GAMM150 is here and it's a big one.
Rahaan is back on GAMM and this time with his buddy DJ Emanuel with some nasty (!) post punk/funk disco.
The A-side runs down a timeless Garage classic...but with a gritty twist.
The B-side is just sex, orgy and disco crammed together on black plastic. Imma Phreak is just...phreaky! 

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Three mixes from the brand new Berlin based label/project 'In Love We Trust'.Classic New York house inspired for the A side opening tune, driven by an off partiture alto-sax unfolding over a throbbing bass, four to the floor beats and great message delivered by a strong male voice, followed by a slower tempo roller-skate, atmospheric, Garage inspired disco cut with a solid 80's style linn drum grove, catchy riffs and a powerful bass line.
Rougher beats and a more acidic vibe for the flip side, direct and effective floor stomper guaranteed to raise heartbeats.
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(180 gr) There is something wonderfully uplifting and naive about the mittle European B-Movie Pop and Library Music of the 1970's. An imperfect perfection of sound palette and melody, creating & encapsulating a whole world of hypnotic intrigue.This feeling is what comes to mind when listening to the debut album of Californian Scott Gilmore, which is reminiscent (in more modern times) of the pre 'Moon Safari' Air.
There is something wonderfully uplifting and naive about the mittle European B-Movie Pop and Library Music of the 1970's. An imperfect perfection of sound palette and melody, creating & encapsulating a whole world of hypnotic intrigue.
This feeling is what comes to mind when listening to the debut album of Californian Scott Gilmore. A wonderfully concocted tincture of yard sale instrumentation, Walker Brothers guitar, offbeat refrains and home-brew Synthesizers, put together with a truly different sense of perspective, from a musician seeming to exist outside of time and scene.
Scott's debut is reminiscent (in more modern times) of the pre 'Moon Safari' Air. The playful opening of 'E70 No.01' leads us on to the Bowie and Eno-esque shimmerings of 'Europe' and the Gainsbourg hazed moments of 'Flight Through Grey' and 'Subtle Vertigo'. The album closes with 'Walking Underground', a Valley Boy diary of the outsider looking inwards at the bizarrity of everyday life. This is a travelogue of the timeless and gently obscure, a bunch of rarities all in one place, at one time, woven together with an accomplished sense of harmony, counterpoint and vision.
From the river side of the Dordogne, to the Grünewald of Berlin, the white sands of Playa de ses Illetes and the urban sprawl of Van Nuys, this is an alternative sonic reality sent to free the mind and open the heart, as the sun rises high in the sky and the cotton wool heat envelopes us all in it's gilded cage.
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Suha's "Hora EP" consists of organic bodies composed by an electronic mind.
On his first release on The Magic Movement, the emerging electronic musician from Istanbul imagines a three-track story: The mythical figures - Hermes and Hezarfen - are in search of a unified space named Hora above variant timelines.
Under the arabesque shadow of occidental chords and oriental strings, the EPs multi-layered tracks take you on a cosmic flight: Folkloric dance elements build up progressively over a driving rhythm while Suha's ethereal vocals flow alongside old chants. Massive brass and gritty 70's synths accompany ancestral lyrics that herald of unknown realities soon to be realised.
The EP is produced and mixed by label head-honcho Noema, whose magical touch reflects through well-thought arrangements of Suha's compositions and their powerful sound.
In this EP, you'll be witnessing a harmonic gathering of two figures on the obscure mountain of Hora.
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Compiled by cratediggers Loud E & The Wild, Discophilia Beligica' is a collection of next-door-disco and local spacemusic from Belgium 1975-1987. The tracks on this delightfully obscure collection are from ordinary folk. Most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe and back again.
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LTD Blue/Yellow 2LP+MP3
16 bisher unveröffentlichte Tracks von Poolside, Roosevelt, Kraak & Smaak und vielen weiteren exklusive auf dieser Compilation!
The Sunset Manifesto erscheint am 04.12.2020 auf How Do You Are? und versammelt eine eklektische Gang von der Westküste der USA bis nach Norwegen und allem was dazwischen liegt- mit einer gemeinsamen goldenen Wurzel: Diese warme, akustische, aus Laurel Canyon Leuten und LA Session Göttern bestehende Clique, ausgestattet mit einer zeitgenössischen, elektronischen Sensibilität. All diese Acts berühren den zurückgelehnten, Daytime Disco-Style, der als Balearic in die Musikgeschichtsbücher eingegangen ist. Aber es liegt etwas Neues in der Luft. Die Künstler*innen auf The Sun Manifesto versuchen nicht einfach die Vergangenheit neu aufzurollen. Nein, das hier ist mehr „Parallel Pop“- und damit der Soundtrack für eine herrliche, imaginäre, aber dennoch zeitgenössische Welt jenseits von Retro-Kitsch. 16 anspruchsvollste, AOR- und Dance-orientierte, zeitgenössische Popsongs aus dem Too Slow to Disco-Universum. Wie ein Detektiv hat DJ Supermarkt die Künstler*innen auf dieser Compilation lange beobachtet, ihr Schaffen verfolgt und dann im richtigen Moment Nägel mit Köpfen gemacht. Worauf wir dieses Mal ganz besonders stolz sind: Alle Tracks auf The Sunset Manifesto sind exklusiv und unreleased und wurden teilweise extra für unsere Compilation gschrieben, was für eine Ehre!
