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House Vinyl New Releases - News
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Equal parts elastic, ecstatic funk and sensitive, reverb-drenched romance, on this first installment of Endangered Speciesremixes the Crew Love team turns No Regular Play's genre-defying album upside down. The unexpected results will ignite right-minded parties the world over. Tanner Ross's take on 'Keep it Right' is full of deep, shoulder-shaking Latin syncopation, worthy of his underground summer sleeper 'C-side.' While glitter-pop bedroom auteur Navid Izadi transforms 'Won't Quit' from an earnest anthem about triumphant overcoming into a layered, laid-back cruise down Miami Vice lane. But probably the most jaw-dropping transformation is Soul Clap's remix of 'Bird Feathers.' In their magical hands, the understated, elegant opening of the album becomes an epic sunrise jam: Crew Love does Der Visionaire. Close your eyes and look up to the sun while you take in this driving yet delicate ode to the morning after—hands in the air and head on your heart. And when night falls again come back inside and start it all over with Slow Hand's remix of 'Won't Quit'—a circular swirl of electrified synths, stuttering kicks, and Santana-worthy guitar riffs.
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here's the 2nd collaboration release of mule musiq and japan's finest festival "rainbow disco club" after the excellent new mix cd of norwegian disco king prins thomas.
The original version of Prins Thomas sounds truly like the record title "Rainbow Disco" - coloured and groovy.
The flipside features a remix by Japan's dico king Force of Nature.
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We know this is a very special one! Our seventh record is a track that has been burning up the People Must Jam dance floors for years in its previous form - Al Kent has created a disco dance floor beauty! An unreleased monster that first came to PMJ's attention through the now legendary DJ History website.
This track has been retouched and re-mastered for its vinyl release nearly eight years after its inception, we are really proud that this is seeing the light of day and will finally be available for people to get their hands on. Mastered at The Carvery for added bump and shine. The record is a strictly limited 10" pressing.
180g Vinyl - Strictly limited.
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Bet.e & Stef took the country by storm over a decade ago with their pop meets jazz, bossa-nova and latin stylings. Remarkably, they earned a Gold record in Canada with their self-released first album, "Jazz Bossa Nova". A deal with Japan's Toshiba-EMI soon followed, along with interest from every major record label in Canada. This JUNO-nominated duo from Montréal, Québec chose to partner with Universal Music Canada, achieving Platinum with their second album, "Day By Day.'' Both milestones were even more remarkable given their global, multilingual sound was a far cry from the pop music du jour. Numerous sold-out performances at the Montreal International Jazz Festival earned them critical acclaim that took them beyond borders. Radio success in Québec, across Canada, and in Japan followed with their hit singles ''Day By Day'' and ''It's All Right'' spending weeks at the top of the charts. In 2003, Bet.e and Stef began exploring solo careers, respectively releasing and ''In From the Cold.''
Nicola Conte brings the track - Triste' with his hypnotical, yet mystical deep approach to the dancefloors. His remix was already fascinating the likes of Matt Tolfrey, Mark Farina, Kruse & Nuernberg, DJ Spinna, Simbad and more!
Michal DJ Schwa is the man behind Beef records and electronic duo Shades Of Gray. Their debut album 'Soul Machine' was critically acclaimed by the press receiving glowing reviews in DJ Mag and DeBug to name a few. Tracks from the album have been charted and played by some of the key players in the scene and also licensed for OM records, Defected and Clubstar compilations.
Cameron Cooper is a young producer from Sydney, Australia with a strong passion for Deep House and Dance music across the board. Breaking into the scene early 2013, having his remix selected by Joyce Muniz (BRAZIL, Exploited) on JackMode, a label with thousands of followers. The Australian producer puts all his thoughts on creating a deep and harmonic texture to all his tracks, with releases on Compost Black, Trojan House Records, Mystery Train, Something Different, PLAYNOW and many more.. For this producer, the future looks bright!
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We're pretty excited about this one. Street Meat is the new imprint from UK producer and edit maestro Ghosts of Venice. The label's debut release comes from kings of sleaze In Flagranti.
