House Vinyl New Releases - News

Zissou is ringing in the summer early this year with it's second release, starring Stockholm's very own Ari Bald & infamous Lucky Charmz from Lehult, Germany. Swedish house muscle as far as your ear can hear - feel free to join in for a sundown schwitz.

RICHARD ROGERS is no stranger to the London House scene. He possesses a lengthy back catalogue that finds it's way into the record boxes of DJ's worldwide.

Kiu D lands back at the Masterworks HQ for his latest release "The Journey - 12 Inch Sampler".

Having steadily climbed the ranks of modern disco producers with consistent releases for the likes of Hot Digits & Special Edition...

He returns to Masterworks with his 4th outing on the label. Rounding up a fierce collection of heavy beats, sampled grooves and lush melodies, Kiu D remains in fine form and is apparently immune to resting on his laurels.

Fully remastered, official reissue of the 1979 Mick Jagger produced reggae influenced funk masterpiece, 'Buk-In-Hamm Palace' by Peter Tosh - originally released on Rolling Stones Records.

This special RSD release also includes a previously unreleased studio version. 12" black with full colour printed sleeve and shrinkwrapped

Neue EP des französischen Disco-Dons Guillaume Atlan aka The Supreme Lovers, der regelmäßig seit 20 Jahren mit einem frischen Mix aus Funk, Disco, Boogie und House begeistert und 2001 mit "Starlight" sogar einen internationalen Hit landen konnte. Limitierte Auflage.

A return to France for L'amour Existe Encore, a young producer named Laroze's debut on LPH.
A giddy jaunt through sun-kissed house with smatterings of filter fiddling, punchy horns, bright strings, chopped-up vocals.
Twenty-five minutes of many DJ sets to come right here.

The Word is one of the better kept secrets of 1980s Austrian disco music. Yet once you put the needle on this record, you notice that it sounds oddly familiar. The awe inspiring signature piece “Lobster” has the same analogue, slow moving aesthetic as Zenit’s timeless “Waiting” that was featured on Edition Hawara’s first release. The same goes for the three other wonderfully unconventional, proto electronic songs: “Easy”, “All My Life” and the eponymous “ The Word”. And there are even more commonalities with Zenit’s LP: The vocals are Linda Sharrock’s, who here teamed up with Karl “Charly” Ratzer and Peter Ponger, the twin brother of legendary Falco producer Robert Ponger. The result of this collaboration is, well, also quite legendary. How this kind of sound emerged in Vienna in 1984 is still a bit of a mystery, but clearly all the stars were aligned when Sharrock, Ratzer and Ponger were jamming in the studio. We are very proud to share this secret with you. Just as there are very few lobsters in landlocked Vienna, there are very few records like this out there.

Having pinned to perfection the sonics of the Adriatic, Croatia's Love International Festival bottles up their blissed out rhythms and sunrise sessions for the inauguration of Love International Recordings, fittingly, with a first release from UK producer Begin.

Coming in strong with an update on another classic track, Glitterbox Recordings presents Krystal Davis 'So Smooth' featuring remixes from Kon and Yam Who alongside the original and an instrumental. One of the last in a rare breed of dedicated crate-diggers, Kon's vast knowledge of the heavily swung rhythms of classic disco make him a reverent remixer for this mid-tempo Krystal Davis disco hit, originally released in 1985 on New York label Urban Rock Records Inc. His version amps up the pace, tailoring the record for any discerning contemporary disco set. Midnight Riot Records head Yam Who goes blissed out with the synths for an irresistible mix that's smoother than smooth.

Mr. K and MEU are back with a definitive issue of one of the greatest ‘80s R&B cuts, René and Angela’s majestic “I Love You More.”

Despite residing in the upper echelon of Billboard’s R&B charts for the entire summer of 1981, twelve-inch copies of “I Love You More” have always been tricky to track down, a promo-only item that meant hearing the extended mix was a rare treat. Back in the early ‘80s, one place you could reliably enjoy it was when Danny Krivit was playing for the skaters at The Roxy in downtown Manhattan. “Not too fast, not too slow,” describes the perfect skating tempo, and “I Love You More” fits the bill to a tee. With this new release, Danny Krivit has revisited an earlier edit of the song and turned in two brand new, epic reworkings, the first time his vocal mix has ever been available.

