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Brooklyn's Son of Sound joins hometown label Razor-N-Tape with The Dusty Files EP, a 4-tracker that embodies the gritty and driving sound of the borough.

The A-side kicks off with Your Voodo's Broken, a track that builds to mid-tempo looped perfection even before the floor-shaking bass drops, followed by the beguiling synth patterns and efficient yet driving drums of No Bullets Left.

On the flip side, Nude Jerzee eschews the bridges and tunnels and takes us straight to NJ by way of outer space, and then What Do You Feel floats us gently back to earth on a cloud of strings, electric pianos and a chugging disco beat.

GL return today with "Destiny", the first half of their forthcoming double a-sided single Destiny / Reflect as premiered via Clash & soon to be available on 12" - the first 100% independent release for the duo. Locking themselves away in the studio after a very busy summer at St Jerome's Laneway Festival, Splore Festival (NZ), Paradise Music Festival + The Plot, GL will be returning to the live front with two very special shows in Sydney & Melbourne.
GL have premiered new track "Reflect", the second half of their double-A-sided single Destiny/Reflect (available now). Locking themselves away in the studio after a very busy summer at St Jerome's Laneway Festival, Splore Festival (NZ), Paradise Music Festival + The Plot, GL will be returning to the live front with two very special shows in Sydney & Melbourne.

Marathons began innocently, as a quick debut EP by an energetic Swedish duo we found on SoundCloud. Within a couple months of chatting with the pair, Artur Bra¨ndstrom and Egil Kahlbom, however, we realized our collaboration wasn't going to be simple, so cut and dry, so straightforward, and that's why we find ourselves here, a year after meeting them with a full album, not an in-and-out single, on our hands.
What made it complex and intricate, you ask Why'd we opt to squeeze eight originals into one long-player, you wonder Well, Artur and Egil are prolific dudes with fantastic ears and formidable work ethics. A couple of demos quickly sprouted offspring and became four, then six, then ten. Rather than fight the arbitrary desire to trim the spread down to a 12', we figured we'd aim higher and work on a proper album. What we constructed is, in a very classic sense, a long-player.
Here's that album! It's a sunny, loose, limber, uninhibited boogie through warm disco cuts and wobbly house jams and soulful funk slices. Daytime chill-out with a nightclub architecture—or peak hour mayhem with a bright, clearheaded euphoria. Marathons swings every which way and suits any mood, so drop that needle and try it on. Then repeat, repeat, repeat.

Life of Marvin is a Joint Venture between Manfredi Romano (aka Dj Tennis) and Marvin & Guy (Italo Deviance's Marcello Giordani and Alessandro Parlatore), these crazy Italian diggers went deep into the most obscure Italian Techno tunes from early 90's and what they discovered was quite amazing.There was a huge club scene in Tuscany during the mid-90s called 'Progressive Techno'. L.O.M. aim is to explore the sounds that preceded that movement The first EPs are giving new light to Tracks taken from the original catalogue of the Interactive Test Record label owned by Franco Falsini, that became key figures in the Italian Disco scene since early 80s (see Italo-Hit 'Electra feat. Tara Butler - Feels good') and the brother Riccardo.That label was the incubator of the whole pre-Progressive movement (1991-1993) and the first releases are coming from great djs and producers like Roby J, Francesco Farfa, Gabry Fasano, Marco Calderoni etc.The music genre is impossible to define properly... just give it a listen. This is the 1st Volume with monster dance floor tracks by Roby J and Sick Hardcore.

NYC edit masters Duane Harriott and Sean Marquand are back on Stilove4music with a massive follow up to their "Feel So Wrong" Ep."Get To It" is a gritty record that feels like Brooklyn on a hot summer day. Disco, Boogie and Soul ring all the right bells for your thirsty dancefloor. Get to it!

New edits series championing the underdogs of disco. Digby's Disco loves those tracks that have a moment of genius nestled alongside a questionable chorus. All taken from a 7 Inch collection accumulated over the years, you'll find no obvious cuts here, rather remakes of charming, imperfect records that otherwise may not see the light of day. Given the thumbs up from Soul Clap and Tim Sweeney! 300 copies. Be quick.

