousness. Juan culls the toughest kick drums and thickest latex bass slaps from a deep burial in our psyche and peppers them with alien chants and fleeting electronic flutes—a combustible sense of spontaneity that may at first appear chaotic but after fully immersed in Juan's demented world, we find ourselves willfully under his control. On side B, Enemy Of Enemy Is Friend also sets off from a disorienting place where a slow progression of acid, shakers and toms takes a good minute to allow us some footing around the groove. Once settled into his sophisticated rhythm, Juan opens the door to a glorious combination of chords, clanking guitars, shakers that scrub back and forth and the occasional smear of paranormal synth. We at the ESP Institute are enamored by Juan's seemingly infinite skill for crafting mood and extracting optimism from darkness, but seriously, what color SpeedoTM should she wear this summer
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Having recently played an eight hour set to a sold-out crowd at London's Oval Space, the prolific Dusky drop a trio of moody club tool tracks on 17 Steps as they continue their European Autumn/Winter tour.
A club tool in the most effective sense, lead track 'Lydia' is dark, nagging acid groover that builds and builds throughout its 6 hypnotic minutes. With all the melodic material based around the Lydian scale, 'Lydia' was originally inspired by a bizarre, trippy dream Alfie had in which everything was all based on the Lydian scale.
A homage to classic techno, 'Bitter Lake' is a hard-hitting surge of looping, percussive energy and Detroit-nodding rave stabs that build to a hoover-fuelled breakdown release.
Rounding off the trio, the brilliantly titled and uniquely composed 'Infinite Libido' again explores Dusky's more percussive tendencies and has been a regular feature in their DJ sets for the past year.
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Four excellent tracks from way back. Originally pressed in 1999 we rediscovered some original stock from the archives of Super 8 which brings us a blueprint of pumping, stripped down and dubbed out Minimal House and thrilling Electro Phonk with these four tracks, crafted in the studio of electronic music veteran Khan. Must have!
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Once again AcidWorx brings you 4 tracks of mind melting analogue acid.
This time one of Europe's finest acid tweakers around 'Dave Tarrida'
kicks off the EP on A1, while our label regular 'SERi' teams up with
'Tomohiro Nakamura' on A2. On the flip-side, we introduce 'Mitaka Sound'
with his explosive style of big-room acid, and then we round things off
with a beautiful acid journey by this super talent from Osaka - 'Kick.S'
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British producer Reformed Society is on a steadfast mission to dig deeper by going against the grain, standing up to the status quo and daring to do something different. A self proclaimed goal that is easily noticeable in his first release for made of CONCRETE', wherein he reveals three original tracks and a remix by Gathaspar, one of the label's regulars.
Kicking things off with High Tension', a high strung stripped back piece with an aerial feel, the artist builds up the entire mood of the EP from scratch. A clear-cut, steady groove whose versatility makes it relevant as an intro, outro or interlude.
Gathaspar's Rausch Remix is a sub-bassy reinterpretation of the initial piece, filled with contorted whirs and whizzes that give the track a sub-aquatic feel.
On Volgende Halte', the opening vocal sample shifts from a seemingly conventional soundbite to a recurringly haunting snippet that remains etched into the listener's brain. Rhythmical rolling pads galvanize the groove, making for an eerie yet relaxed overall vibe.
Movement inducing from the get go, final offering Orbiting Jupiter' centers around wavering bass leads, while playing on a blend of spacious synths and timbered percussion patterns.
lend of spacious synths and timbered percussion patterns.
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Following his acclaimed North Bend album of 2015, Chris Roman, known as 214, is back on Shipwrec with the third in their series of single sided odysseys. A haze of bass descends for "I See What You Did There", a clipped drizzle of percussion falls before thick acid bars tremble into position. Echoes, reverb and decay merge, groan and bend as the preconceptions of ambient, electro and techno are pulled apart. In one breath dense and complex, the next grooving and future funk dipped. An epic example of 214's talent. Single sided 12" with a silkscreen printed B side. Limited to 250 copies on transparant vinyl.
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The Russian artist Mobile Soul System brings his classy, elegant minimal deep house to Red Panda Music, one of the new labels from Barcelona, getting quite a lot of praise and attention. Pure underground sound supported by Laurent Garnier, Sidney Charles, PAWSA, Hermanez and many others. Four different cuts that can suit the mood of many different club situations along a sophisticated and cool house vibe.
