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Stone cold 1982 NYC Boogie here from the mighty SAM Records catalogue!
You cannot go wrong with this supreme cut from this short-lived group. "Hold On" was their first release and boasted the studio and mixing prowess of 2 of the most legendary figures in early 80's dance music - John "Jellybean" Benitez and Daryl Payne, both of whom were behind numerous club hits of the time and rightfully deserve a mention when talking about this particular influential era of music. "Jellybean" was the resident DJ at the infamous Funhouse in NYC and he went on to work with major artists including Deodato, Talking Heads, Madonna, The Pointer Sisters and many many more. Daryl Payne also turned in a serious amount of music and was behind such underground dance anthems as Sharon Redd's "Beat The Street", NV's "It's Alright", Elektrik Funk's "On A Journey" and a host of others! You know on this particular release the quality control is of the highest standard!
If you're into that sparse, electronic and funky early 80's Boogie / electro Disco sound then you won't be disappointed with this one. A guaranteed floor-filler of the highest calibre! Reissued in conjunction with SAM records, New York City. Fully remastered with all original 1981 label artwork intact. File under - *Essential Disco*

TEE MANGO is the alter ego of Millionhands' founder Tom Mangan
and IMPERFECTIONS VOL. 1 is his debut Long Playing record.
After the success of his Theo Parrish inspired TRIBUTE 12s TEE MANGO returns
with IMPERFECTIONS VOL. 1.
Early support on this coming from: Caribou, Leon Vynehall, Axel Boman,
Tim Sweeney, Moxie, Wolf Music, Laurent Garnier, Kornel Kovacs
and a selection of others.
IMPERFECTIONS VOL. 1. is a celebration of off kilter electronic music.
Featuring vocal contributions from FEMME aka Laura Bettinson of Nigel Godrich's ULTRAISTA, and the Edo Van Breemen of Canadian pysch wizards Brasstronaut.
Full of pleasantly discordant musical mistakes and loose sample-laiden coincidences.
Fill your boots. x

Larry Levan's name is synonymous with contemporary dance music culture, his contributions are widely noted in many books and documentaries and in the memories of the lucky people who got to experience his phenomenal DJ sets at the now legendary Paradise Garage in NYC throughout the late 70's until the late 80's. His name is still mentioned with reverence today and he is listed as an influence by countless DJs and artists across the world.

Not only did Larry hold down a residency at one of the finest clubs on the planet with his impeccable selecting and DJ-ing skills for a decade, he also lent his expert ear to many remixing jobs and production sessions, adding his touch to a slew of classic dance records that encapsulated the era; Tanaa Gardner "Heartbeat", NYC Peech Boys "Don't Make Me Wait", Esther Williams "I'll Be Your Pleasure", Gwen Guthrie "Seventh Heaven" and Loose Joints "Is It All Over My Face" to name a select few.

It is Larry's peerless tastes that form the basis of this 2003 Japanese only Salsoul records compilation. Compiled by Hisa Ishioka of King Street Sounds / Nite Grooves and consisting of some all time classics dug deep from within Salsoul's vast archives. The tracks included here got regular airings on the dance-floor of the Paradise Garage and helped to form the basis of and inspire the subsequent House and Techno movements in the years following the closure of the club and Larrys' tragic passing.

Pressed onto vinyl for the very first time "Paradise Garage - The Legend Of Dance Music Vol.1" contains some stone cold Garage anthems, re-mastered and presented here in triple LP format to remind us all of the power of these timeless records, and the power of the mighty Larry Levan!

"Make It Last Forever"

4 To The Floor presents Sub-Urban Records documents the output of this true underground champion. Based in New York, Sub-Urban Records was arguably the best and most consistent American garage and vocal house label there was. Co-founded by the mighty Tommy Musto under Northcott Productions, Tommy had his hand in much of the musical output from the label, and in turn this double-pack 12' collection. Documenting Sub-Urban's legacy, the album also features tracks and remixes from artists including Mike Dunn, Sandy Rivera, and Matthias Heilbronn. The spunky 'Free Me' brings together Dennis Ferrer's co-production with a remix by Kerri Chandler, whilst the Basement Boys add their characteristic groove to Next Phase's 'Piece Of Mind'.