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*Repres*
Musical blog and house party "Craft Music" from Saint Petersburg launches a new label. For the first release they've invited talented musician Funkyjaws from Grodno. His music has been released by labels such as Kolour LTD, Shadeleaf Music, Pusic (Austria) and others ...
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Velvet Season & the Hearts of Gold is the musical adventures of Gerry Rooney & Joel Martin. They have a rich musical history with Gerry Black Cock Records & Joel Quiet Village.
Aldo Tamborrelli – ‘Voices’ (VSHOG Special Version)
VSHOG present their official special version of this highly desirable hidden treasure of hypnotic electronic sleaze excavated from the cult soundtrack to a 1983 Italian ‘Apocalypse Now’ cash-in, and transform it into an 8 minute erogenous bump n’ grind trip to the twilight zone torture garden, cruising leather boys & fetish girls looking for Love in all the wrong places !
‘Voices’ is a narcotic synthesised masterpiece of body music to completely immerse your dark desires on the dancefloor. A dark risqué world of crisp chugging drum machines, mesmerising warm bass pulses, and the erotic wails of seductive screams in the night !
Stefano Torossi – ‘Having Fun’ (VSHOG Special Version)
The VSHOG version of 'Having Fun', from Stefano Torossi's 1974 album 'Feelings' (a holy grail of Italian library music) is an uplifting lush orchestral string laden funky breakbeat feel-good track to raise your vibrations!
Opening with a chunky stripped down drum & bass intro, the strings entice you further in & then the Disco Funk Psyche guitar riff really lifts the track to the sweet spot & you are completely hooked! A beautiful piece of music for all occasions - Balearic Sunsets/Sunrise, Disco dancing, B-Boys and Hip-Hop heads, Jazz Dancers & library music connoisseurs!
Another fantastic offering from the VSHOG Special Version series of releases.
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Velvet Season & the Hearts of Gold is the musical adventures of Gerry Rooney & Joel Martin. They have a rich musical history with Gerry Black Cock Records & Joel Quiet Village.
Aldo Tamborrelli – ‘Voices’ (VSHOG Special Version)
VSHOG present their official special version of this highly desirable hidden treasure of hypnotic electronic sleaze excavated from the cult soundtrack to a 1983 Italian ‘Apocalypse Now’ cash-in, and transform it into an 8 minute erogenous bump n’ grind trip to the twilight zone torture garden, cruising leather boys & fetish girls looking for Love in all the wrong places !
‘Voices’ is a narcotic synthesised masterpiece of body music to completely immerse your dark desires on the dancefloor. A dark risqué world of crisp chugging drum machines, mesmerising warm bass pulses, and the erotic wails of seductive screams in the night !
Stefano Torossi – ‘Having Fun’ (VSHOG Special Version)
The VSHOG version of 'Having Fun', from Stefano Torossi's 1974 album 'Feelings' (a holy grail of Italian library music) is an uplifting lush orchestral string laden funky breakbeat feel-good track to raise your vibrations!
Opening with a chunky stripped down drum & bass intro, the strings entice you further in & then the Disco Funk Psyche guitar riff really lifts the track to the sweet spot & you are completely hooked! A beautiful piece of music for all occasions - Balearic Sunsets/Sunrise, Disco dancing, B-Boys and Hip-Hop heads, Jazz Dancers & library music connoisseurs!
Another fantastic offering from the VSHOG Special Version series of releases.
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K-Noiz presents the 2020 versions of the Italo Disco hit “Pretty Face” (over 400,000 copies sold in over 20 countries) with five new versions by Andrea K, Joe Mangione, Diego Mates, Daniele Ippolito and Sweet Suite and with the original voice of Alberto Styloo. This record marks Alberto Styloo’s “return” to dance after a period of work on different genres.
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Such Luxury Records exists to release music that is about feeling first and functionality second. This release from Des Meegan wholly embodies this ethos. The opening track—“Heat”— features punchy and uplifting synth chords over a Latin-inspired rhythm. The thick synth bassline dances between the drums to create the groove and London musician Matt Sluys contributes film noir-esque saxophone lines to complete this tense tale of sexy, urban twilight.