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Sintex Bortexx producer and dj in the world of underground works with the styles of the house, acid, techno & more.
Andreas Gehm always stomping on their territory acid, keeping alive the old school, which is a great exponent of the genre.
Carlos Shaw producer, house, techno & more, with its fantastic sound always delights us with its magic. his experience in the genre is remarkable.
Whim-EE deep - house, with its hypnotic sound, sensual. An outstanding producer and DJ, his works are captivating.
We are very happy with this work is release vinyl only
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Transit welcomes the mysterious Fx Mchn to the fold, who brings with him the previously released trippy, lo-fi warehouse monster "Dünn", alongside the spaced-out funk of "Piter De Vries". On the flip-side, a stunning acidic remix from one of house music's most talented and versatile producers, Roman Flügel, completes the package.Don't miss out on a chance to grab this classic from Fx Mchn on vinyl if you missed it first time around. Special thanks to London Housing Trust. Dedicated to the spaces between.
Limited to 300 copies and housed in a matte printed sleeve. Original artwork by Alex Sullivan.
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Enjoy the new Novo Music ´s sound.
Here you have the next "Selected Raw Series", a compilation of 2 original tracks signed by HD Substance and J.M. Aboga. Also include 2 remixes of Italoboyz and Ekkohaus.
Novo Music Create Music. Beleive in it.
support: DJ W!LD, Gel Abril, M.A.N.D.Y, Barem, DJ T, German Brigante, Steve Lawler, Mr. V, Ramiro Lopez, Mihai Popoviciu, Medu, Javier Carballo, Leon, Hecto Couto, Danny Serrano, Koljah Daniel Melhart, Federico Grazzini, Alexis Cabrera, Darlyn Vlis, Piek, Gonzalez & Gonzalo, Miguel Lobo, Carlos Sanchez, Scan Mode, Mr. Deka, ....
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we will get a repress! Jared Wilson is keeping the acid alive here in Detroit. "Ghettoblaster" is Jared's second release on his label 7777. If you missed his excellent first release, good luck finding it as it sold out very quickly. "This Love," is a slower deep track with haunting 303 bassllines and a a voice chanting "This Love." The title track, "Ghettoblaster" is an jacking stomper for the floor. "Last Two," is a very nice Chicago influence acid beat track. Also included on this 12" is "Office Analog", a previous release only available digitally before now. First pressing of 300 is expected to go quickly.
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This is the debut release from London duo Dark Circles who first emerged on the scene with their remix of Future Four's Into Orbit ( Future Four - Into Orbit (Dark Circles Remix) (PH23RMX) ) getting play from the likes of Andy Weatherall, Gerd Jansen and Krystal Klear.
The 3 track EP has already featured on Erol Alkan's first ever Boiler Room set, George Fitzgerald's BBC Radio 1 Residency, and the Justin Robertson Mixmag live show. Here's your chance to sample the EP before a forthcoming limited vinyl run and the start of the duo's own DCTrax label.
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What can be said about Dance Mania Simply put, some of the rawest, most jacking HOUSE music ever committed to wax has come out on the Chicago label. "Work It!" from 1994, courtesy of the mighty Parris Mitchell & RJ Hall is slamming, an update of Steve Poindexter's classic "Work That M*therfucker" but done Dance Mania style! Heavyweight stuff. Pair this with "It's Alright" on the flip, which takes a deeper turn and you've got am essential 12" dug deep from within the vaults. This one is rare too! Now it's here again, remastered and reissued with the full consent of Mr.Mitchell too, what's messing with that Essential Chicago business!
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Mugwump's Subfield label introduces its first signings with the Belgian-Italo duo Front De Cadeaux (brilliantly named after the Belgian EBM pioneer group FRONT 242).
Front De Cadeaux are DJ Athome & DJ Hugosan.
Hugo runs the Roccodisco label with Italian disco mastermind Rodion (Gomma/Nein) while Belgian killer DJ Athome has been spinning Italo wave & House in Brussels since the 90's. They expertly produced their own brand of "Supreme Rallentato", which is a fucked-up slo-mo italo, acid, disco, techno and house hybrid that so rightly fits with Subfield's mission statement of covering subgenres.