4 To The Floor presents Sub-Urban Records is part of the 4 To The Floor series, lovingly selected and compiled by Luke Solomon. 4 To The Floor will also delve into the Movin' Records, Fourth Floor, Faya Combo, Soulfuric and Slip 'n' Slide catalogues, digging for those lightbulb moments of musical discovery. Fulfilling his role as your friendly record shop assistant, Luke's 4 To The Floor series comes correct with brand new vinyl LP collections and digital albums from these now legendary house labels, plus official label merch to accompany all of the releases, for that full rack-raiding experience.

'4 To The Floor is very much about selecting music that has stood the test of time from each and every one of the labels. It will be a celebration of house music history.' - Luke Solomon

2017 sees the return of Hed Kandi's iconic series, Beach House which is set for release on the 16th June. 2CDs of the hottest poolside grooves and sunkissed beats. Beach House is the epitome of Hed Kandi, showcasing it's unmistakeable sound and providing the perfect soundtrack to a long hot summer. Beach House has remained a firm favourite with Hed Kandi fans across the globe since day one due to it's unique style. This year featuring music from Moon Boots, Oliver Nelson, Le Youth, Ultra Nate, Aeroplane & Purple Disco Machine, Satin Jackets, HNNY and Anabel Englund.
Beach House has and always will have a special place in Hed Kandi history. Summer is upon us and what better poolside accessory than Hed Kandi Beach House.

Malka Tuti presents its first label collaboration, this time with the italian Roccadisco, and label bosses Ed Rodion and Hugo Sanchez. Ed and Hugo (aka Alien Alien) are no strangers to pitched down sexy dancefloor tunes. With previous releases on Slow Motion records they've made a name for themselves as sexy bastards. With Perfidia they present the vocalist Igino, a friend from home. Together they've boiled a slow burning, constantly evolving song for the late late hours. On the remix for the A-side Malka Tuti present a collaboration of 2 disco legends Ray Mang and Severino Panzetta, that add a medditerranian flavour to the original tune, easing things up... On the b-side we have another slow burner with Bella l'Estate, joined by a top remix by Tel Avivian prodigy Naduve.

After ep's on Aficionado or Music For Dreams, A Vision Of Panorama is back on his own label Mellophonia for it's long awaited first album! His debut album on which races his creativity, glides into the future and brings in listeners for a sonic embrace with more soothing Balearic secrets. Tropic tones and heat haze on 8-track exploration Aquafusion that sends you sailing straight into the ocean. Top notch Balearic and sun-soaked soundtracks for your lazy afternoons on the beach. An amazing album, every track is spot on as you come to expect from AVOP, you will thoroughly enjoy this!

This is volume one of a two volume set from edit master Gay Marvine aptly called Dance Floor Favorites
These are some of his most sought after unreleased edits that are known for their strong reaction on the dance floor. They cause an instant heat. Includes his own rude jacking acid jam 'Banji Girl Realness', using lines from Paris is Burning conjuring the energy of the dance floor battles that would ensue during a Ken Collier set at Heaven. 'Keepyourbodyworkin' delivers that filth your dance floor needs, while 'Street Life' simply elevates your floor, walking on air. And nothing shines the light stronger than 'Weekend', always a peak moment at a party.