Pierre Bastien is a French legend that has collaborated with artists such as Robert Wyatt, Jac Berrocal and Jaki Liebezeit, to name just a few. He is also very well known for his compositions based on home-made mechanical instruments, designed and constructed by Bastien himself. Pure DIY. Using these instruments he would create a heady experimental mix incorporating poetry and some far-out music, all in all very intriguing and original indeed. Needless to say when the notion of Pierre Bastien and Versatile Records potentially making a project together arose, it was a total honour! Throw into the mix esteemed electro-acoustic composer Eddie Ladoire and now we've really got something interesting. Eddie and Pierre met when they appeared on the same concert bill together and they decided to collaborate further with Versatile being the platform for the fruits of this particular project. The original version of 'Phantom Dance' is a beautiful piece where Bastien plays a trumpet into some water blended with electronic drums and mellow organs lines, creating an otherworldly, subterranean Jazz vibe for the freaks. Suzanne Kraft, the LA native / Amsterdam based producer turns the original into some mechanical broken funk vibes while Rotterdam's Oceanic delivers 2 fresh, reimagined versions. One for for the club with a strong afro beat feel while the other one is a slower affair for the after hours. Both mixes bringing something new to the table. A truly original and interesting release from some very talented people, for those with open ears and open minds!

Four floaty dubs & re-rubs from San Francisco's Ryan Bishop aka The Beat Broker (Bear Funk, Flexx, Adult Contemporary, etc). Many heads probably best know Ryan as the brains behind DREAM CHIMNEY, one of the longest-running and most consistently interesting online hangouts for like-minded music freaks.

This 12" busts loose with Satin Kimono, a funky floor-filler with the most perfect AOR song title in existence. "Make It Happen" cools the A-side down with a mellow yet uplifting soft rock groover, dubby voices beckon the listener to break free and never look back.
Honey It's You is a pumped up edit of an old 'Chimney classic and was crafted specifically as a wedding gift for fellow Dream Chimney member Hatchback - now available for the first time in a physical format! Larceny Dub soars to new heights of AOR bliss, featuring an extensive re-working of a record that was passed along to Ryan by an ex-Deadhead neighbor.

It's been two years - more or less - since the debut release of Editor's Kutz and the label proudly presents its sixth instalment right on summertime. Starting things off with a duo working really effectively lately, the label head "VinylAddicted" and the "Whiskey Disco" boss "Sleazy McQueen". Their "Free (From Social Narcotics)" has not only a powerful and acid message, but also a rolling beat and juicy bassline, frenzy looped keys and raw strings. True dopamine! Kinjo Music's kid, "Ed Wizard & Disco Double Dee", comes up next with a "Stellar Dub", a mid-tempo groover accompanied by a sweet trumpet and brass, fluffing the track with a very cosmopolitan style! Flip-side belongs to the label newcomers. First "The Silver Rider" uses his disco skills on a little known track. "Good Luvin' Baby" has that fatty and hearty beat, which in addition to the lazy guitars and female vocals is perfectly made for sun and sand dancing! Last but not least, "Doc Jam" samples a beloved disco hymn, lifting it to a more disco-house and bouncing level. Pressed on a chillin', doublemint opaque wax. Limited down to 500 copies, no repress!!!

Lovedancing tap Detroiter, Alton Miller and Brooklynite-by-way-of-Florida's Will Buck for a 4 track, split EP of deep vibes that will work a floor as well by the pool or in the basement.

Austin Ato is the latest project from Colin Bailey, the multi talented producer from Oban in Scotland who has been the man behind the Drums Of Death moniker since 2008, and has also recorded under the Frankie Dreams and Coba aliases. With forthcoming material also due on Phonica White, Ato lands on Futureboogie with the massive feel good vibes of 'Music Will Save The Day', backed with two superb remixes from Auntie Flo and Christophe.
Featured here are two original mixes of 'Music Will Save The Day'. The 'Dub Mix' the is classic house music jam, packed full of energizing musical flourishes, from the Balearic tinges of the sequenced mallet riff, whimsical pads and booming bassline to the searing crowd chant and the joyous piano motif. Ato displays some serious musical chops here, which are further enhanced on the 'Vocal Mix' with the addition of a bi-lingual vocal hook that will surely act as a call to arms on any discerning dancefloor.
On the 'Auntie Flo's Hidden Garden Remix', the Huntleys & Palmers mainstay strips things right back for a beatless excursion, letting the percussive elements drive the forward motion whilst the melodies and thick synth pads wash over like crashing waves, a great reinterpretation by Brian d'Souza AKA Auntie Flo.
Futureboogie's very own Christophe provides the second remix; tweaking an acid riff over a heavy, old school drumbeat and teasing in the musical elements, providing a tougher and more jackin' take on the Original Mix, whilst keeping faithful to the original vibe.