Their 2 first outings on Roccodisco have been remixed by Fabrizio Mammarella and Optimo's JD Twitch, and a staple in Ivan Smagghe's sets. This full Ep on Subfield features 2 original F2C obscene & dirty slo-mo tracks at their most playful, "Ouvre Ta Bouche" and "Front De Cadeaux Theme" plus the magnificent dub-house of "Killers".
Remixes comes courtesy of Factory Floor's Gabe Gurnsey (DFA) in a quite brutal bleep-techno mood and Manchester's nu-balearic kingpin Ruf Dug (Music For Dreams), getting into what he described as a " 808 snare roll warehouse analog fucked-up version".
Don't sleep, it's a biggie.
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repress soon Turbo Recordings presents the first in a series of club-conquering EPs from Duke Dumont. From his excellent Fabric mix to a pretty untouchable remixography that has seen him take on tracks by artists as diverse as Bat for Lashes, Mystery Jets and ZZT, Duke Dumont is the sort of artist embraced by people who know their shit. People like us. Pathfinders. Truthtellers. Heroes.
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'We Start Over' arrived on the desks at International Feel and it felt perfect for us. Deep electronics, a lovely mood, forward thinking and a gorgeous vocal from Trudie Dawn Smith. Lots to play with from a remix perspective and a great original track in itself. Steve Cobby is a British producer, musician, composer, and DJ, based in Kingston-upon-Hull, Yorkshire. He co-founded Fila Brazillia in 1990 and released 10 critically acclaimed LP's and produced over 70 remixes for artists as diverse as Radiohead, Busta Rhymes, Black Uhuru and A Certain Ratio. Cobby now releases music via his own label Déclassé label. His latest and third solo LP 'Saudade' was released in March 2014 and received considerable critical acclaim.
The first 12" consists of the original version and on the flip a remix by Apiento & Lx (their first track together since the underground classic 'The Orange Place' ). The remix is slow trance in its purest sense, made for lasers and dark nightclubs. It's already receiving club play and has been named by Andrew Weatherall and Sean Johnston's ALFOS as "one of the records of the summer". High praise.
On the second 12" the reins have been handed to Gerd Janson & Phillip Lauer a.k.a Tuff City Kids - two people making some of the finest house at their at the moment with Janson also getting massively known globally for his DJing. Their remixes are made for the clubs. The 'Garage Dub' is classic New York house that is as deep as you like and one of those hooky ones that does everything perfectly. The other, 'Private Acid Mix ' goes heavy on the beats and drops the 303 in a fine style with the vocal looped and twisted.
As you would expect from International Feel this is classy and classic club music covered from all angles from a balearic original, a deep chug remix from Apiento & Lx and the Tuff City Kids bringing the house vibe. Deep deep deep.
Poker Flat roar back into action with a remix package for Foremost Poets' classic club track, 'Reasons to be Dismal.' Originally out in 1998, 'Reasons to be Dismal' gets three slamming new takes courtesy of some of the biggest names in the underground.
First up is Dixon, one of the most respected DJs and label owners on the planet. The Berliner serves up another signature slice of pared down, driving house music that maintains the classic vibe of the Poets original.
The ExtendedSight version makes a welcome return to vinyl having been available on the original NuGroove release - a classic piece of dubbed out leftfield house, full of unhinged synths and cut up textures and scratches - sure to get the heads racing to the booth for a track ID.
Poker Flat head Steve Bug, who worked with Foremost Poets on this highly regarded Noir album, also offers a version, a tribute to the original track with replayed strings, updated drum sounds and a slightly different arrangement that brings in his favorite part a second time resulting in a more mix friendly ending. Last but not least is MotorCitySoul's remix - who choose to bring out the more Balearic, melodic elements of the track - a perfect sunrise record if ever there was one.
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Limited! 1 Sided + Large Gravure on other side.