Better known as Kemback, Geoff Wright is a Bristol based producer, selector, composer, violinist, teacher, and waiter whose music is rooted in House and Techno but often treads into the weird and wonderful worlds of Jazz, Soul, Folk, and Blues.
While his gritty drums and shuffling grooves bear the hallmark of the city he now calls home, the melodic sensibility of his emotive strings and distant glimmering synths harks back to the tree-lined footpaths of the tiny Scottish village from which he takes his name. His debut release in 2014, on Bristol mainstay Futureboogie, received widespread support from DJs as diverse as Skream, Mosca, and Nemone.
More recently his effort as part of Alfresco Disco's acclaimed Maximum Joy series, titled 'Awaken', has been likened to the music of artists including Floating Points and Leon Vynehall.
Good Night & For You Today, the two tracks on Kemback's Omena debut, showcase a high level of production skill.
To complete the package the always excellent Auntie Flo (aka Brian D'Souza) & Omena label boss Tooli take turns in remixing Good Night.

Further adventures into the maverick, musical universe of Quinn Lamont Luke - this time on his own, new label, El Triangulo
Quinn's an amazing talent (as evidenced on his recent EP for Ears favourites Aficionado), with a shining career under his Bing Ja Ling alias, as well as numerous acclaimed solo and band based side projects (Pagua on Claremont56, Coppa, The Phenomenal Handclap Band etc)
Dfferent Aspirations ploughs a familiar funk/rock furrow to his other distinctive output, elevating things (in the cosmic mix on the A) to breezy yacht-rockin' Steely Dan channeling heights.
A radio edit bakes down the hooks into a delicious bitesize piece, while Woodstock is a sublime version of the Joni Mitchell classic
Limited run on these - don't snooze

The dub album any discerning House music lovers will enjoy!
A playful mixture of modern beats with deep roots Reggae influences, all heavily processed in an old-fashioned manner with a political and social messages expressed through.
Riddim Research Lab is a project from two UK based music outsiders, going under the names of Gordon Brown Jr and DJ Neeet.Lay-Far discovered their music by sheer chance, stumbling upon one of the members (DJ Neeet) in the notorious Reckless Records in London's Soho when browsing through the 'Dub' section of the shop. AN brief discussion around the reissue of Mikey Dread's album ensued, revealing the stranger's knowledge of roots Reggae and Dub.Before giving recommendations on several classic albums and saying goodbye, the man handed over a CDR with what was described as "some dub-influenced beats I'm working on with my friend. If you like King Tubby and house - you may enjoy it."
Lay-Far was excited by this unexpected gift but as it usually happens with globetrotting DJs he easily forgot it in the back pocket of his record bag.
It was not until a year later when he discovered the long-presented artefact. What he finally heard was an exciting mixture of modern beats with deep roots reggae influences, all heavily processed in an old-fashioned manner with an obvious political and social message expressed through the music.
Lay-Far directly got in touch with the duo via the email that was neatly carved into the CDR and motivated them to come out of the shadows, advising several labels they should try and sign their music to, one of which happened to be G.A.M.M. The result is now finally ready to be enjoyed by everyone, not just Lay-Far!

1x each customer!

Ilija Rudman production continues for Imogen Recordings . Special release - IMO 006 delivers 4 tracks concept - mini lp - space-disco-house influences that formed labels roots.

Futureboogie open their 2017 account with a new release from Lizards, the Newcastle based duo otherwise known as Lee Forster and James Hadfield. After appearances on labels like Leng Records, Join Our Club and Not An Animal Records, Lizards strut their stuff across two original tracks, whilst man of the moment Lord Of the Isles weighs in with a superb remix.
The percussion driven house of 'Tzatziki' kicks of the release, wrapped in warm and inviting pads and piano riffs. Shades of old school Chicago house meet sun-kissed Balearic vibes on this early morning riser, as the heavyweight bass sounds curl around the raw drum programming and illuminating keys sprinkle over the production.
On 'Aloof', the tempo is taken down somewhat, as a bass line wanders over a steady kick and otherworldly ambient sounds and hushed vocal clips lazily glide over the 4/4 arrangement. As the track unfurls, more melodic and percussive elements come into play, blossoming into a something quite epic and unique.
With a slew of releases for quality imprints like Permanent Vacation, Firecracker, Mule Musiq and ESP Institute, Neil McDonald, AKA Lord Of The Isles, serves up a deliciously chugging version of 'Aloof'. Gurgling bass and marching handclaps are dowsed in dramatic synth sweeps and glacial tones, as the good Lord takes us on a monumental ride.