Earl has been with us since the beginning. The C in C.R.S.T. from some of our earliest releases to the spanking 'Goodfoot' EP as Chesus and more recently his twisted disco remix of Daneeka's 'What's it Gonna Be' with Seven Davis Jr.
As Earl Jeffers he's really found his sound and we are stoked to have him back on board with his best EP yet. These tunes have been flaming all year in the clubs. Proper essential stuff.

Toby Tobias joins Delusions again for what will be his sixth(!) 12' entitled The Rain. The prolific Londoner whose releases have graced such venerable labels as Rekids, ESP Intistute and Let's Play House, is back with a vengeance, delivering two mighty fine originals plus a remix from Nebraska.
In true Toby Tobias style, The Rain got made on an MPC, sliced and edited from a single live take through the desk then accidentally deleted so no further mixing, sequencing or editing could be carried out. But what is an A&R man's nightmare, turns out to be the record buying DJ's gain, as the improvised, dubby vibe and raw as ***k mixdown give the track an authentic feel and energy which could only come from the madness in Toby's method. Fresh from his brilliant releases on Mister Saturday Night and Razor n Tape, we have our man Nebraska do his thing on the remix of The Rain. Dropping down the BPM's a bit from Toby's more frenetic original, Nebraska add's a healthy dose of moogy lead lines to the lo-slung house
groove, perfect for warming up the dancefloor. Closing this release we have New Way Of Feeling which sees Toby in
playful mode with a percussion heavy, driving basement jam. FM pads form the centerpiece of the track whilst flourishes of Juno come and go, hints of early 90's IDM shining through on the glistening sine-wave melodies. All in all a glorious melting pot of ideas and influences all over this release which make for one of his strongest yet for Delusions

This summer, the left of centre electronica label Greco-Roman hits its stride and celebrates 10 years of music.
And to celebrate they are reissuing their biggest dance floor records and remixes on a series of Ltd Edition 12's

It's safe to say this release marks Heist's most international endeavor so far: next up we've got Alma Negra, 4 guys with roots in Portugal, Cabo Verde, Italy and Spain, hailing from Switzerland. They're putting out an African influenced EP with German Detroit afficionado Soulphiction involved for a remix. Afro lovers will probably know Alma Negra because of their great work on Highlife, Sofrito or Basic Fingers and we've been in touch with them for a long time to make this release happen. Their 3 originals are a great showcase of their skills; blending traditional African music with contemporary house and techno. 'Afrorleans' is a track with Fela's footprint all over it. They serve a lovely Rhodes jam over a classic Nigerian afrobeat, subtly supported by sparse electronic percussion giving room for the keys and afro drums to really shine. Meanwhile 'Luanda dub' is another beast altogether. As a modern reinterpretation of the traditional Lamento style from Luanda, this track is a gloomy techno workout with some killer bottom end, getting nice and trippy with dubbed out guitars, spacey vocals and tribal percussion. On the flip, we've got both versions of 'Endless summer', closing the EP on a light and mellow note. Alma's original leans heavy on indeed 'endless summer-y' Rhodes keys, filtered wahwah's and African chants. Soulphiction does well in keeping the cheery vibe alive, but adds some serious grunts with his percussion and a killer bassline. With these fantastic guys as our second release of this year, and knowing what is still to come, I'm sure all of you will keep on listening to anything we send your way. Thanks for doing so. Your Sincerely, Maarten & Lars.