Love On The Rocks is very excited to present Sharif Laffrey's Key Jam (A.C.I.D.). His first release since the sleeper hit Turn It Up was released on Discos Capablanca over two years ago. Key Jam (A.C.I.D.) is The Treasure + The Mystery. Laffrey's signature raw edit style is in full effect on this 9-minute proto-dance heater. Sharif Laffrey has been playing records and making music for 20 Long Hard years. Born in Detroit, Michigan - he's worked on the line checking camshafts for Chryslers & at Submerge for Mike Banks - at the same time. He toured Asia with Juan Atkins and once had to chase a grown man through the streets at night, who had crawled into his living room through a open window. An active member in Detroit's early rave scene, Sharif remembers booking all foreign gigs with a Fax Machine - and would still do it that way, if anybody else had them anymore. He drove a black Trans-Am from 1990 to 1995. Acid, tons of random stuff, tough, sexy, lovely, slow. Freak mode. He is dealing with The Fame. More to come. Slowl
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To remain a discerning platform for underground artists with integrity is easier said than done in today's music market. Alphahouse vows never to forget its roots in the afterhours basements from whence it came. In that spirit, we would like to welcome two up-and-coming Italians to the family with release number twenty
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After the stellar 'Ideas of Music' EP from Nubian Mindz, Anunnaki Cartel comes with a sonic slap to the face with one of the most exciting new artists we have heard in a long time. We are proud to be the first to unleash JASSS onto the world. This EP contains 4 tracks of sonic warfare that will ignite the sets of the bravest selectors. changes in drums throughout as the main groove continues to stomp through the remaining carnage.
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The fallen angel. The rebellious soul expelled from the pearly gates and forced to live in hell among mere mortals for eternity. Here they endeavour to condition and corrupt everything around them, a bold middle finger aimed in the direction of its former home in the promised land. Now imagine a soundtrack to this tragic tale. FunkinEven—also known as Steven Julien— has made just that with his debut album Fallen.
Split into two contrasting chapters, Fallen follows the trail of our main character. The first six songs introduce us to utopia, a collection which is matched by the light and airy tones of this initial set. The twist comes right down the middle, where we descend into the project's darker, hellish bogs. Both episodes intertwine seamlessly, and all composed, written and produced by Steven himself.
Julien plays the majority of the instruments you hear on the record, using session musicians — including three appearances from Hercules on bass — sparingly to plug any gaps. All the above choices combine to emit a contagious warmth that blankets the whole record. Within the dozen tracks, he jumps between everything from jazz fusion to techno. It's easily his best work to date.
Steven Julien first surfaced in 2009 with a refreshing sound unlike many of his contemporaries. While his peers flirted with R&B, abstract grime and whatever else, Julien forged his own path, one which partnered an organic, analogue sensibility with the sounds of electro, '80s funk, and acid. Initially affiliated with the Eglo camp, he eventually formed his own label, Apron Records, which has become a reliable outlet in its own right, not only for his own workings, but also as a home base for talents like Seven Davis Jr and Greg Beato. He's also proven to be an avid collaborator over the years, having worked with Fatima, Delroy Edwards, and, most notably, Kyle Hall, with whom he creates the unapologetically raw sounds of FunkinEvil.
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The first release of the new Deeptrax label from The Netherlands is by Aleks. A mystic four tracker with deep and gritty grooves moving in between the realms of house and techno featuring deep slamming tracks from beyond the galaxy with hints from the past.........A real atmospheric and spacious journey into the analogue world of electronic music. Very limited edition, greatly analogue mastered.
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Taken from the monster compilation "Acid Rain" compiled by UK house pioneer Terry Farley we have Acid Rain sampler #2, A carefully curated selection of choice cuts spanning the many styles of Chicago's Acid House movement.
Sampler #2 and the quality continues, on this volume we are treated to some bonafide Acid House classics! The late, great Frankie Knuckles dominates the A-side with two of his biggest and most loved club tracks, "Baby Wants To Ride" and "Bad Boy", both featuring the inimitable vocals of Jamie Principle and Frankie's trademark production skills. Over on the B-side we have Pierre's Fantasy Club's storming Acid / vocal cut "Got The Bug" and Pleasure Zone's sinister, jacking "Fantasy".
Another truly essential selection!
All tracks have been fully re-mastered, re-pressed and compiled in conjunction with Harmless Records.
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Kicking off this four track EP is one of Yuri's most dynamic productions to date. Wildly oscillating synths and snapping handclap-led house beats drive 'East West Connection', while what starts out as an acid synth shifts through a cycle of changes before evolving into a Detroit-style riff.
Both 'Nervous Arp' and 'Morning at Home' take the same palette of sounds into much deeper territory, touching base with electro funk and straight up jazz-fusion, highlighting Yuri's versatile musicality and distinctive production style.
'Modular' is an older track of Yuri's - a non-stop ride through wonky, synthesized fusion with hypnotic keys and rolling drums.