Venezuelan extraordinaire producer Trujillo is back with a new set of sun-injected future nostalgia cuts on Apersonal Music. Street soul and Trip-Hop atmospheres deliciously blended together transports you back to a remote paradisiac beach in the heart of the Venezuelan caribbean coast. Both tracks feature the seductive voice of Colombian Paulo Olarte and a very exclusive appearance from tropical disco maestro Daniel Grau in "Hola Como Estas" on the piano. To complete the journey the flip side runs through the exquisite balearic tool mix of "Everytime I Think Of U" by Norwegian producer Telephones, feeling hypnotic and sophisticated. El Caribe te lo da!

We're not done celebrating our 10th Anniversary at the Still Music headquarters and we've decided to continue diggin' for some treats from our vaults.

After we've released the critically acclaimed "Kill Yourself Dancing! The Story Of Sunset Records Inc. 1985-89", a lot of our friends were asking us for some specific 12"s to be repressed. We felt obliged to comply and here we go with three of the most significant 12"s from Sunset Records Inc.

Finally, the third repress is a treat for all. Championed at the time by Derrick May and recently played by Marcel Dettmann at Berghain. Ben Mays - Lover Man / Jailbait is for any fan of Larry Heard and the deep Chicago house that we're all fond of. This 12" features Keith Nunnally, vocalist for J.M. Silk that had to keep his name under wraps at the time.

Leo James delivers Salvation, his third installment in an ongoing series of 12"s that sees him exploring a single conceptual theme across both sides of a record.

Salvation (Part 1) burns slowly, a hybrid of industrial and balearic beat. Salvation (Part 2) builds on a relentless, monotone bass line. Metal percussion enveloped in swirling reverb interplays with programmed congas and white noise. Support from Jamie Tiller, Soft Rocks and Suzanne Kraft.

The latest instalment of Afro-disco bullets from Dublin's OTE, this time featuring Irish producers R. Kitt and Cove.
The first EP sold out in just 24 hours with heavyweight support from the likes of Hunee and MCDE, so don't hold back.

For our 57th release we're stoked to be bringing you some heavy new biz from the one and only Ron Basejam. This man is responsible for some of the classiest disco-influenced House music dating back to '05 when his anthemic For The People blew our minds and soundtracked many an after-party so perfectly. Recent EP's on Eskimo, Wolf Music, Futureboogie and top notch remixes for the likes of People Must Jam, Brownswood and Classic have all delivered in spades.
Here on The Sound Of A Feeling EP we have three brilliant raw, stripped and chopped analogue jams plus the first ever remix from Tee Mango who comes hot off his stunning debut LP Imperfections on Millionhands.

"Salsoul Boogie Essentials vol. 1" launches a new series from the seminal NYC label... specialising in all things BOOGIE!

Kicking off with 4 beautifully re mastered Boogie gems from Creme De Coco ("Boogie Strut"), O.R.S. (Body To Body Boogie), Aura ("Such A Feeling") and Rafael Cameron (Boogie's Gonna Get Ya" - Francois Kevorkian 12" Instrumental Mix).

Released in conjunction with Salsoul Records/Verse 2015. Expect more Boogie Essentials in the pipeline...

Nu-disco hero 80s Child has come a long way since Masterworks Vol 1, the inaugural release on his Masterworks label a year and a half ago. Now we have the follow-up and the first of two parts it reveals how the label's sound has grown featuring tracks by Marsupials, Soultronic & Kiu D, Platzdasch & Mystep.

Wall Of Fame's 5th release features a cast of producers from the 4 corners of the world. Deep disco vibes throughout.