The A2 further pushes things onto the dance floor, albeit at a lower bpm. The entire track floats on a looping filtered guitar riff. Big drums sit atop a warm Reese-style bassline which nods to Des Meegan’s history as a respected drum and bass producer under a different alias. On the flip is the titular track of the EP.
Thematic and hypnotic, Courage of the Hero unfolds over 8 minutes to tell the tale of our Hero on their journey as they battle the ultimate enemy and return victorious. The pinnacle of the track is an emotionally charged, live guitar solo.
The release is completed with the track “Atmosphere Burning”.
This beat-less piece breathes in and out in synch with the universe. The track was inspired by the beauty of our home planet floating in space, existing beyond humans.
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Giorgio Records is an independent label whose purpose is the rediscovery of some Italo Disco tracks that have never been reprinted to present them to the new generations who love the genre. The Mad Work musical project with the song A Night Alone is one of those. Italo Disco gem of the mid-80s now available in vocal and instrumental version and enriched with Casionova Edit and Flemming Dalum Remix.
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KHANDoIt's hypnotic 100 BPM stomp does not adhere to genre or fickle trends, it simply bangs.
The track begins with a sturdy kick and piano glissandos which recall Alice Coltrane's most transportative work.
As the beat picks up, a creeping, filtered arpeggio enters its journey between rhythmic and downright nasty serving as the track's primary drama.
Its a stunning intro to the new label GRIMY TRAX, a musical chameleon that can be dropped at the beginning, middle or end of the night.
To complement the epic A-side, Grimy returns to the endlessly talented midwest and emerges with LULU, an original track by deejay/edit ace Bruce Ivery.
The track seamlessly combines the Chicago acid sound with the clever vocal sampling of early 90s NYC house. The result is pure peak-time heat.
Towards the end of the track, Ivery arranges brief melodic elements into a propulsive disco facsimile. This unexpected turn summarizes the philosophy of the new label and the way this small group of artists selects and makes records. It doesn't matter if it's house, disco, or techno, just make it GRIMY!
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Acid vibes and cathartic rhythms are the weapons on this second release of Musica Altra. Produced by those crazy Indianizers, the psychedelic italian cumbia band who is rocking dancefloors and stages all around the Europe. Here is a preview of their upcoming album including a remix by Don't Dj and a dub version by Passenger (Light Touches Records). Close your eyes and let your journey begin.
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3rd release on 7's Clash comes from Justin Deighton and Leo Zero with remix from Pete Herbert, a pair of Italian piano-house influenced Balearic cuts with heavy chugging b-lines and familiar vocal snippets to take you back to the golden age of everything-and-the-kitchen-sink sample tracks. Made for enjoying in the sun.
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Disco Bits are back with another party time 45.
Cannon & Mirrorball are in the edit suite once again re-touching and consensually grappling with funky old 70's grooves and late nite club accapellas to bring you the heat that your record box has been needing.
A - Hot Lovin' (Dont Stop Dont Quit)
On side A they they serve up some peaktime Studio 54 realness mixed with a bit of late 80's style hip house.
This is Cerrone meeting Sergio Mendes uptown, Saturday Night, whilst Chali 2na and his posse bumrush the show and grab the mic.
B - Shack Attack !
On the flipside the boys funk it up with some never fail drum breaks from the Disco Shack, vocal snatches of a houseparty classic and a swathe of brand new instrumentation.
The result is a jam is so dope you'll get a contact high by un-sleeving the wax.
Ain't no party like a Cannon & Mirrorball party, y'all !
Get 'em while you can.
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Los Angeles' Daniel T. joins the RNT fam with a stellar EP of homegrown and international flavor.
Known for his crisp production work as half of Cosmic Kids and more recent solo outings on Chit Chat and Let's Play House, on this 12" Dan also shows his talent for selecting and editing.
From the corner-store funk of Hit the Streets, percussive tropical sway of All Day, to the frenetic bounce of Trinidad Trouble and beatdown soulful vibes of Penguin Vacation, this record covers continents in just 4-tracks!
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Following his “Cosmic Sands” cassette on Light Of Other Days, Greg D debuts “Ocean Walk” under his new alias, GEE DEE. Recorded in 2019, the EP marries ambient, dub, and house influences to create an enticing body of mid-tempo magic. Using limited hardware 505, Juno 6, D50, and a Space Echo the four-tracker bears a hazy vibe throughout and pairs simple drum programming with sun-kissed synths and hypnotic bass lines. Whether dusk is upon you at your local cafe bar, or the lights are down in the discotheque, GEE DEE delivers an array of leftfield bumpers that will fit just about any mood. Coming 2020 on Superior Elevation Records.