Laced throughout with artfully matched additional instrumentation, from the reverb drenched solo piano that opens and closes the song, to the spacey synth improvisations that ripple throughout (both courtesy AK), to the touches of just right extra percussion, nothing is heavy-handed or overdone. Even with the vocal version clocking in at a generous nine minutes, the captivating groove and revamped arrangement leave listeners wanting more. Fortunately the flip side instrumental opens up endless possibilities for creative DJs to take things even farther.

“I Love You More” was originally produced by Bobby Watson, Rufus bassist and an A-list L.A. studio veteran also responsible for the bass line in MJ’s “Rock With You.” Watson brought in many of those same studio pros for this session, including legendary engineer Bruce Swedien, who put an equally luxurious gloss on “I Love You More” as he did with “Off The Wall” two years earlier. Bobby Watson also happens to be René Moore’s older brother. In a touch of familial echo, AK, the keyboardist on this new landmark rework, happens to be the wife of Danny Krivit.

Most Excellent Unlimited is releasing Mr. K’s “I Love You More” edits as a special Valentine’s day twelve-inch vinyl release, complete with red label, a first for the modestly monochromatic MEU.

Sometimes a single is released that reaches such dizzying heights of success that it becomes a pinnacle of the decade they're indelibly tied to. "Groove Is In The Heart" by dance-house trio Deee-Lite is one such single. The infectiously quirky, and eminently danceable track is prominently based around samples of "Bring Down The Birds" by Herbie Hancock, and "Get Up" by Vernon Burch, among many others, (Courtesy of dual producers DJs Dmitry and Towa Tei) paired with top-tier guest contributions from JB's veterans Maceo Parker and Fred Wesley, background vocals from Parliament-Funkadelic's own Bootsy Collins, and even a guest rap from Q-Tip, not to mention frontwoman Lady Miss Kier's own siren-like vocals. All disparate and disconnected elements, but ones that would come together to form dancehall greatness, and chart-topping success worldwide for Deee-Lite. "Groove Is In The Heart" managed to reach #4 on the Billboard Hot 100 chart, but excelled at its best on the Hot Dance Club Play chart, where it reached to the #1 spot. On top of its success in America it was a smash internationally, climbing the heights of the charts in the UK, Canada, Australia, and a vareity of other countries. It remained in heavy rotation for much of 1990 on MTV as well. As the decades went on, "Groove Is In The Heart" would be ranked among the greatest dance tracks of all time, as well as one of the greatest songs of the 1990s by VH1, Pitchfork, Buzzfeed, and many more. "Groove Is In The Heart" was a potent single for Deee-Lite to lead with, but the album bearing it was nothing to slouch at either. The group's debut record, 1990's World Clique was released to major commercial and critical success, owing just as much to its addictive hybrid of seductive retro aesthetics, modern dancefloor flair, and esoteric, socially conscious messaging, on the back of celebratory club staples like "Power Of Love", "Good Beat", "E.S.P.", and of course "Groove Is In The Heart." World Clique would reach top 20 charts in the US, UK, and Canada in sales, as well as earn rave reviews from NME, Chicago Sun-Times, Rolling Stone, and Slant Magazine, who called it an "essential pop album."

Roisin Murphy’s disco-hued ‘Incapable’, created in partnership with long-time collaborator DJ parrot, was met with universal acclaim when it was released in early June. A masterclass in effortless cool, shuffling house beats meets Murphy’s pirouetting vocal which moulds and morphs across 8 perfect minutes, whilst lyrically it brilliantly subverts the tropes of the traditional heartbreak lament. Alongside the original, the B side also offers his darker, deeper ‘PRT 3’ remix that puts a heady spin on the track, heavy on a shape-shifting, reverberating bassline in constant flux.

Intangible Records and Soundworks presents another classic in the rebound. Seven Grand Housing Authority's "I cant't Wait" comes around with fresh mastering and with Terrence Parker's new remix of legendary "Loves Got me High"!