Non Plus Ultra : the legend talks about an inscription, which was cleaved on Calpe and Abila mountains by Hercules. They make up the famous "Pilars of Hercules", the same colums that definited the extreme limit of the Ancient world. But "Non plus ultra" also indicates the sense of perfection and elegance par excellence. This is the reason which drove our choice for the title of our first release. In other words, we want to give a smarter face to House Music.

Copenhagen-based label Music For Dreams is a sonic kaleidoscope of musical tones and colors, a vivid soundscape founded and run by Kenneth Bager - DJ, event maker, radio host, producer and one of the most prominent curators of Balearic and chill out music in the world. The label's new 'Jockey Club' compilation is the fourth in Bager's 'Sunset Sessions' series and once again showcases his talent for unearthing tracks of timeless Balearic brilliance both new and old. This double vinyl is packed full of exclusive tracks including legendary Danish duo Laid Back's brand-new tribute to French composer Eric 'Satie'; the sublime instrumental groover 'Can Pinard' from Neapolitan Tuccinelli; funky and warm West Indies production from Nick Mackrory & Harry Collier's in 'Nubian Sun'; Islandman's summery sunset track 'Agit' evoking memories of early 90ties Cafe Del Mar; quirky electronica from new Italian/Spanish trio Few Lab; the Mediterranean vibes of Kenneth Bager's string-laden remix of 'Eyes' by Borneland; plus exquisite guitar work from German jazz maestro Lars Bartkuhn. Other highlights include an exclusive updated Hoeger & Lackmayer remix of 80ties Balearic classic 'Too Much' from Hong Kong Syndikat; the hugely in-demand 'Sju Minuter Kvar' from Sweden's Christan Nahrendorf, first released on a limited 7' which now changes hands for huge money and finally a wonderfully deep and tripped out slo-mo cover of Jaydee's classic 'Plastic Dreams' brought to you by Balearic DJ legend Cesar De Melero and Mr Claude.
Wherever you are - sofa surfing, sitting by the ocean, in a forest, driving or gliding through the skies - let Kenneth Bager bring the sunset to you with this musical journey of the highest calibre. Limited to 300, no repress.

Valencia´s Daniel Kyo arrives at the Bordello with a 12' brimming with his hometown´s synthesizer traditions. Evanescence spills brooding bars across clean percussion. Stripped down rhythms buttress shimmering synthwork, cold bars coarsened by acidic undercurrents. And within this pared back style there lies a groove, a subtle development that grow into full bodied floor jams. An EP of electronic elegance and robust proportions.

Australian SUPER GROUP GlamouRatz` first full EP comes exclusively via Public Possession Promotions. Including cheeeky "Misogyny" remix by Andras Fox. Hung Up On Tee Vee Come Cross Dress For Me. Correctly Dressed. Looking Your Best. XXX - RATED - XXX

First commissioned by the French Government in 1981, the LP Rose Des Vents evolved out of a six year project by Swiss composer Pierre Mariétan to document and musicalise the sound environment of urban landscapes within France, creating an inter-geographical auditory map of cities and townships located in the suburban reaches of Paris, including Bezons, Herblay, Montmagny and l'Isle Adam. Through a mix of field recording, interviews, vegetable market catcalls, braying animals and urban hubbub, Mariétan paints a broad, psycho-acoustically vivid and decentralised profile of metropolitan life from the period; carried to the ear through a coupling with musical studio performance and serialist compositional technique. Over an hour and forty minutes, the recording provides an intersectional and ambient passage through environmental and urban narratives, the radiophonic voice of Ana de Carvalho offering fleeting, poetic orientation with announcements of each titled scene, divining and evoking the sonorous qualities of each landscape as it comes into focus. Each scene tangible yet non-specific, the artist arranging and signalling the possibility of civic and pastoral space as a musical container for spontaneous, sonorous interactions.