Radiation Level is a looped out DJ tool that works it's way through funk guitar licks and rolling bass lines. Followed by the sultry and sleazy Freakin' Time. The flip side kicks off with the classic electro boogie sound of Breakin' In Space and closes out with the roller disco vibes of Switch
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RAINER TRUEBY & CORRADO BUCCI present TRUCCY - Compost Black Label # 124 'Step By Step EP'! Rainer Trueby and Rebirth's Corrado Bucci joined forces for a splendid Black Label release under the alias TRUCCY. Tastemaker don Gilles Peterson already featured Sidestep in his Worldwide radio show and Jimpster was charting and playing it already, aswell. A truly elegant, smooth deep house 2-tracker.
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Israeli-born Berlin based producer and DJ Omer debuts his first release on Cocktail d'Amore with two offerings of celestial house. The title cut blends the sounds of the east with an immediately seductive atmosphere of bright melodies leaving the listener plenty of room to be transfixed through it's entirety. "Dust" dives deeper to reveal a more melancholic mood built on a symphony of lush pads and swirling metallic percussion. On remix duties are the wonderfully quirky Estonian duo Ajukaja & Andrevski who deliver an oddball re-imagining which sends the original into outer space as it gently builds to sparkling fervor only heard on the outskirts of galaxies. Rounding out the release is Man Power with an acid tinged burner which explodes into en excitement of live percussion and pads leaving any dance floor in complete ecstasy.
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Ahead of their highly anticipated debut LP due on Golf Channel this fall, the Berlin duo drop this little taster.
The heavy, percussion driven analogue sound that is their trademark comes in two tight packages.
The title track is all snaky rhythms and squelchy riffing and comes complete with exactly the kind of dense, break heavy remix that we would expect from compatriot, and top buddy of the band, Wolf Muller.Flipside 'Revanche' is a sunnier affair, deft touches on the acoustic guitar and lighter percussion, but no less the party starter because of it.
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After 10 years away from vinyl, 3am Wax Vol.1 hails a return to 12' on the label, now in its 13th year. The EP features an all-3am regular artist cast, three making their debut on vinyl and one making a return to 12' after a 12 year gap. 3am boss Al Bradley opens the EP, while label regulars Carlo Gambino, Ben Dean and Michael Scott all return for the 12". With over 400 releases and remixes between the artists, the EP showcases in-house talent from the label - the emphasis on quality rather than names. Ranging from Berlin-influenced deepness through to raw analog acid house, the EP has been doing damage at label gigs throughout 2015 including Berlin, Ibiza, Copenhagen, New York, London & label-home Leeds, with plaudits and support also coming in from a wide range of DJs from the promo.
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What happens when you take a track by a British power trio heavily influenced by blues and psychedelia, and get a master of wayward, left-of-centre Balearica to remix it That's the premise behind Claremont 56's latest vinyl outing, which features Magic Feet Recordings boss Craig Bratley delivering
a pair of druggy, spaced-out interpretations of 'Better Man', one of the more laidback outings from fast-rising rock combo Bella Figura.The trio, comprised of Justin Gartry, Mikey Cooper and Jack Morford, have gigged tirelessly since joining forces a few years back, enhancing their reputation via a series of self-released EPs notable for their heavy grooves, bluesy guitar arrangements and Gartry's gravelly, emotion-packed vocals.
Even so, their work - as atmospheric as it is - has never sounded this cosmic. Craig Bratley has previous in this regard. His solo releases for Is It Balearic, Bird Scarer and, most recently, Tsuba, tend towards the druggy, unusual and atmospheric, while his Magic Feet imprint has become renowned for its unique
blends of slo-mo wonkiness and off-kilter, early morning Balearica. He handles the poignant 'Better Man' with great care, delivering vocal and instrumental interpretations doused in delay and reverb, with occasional bursts of white noise and deep space electronics enhancing the horizontal, smacked- out mood. There are notable beats - sparse, slow and dubbed out - but these are almost drowned out by Gartry's reverb-drenched guitars and Cooper's
booming, pitched-down bassline. This is emotionally raw rock music dragged through a K-hole backwards, reappearing somewhere the other side of Jupiter.