Like sneaking an extra scoop (or two) of ice cream for dessert, what do you do when you know something's bad for you, but its vice-like nature makes it all the more irresistible Vega Records explores this conundrum in its latest release, 'Can't Let You Go' by the late, great Loleatta Holloway.
'Can't Let You Go' is one of the last unreleased recordings Loleatta completed before her passing in 2011. In the main mix, she addresses a relationship she knows she should end but can't bring herself to leave because the lovin' is just too good: 'I keep coming back time and time again,' she ruminates with raw emotion. 'We got to make things better or we got to do whatever to make it right... oh, let's make it right, 'cause I can't let you go.'
For the unfamiliar, Loleatta Holloway, a.k.a. the 'Queen of the Night,' is a bona fide disco and soul icon. The singer behind successful singles such as 'Hit and Run' and 'Love Sensation,' she is one of the most sampled artists from the disco era.
The posthumous single was written and produced by prolific artist Yvonne Turner, whose resume includes production and remix credits for music greats such as Whitney Houston, Willie Colon, and Jeffrey Osborne; as well as mixes for Lenny Kravitz, Lalah Hathaway, Mica Paris, and more. Providing subtle, smooth background vocals for the track, she allows Loleatta's belting vocals to be the star of the percussive house groover; while Vega Records boss Louie Vega offers a 'Roots' mix and emotion-charged 'Soul House' mix. Louie Vega also invited his vocalist friends Tawatha Agee (of seminal R&B and soul group Mtume) and Cindy Mizelle (Louie Vega's longtime collaborator) to add powerful hooks and new background arrangements, enhancing the track with some call and response to Loleatta's adlibs during the vamp. Gene Perez on Bass, Axel Tosca on Fender Rhodes, and Roberto Quintero on percussion. In all, the record is club-ready catharsis made for dancing all your troubles away.
'Loleatta Holloway was one of the most dynamic vocalists of our time,' says Yvonne Turner. 'She was blessed with the gift of song and her energy was electric! Loleatta's passion and artistry is on full display as she masterfully interprets a lyric then delivers her signature adlibs, which never disappoint. To describe her in a few words, Loleatta Holloway was the truth... my friend... extraordinary!'
Adds Louie Vega, 'Loleatta Holloway has had a huge impact in my life as a DJ, producer, and clubber. She touched me in many ways through my music-making and even style of DJing; to this day, I still play many of her songs and acapellas. This is just our little way of saying thank you so much for what you've done for so many lives with your beautiful voice, you've affected us all!!!'
The record's cover artwork is a mural of Loleatta Holloway created by Richard Wilson, a London-based artist who takes inspiration from DJs and producers from the house music and disco scene. Last month, Louie traveled to Liverpool, England for the mural's unveiling.
To celebrate the new single, Louie Vega is taking his infamous Flashback party to Miami Beach's Yuca Lounge on March 18 for a night of throwback classics in disco, house, Latin soul, and more. Head here for tickets and more information:

FULL SUPPORT FROM :Tony Rodriguez Brothersvibe, Joy Kitikonti, DANI CASARANO, Hugo, Francesco Farfa, Agoria, M.A.N.D.Y, Claude Vonstroke, Da Funk, Paco Osuna, JACUZZIBOYS, Arnaud Le Texier, ROMANO ALFIERI, Sasha Dive, Mousse T., DJ CHUS, Danny Tenaglia, Claudio Coccoluto, Tedd Patterson, Luca Agnelli, Mass Prod, Antony Collins, Mister Fill, AME, Claude Monnet, Renv©, MIHAI POPOVICIU, Ralf...

Rhode & Brown and Tilman aka RTB join forces on this record
full of raw and funky MPC jams. The guys played together in
Munich for the first time this summer and couldn’t help but hit
the studio. In short, the „One Grand Jams” EP is a result of
Bavarian beer + MPC 1000 + Juno 106 on a sunny afternoon.

promo white label - ultralimited AMETI RECORDINGS is a misterious project based on different musical experiences of his member WALKTHROUGH is the hidden identity behind the sound of the label here's the first undisputed release Luciano : tkx Dj Ralf : funky stuff...will try. thx. luca doobie : other fabrice : Great!! ;) satoshi tomiie : thank you. greg gow : other is my pick Nick Perry ASNP : Our pick is the #2 Other!! Alex Sanchez & NIck Perry AKA ASNP renato cohen : Yeah! Great!! orde meikle slam : liking the "other " track - thanx francesco bonora : Other is really nice, will play UGLH : Cool....thanks richie hawtin : downloaded for r hawtin paco osuna : downloaded thanks :) Benoit TSUGI FR : Stamp for me Franky B : wow...expecially Other!! someone else : nice ep. Jorge Savoretti : interesting space funk magda : Download for Magda Alex Neri : Thank u for the music. DJ Mag Espana : Nice! Thanks.

