House Vinyl New Releases - News

Over the past couple of years German producer Tim Bernhardt, aka Satin Jackets, has established himself as one of the biggest names on the nu-disco scene, clocking up more than 25 million streams of his debut 2016 album 'Panorama Pacifico' on Spotify alone. Earlier this year, Tim compiled 'Diamonds Are Forever', a 7 track mini-album of re-mixed and re-mastered tracks from the early days of his career.

"I had been chatting with some fans on Facebook about the first Satin Jackets productions and we realised that there were quite a few tracks that, for various reasons, were no longer available anywhere" explains Tim. "So I dug through my back catalogue, making a list of some gems from around 7 - 8 years ago, then revisited each track to give them a little nip and tuck and apply the benefit of almost a decade's more experience. Honestly it's been an experience to revisit these tracks and reminisce on the stories around them as they all helped shape Satin Jackets into what it sounds like today."

Four of these tracks get a vinyl release now on Tim's very own imprint.
The A-side opens with the synth-pop anthem 'Hollywood' that helped put the Satin Jackets sound on people's radar back in 2012. It features a rare occurrence of Tim's alter ego Eric Cozier on vocal duty. 'Got To Be Love' is a chilled and laid-back instrumental track that also appeared on the highly successful 'Milchbar' series of fellow German Chill and Balearic producers 'Blank & Jones'.

The B-side starts with 'Olivia' that went into high rotation on US wide satellite radio SiriusXM while 'Latin Jackets' rounds off the picture with one of the earliest Satin Jackets tracks ever which also opened up the live shows around the world on many occasions.

Manchester-based producer, DJ, So Flute Co-Founder and radio host, Yadava debuts on Omena with "Earth Tones".

Just like his previous music released on fine labels such as Ad Hoc Records, Church and Banoffee Pies, Yadava is offering an unique twist on melodic and rhythmic jazz influenced music that highlights his growth as an artist.

Mr Beatnick's Mythstery imprint returns with a two track 12" for the collectors, purpose-built to wreck your discoteque. Side A features a speaker-crushin' Bollywood refix by Breakplus, fresh off the back of his iconic mini-album "Instant Bull". Side B finds Mr Beatnick making his Mythstery debut with an acid slow-burner, a lazer-lit dystopian rollerskating jam. Artwork by Optigram, limited to 300 copies.

Two soaring love songs from DJ Rogers, 'Love Brought Me Back' backed by 'Love You Forever', remastered and reissued on South Street's new disco reissue arm. With original's trading hands for upwards of £70 it's high time a reissue dropped of these classic cuts.

'Love Brought Me Back' sweeps in first as gentle chimes and whirling winds blend with a delicate bassline and staccato strings that open up to behold Rogers' powerful prowess on the mic. Influenced and honed in the church, there's a spirituality to the delivery that few can match. An honesty and warmth resound in the arrangement with a definite dose of funk making this a sure-fire '70s soul hit that was big on the disco dancefloors.

On the B side the second of Rogers' sweet serenades, 'Love You Forever' marries clavinet chords and plucked live bass riffs with tender female harmonies, providing a perfect accompaniment to Roger's soothing tones. The ultimate end of the set song and a way to win over any hearts and minds that need to be swayed.

Two essential treasures fitting of the first reissue on South Street Disco!

G. Markus returns with two fresh edits after his first G-Edits release sold out and enjoyed heavy support from all sorts of discjockeys. '70s soul/disco is the flavour here with a legendary diva getting the treatment, with one big peak-time banger and a slo-mo chugger for good measure. Danvers helps thickens things up in the bass department with some live electric bass on both tracks.

Back with his third EP for Dave Harvey’s forward thinking Futureboogie label, Kiwi serves up three pulsating jams on ‘Charlie’s New Vision’, backed with a remix from Johnny Aux.

Drawing upon his many influences across the house/disco/funk spectrum, South London based Kiwi has been illuminating the more discerning dancefloors of late with a strong of releases for Cin Cin, Needwant and his own new label venture, Crossbreed.

A low-slung groove is explored on ‘Charlie’s New Vision’, incorporating tripped out film dialogue, bleeps and dubby tones, and a serpentine bass riff, all forging an off kilter yet infectious & hedonistic chugger. Johnny Aux follows up recent appearances on Man Power’s Me Me Me, Party Central, and Multi Culti with his own take on the lead track. Churning over a bleepy and epically transcendental remix of the highest order, this is the stuff of sunrises and enlightening moments!