It's a trip worth taking.
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Shining Bird frontman Dane Taylor serves up a beautiful piece of mellow beach pop, drenched in antipodean sunshine. This is made for sipping cold drinks under palm tree shade or swinging hammock dreams. The flip sees Balearic Commander in chief Leo Mas and his ever present colonel Fabrice deliver a truly stunning piece of balearic chug. Deep ambient textures capturing the essence of a smiley sunset. Happy happy. Uber hitting the balearic nail on the head once more.
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O*RS big boss Filburt serves you a vinyl reissue with four of his most decent remixes.
They were previously released only digital on labels like Hafendisko, Palms & Flamingos and Kick The Flame.
Including reworks for Yannick Labbé, Jan Ketel, The Micronaut and Baru.
Now back on vinyl. Limited to 300 copies.
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Former co-owner of Mr Peabody infamous record Store in Chicago, exquisite music connoisseur, deep dj and fresh Sounds Familiar member Mark Grusane provides the next in the series of SF 45s. Space Mountain is a funk fusion monster while in Fifth Dimension Mark shows his darker side pushing the electro/new wave envelope and even providing vocals. Once again a Sounds Familiar winner and another demonstration of Mark's rich musical palette.
Growing up in Chicago during the early 80's, Mark - with the help of his older brother - started collecting records and DJing from his pre-teens. During high school he listened to WBMX radio mixes and was producing house tracks inside empty classrooms with his friends during lunch period. By the time Mark was a young adult having music everyone knew and liked was not good enough anymore and so he entered the endless world of searching and seeking music he had yet to discover and his music habits soon reached a level deemed as obsessive. To balance his spending habit, he found himself selling music to older peers, stores and DJs in order to afford more records for himself. This finally lead him into founding Mr. Peabody Records with Mike Cole a fellow fanatic, in 2004, aiming to become a world class resource for all genres of obscure music and indeed Mr Peabody Records became a destination point for many DJ's and Music lovers worldwide and indeed they did. Sadly, the brick and mortar store closed shop in 2012. However we're lucky Mark still collects and continues to play music to dancers and clubbers around the world. His style is derived from his unique persona, many years of collecting dance music and knowing how to move people with it. Although totally capable, Mark isn't your typical cookie cutter style DJ. He has his own signature way of putting records together with a focus to play quality, obscure, heart pounding, "Make You Get Up And Move' music. Welcome to the family, Mark!
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Psychemagik return to their disco imprint label 'Discotheque Wreckers' with
a fresh new 12" of unknown nuggets and killer edits. The first cut 'What A
Funky Night' as the title suggests is a raw funky disco floorfiller, a
freaky blend of euro rap and oddball new wave femme vox, from Austria of all
places, the B side rounds off the 12" perfectly with a dubbed out,
arpeggiated Krautrock jam, with freaky vox, funky guitar licks and nasty ass
drums makes this an essential crate dweller
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We first introduced these strapping young house aficionados from Sligo, Ireland, with their debut EP as a pair, Street Urchin", a little over a year ago. Since then the guys have been busy with a massive release on Detroit Swindle's label Heist, not to mention their unbridled musical passion lead them to launch their own label Splendor & Squalor beginning of this year, kicking things off with a sell out vinyl only pressing of another four track EP of their own imaginings featuring a hot remix from Session Victim. We're pleased to share with you their latest creation, the stunning Lamaj's Secret EP". Now, we're not sure who Lamaj is exactly, but the mystery, funk and raw sex appeal in these four jams certainly has us wondering. First up we meet Lamaj", this track drips with delicate melodic samples, jazz tainted drums and bass driven funk galore. We asked our long time friend, Australian Andy Hart, to give it a flip for us on A2. He opened things up, deepened the vibe and brought some bass toms to deliver a final punch. The B-side begins with Four Lights", here the guys slow things down a little and remind us of their gift for nostalgia touched soul and groove samples. Finally, Garlic Fist Pump", as the name suggests, takes us straight back out to the dance floor, between the dynamic live drums, subtle vocal snips cry to the hip hop Brame & Hamo draw so much inspiration from. Welcome to the House of Lamaj, we hope you'll take off your coat and stay a while.