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Tiger recitative was originated in Ethiopian desert in 1967, add a dash of dub to it, a pinch of noise and you got yourself a strange brew of the Holy Owl. Served on the side with remixes from Alexei Nikitin (Gost Zvuk), Nocow and The Pocket Acid Edition.
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Brassica returns with a brand new 12' single for Civil Music that includes new track'Get Down' and a remix of 'Tears I Can Afford' from Belfast duo Bicep.
'Get Down' arrives simultaneously with 'Nature Isn't Mute', a deluxe extend- ed edition of 'Man Is Deaf', the producers debut album praised by Dazed & Confused and De:Bug and nominated for Album of the Year at the DJ Mag awards. 'Nature Isn't Mute' completes the Terence McKenna quote the album was named after and contains 7 additional tracks.
On 'Get Down' Michael Wright shows he hasn't lost any of that Brassica mag- ic with a heady 6 minute workout. As the track sprawls and unfurls, various elements come in and out of play——hinting at the foundations of the Brassica sound——with Wright guiding the listener along for a joyous ride. The single is backed by a remix of album track 'Tears I Can Afford' courtesy of Belfast duo Bicep who embrace the occasion fully by extending the original to 8 min- utes and playing with its acid elements in ne fashion.
Happier in the shadows than under the glare of projectors, Brassica continues to re ne a unique sound and approach that has made him a favorite of your favorites.
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Ernesto Ferreyra is a producer of pedigree, and a bastion of quality over quantity. His releases for Cynosure and Mutek_rec and his stunning album for Lucianos Cadenza imprint attest to this. His new Message From Abroad EP for Memoria continues his trend for finding beauty and groove in depth and restraint. The lazy funk of A Ship In The Skys plump bassline doesnt quite suggest whats to come; that being dreamy, atmospheric tech
house of the highest order. A masterful use of space, FX and texture runs through the track, subtle, heady melodies laced with warm, intricate percussion and deft soundscapes. The unexpected twists and turns in Ferreyras genius arrangement make for a constantly engaging ride during which you're always kept on your toes. Think Cocoon in its deeper, more sumptuous moments and you're heading in the right direction. Mostly Numb
goes deeper still, rolling yet subdued bass undulating beneath delicate pad sounds and sprightly piano chords. Otherworldly sounds tickle the tracks edges, a hypnotic undercurrent swirling around the soft melodies and carefully utilised sounds. Chilling rounds off this engrossing EP in a more percussive manner, with its combination of taut snares and juicy wooden percussion pattering away alongside chunky tech bass and tripped-out FX
and vocal.
Italian native, Christian Lisco is well known for having an extremely envious collection of vintage
synthesisers and drum machines housed in his basement.
It was there that four ridiculously special acid cuts that we are prone to immediately fall in love
with on rst reception.
"Your Joy' which sees the collaborative eorts of singer, Michael Cliord, evokes the feeling of the
early age of American House music.
The next set of tracks were treated with a surrounding of acid basslines and heavy drums. Mixed
live and directly recorded to tape.
Adonis' comically named "Endless Pokers" project is no joke, in fact, this is some serious Chicago ACID House!
Originally released in 1987 and featuring Adonis' trademark staccato drum machine rhythms, creeping acid lines and cowbells "The Poke" is a classic (Watch out for those vocal stabs too!).
All 3 mixes featured on this 12" bring something new to the table, twisting and turning that acid line into a frenzied buzz. This is pure old school business, Chicago style! Raw, simple box jams of the highest order! A definite essential, a record like this in the right hands can produce some devastating effects and still sounds incredibly fresh today.
Re-mastered, re-pressed and brought to you in conjunction with DJ International Records.
When your debut set on Pete Tong's Essential Mix starts with Masters At Work remixing Saint Etienne and ends with Kraftwerk, the tunes in the middle better hold their own. That was the challenge Mobilee head Anja Schneider set for herself on her recent addition to the legendary BBC radio program, and she delivered with the help of a debut from Maya Jane Coles, a classics from Underground Resistance, and an airing of her own latest, Jimmy,' which, with it's propelling conga loop and haunting organ climax, made for one of the most memorable moments of the two hour session. This success will be no surprise to anyone familiar with Schneider's history as a producer, club DJ and respected radio host, with her own Dance Under The Blue Moon program filling the Berlin airwaves since 200. And while she has been teasing us with Jimmy' since July (when it surfaced on her mix for John Digweed's Transitions podcast), the time as finally come for it appear in it's complete form, released on vinyl and digital as Mobilee141, with the moody acid house of Lovetube Thinking' on the flip. A solid one-two punch of a release that DJs can now use to open and close their own essential sessions.