We were defined trash, italo disco, Balearic, post modern, pop, funny, cheerful, smart... When we founded Ciao Fellini our mission was to create danceable pop music and end our experience in less than a decade: 1984-1990.We were an open invitation to ephemeral, insecurity, incomplete, we were feeling part of a small centre where we managed clubs, we organized parties, and where we were searching for a way to have fun and amuse the others, always with a bit of consciousness that everything couldn't be so 'light' and 'so eighties'.We worked with great musicians and huge producers such as Sauro Malavasi e Celso Valli. In 1998 with 'La Mia banda suona il rock' cover we won Festivalbar in the new talent competition. In 1986 with song 'Noche a Bahia' we gave life to the first Balearic wave. We closed our career in 1990 with a song dedicated to Salvador Dali`. An invisible thread has connected us to those years, and at the end, after thirty years we are here trying to understand how this could happen ! Noche A Bahia and Dali` remixes are the certified genuine product of contemporary Italian DJs and producers who hold different stories and sounds: Severino from titled Horse Meat Disco team, The Caribbean House which includes historic elements of Technogod and Disciplinatha, Johnny Paguro from house of Pizzico and true Disco icon DJ Rocca. As always, in Ciao Fellini philosophy we required authenticity and groove to go back for a little while into the Milano da bere years! with a 2016 sound of the 'Milano to avoid'.

Rare Cut From Cloud One Available For The First Time As A Re-Issue. A true Holy Grail from the Cloud One catalog, Don't Let My Rainbow Pass Me By' is the third of a string of titles on Golden Flamingo produced by the P&P duo of Patrick Adams and Peter Brown and featuring vocals from Guardian Angel' singer Margot Williams. Similar to previous Cloud One's productions, this record had all the
elements of a Patrick Adams classic, but with vocal arrangements that foreshadowed the work he would do with Inner Life and Jocelyn Brown at Salsoul. Perhaps not so much of a concidence then that Margot Williams would provide backing vocals on Inner Life's Second and final album. Even though it was originally released in 1981, Don't Let My Rainbow Pass Me By' is still championed by high-profile deejays today. Over the years, it's been notably sampled in Basement Jaxx's Romeo and covered by Todd Terje and Prins Thomas in Reinbagan" as a Dub-Disco cut.
Available for the first time since it's original release, our only piece of advice is don't let this classic pass you by.

Hanarossa is David Barbarossa and Andi Hanley & Haners is Andi Hanley Andi and David first met in a forest beside a psychedelic castle in the wild west of Scotland and soon bonded over a love of wrong speeders, Balearic gems hidden in plain sight and the odder side of the dancefloor before DJing together just moments after Andi was unraveled from a burning tarpaulin. A firm friendship and fun partnership was born.Hailing from Mancunia but for sometime an export to the USA, Andi, for many years was one of the great things about New York City. A charming, low-key individual, a great, great DJ and a graceful presence in the land of the overhyped and ego driven.
Andi held down the musical supervision of Rock Star games and was responsible for a lot of great music getting out to the gaming masses. He was a vital member of Body and Soul for the best part of 15 years, delivering infamous warm up sets for Danny Krivit, Joaquin 'Joe' Claussell and François K, pedigree vibes...
David, a music lover since birth, a record collector for more than quarter of a century and a reputation for being the first on the floor at any party. DB's transition from dancer to DJ didn't take too long and his selections of rare disco, oddball gems and panglobal pandemonium have seen him play back rooms, basements, festivals and freakouts throughout the land, whether running his own parties in Glasgow or playing further afield alongside the likes of Young Marco, Jayda G and Moodymann.