IA
00:00 Children shouting
00:18 Speaker: 'Concert d'enfants à La Péniche. Le jour' (Children's concert on The Barge, day time)
00:30 Children playing various music instruments
01:00 Low rumble of a barge's engine
05:15 Barge's engine+saxophone (Daniel Kientzy)
10:20 Barge's engine+naive electronic loop (Gérard Frémy)
13:00 Children () on metallic percussion and wind instruments
16:00 Speaker: 'Approche, écarte' (bring it near, put it away)
17:30 Saxophone duo ends with synthesizer sounds and loop
19:18 Speaker: 'Marché aux saxophones' (The saxophone outdoor market)
20:00 Sounds from an outdoor, organic food market
21:05 Discreet saxophone and synthesizer notes in the background
24:37 A vegetable peddler: 'On est parti mon kiki dans la patate, là!' (Potatoes, potatoes!)

IB
00:00 Speaker: 'Trains et jardin' (Trains and garden)
00:05 Brief saxophone call, then train station environmental sounds
04:04 Speaker: 'Jardin et trains' (Garden and trains)
04:40 Soprano saxophone and synthesizer notes with train station environmental sounds
08:00 Speaker: 'Carillon des Etaux. Cloches et saxo' (The Etaux carillon. Bells and saxophone)
08:10 Low electronic drones with saxophones
15:00 Quiet saxophone chamber ensemble
16:00 Bird sounds
18:00 Short electronic loop
18:20 Church bell. Bird sounds
19:53 Short electronic loop. Bird sounds
20:30 Speaker: 'Lointain et près' (Near and far)
22:50 Bass and soprano saxophone duet

IIA
00:00 Speaker: 'Octave et trains' (Octave with trains)
00:05 Saxophone playing octaves
02:40 Speaker: 'Carillon de la Gare. Cergy-Pontoise' (The train station's carillon in Cergy-Pontoise)
02:45 Train station environmental sounds with carillon
05;00 Train station environmental sounds with low electronic drone.
06:40 Train station environmental sounds with short synthesizer melody
07:00 Train station environmental sounds with various electronic loops
10:28 Speaker: 'Extraits de La Rose. Approche. Pièces 1 à 12. Marche' (Excerpts from The Rose. Approach. Part #1-12. March)
10:36 Twelve piano+saxophone duets, with occasional synthesizer or basic sound treatment, like re-recording or speed modification
24:50 Bell sounds

IIB
00:00 Speaker: 'Chevaux. Echo' (Horses. Echo)
00:10 Horse paddock environmental sounds
04:55 French horn+neighing horse duet
06:25 Speaker: 'Matin. Midi. Soir' (Morning. Noon. Evening)
06:35 Bird sounds
08:47 Interview with local elder from the city of Meaux, near Paris, about an old radar and sound environment in general
12:00 Bird sounds with distant planes
13:00 Powerful, static electronic drone slowly growing
15:40 French horn. Street recordings and conversations
17:50 Speaker: 'Péniche la nuit. Ecoute' (A barge at night. Listen)
18:00 Low rumble of the barge's engine. Water sounds
19:00 Engine sounds growing in intensity. Loudest sound so far
22:20 Engine sound ends. Water sounds from a canal lock or bridge
23:45 Harmonium notes
24:00 Water sounds slowly decreasing

Limited Deluxe Collectors Edition 2LP,180g, Gatefold with Spot Varnish+ MP3 Download + Download Bonus Track Rework!

In My Room proudly presents 'Fixion', the fourth full-length offering from Anders Trentemøller. With 'Fixion', Anders has crafted a logical successor to 2013's 'Lost' - a record that in many ways managed to truly capture the visceral live experience of Trentemøller as a full-band. In much the same manner that 'Lost' built on from the somber cinematic classic that was 'Into The Great Wide Yonder', 'Fixion' has embraced the Danish artist's trademark melancholy and matured it into something uniquely atmospheric and darkly romantic.