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The fourth studio album - In The Beginning' by the critically acclaimed live band MARBERT ROCEL from Leipzig. A place far away from everything, yet right around the corner. A vision close enough to touch, yet so far away. Surrounded by keys, hatches, pots and small fragmented parts, Marbert Rocel lie down, discuss and dance through the winter of 2015. In this environment, in their studio in Leipzig, the band ties together the songs, which first saw the light of day in a small spot enclosed by woods in the summer of 2014. Each decision goes through every head, each chord is listened to a hundred times, from font to back and in reverse, each compromise: a triumph for the common cause. Not pompoous string arrangements fuel this album with grandeur, but rather the notion of a consensual nod, which has evolved within Marbert Rocel over the years. 'In the Beginning' is the fourth album by Marbert Rocel, a living utopia and a tart kiss for every purist genre lover. Nothing is hewn raw on here, rather sculptured delicately. Percussion is tickling from synth pads like dew, and the songs welcome you like good friends. Like Tinkerbell, Spunks voice guides through this strange familiar world, moving past big feelings and small gestures, to finally lead to where it all started: 'In The Beginning'.
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Fleewing Wax is a new label by Basel DJs Mehmet Aslan and Miajica, whose fame has spread far and wide beyond Switzerland. Fleeting WAX EP offers a neat definition of the now-familiar Basel sound - all sultry playfulness, Turkish delights and pop-not-pop.The first release from the duo contains three striking edits from the far-flung reaches of what could be considered world disco in the widest sense of the word. Sporting a healthy love for Italian cantautori, obscure oriental pop and a generous helping of freakiness.
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This new label is the natural next step for the well established booking agency, events company and sound design outlet that is Follentez. Run by by Jérôme Querré, a former club programmer in Paris, the brilliant first EP comes from Sebastien Fauvel with on point remixes from disco legends Faze Action, Pete Herbert and Stratus. Sébastien Fauvel has had a long apprenticeship in Paris, where he went to study sound in 1992. Frequenting clubs like Rex with Laurent Garnier, he soon became part of the team at Queen where he was a live percussionist playing Latin house nights. He has also DJed in Ibiza, many other places around Europe and is an accomplished producer who has put out music on numerous compilations which have featured on TV and in film many times.
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Following the sell-out 1st release, 2 kingpins in the London house scene pull together for Dream Diary's next offering. Richie Littler and Tom Gillieron slam down Shiva for the A side, breaky undertones, addictive warm pads and sub bass fit for the best of soundsystems. Optimistic Pessimism on the B sees aficionado Gillieron going solo. A snappy, 4am, heads down groover, filled with intricate percussion and deeeeeep bass! With production second to none, and a fine cut from those at Curved Pressings, this is another fine package ready to do some damage! Limited handstamped.
Early DJ Support: Eddie Richards, Deetron, Richie Ahmed, Dan Drastic, Reude Hagelstein, Clive Henry, Jose De Divina, Charlie Tee, Tomoki Tamura.
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Taste Of Honey has a new project with the great partecipation of the singer Lukash. Sounds reminiscent of the early 80's and funky rhythms characterizing the output number 2 of the label. Few copies available!
Supported by Luciano, Broombeck, Paolo Bolognesi, Roberto Palmero, Filippo Nardi, Moog Conspiracy, Masahiro Suzuki, Flavia Lazzarini, Simone Burrini, Paco Osuna, Sami Wentz, Simone Vitullo, Carlo Marani, Hectik Rivero, Daniele Kama, Rickzor, Tomika, Victor Montsaint, Alessio Collina and many more
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The 4th in Tee Mango's Tribute project, inspired by the much referenced Theo Parrish quote:
Love of the music should be the driving force of any producer, performer or DJ.
Everything else stems from that core, that love. With that love, sampling can become a tribute; An expansion on ideas long forgotten, reconstruction, collage.