For WS23 we head to Leeds where Clandestino crew member Joe Morris vibes us out with a stunning balearic house tune, Cloud Nine. On remix duties we are thrilled to feature two masters of the balearic house scene, Max Essa and Coyote, who lend their signature sounds to the mixes, with label boss Aimes bringing up the rear with an uplifting flip of the original

With an EP forthcoming on Midnight Riot Norm De Plume also makes a welcome return to his own label Plumage in 2017 nearly a full 2 years since it's last release in 2015.

PLUMAGE05 is Norm's 3rd solo EP for the imprint.

A1 New Flow is vintage NDP fodder it's just the tempo that has risen. Two bars of obscure disco gets lifted, chopped & filtered. The emerging source material merging with Norm's own synth lines / swells and chopped vocal stabs - all underpinned by tight, chunky, grooving drums. Deep-Disco-House the way we like it.

B1 Another Flow see's Norm explore more of his own original musical composition with this slightly deeper, more electronic cut. A soul vocal sits upon deep pads and a driving, gritty 1note bass line. Pads and synths swirl and build and we get some wild modulation on the filters before the track breaks to slowly introduce a repetitive, rolling & pounding motif over which Norm lays some signature pads and a lovely simple lead-synth line.

Groove Line Records are proud to add to their 2015 releases of half-speed mastered re-issuesingles with The Pointer Sister's classic 1980 tracks We've Got The Power and Evil, taken from the Richard Perry produced album Special Things. This is the first time We've Got The Power has been released on a 12' single. The genre defying female family vocal group The Pointer Sisters during a critically and commercially successful career took in country, jazz, blues, soul and funk to pop, disco, dance, electronic music and rock.

Side A features the full length album version of the dance floor classic We've Got The Power. The track opens with beautiful, sweeping strings over a solid, engaging beat before showcasing the trio's natural, tight harmonies on the opening verse. June's bright, powerful, gutsy voice then takes centre stage on the lead vocal bridging the verse into the uplifting horn-led chorus on which her sisters join her to mesmerising effect. The sweeping string motif then makes a brief re-appearance before an even more impassioned second verse and chorus make way for the instrumental sequence. Alternating between a funky horn line and the sweeping strings the instrumental passage takes the track to even greater heights, effortlessly carrying the listener and/or dancer through to the final verse and cleverly extended final chorus as the track fades. The Pointer Sisters' commanding, heartfelt vocal sound is perfectly suited to convey the song's theme of striving to retain innocence and positivity even in the face of life's many challenges.

Side B features arguably The Pointer Sisters' hardest hitting recording, the funk/rock track Evil. Helmed by a snarling June on lead vocals, ably assisted by her siblings. The song is centred round the evil character, 'Pretty Poison,' whom the sisters are seeking to turn the tables on due to his love 'em and leave 'em attitude. Explosive from the outset the powerful, alternating guitar and horn lines, along with a driving funk bass set the tone for the duration of the track, only yielding for the verses. Expertly arranged to maintain the driving momentum throughout Evil boasts an incredible guitar solo from Paul Jackson, Jr. and a dextrous vocal scat sequence before the sisters layer their vocals over the progressive, expansive horn lines as the extended closing chorus fades, leaving you breathless after just over three minutes. Evil is a bona fide funk bomb.

All Groove Line Records releases are fully licensed and taken from the original master tapes, remastered by Nick Robbins at Sound Mastering, and cut by Matt Colton at Alchemy (Mastering Engineer of the Year 2013) using half-speed mastering for optimum sound quality. All vinyl is heavy weight 180g manufactured by Optimal Media in Germany, one of the world's finest pressing plants. Groove Line Records cut no corners when making sure that each and every one of our releases has the highest quality performance possible.

Groove Line Records' deluxe reissue of 'We've Got The Power' and 'Evil' is an essential purchase for any serious Disco or Funk vinyl collector who demands the very best in quality vinyl pressings.