The sprightly ‘Ghiaccio’ draws together a kaleidoscopic array of opulent synth melodies with an compelling rhythm, whilst ‘Italian Heat’ doffs its cap heartily to the Italo disco choons of yore that always strikes a potent chord to this day.

New York dance music royalty Louie Vega and The Martinez Brothers have joined forces on new single ‘Let It Go’, out 15th November via Cuttin’ Headz.

First featuring on The Martinez Brothers’ recent fabric presents mix, ‘Let It Go’ is a gloriously stripped-back dose of New York house. It features the nonchalant yet hypnotic vocals of San Francisco-born singer-songwriter Marc E. Bassy, who delivers a catchy hook that underpins the track. The record’s artwork has also been crafted by NYC graffiti legend Lee Quiñones, with its vintage style harking back to the golden era of the city’s music scene.

“We had been trying to get our schedules together so we can work and it finally came to fruition. Once we were in the studio we just gelled and complemented each other. Last winter in New York City during the holiday season we came up with some hot tracks, one was the music to ‘Let It Go,’” Vega explains.

“The Martinez Brothers were then in Los Angeles doing some recording sessions and they met up with Marc E. Bassy. Once they gave Marc the mic in the studio he just came with this super hot song on our track. I received the vocal stems, then myself and TMB got together and did some arranging on the vocals and this masterpiece was born!”

One half of legendary house duo Masters at Work alongside Kenny ‘Dope’ Gonzalez, Louie Vega has previously collaborated with everyone from Luther Vandross, Gloria Estefan and Janet Jackson to Will Smith, Jamiroquai and Madonna. ‘Let It Go’ marks the second time he’s released a track with The Martinez Brothers, following last year’s single ‘Shut The Door’.

Previously citing Vega as a primary influence during their formative years, The Martinez Brothers were touring the world with the likes of him, Dennis Ferrer and Erick Morillo before they had even finished high school. In the years since the bros have become one of the hottest double acts in dance music, again making Ibiza their launch pad this summer and throwing Cuttin’ Headz parties on the White Isle for the first time.

With two generations of New York’s vibrant dance music scene joining forces on ‘Let It Go’, it’s little wonder the results are so slick.

Ralphi Rosario is a pioneer of house music, kicking off an influential DJ career in Chicago when he was still in high school. The remixes and productions that followed have garnered him #1 Billboard Dance Chart hits as well as more than 20 well-respected years spinning records. He's an artist who represents the ethos of Glitterbox Recordings, with decades of quality house music history woven into every beat. Also in line with the spirit of the label, 'Wanna Give It Up' is a classic track given some very tasteful modern updates, from Dr Packer and Jamie 3:26. The familiar 'Légo's Dub' from the original release is present and correct, alongside a suitably funked-up version from disco edits maestro Dr Packer. Finally, fellow Chicagoan Jamie 3:26 amps the party up a further notch with some irresistible clinking percussion and a lazy-cool groove.

Obey The Chief - You can't go wrong
The Path: Percussive syncopated beauty and wobbly synth fun
Wake Up: Liberian afro funk with analog delights
On heavy rotation with Nick the record, The Idjut's, Rune Linbaek Dan Tyler says : 'Bend over and Obey the Chief !' He got the Beef !'

Schenkelspreizer Vol. 9 - A Day Without Spreizer Is Like A Day Without Tiramisu!

Through a mutual friend we received a friendly message from the city of Heidelberg: "Hey, our boy made some tunes, maybe you like em."
... Well, we worship them! 19 years old - David Jackson 'out of the blank collective' makes music that is more than just tasty.

If you like your dance uplifting, trancy & dreamy: don't go anywhere else. Broken hearts (with the help of DJ Handelsgold) will be healed and dancefloors lit.
A free Swedish language course is included and when it comes to "Eire 2000", Pete Tong even votes for, Essential New Tune'.

... Thanks David, to a bright future!

Fine fulfills DJs and dancers needs alike. Fresh edit-styled hits as always. Come as you are.