JD Twitch, General Ludd, Auntie Flo and Midland rework tracks from last year's album for the latest Autonomous Africa release.
Four remixes from the Youth Stand Up! album that was released on Autonomous Africa late in 2015. Youth Stand Up! is a collaborative recording project between Glasgow's Green Door Studio, Lebeha Drumming Center in Hopkins, Belize, and the Tafi Cultural Institute based in Tafi Atome, Ghana

finally repressed !!

Messalina keeps up the pressure with another fantastic assortment of Balearic gems including a heavy steel drum version of the classic 'Papa Was A Rolling Stone', plus 'Peace & War', a throbbing Afro disco groover with phat bass, funky synths, killer piano hook and a great positive message. It's over to Brazil on the flip with the brilliant 'Katarina', a slo-mo chugger full of Rio flavour edited to perfection by Balearic maestro Andy Kidd with the promo already receiving a lot of attention in Ibiza. Lastly we have 'Crioula', Lucci Capri's floor friendly version of a lost Jose Roberto samba funk classic. Top quality all the way.

Sascha Ciminiera is a familiar face from Footjob, member of the label's own Supergroup 'Pallaspeople' and also famous for his tasty Bolognese sauce. With 'Lights' he created a dreamy balearic tune that found its way into Gerd Janson's Groove Podcast. As a consequence, Janson and his partner in crime Phillip Lauer AKA Tuff City Kids played around with the 808 and turned it to a great dancefloor version. Phonk D completed the jubilee release with a classic House rework and on top, the Tuff City Kids Remix is added as a dub version. FOOTJOB german record label launched in 2014. run by Phonk D - focussing on house music made for dancing

MOTHER RECORDINGS is back once again with more of the floor filling beats that has made it one of the top labels of recent times. This latest is from SIMION, a producer with ties to labels like Suara and Hedoismn and one who here serves up two top cuts just in time for summer.

First up is CAN U FEEL IT, which is six minutes of ruling deep house with nervy melodies. Great vocal samples help add fire to the groove and it's easy to see this one getting some great reactions on the floor with its pure feel good house stylings.

DEEP INSIDE MY SOUL is a more jacked up and winky track with frazzled bass, rapped vocals and tons of energy in the drums and percussion. It is one that will send crowds wild when it explodes, and is a fat groove full of fun.

Once more MOTHER RECORDINGS comes correct with a pair of fine tracks from the always excellent SIMION.

Our man DILBY is back in the house with another top shelf EP on offer. This one is dedicated to his skateboarding roots, as you might recognize from the track titles.

First up is LEAP OF FAITH which is a rough bouncy house cut with a swinging beat and driving sub for maximum impact. As the track keeps pushing forward it presents and organ and piano melody which brings the funky feeling to the next level, ready to rip the party in half once the uplifting female vocal arrives!

HUBBA HIDEOUT brings a deeper atmosphere with chunky tribal drums and a lush arpeggio melody. A spine-tingling vocal is introduced which brings the track to a lush, hands up climax for hugs and smiles on the dance floor. Then the beat drops with a heavy synth riff to remind the crowd that they are there to dance and get loose again.

The MOTHER RECORDINGS fam have been testing these over summer and we are super excited for you to finally get your hands on them too.

SMBD aka Simbad is back on GAMM turf again after a longer break and is planning a few EPs with seasonal themes for GAMM.The first EP is 'Summer' and as you might expect he delivers three tasteful Summer influenced reworks and remixes which we hope will be your perfect DJ weapons over the Summer months.If the broken(ish) co-op with Alphabet's Heaven of Bootsy Collins (Rather Be With You) won't do it for you or the supa soulful Colonel Abrams tribute (Table 4 2) don't grab your attention, we guarantee that the stunning 4/4 rework with Mike Lowrey of Jazzy Jeff's Summer classic (Summertime) will be THE cut at any summer festival...big jam if u ask us!