Time is up is the first track here. Arpeggios shimmer and crisp simple drums hiss and fizz along, until introduction of the classic detroitian vocal and one shot filtered rhodes sample. A deftly simple combination of classic ingredients. Think 90s Inner City meets a DJ Sprinkles era Motor City Drum Ensemble.
You & Them (against the world) is all short looped disco bass and saturated afro moog. Heavy use of delay pedal, and a simple vocal refrain - 'It was you & them against the world... and we survive together'. This sounds like Afefe Iku battling it out Paperclip People era Carl Craig.
Love for this series coming from: Leon Vynehall, Gerd Janson, Axel Boman, Palms Trax, Bonobo, Adesse Versions and a heap of others.
These #Tribute releases sell out pretty quick, my hunch is that these will not hang about.
Strictly Limited to 500
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Updated editions of 2 space funk classic. Talkbox heavyweight TEMU (NYC) allows you to see world via both Dusseldorf and Dayton
on the B-side's "ROBOTS" in this long-awaited collaboration. Think KRAFTWERK meets ZAPP. Intercontinental electro-stank from the
gods. The A Sides FUNK OVER EGYPT' delivers a hypnotic flip of the JONES GIRLS classic. Enough to make even the gooniest
goon take his shirt off in the club. More goodies from TUGBOAT
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From the tropics comes Whiskey Disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. It's loosely connected to Sleazy McQueen and his assorted cohorts. WD43 welcomes Italian-Disco-Demigod, Bottin
to the roster. Bottin offers two uptempo and catchy re-edits sitting alongside a lovely dub of #1 Deejay by Hristo. On the B2, label head, Sleazy McQueen has elongated the soulful house classic, We All Need Love. 4 songs tweaked for the jazzy leaning disco set.
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Conor's an extremely influential, yet somewhat mysterious figure in SF's disco and house underground. It's known that he has an enviable collection of disco on wax, that he's not afraid to use it, yet no one seems to know if he sleeps, or where his bed is, or if perhaps he just lies down among record crates with one eye open, scanning his vinyl collection....
In any case, the guy knows what he's doing. Along with SF's Solar, he's booked, hosted, and played alongside a long list of the world's best underground electronic, house, and disco artists at his party series No Way Back, and his taste and talent for curating artists, and selecting records, is widely acknowledged to be some of the best around.
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The Highlife World Series is a collaborative series of releases by UK-based Brian d'Souza aka Auntie Flo and Esa Williams. The first three parts are to be released in quick succession in early 2015, beginning with Cuba, followed by Kenya and finishing with Uganda. Each release features original songs produced in collaboration with local musicians. All proceeds from each release will be sent back to the respective countries in order to fund further musical production costs in years to come. We will also be seeking various ways to distribute the music in each country so the music is freely available for the musicians to use at home.
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It's some four years since the release of Bison's acclaimed debut single, 'Way To L.A', the result of a series of productive studio sessions between Paul 'Mudd' Murphy, longtime collaborator Ben Smith, krautrock legend Holgar Czukay and vocalist Ursula Major.
Since then, Murphy and Smith have made a number of return trips to CAN's Innerspace Studio in Cologne, where Czukay famously conjures his out-there musical magic. The result is Travellers, the quartet's long-promised debut album.
It is, by anyone's standards, a deliciously dubby and intergalactic concoction; a fearlessly atmospheric blend of krautrock and dub disco-inspired grooves, delay- laden horns, quirky percussion, stargazing electronics and eyes-wide-shut vocals.
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Debut single off Daft Punk's #1 album, Random Access Memories. Musically, ''Get Lucky'' is a disco and funk song while lyrically, according to Pharrell Williams, the song is about the fortune of finding chemistry with someone and not just about sexual chemistry.The single has topped numerous charts around the world.
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Ilo caused quite a frenzy with his edit of New Musik's 'Warp'. A UK record reviewer joked "We can only hope an ILO edit of Grauzone's 'Eisbear' is next"! So he does it! This ultra limited pressing also includes the wonderful 'Love Of My Own'. Prepare for the craziness! One sided, hand stamped white label!