Pacific Horizons are outliers, largely unconcerned with much that goes on beyond their LA studio. Immersed in their own universe of sound, the pair cherry pick from genres to create their own raw, lo-fi take on what, if you must pin it down, can be defined as loosely Balearic. The duo's sound calls on various eras of pyschedelia through the years. From the scene's roots to the very modern but always circles back to the initial shamanic intention of mind altering ritual. Drawing heavily on the raw and rugged West Coast for inspiration they posses a sound entirely indigenous to their locality and peers. This stark individuality has brought the project to the attention of such seminal characters as Francois K, Andrew Weatherall and David Mancuso. Pacific Horizons are drawn back down to earth again by Deus Records for a rare excursion away from their Pacific Wizard Foundation imprint, teeing up one side of an exclusive 7". On remix duty Peaking Lights provide the perfect foil. The fellow West Coast artists are kindred spirits in pushing against the norm but here bring some order to the release, segueing the raw ideas into a their own blissful, rolling Balearic experience. Equal parts melancholia and euphoria, Burning Stars Dub version is entirely complimentary to the original track, giving space and structure to some of the more volatile elements of the original. Anything Pacific Horizons put their name to exists to revel in the purity and energy of the original moment of creation, little if any editing is done once the song is whole, making them the perfect artists for this limited edition release full of spontaneity and ideas.

Roisin Murphy’s disco-hued ‘Incapable’, created in partnership with long-time collaborator DJ parrot, was met with universal acclaim when it was released in early June. A masterclass in effortless cool, shuffling house beats meets Murphy’s pirouetting vocal which moulds and morphs across 8 perfect minutes, whilst lyrically it brilliantly subverts the tropes of the traditional heartbreak lament. Alongside the original, the B side also offers his darker, deeper ‘PRT 3’ remix that puts a heady spin on the track, heavy on a shape-shifting, reverberating bassline in constant flux.

Balla et ses Balladins were one of Guinea's national 'orchestras' formed as a result of the newly elected President, Sékou Touré's 'authenticité' policy of the early 1960s, which sought to promote Guinea's cultural identity following independence from France in 1958. Gomori takes the scalpel to two cuts recorded during their years on the state-run Syliphone label, making good use of bandleader Balla's lively trumpet playing. The gently haunting 'Nyo' is taken on a stomping slo-mo chug with a head-nodding bassline and stuttering FX creating a shimmering effect on the tropical guitars, while the rousing horns of 'Wilikabo' are laid over with rasping synth bass for a punchy juxtaposition.
Sterns Edits is an official collaboration between African music stalwarts Sterns Music and London's Ben Gomori.

Paradise is the next single from the epic Jasper Street Co. album, featuring production by Baltimore’s finest and most esteemed House Music Heroes Teddy Douglas and DJ Spen of the Basement Boys. This is a cover of the seminal tune originally recorded by Change in 1981 and featuring the vocals of a young and unknown Luther Vandross. This updated version includes vocals by two legends in their own right Ten City lead singer Byron Stingily and Chic lead singer Norma Jean Wright.

The single includes a special edit by the renowned “King Of The Edit” Danny Krivit, along with remixes by two of Europe’s premier producer / artists Mark Knight & Michael Gray, who embellished the original disco keys that made this song such a classic but juiced up the percussion and bass to make it into something massive for today’s dancefloors. Also included in the package is the forward – sounding “Sunrise” remix by the Chicago-based and genre-bending DJ - Chrissy, along with an original album dub produced by The Basement Boys

Alan Abrahams aka Portable aka Bodycode is an artist very much defined by his past and his journey from South Africa to Paris via Berlin and Lisbon has seen him develop into a critically acclaimed producer, singer and video artist working with some of the biggest players in house and techno.Part of his constant drive to evolve and challenge himself, this autumn Abrahams launches new project RANGEr, teaming up with London label Waella's Choice for the debut release. The five tracks on Portable Presents RANGEr are a delicate mélange of jazz , soul and electronic and one of Abraham's most explicit nods to his South African roots.
On the A-side, the EP makes a steady start with 'Bazokonwaba' accompanied by a lullaby from South African a capella group Korus, hailing from the small township of Mbekweni in the Western Cape. They also feature heavily on the EP's most exuberant moment in 'Nomaliso' - already a favourite in Esa's recent Boiler Room - and the more languid B-side opener 'Indaba' with a choir of cowbells all harmonizing in unison. 'Reset' and 'Vessel' provide a self-reflective conclusion to the EP, holding their own as instrumentals with Cameroonian bass player Stan on bass and Parisian saxophonist Chisneg lending a hand on the latter. Early support from Tama Sumo, Lakuti, Gilles Peterson, Rinse FM, Esa, Stamp The Wax, Dimensions Recordings

WRR is back on the scene with a new record from the label owner Giovanni Damico aka Ron Juan. Freshness and grooves are the key words of this new release projected into the summer and Gio is serving them to you on a beautiful piece of yellow wax! Laying the needle on side A and listen to "O Pais Do Sol", feel the smell of the sea and have a mojito, then when the sun is burning, smoke a cigarette in the shade and check what Trinidadian Deep thinks about that sound on the side B...Yeah you feel it, right The party is on! Now dance until the sunset and when you feel tired, the "Someone Is Gr8" track will bring you home safe!