Brand new Transatlantyk release contains elusive synth works of Sasha Zakrevska aka Poly Chain.
She likes to call herself a 'Ukrainian ambient chavette' and the title of her debut album is a tongue-in-cheek spin on Eno's classic. 'Music For Candy Shops' is much more sticky and syrupy than its famous predecessor though. In every track on this record Poly Chain's rich and warm synth textures are glazed with another layer of radioactive sweeting.
From atonal melodies on top to occasional spicing in form of odd reverbs, delays and drum sounds - it's all there.
Let me tell you straight up: this candy shop serves some weird sort of sweets, inducing hallucinations, anxious feelings of omniscience and transcendency. Use with caution!
Available as a 200 copies only vinyl LP

this 4 track ep see's the return of Bonnie & Klein to Uber. 3 og tracks and a superb beachbar chugging remix from Drifts Projects. Tones of Ballad has touches of Mike Francis with a saxophone right out of the 80's beautiful. Drifts Projects drop the sax and creates a more hypnotic groove. pretty Lake is the perfect track to drift into dusk with. Again capturing the authentic feel of an laidback italo instrumental with a bassline from heaven. Finally Snowdrift a slower tune at home soundtracking a light flurry or a La Torre sunset. lovely ep.

Lumberjacks in Hell boss Marcel Vogel and Berlin based Singer Khalil Anthony team up for 2 EP's for the label, exploring together their version of Soul, Disco and House. Dance The Blues Away get's remixes by BB BOOGIE and Julien Dyne from New Zealand.

Emotional Response steps to summer '17 by welcoming with accompanying releases from Out 2. Evolved out of the Brooklyn based Lectric Sands studio / label and featuring members of their own Zoovox and Mazing Vids, this 'super-alumni' is a perfect meeting for the label and US brotherhood.

Based around a longtime friendship, this slow-burner project is centered around the NYC life of one-time roommates, DJ sparrers and just possibly the latter day duo behind the Locks & DDM project that was released (semi-) anonymously in 2016, step out in to the (fluorescent) light.

With just one Out 2 track given to the world back in 2012 on Lectric Sounds 1, these recordings have morphed for a near decade to reach fruition in long-form EP and soon to come 'Showcase' vocals and dubs album.

While some is known of Mr Jeremy Campbell forum/blog educator, DJ Tropical Jeremy monikererer, half-a-Zoovox and studio (dub)don - his cohort, the little known R. Zanzibar remains a man of mystery.

Zanzibar's free-flowing lyrics, shredded guitar and bass grooves come together before plunging into Campbell's wall-of-dub mixing matrix. With fellow Lectric-head, Ben Gebhardt contributing sometimes-synths and general mixpertise, Out 2 offer a timely reminder of the best of their hometowns post-punk / new wave history, but with a laid back irreverence and killer, leg shaking, live-dubbed grooves that are very much for today.

In opener, Zanzibar lays it out. Contrary to song matter, this is impossible to not to be a Downtown-showdown-hoedown. Impro' lyrical flow keeps your head listening before the off-kilter dub-funk groove keeps you feet Moving.

Following in Fire, your mind is soon tripping to sonic content and vocal swirls, before it gets all Compass Point, with an discomix inspired, cod-desk-dub.

On the flip Rubber Hour lays a drum-work out that just sits and waits, pulling you further in the midi-groove, before Zanzibar's floating voice leads to digi-synth bass interplay. Who is top and who is bottom doesn't matter, let it ride.

Closer has you listening closely, with sharp, chopped No NY guitar-like-synth, contorting with distorted echo-vox, down to the bottom...but you're not at the bottom. In fact, this could just be the beginning. Listen Closely.

Sadness of Being is a Deep contemplative balearic groove evocative and reflective. Max Essa tunes it up with his trademark drum programming and synth patterns. An essential sunset shuffler

great co-production between arthur baker & dave clarke !!! huge one !!!