Remix EP of great but Massively Overlooked Debut Album by Vienna Based Band Feater. Somehow The City´s Answer to Italians Do it Better! Remixes by Tuff City Kids, Giuseppe Leonardi, Ruutu Poiss

It has not taken long for International Major Label to shake the next pearl out of the console: a sparkling spherical, retro-futuristic wink of the eye in which three spiritual brothers have joined their musical hands together in the airwaves with label head, Daniel Meuzard aka Feater, and two of the top notch remixers around : Tuff City Kids with Gerd Janson and Phillip Lauer. Their extraterrestrial instinct and a kilometer-long discography justifies developing dedicated schools of philosophy. But after 30 seconds at the latest when the bass line rocks through the kicks and congas, the - Bright White Shoes' remix unfolds a magical attraction as if from another galaxy. With the smash hit - Digital Love', the remix seems to rise almost lethargically above the mist of night. The upcoming Viennese Wunderkind, Guiseppe Leonardi, rumbles through the catacombs between slow-tech and calimba. As expected for an underground producer, nothing is known about this gentleman; only that for months, he has been releasing dope tracks into the world and will finally give his official debut in October - on International Major Label. Preorder! It is difficult to reach a fitting end for this release, unless done by Ruutu Poiss, aka Jan Tomson. This hyped-up multi-talent, (Denkmantel Set 2017 & 12' release on Jon Rust's Levels) conjures up a mysterious and playful odysee with Feater's - Birds' and meanders between Düsseldorf, London and Detroit. Tomson is not only a gifted producer but also one of the most important designers in Estonia and responsible for the IML logo and diverse IML covers.

Mothball Record presents the first collaboration between Hysteric (Public Possession, Fuego International, Bordello A Parigi) and the prolific Shelter (from Plaisir Partagé and International Feel), who are now working together as H&S. Both known for their edit skills and obscure taste, they now bring us dark balearic versions of two underground Italo killers. With strong new beat influences, and two versions of each track for added flexibility, this record can fit easily in different sets. Limited 300 copies with slick 80s design.

After a couple of releases for the label, including notable remixes, plus the excellent recent 7 for Hoga Nord Rekords, Jamie returns to warm glow of Especial for a collective vinyl only EP of 4 unreleased remixes brought together for limited release.

Opening is his dark, brooding rework of See You In The Dark from Sexy Merlin's 2012 cassette only release Heater. Taking the 2mins + plus original and feeding it through modular and space echo environs, this long form remix has been alighting dance floors whenever aired. Throbbing bass and phased, twisted vocals pull the track deeper, all with that neu-wave touch that has become Jamie's hallmark whether sought or not!

Next Jamie turns to the Eastern melodies of Guy Schalom. The drummer and percussionist first came in to Paton's orbit via his partnership within Cage & Aviary and his remix here strips the original to his affinity with dub and bass. Horns rise and fall, driven by snare and guitar in a unique reversion of a version in the truest (es)sense. Roots and vulture y'all.

The B-side heads back deep with his wonderful remix of Gatos Negros's Overdrive. Taken from the bands 7th Life album on Spain's Rotten City, the interplay with arpeggio, bass and vocals shows why Jamie has his own unique following.

Closing the EP sees a return to a relationship first seen via Cage & Aviary's remixes of Blancmange in 2014. A mutual admiration achieved, the band requested a special remix of their rerecorded 1982 classic Feel Me. Jamie rebuilds the track with a nod to it's past, his own sound and also, as a final homage to nights remembered at the Brixton HQ years of World Unknown, where the original was such a highlight. Here comes a love song

Music is Love boss returns to his home label after a few brief excursions on Hot Creations & Viva Music last year, and he returns in style. 3 summer time slammers and a stella remix from the Mak & Pasteman boys. Middle Ground is a dusty filtered house track, aligned with a soaring string section, which narrate the warm uplifting journey this track lays down. Mandingo was made as a tool for Oli s sets last summer and after some huge reactions and some serious demand, Mandingo was set for a vinyl release. Big stabs and plenty of funk this track is party ready. On the flip we find Mak & Pasteman return to Music is Love after an appearance on the 3rd LOVEBOX VA in 2016. Piano4 is flipped into what these boys do best, Simple stripped back grooves delivered with stupendous power. On B2 is the original take on Piano4 which sees Oli flexing his power house muscles on this big piano track. Piano4 is an unrelenting beast that twists and turns its way through various passages of maximum intent.