Mothball Record in association with Bordello A Parigi is proud to present one of the strangest and most mysterious recordings from the whole Italo-Disco era. Sitting somewhere between goth, italo and new wave, “Space Melody” is a dedication to ancient Egypt and outer space.
The original EP was almost totally lost to the sands of time, until recently the original mastertape was unearthed by the artist and later painstakingly transferred by Rude 66.

The record is completed by new instrumental versions from the Danish Italo king Flemming Dalum and the Spanish italo duo Futuro.

The legendary Winter of Love was an athletic event of unprecedented scope and ambition held throughout the 1980's. For one beautiful decade, ice lovers from all four corners of the globe gathered at Mount Unity for two weeks of spectacular competition, dazzling snowscapes and glittering nightlife.

Ski Infinity is your official soundtrack to the Winter of Love. Inspired by the electric energy of the event, Ski Infinity will take you directly to the dizzying peaks of Mount Unity where you will experience the agony and the ecstasy of elite athletic endeavour. Bear witness to the epic ice dance battles held at the fabled Rink of Respect. Rub shoulders with the creme de la creme of sport, art and music all night, every night at the grand chalet of Peace Village.

Of course, located at the nexus of skiing, art and music, was the greatest Winter of Love event of all, ski ballet. No wonder the grand chalet named their beloved club, ‘Chaffee’s’ after prima ski ballerina Suzy “Chapstick” Chaffee. Above all, she epitomizes the glamour, the power and the artistry that the Winter of Love stood for.

... Take your ears on a wild ride where sport and music collide!

Whiskey Disco Small Batch is back to the fold with 4 cuts of sub 120 boogie bliss. Frank Angles kicks it off with a jam right at home on a boat, in the bay or on the playa. Alex Zuiev, fresh off his first Whiskey Disco release, flexes his funk and leads the
party with a solid left-centric disco party. Dubbed boogie galore on both outside cuts! Buzz Compass and Murge hold down the inside crafting perfect early set kindling. As with all Whiskey Disco Small Batch, it's not for everyone, but it's perfect for you.

BLACK BONES employ the finely tuned mettle detector and digging tools for another fine excavation...
Not a cm of precious vinyl wasted as we get another indispensable 4-tracker turning up a sleazed-out 80's throbber, a percussive Disco lost classic & some primo, smeared mascara stompers evoking Boccaccio & Blitz excess. Limited, hand-stamped vinyl 12"

The Cosmic Pint Glass Keg series continues its secret vinyl only 10 addition, pressed to 200 copies. This time Daniel T supplies the dancefloor fun times by adding some tropical funk to Maricopa's Ascent and turning it into some mutant disco party jam. On the flip Miskotom adds a hefty dollop of atmosphere to the already atmospheric Volcanic Glass to provide a stunningly laid back finish. Get these while they're hot!

Hailing from the coastal Swedish city of Malmö, Sune steps forward to provide a fourth EP for Lorca and Liam Curran's Live Ones. With his Mimosa Kuriosa EP he serves up 5 masterful disco and soul inflected rhythms that'll hit all the right spots.

Having previously provided his signature sunshine grooves for Better Listen, Kyoku and his own Honey Butter imprint, Sune is fast building a reputation as a prolific purveyor of funk. The EP shows off Emil Sunesson's ear for playful samples and infectious grooves. Dusty, heady drum programming features heavily across all five tracks, employed subtly on the laid back 'Bring Some Tea' while unleashed to devastating effect on the upbeat 'The Way U Make Me Feel'.

There's something for everyone on this versatile, enigmatic EP from a talented young producer that we're sure you'll be seeing plenty more of in time to come.

Disco Bits return with more edits aimed straight at late night disco dancefloors.