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Hello true believer. Our search for intelligent individuals continues. To find them we have devised a test. There are clues hidden inside the image, music, and vinyl. Find it, and it will lead you on the road to finding our message. We look forward to meeting the few that will make it all the way through.
Good luck.
Rebel Code
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Previously half of pseudo-kitsch acid-electro force Light Year, and now gone solo, Mikey Melas aka Jensen Interceptor joins the binary cataloguing CPU with a perfectly formed electro cut.
Any artist who samples Ghost in the Shell, arguably one of the greatest anime films of all time, are all right by us. Mikey does so to great effect on the big beat / trip hop tempo 'Model 2029', which sits alongside three unrelenting electro bass bin destroyers.
Mactavis being the toughest cut, utilising a fierce driving 808 with a robotic bassline interjecting throughout. Electro is often overlooked for the club but it's obvious this E.P. was designed from the ground up to smash a big room.
Jensen Interceptor - 'M' E.P.
Limited edition (300 copies worldwide) 12" vinyl in shrink-wrapped printed sleeve with paper inner. Includes Microbial, Minor Arc, mActavis and Model 2029.
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So far the most "Punk" release in the borft catalog. This is the meeting between Johan Sturesson (KORD) and Petter Svensson (NEBULA). While Petter has his background as a punkrocker Johan has some years of experience in the Electronic vein this meeting result in a EBM/PUNK/TECHNO EP dirtier than ever. Lim Ed 300x Handstamped + Sticker.
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Markuch Suckut: Acid Resonator is amazing. Thanks for this! -
Ben Sims: Acid Resonator is cool, thx!
Dustin Zahn: The whole EP is solid but I'm especially loving Vert
Rivet: Acid Resonator is a lovely basement acid tune!
Cassegrain: Very nice and reduced - will be playing these
Par Grindvik: sweet as sugar! feeling them all, especially the slower cuts!
Rodhad: Acid Resonator for me! Thanks!
Truncate: Already got this from JPLS... really phat tracks. Acid Resonator is my fav!
Marcel Fengler: Well sorted EP. Will play for sure!
Dj Deep: Excellent release!
John Osborn: feeling the resonator!
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Lehult is back on the roll after living the rockstar life that naturally follows a sold out debut release. But just like with sex and marriage, it's the second time that you really have to make count: after some overwhelming feedback for Lucky Charmz' 'Follow Me To Flottbek Falls' EP, Lehult returns with a follow-up that adds some spin to the curveball. The 'Let's Get Playa' EP introduces three core members of the Lehult crew: Liem (pictured on the cover, Gin&Tonic in hand), Eddie Ness and Johan Kaseta all take their shots in mixed couplets, delivering some machine driven, sunlit house with a refreshing, ice cold splash. 'Bassforce XXL' sets up the A-sides' sunrise beach vibe with an uplifting chord progression and a fruity, dynamic bassline - the kind that makes a musician bounce around his studio grinning sheepishly, transporting that same effect to the dance floor. Then, A2 'M-Trax", while revolving around the same sunlit feeling, plunges deeper with swirling birdsong melodies and raw, thumpin' drums'n'congas. Almost a rhythm track, its' simple yet challenging structure - emotive chords, a yearning for the held off bassline - creates an absorbed moment on the dancefloor. The title track 'Let's Get Playa' on the B-side sees Eddie team up with Johan Kaseta-who has already silently put out a limited cassette beat tape on Lehult and has become infamous for his wild one-deck DJ-Sets. 'Playa' is a seductive cut of low-slung breezy house that doesn't fail to surprise - before sending you driving into the sunset on your quad with the EP's extra-long, wavey outro.
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Collecting orders for repress
To celebrate our 10th vinyl release , we welcome on board the young and talented
parisian Flabaire , who's one of the man behind D-KO records and member of Secret
Value Orchestra
Athmospheric and dreamy 808 style from Flabaire , simply beautiful driving vibe on About myself' , slower but sexy
voyage that is Morning Lights' , and to complete the ep a little twist to a more dance floor and funky tune: Kemia
fever' .
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