When Jackmaster opened his Mixmag covermount mix with Arthur Baker & Dave Clarke's collaboration from 2001 it shone a new light on this Southern Fried classic. It demanded a re-release and two new remixers were entasked. First up Man Power, whose recent releases on Futureboogie and DFA are turning heads, and also rising star Cody Currie whose output on Pusic & Razor 'n' Tape make him an ideal fit

Sounding like something to come out of Solar Records in 1984, 'Love On Hold' embraces Aeroplane's typically exquisite attention to detail, resulting in a perfect blend of disco, 80s funk and boogie. 'Love On Hold' also features one of the greatest backing vocalists of our time, Tawatha Agee who was also the voice of legendary funk band Mtume, singing on their 1983 classic 'Juicy Fruit'. The credentials of Tawatha's richly poised voice coupled with Aeroplane's flawless composition make 'Love On Hold' unmissable.
After a digital release which reached overall Traxsource #1, the 'Extended Mix' of Aeroplane's instant classic is now being made available on 12', along with an 'Extended Instrumental', 'Accapella' and two edits from the master of disco re-rubs, Dimitri From Paris. Both extended versions, Dimitri's 'Instrumental' and 'Re-Touch' explore the versatility of the track for DJ use.

"Attack the Dancefloor Vol.15" features four new Joey Negro remixes.
First up is his thunderous rework of the O’Jays boogie classic 'Put Our Heads Together' done from the original multitracks in RWL style.

- The 2020 update of Doug Willis 'Dancin' features rattling percussion
and full live disco sound. Sunkids soulful house staple featuring
Aretha soundalike Chance receives a powerful bassline driven remix.

- Whilst the much sampled 'Everyman' by Double Exposure (as heard i
in Salsoul Nugget) has been give a more up-tempo make over that
emphasises the familiar sections of the instrumentation whilst still
using the full vocal.

Second Edition of Wolframs “Automatic Dub”, the Über Hit originally released in 2018. Wolfi has put some new touches on his dub + we handed the material to Rex The Dog and Cabletoy. Rex got back w/ some high energy trance, while Cabletoy takes a whole other route getting extra balearic. Suitable for all dance floors. P.P. Tipp.

E. Myers returns just in time for the summer, with two heaters of contrasting styles. 'I Am Alive' is a celebration, cooked up from heavy drums, percussion and bass synth, coming together with pads and arpeggiated synths for full blown elation.

'Dreamland' keeps its poker face on throughout it's entire 9 minutes. Threatening to break out but staying cool with its restrained bump, it's equally at home in basements as it is on beaches.

Two Italo and 80´s influenced House-Tracks by Felice and one
Remix by Johannes Albert

long overdue reissue with rock city pioneer Billy Jones.. here's what he had to say about his crew.
...in the early 80's Billy Jones was the lead guitarist for an outstanding group of touring musicians who called themselves 'The Incredible Rock City Band'. They performed on military installations all over the United States for the U.S. Dept. of MWR for more than ten years during the 80's and 90's. ...I'm sure that there are many veterans out there who remember seeing this band at NCO and Officer's clubs back in the day.

Cinthie’s we_r_house imprint stands as a platform for more stripped-back, groove led house cuts and across the past few years has released material from the likes of Toman, Revivis, Julian Anthony, Alessio Viggiano and of course the label-head
herself. Here we see the imprint welcome Kevin Over onto the roster, most notably known for his releases on the likes of DJ Steaw’s House Puff, Kerri Chandler’s Madhouse Records and Gerd’s 4Lux amongst others.
‘Try Minus 10’ leads with dusty drum breaks, soft Rhodes chords and soulful vocals before ‘Lunte’ lays down a disco infused feel via funky bass lines, chanting vocal loops, horn stabs and filtered guitar licks.
’20 Dollar House’ featuring Marlon opens the flip-side, taking things back to a more classic house aesthetic via gritty stab sequences, swinging 909 drums, soaring vocals and jazzy piano melodies before ‘Fake 89’ rounds out the release on a deeper

It's not the fall that hurts, it's when you hit the ground - that's what - Failing Upwards' is all about. On Lehult's fourteenth release Lucky Charms breaks away from 4-to-the-floor territory to deliver a fun trip through skippy drum workouts and jazzy warmth. Spread out across the full A-Side is 'Einbahnstraßen-Sound". Heard first on the Lehult Worldwide FM Special last year, this highly requested tune finally sees the light of day in all its trippy, warm, analogue glory. 'Oase' takes things a notch deeper by layering lush synths, swarming melodies and ski field recordings over a laid back electro-groove. 'Rex Dubius' translates the vibe of the first two tracks into a more straightforward, dubby groove - not without the skipping beats and the warm counterparts, though.

180g vinyl, limited pressing