Quartet Series is back with the Bodybuilder Series after Scott Franka's popped the new offshoot's cherry in the spring. For this sophomore release, Nachtbraker sourced some serious production talent from Eindhoven, The Netherlands. While it's the Portamento Boys' first ever release, they have the chutzpah to go full-frontal Italo and pull it off with great panache with a moody and energetic EP. The record is characterized by catchy melodies, quirky vibes and warm analog grooves. Connoisseurs will instantly recognize the TR-606 and 707, SH-101, Ensoniq Esq1 and a Casio CZ-3000. The Italo express jets off and takes no prisoners with 'Been There Come Back", a banging workout paying homage to the glorious 80's. Shoulder-pad boogie anyone 'Portamento 101 feels like you're playing the 1986 version of Outrun on your Sega. On the flip 'Final Dinner' serves up some fine Asian-Italian fusion Cuisine, and finally the P Boys drop 'Eighty Ain't", acknowledging that even though the tracks are clearly inspired by the 80s, they didn't just emulate, but innovate instead. Now let's introduce the Portamento Boys. Some say it al began when the first episode of 'Jacques, zo is het wel weer genoeg geweest' was aired on the Dutch box back in the second half of 1988. Others say it was the respect he got for robbing the local Albert Heijn with the famous saying, 'Hallo, Jumbo' that made him end up in solitary confinement. His colleagues say he never let go of Piet, his last undercover assignment. But the only one to help him in these times of mental distress, identity crises and general psychosomatic turmoil was Koos. After all these years there is a mantra to find in Piet's life that keeps him going.

Pretty cool edits of two monster hits. Dancefloor anthems for crowds worldwide

Middle eastern edits of the highest order. While there's the obvious choice of Pyramid Disco as the official dancefloor slayer, there are plenty of flavors to savor in this thick stew of Arabic scales, authentic darbuka breakbeats and psychedelic synth meltdowns.

Mothball Record continue to branch out from their Italo-disco roots while staying true to a high quality of unique and obscure music. This latest release is a collection of 90s rave and hardcore inspired tracks with an unmistakable euphoric/melancholic Dutch flavor from mysterious producer Ruud Jansen. No less than six strong and diverse tracks provide options for all occasions, from home listening to techno parade.

One year on since their last venture as Black Spuma on International Feel, Fabrizio Mammarella, also known as Telespazio and Phillip Lauer, one half of Tuff City Kids, are back with the insatiable Orme EP. Showcasing the pair at their best, this four tracker is where acid meets emotive melodies and shimmering Italo synths lines. In the words of Phillip Lauer it's where "balearic vibes, acid love and a lost tape from 1991 merge into pure bliss!.." The pair first met when Phillip (trading as Arto Mwambe) remixed a Telespazio track. They started working together in 2015 when their first joint release Oasi was released on International Feel. An integral part of the label, Lauer recently released the highly acclaimed self-titled Talamanca System album on International Feel alongside Gerd Janson and label boss Mark Barrott. Both Lauer and Mammarella have a history of quality releases on great labels: Running Back, Beats In Space, Permanent Vacation and Rollerboys Recordings.

Ichisan has been coaxed back behind the velvet curtain of the Bordello, this time for eleven track trip into a land of funk filled machine music. Aperitiv cruises with no single style, instead this Slovenian synthesist glides and slides through a scatting of sounds. Cosmic. House. Disco. Wave. Italo. All are plundered to produce an album overflowing with good feeling. And these feelings are pretty damn good. The road bends- The course changes. Bubrling acid bliss, crisp beats and stunningly delicate key shifts characterise this collection. Inviting strings pull you ever deeper. A soundtrack to coast line journeys along the Gulf of Trieste in a top down convertible, late night romances and evenings of endless warmth. Allow yourself to be whisked off by Ichisan, a trip you won´t want to come back from.