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Ladies and gentlemen, boys and girls, children of all ages, Olsen proudly invites you to the world premiere of 'It's "It's Remix Time" Time'
Boasting a star-studded cast from all over the globe, including Pepe Bradock, Joakim, Eric Duncan and of course Tangoterje as Mr Mambo, this latest Olsen blockbuster is sure to soar to the top of the charts and the depths of your hearts, leaving you excited and delighted after a breathless half hour of fun. The A-side opens in the Parisian backstreets where Pepe Bradock hands us a speedball of narcotic house via disorienting mixes of 'Inspector Norse' and 'Swing Star'. Both interpretations bump, bleep and come on stronger than a tripped out cheese dream.
For the flipside we relocate to the Big Apple for a night on the tiles with Joakim and Dr Dunks. The Parisian ex-pat embraces his inner diva with a jacking ballroom house rework of 'Strandbar' complete with bright vamps and deep bass impact. On the B2, Eric Duncan delivers the grande finale in true blockbuster fashion, hitting the special FX budget harder than late career Michael Bay while the 'Strandbar' piano and bassline loop into infinity and beyond.
So from 'What's up doc (Dr Dunks that is) to 'That's All Folks', be sure to catch our hero Terje in the next Olsen spectacular!
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TUG BOATMAN & TZ pull together an allstar cast of remixers from across the globe to deliver some new extended takes on some very rare grooves & tough underground Disco. UK's WEEDYMAN, Spain's KARIM CHEBAB, Planet Earth's Marathon Edits & Chicago's own TIM ZAWADA round out the line up here.
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Inside of the bay area's sweater funk crew is K-Maxx, one of modern funk's most prolific voices and producers to emerge over the last half dozen years. K-Maxx lets it be known on 'For The Record' that he is in a lane of his own. As soon as you hear the game within the sexy dialog and his infectious voice that hypnotizes you over his masterful arrangements, there is no doubt he'll have you coming back for more.
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Next up on Tomorrow Is Now, Kid! is an EP from Rutilance Recordings owner, DJ Steaw. The French artist crafted four sturdy tracks on this fresh EP. It is a perfect blend between Chicago and New York House, with a big splash of Acid throughout the disc. The hypnotising percussion and grimy sounds coul take you to new, unforeseen places... Keywords for best describing this 12" are, beyond any doubt, deep and vigorous. Enjoy these four definite killers in the club.
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All good things come to an end, and The Very Polish Cut-Outs is no different.
The fifth sampler will be the last in the much loved & long running series.
For the farewell record, label boss Zambon has selected five unique reworks from top producers from Poland and beyond.
Side A is aimed at the dancefloor. 'KIEDY BYLEM MALYM CHLOPCEM' was the biggest hit in the long career of Tadeusz Nalepa, the king of Polish blues. The irresistible, smooth guitar groove is combined with conscious lyrics about different views of what's important at different stages of life, served in the form of a conversation between father and son.
Miod crew transform this beautiful song into peak-time killer, tailored exactly for the needs of a modern dancefloor.
Moscow's man of the moment Beard In Dust edits 'BIALA SOWA, BIALA DAMA, BIALY KRUK' by Kram into a flawless disco funk bomb, fuelled by cheesy synth action. A slice of Eastern European B-Boy disco breaks.
Side B brings more ethereal and psychedelic flavours to the table. 'NA KOLANA PASTUSZKOWIE' comes from Laboratorium, Poland's answer to Weather Report. Their unique take on fusion is remixed here by Daniel Drumz, one of the heroes of Polish hiphop & beat scene. This longtime turntablist leaves his rap roots and travels to the psychedelic coast to bring you an amazing piece of Baltic Beat.
Last two tracks are chopped and looped by Australian hero Carpentaria in a truly Balearic fashion. 'ZA OSTATNI GROSZ' by Budka Suflera charms the listener with dripping pianos and a misty, endless soft rock groove (with added swirling synths played here by Brennan Green himself), while ZACZAROWNE MIASTO by Kombi is a dark, cinematic piece of slow synth pop.
It may be the end, but The Very Polish Cut-Outs finishes off in fine style.
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