Four more lovingly re-tooled jams (including a very cheeky early 90's style mash-up !) await
As varied as they are well crafted, this is optimum floor-food once again from the Disco Bits crew

For its third volume Jongno invites old collaborator and friend of the arts Laura Ingalls to the fold for more obscure Korean edit madness. Laura Ingalls takes it down a notch with his signature endless dub delays and French Touch filters, looping Kim Wan Sun into oblivion on top of 707 daft beats, complete with guitar solo geekiness and spliced out vocals.On Side B, mysterious digger and editor Jongno Edit takes the disco to the max on Side A with a Tina Hwang facelift that will make you do the korean shuffle and back. Loaded with bass slapness and disco synth toms this will fit right into the late night boogie and day light workout of anyone with a heartbeat.

Rollover Milano is proud to present Anything Goes - Rollover Edit Service Vol.3

Less than a year after the release of their first EP with brilliant Parisian editor Chevals, Mister T. records are back with a new 12” EP showcasing Brazilian edits by Joutro Mundo, one of Rio’s hottest producers. Famous for revisiting Brazilian hidden jewels, Joutro Mundo has become a reference in the electronic music scene of Rio. He has recorded several reworks on his own
label, Outra, and released EPs on Mareh Music and Midnight Riot.
He’s now joining Mister T. Records with a 3-track EP demonstrating his ability to deal with all the facets of Brazilian music. With “Jangada”, he managed to shape a great party track full of Boogie rhythms - and its furious percussions - reinforced with
funky guitar riffs and sharp synths, while in “Inferno”, he kept the melancholic atmosphere from the original record. Finally, “Melo Do Camelô” is certainly the EP's most dancefloor-oriented track with its thumping tropical groove and the artist's trademark hypnotic acid touch. This record perfectly reflects Joutro’s digging / producing skills and the EP’s summery vibes will delight Brazilian music lovers and DJs!

collecting orders for repress, be fast to secure your copy!

Public Possession Under The Influence 05 is the first various artists compilation on PP. Four tracks made for your pleasure. Reworked to be heavily used. Kicking off with the already notorious 'Flyer Edit' by Samo DJ featured in various mixes and high in demand - finally available on Vinyl. On A2 Bell Towers takes over the controls to deliver another one of his Italo tools. Where does he get it from Who knows. 100% Rhythm in motion. Flip sides! You get introduced to a new member of the PP family: Tamas Jones, one half of the Australian Duo 'Hey Convict", re-does an underground classic, your DJ Bag is crying in joy! Tambien is finishing off things with their dubbed out version of a Dutch synth pop cut.

The neon lights that decorate a dive bar's window cast a vivid reflection in rainwater on the pavement outside, as steam rises from deep beneath the ground. A slow pan across the scene, past alleys cast in shadow, twilit corners & glass doorways streaked with the mist of humid bodies fuming inside: the camera catches the denizens of an unnamed city, studying faces heavy with secrets too sad to bear. Cut to the motorway. Sleek cars barrel through the night. Sirens moan. Engines rev. You're behind the wheel, over the edge as the credits roll.

This film does not exist — but the soundtrack does. Symmetry is Johnny Jewel & Nat Walker, & Themes For an Imaginary Film is their two-hour cinematic opus pokus, a sprawling score for a movie that screens only in your mind. A 'conceptual tangent between Glass Candy, Chromatics, Mirage, & Desire's more abstract sides,' as Jewel himself describes the project, Symmetry is a vigorous, electric, restless exploration of ideas on the bleeding edge of instrumental sound. Analog synthesizers roll and crest, drums collide, keys cascade clear & crystalline. These themes evoke the phantasmic images that inspired them: urgent and ethereal, sinister & romantic. It's a neo-noir epic of pink fog & femme fatales hidden behind rain drenched windshields after dark.

Produced By Johnny Jewel & Nat Walker

For this release, Sound Exhibitions proposes an EP composed of four pieces, the first two made by Lego Edit & Vito Lallinga. Definitely inspired by of Afro-house grooves that are present In all two songs, to give a sound hypnotic and deep. Then we have Phil Disco with a refined and classy track with a sax that makes the atmosphere very elegant and the last made by RobJ that resumes the old school house sounds.

Originally released in 2007 via TBot's All Nite House Party label, now available on his own TUFF CUT imprint.

The LNTG original has be remastered for 2015 & alongside a brand new remix from Sydney's Cassian. Which makes this a killer package..A much sought after classic don't miss out!!

The third release on Palms & Charms comes from Tokyo club stalwart Masanori Ikeda (Mansfield, Ikeda X), who has had previous releases on the legendary Flower Records and Cos/Mes imprint Snaker.