SPECIAL LIMITED EDITION X 300 WITH BONUS 7 :
Limited special edition with the 7" containing the track "Lune noire", in 2 parts - one per side.
It's already been 5 years since the last Zombie Zombie album 'Rituels d'un Nouveau Monde', after which the group explored other territories by signing 2 film scores, namely 'Loubia Hamra' by Narimane Mari and 'Irréprochable' by Sébastien Marnier, as well as creating the music accompanying a contemporary circus show called 'Slow Futur' created by Martin Palisse and Elsa Guérin. Wouldn't these beautiful parentheses make you want to return to the sources After 10 years at Versatile Records, 2017 also marks the decade anniversary of the release of their first album 'A Land for Renegades' in 2007, at the time considered to be one of the 10 best albums of the year according to Rough Trade.
'Livity' - Zombie Zombie's latest opus seems to plunge us deep into science fiction, with a cover designed by the mythic cartoonist Philippe Druillet, who is also the founder of the cult Métal Hurlant comic series. The title of the album is somewhat misleading, as one could mistakenly think of a certain dub record made at
the famous Island Records Compass Point studio in the Bahamas. For the uninitiated 'Livity' or 'Life force' is actually a Rastafarian spiritual concept based on the idea that an energy exists within, and flows through, all people and all living things. The record was recorded last winter in Paris, in a very short time frame. 7 tracks played live in 7 days, by Etienne Jaumet (synthesizers / rhythm box / metallophone / sax), Cosmic Neman (drums / vocals / sound effects), and Dr. Schonberg (percussion / electronics / trumpet), recorded at the Red Bull Studios by Thibaut Javoy and Jerome Caron, 2 very competent engineers. To keep it in the family, the album was then mixed by another member of the Versatile stable, the mysterious and legendary DJ/producer I:Cube, done in the label's Victor Studio.
On this album the principles that are dear to the group rest being respected, still as far away as always from the standards of 'radio play', A living kind of music, composed of long instrumental moments recorded with analog synthesizers and drum machines, accompanied by drums and percussion. But I:Cube's touch may bring the unique energy that one may find at Zombie Zombie's concerts; on certain cuts like title track 'Livity' that the group recorded in Laos, a wild combination of 808 kick drums and bewitching jungle sounds that sound quite unlike anything else out there, and especially on 'Hippocampe', which gives the impression of hearing an old school hip hop rhythm with the power of a metal band who have replaced their guitars with an army of synthesizers: we recommend you listen to this particular track in a convertible while speeding down the highway.
As with all of Zombie Zombie's music the cinematic component is still strong, on titles like 'Ils existent..' 'Acera' which was originally composed for ciné-concerts accompanying the films of Jean Painlevé et Maurice Pialat. The energy of the beginning is still very present, as is - of course - the kraut inspiration. But it's also an album that takes new directions and sonic risks, like on 'Looose', which brings to mind the Art Ensemble of Chicago, or the groove of James Chance in New York in the early 1980's, featuring the free sax solos of Etienne Jaumet and Dr. Schonberg on the trumpet. The group also offers some slower and calmer titles, like 'Heavy Meditation' as well as exploring more experimental tracks in the line of French 70's groups such as Lard Free or Richard Pinhas, for example on the bonus track 'Black Moon'.
Please - Take your time, and enjoy listening!

New four-tracker by Petr Serkin on Freedom Sessions Records! This release includes disco-banger Disco Space Booster, mellow jazzy Old Tales From The Future, groovy and soulful Flying Jam and funky Heavy Load.

Ladies and Gentlemen, welcome back to the Shimmy Sham Sham sessions. When people talk about Summertime vibes it's most often associated with the obvious: good weather, sweet drinks, waterside locales, and a much-needed departure from the daily grinds of work, school, and off-season doldrums. One thing most tend to overlook however are the smells. It's the smell of the summer season that really infects the spirit; being attacked by the olfactory seducing aromas of suntan lotions, watermelon, Ck one summer spray overuse, piña colada mixes, BBQ grill emanations, and perhaps most importantly of all, sweat. Dripping, oozing, sticky buckets of lovely sweat everywhere. Whether that is happening poolside, in the bedroom, or, as the case clearly is with this ridiculous three-tracker of party bombs, on the dance floor. The whole wide world of Disc Jockeys now have access from everything to "Don't stop the music" a slick power wash of classic French disco, to a rollicking jazz piano-led jam by an operator hereby known as Professor Twirl-hair. In the heat of the night, let those sweaty numbers melt your worries. No top hat and gator shoes required - just shake that ass!

Look I can't be arsed explaining any further. If u don't know about Andi its your fuckin loss and no amount of googling resident advisor is gonna help u this time. Just listen to these epic island-synth-wave kutz from the edit master lovingly spread across 2 x 12"" and make a promise to yourself to DIG DEEPER

(De Los Miedos remix) This is Party Time 12" Maxi Single, produced by Garth David in 1997 for Free Style LP. The single includes De Los Miedos dub mix and Not Unusual as bonus track. Ostra Discos 2017

JTT Originally from London, Jimmy moved to Bristol in '95, drawn by the Fresh 4, Full Cycle and the big Bristol sound. He started out DJing at house parties and renowned underground venues like Cosies. Bristol's melting pot, combined with his Gilles Peterson-inspired school years made for some eclectic roots. It was only a matter of time before playing other people's records wasn't enough Inspired by a Salsoul-sampled techno track (East End Trax's Chalk Line), with his first computer and some self-taught software Jimmy cut his first edit. Recutting tunes quickly became standard procedure, for his own sets quickly became the norm. Alexander was involved in promoting Underground Society at the now legendary Bowgie Nightclub in Newquay during the early 90s. Bringing in and DJing alongside the likes of Marshall Jefferson, DJ Disciple, Paul Trouble Anderson, Robert Owens and Noel Watson to an always packed out fortnightly event that closed at 12.30AM ! Probably the only Soulful and Deep House music night in Cornwall during the peak of the rave years.

Sound-tracking her unerring dedication to living and breathing dance music and club culture around the world, Classic Music Company presents this double 12' to accompany Honey Dijon's debut artist album 'The Best of Both Worlds'. Featuring collaborations with the most relevant artists that dance music has to offer in 2017, the album is one of the most anticipated events in this year's house music calendar, preceded by Honey's BBC Radio 1 Essential Mix, relentless worldwide touring demand, international media attention and three critically-acclaimed lead-up singles.
Eight tracks from the album are in the vinyl package, including singles with Cakes da Killa on the Hip House enthused 'Catch The Beat' and Sam Sparro on classic dance track update 'Look Ahead', strutting elegantly through Honey's tough "Berlin-meets-New York" style. And the list of exceptional collaborators continues. Exclusive album material includes featured vocals from progressive New York artist Nomi Ruiz on 'Why' and 'Love Muscle', as well as Joi Cardwell. Remastered versions of 'Burn' and 'Thunda' are included too, plus a brand new mix of the incredible 'Houze' featuring Seven Davis Jr.
Honey describes the concept of the album in her own words: 'The album is a personal statement. It was about taking these different worlds and combining them to make something new. The Best Of Both Worlds was a pun that I wanted to take, empower and own.'

(Rollmottle Remix) Norwegian producer Marius Circus has been steadily carving out a name for himself over the past few years, with releases on Prins Thomas' revered Full Pupp imprint, a ten minute acid tinged rework of Seahawks for the Ocean Moon imprint and recently the launch of his very own In The Garden.Sentrall Records very own Rollmottle, one half of Project Sandro, steps up to deliver his take on Shorelines.Norwegian producer Marius Circus has been steadily carving out a name for himself over the past few years, with releases on Prins Thomas' revered Full Pupp imprint, a ten minute acid tinged rework of Seahawks for the Ocean Moon imprint and recently the launch of his very own In The Garden. Its inaugural release earlier this year featured his own original productions and remixes from Sean Johnston as Hardway Bros and Øyvind Morken. The second featured a Prins Thomas remix. Here we see Marius push on with the third release, already picking up support from Matt Karmil, Max Essa, Moonboots and Lexx.The 'Original Mediterranean Version' takes the lead on the release and sees Circus deliver a dropped-tempo Balearic tinged composition fuelled by emotive plucked string sequences, chugging bass hooks and bumpy organic percussion.

Industry veteran Paolo Martini is next to join the Emerald City family with Red Rocks. Bringing the funk, he delivers a solid two-track release with irresistible groove and dance-floor disco heat.
Paolo Martini has been in the business for over 30 years, first releasing with Gianni Bini on various labels such as Defected, Strictly Rhythm, Universal, Azuli and Nervous. They soon established their own label Ocean Trax and handled remixes of Kylie Minogue and Jamiroquai. Paolo has also been testimonial for several clothing brands including Diesel and Adidas and also the Rane MP2015 mixer. His following co-productions can be found on acclaimed labels such as Hot Creations, Snatch!, Moon Harbour, 8Bit, Saved and Cecille amongst many others. 2017 starts the beginning of a new adventure with a string of releases geared up under his new solo project.

track remix 12" featuring: "CLOUDS OF MONEY (VOLTA CAB REVIVAL MIX)", "CLOUDS OF MONEY (LEGENDARY 1979 ORCHESTRA MIX)", "CLOUDS OF MONEY (BOOGIE NITE REMIX)", and "NUTS (RAYKO COSMIC REMIX)". Due out late May.