A resident DJ at London club Wag in the early 90's, Masanori returned to Japan later in the decade and has since provided the soundtrack to many a Tokyo night-time adventure, most recently with his continuing residency at Shibuya institution Oath.

With Afro Tipsy, Masanori offers up a monster of rolling percussion and pulsating synths. Feel the stress of the day fall away, your veins flowing as if with the very energy of a thousand suns. Moving confidently to the dance floor, your head and limbs begin to move in new and unexpected rhythms. Don't be alarmed - you feel good.

On the flipside, the remix from Almunia (Claremont 56) takes you deeper than deep. The sound envelops you as you enter the club. The continental winds and low pressure lift you aloft and you circulate around the dance floor, carried far as if on a warm jet stream. The rhythm drives, dubbed-out guitar echoing through the night.

Leonardo Ceccanti and Gianluca Salvadori taking you to new places.

Juno Records Presents Robot84 Promo Vol. 2 the much anticipated follow up to the smash Native Dub. Killer Four track Italo disco/house EP which again has been slaying dance floors across the globe ... major support and plays from DJ Harvey droppin it at Pikes in Ibiza, .

Artwork saying he has been smashing it at every gig over the summer..., Dimitri from Paris, HiFI Sean, Horse meets Disco droppin king supreme & Willow Dance over the summer saying its a disco bomb..., Gerd Janson , Hunee, The Black Madonna, Groove Armada, Heidi Lawden, Melon Bomb(ibiza), Alfredo (ibiza).

Volume four of Version Excursion's re-edit series sees another two classics from the vaults getting a fresh lease of life.

2017 saw the arrival of Pin Up Club here at the Bordello with a superb three tracker, Friends of the Vortex. Now the Dutch partnership are back. This time a quartet of tracks has been selected to produce The Forever Machine. The bold bars of Friends of the Vortex, the romantic rushes and soundtrack silhouettes are all present with new elements being introduced to further develop a truly unique style. Breathy vocals and melancholy are countered by warm synthlines in the brooding 'Valis' before the lonesome 'Is There Anybody Out There' blooms into a daringly bright work of disco dimensions. Opening the flip is the title piece. Smouldering, 'The Forever Machine' burns with quivering chords that rise ever skyward on a column of tight rhythms as lyrics spiral ever upward. 'A Deepness In The Sky' is a perfect illustration of Pin Up Club's ability to transform burgeoning sombre sounds into tempered elation, rumbling strings and fragile percussion intermingling for a heady finale. Welcome back to Bordello A Parigi guys, welcome back to Pin Up Club.

Benjamin Smith and Paul "Mudd" Murphy are back with a Balearic gem - The Distance. Featuring a vocal and instrumental on the A-side, and a remix on the flip by legend and consummate production ace - Ron Basejam. Lyrics and vocals are by Quinn Lamont, who's captivating earthy tones playfully tease us with emotional yearning, and it's Quinn who provides a stunning jazzy guitar performance that will have you air guitaring all over the dance floor, and which sits splendidly alongside the beautiful layers of rich electric piano and Balearic disco grooves. The remix by Ron Basejam recasts the track as an instantly affable yacht-rock-esque anthem, that will fill your hearts and have you reaching for the Campari. This is a sumptuous summer groover, with layer upon layer of blissed out disco warmth. A sublime masterclass in musicianship and production that will bring joy to the most discerning of ears.

For our second foray into the vinyl world, Sprechen label head Massey joins forces with Sir Horatio, 'a certain' band from Manchester on collaboration cut 'Music Control'.

The result is a meeting of musical minds that blends together both parties favoured sounds to create a squelchy sandwich of post-disco/ proto-house with a healthy helping of acid & punk-funk which should appeal to fans of mucky basements and mature mosh-pits as well as those cosmic ALFOS astronauts.

Having shared edit duties on Universal Cave's 10th release, Philadelphia duo Superprince take the reins solo for UC011 with four slices of Philly rework heat.

From the soulful Caribbean funk of 'Mama' to the syrupy, slo-mo boogie of 'Rose', the A side is a sublime double header of slow jams to kick off the e.p.

On the B side, Superprince picks up the pace with delicious, private press disco for the dancefloor in the form of 'Come To Me', before the dubbed-out balearic bliss of 'Buy You A Dream' closes out the affair with a chuggier and cheekier high note.