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Number 4 on 7's Clash takes us into folk-rock territory with this tidy chop-up of a 1970 cut with extra drums and fx taking it into solid 21st century dancefloor territory, on the flip we have label co-owner Pete Herbert do his thing with a more atmospheric dub on a trippy Adriatic / Balinese sunrise / sunset tip, perfect 'look out to sea and space out’ vibes.
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Emotional Response and Golf Channel come together to release a special collaboration between Montezumas Rache's Christian Pannenburg (Record Loft) and Jan Shulte (Muller/ Bufiman) and legendary krautrock guitarist Dominik Von Senger (The Phantom Band / Dunkelziffer).A meeting out of the love of vinyl, where Panneburg hails Von Senger to source Phantom Band rarities and an idea of working together was born.
Following the success of the percussive heavy debut Wu Du Wu on Second Circle, the return to the studio for Christian and Jan Shulte and this resultant EP is a true coming together of cross-generational minds.Unfolding across 3 songs of subtly and beauty; mood, structure and atmospherics form in a post-Balearic meets psychedelic haze.Lilting piano start before dub bass and Dominik's refrain melts its way in Rheinfahren. Voids open, minds expand, felds walked, oceans crossed, seas parted, wind pushes against the face, rolling hills, cloudy skies, sun, sand, love, lost, found, deeper and deeper it goes in to your soul.
The uber flow continues at a slower pace with Tangerine (Krauter Mix) taking things down but carrying the interplay between artist's continues as if made for each other.
Guitar hooks in multiple layers, finger clicks, pots 'n pans vibes gently taking you from Formentara to Tisno, Malibu, Tulum or wherever your heart lies restful.
Finally, Guten Morgen Bromio is the (bro)mance to end any affair. Hip Hop roots, Jan's mouth-harp underlaying, Dominik's licks and Christian's dub fx laiden 'Spector' commandments shuffle together until group vocals bring them finally to completion.
A wonderful EP bringing together 3 artists and 2 labels for the love of music.
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Quattrovalvole is the future/past/disco/drive project designed by Joone and Miss Zagato. Four on the floor Italo-disco, glossy 80s new wave pick us up in this afterdark lifestyle EP. The title track ‘Into the Night’ is a curb crawler’s seduction. Dedicated to the leather hand-notated black book, our dial up lover calls with arpeggiators demanding, then teasing like feathers over the phone. Big chords push us to drive fast, ready for what we long for.
B-side ‘Too Many Lights’ squeezes us, just what we need when broken glass is swept up from the disco floor. Tame drums and retro claps dictate, as the chords are stargazing with Miss Zagato’s vocals. They preside over the party, with potions of bliss and intoxication, we are invited intimately into this dream life.
Joone’s ‘Into The Night’ remix takes us into the future, driving at the wheel of an alcantara suede upgraded Ferrari 308 Vetroresina. The layers of well-informed 80s synth wave sends us into another dimension.
These are three high class disco tunes with real song craft at their heart.
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Nicola Altieri aka The Mechanical Man, from Naples is the newest entry in the Bosconi family,
After contributing with one track on 'The Sweetest' series on Bosconi Extra Virgin, he delivers here a rich eight tracker mini Lp on, where Casio sounds, Yamaha FM synths and Akai samplers are the main ingredients to give birth to his own compositions.
Sounding like a constipated and forced minimalistic funky music created in a small bedroom environment, warm, dirty and slowed down like from an old tape cassette but full bodied, the release begins with the intimate and dark mood of Sam and keeps going on with the mysterious vibes of March, the breakbeat rhythm of the Broken Gravity track and the smokey atmosphere of the downbeat sketch Slap.More mechanical grooves on B side with the percussive mid tempo of Attrazioni and more ethereal, intergalactic broken beats with Amarcord, going back to obscurity with the soulful slow house jam of Gess, while the dubby The New Stein track close up the release with a touch of micro spacial spirituality. Mechanical soul for you ears.
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(dixon & luke abbott remixes) The morning dew is courtesy of Dixon and Luke Abbott, who both puts their respectively unique touch to the original's 8 minute and 8 second long lesson in blissful weightlessness - a true Terjerine dream.
I write these lines with tears. Tears of joy and tears of regret. Joy, because Todd Terje's 2011 release "Ragysh" on Running Back is still one of my labels' pivotal moments - thanks to Terje of course. Regret, because its flips side "Snooze 4 Love" experiences a new dawn via Terje's own Olsen Records - and what a repetition it is. The morning dew is courtesy of Dixon and Luke Abbott, who both puts their respectively unique touch to the original's 8 minute and 8 second long lesson in blissful weightlessness - a true Terjerine dream if there ever was one. That image is precisely where Border Community mainstay Abbott adds his brush and easel to. Ambient, inventive and absorbing Abbott's remix creates something like a fourth dimension to it. So good that it is a perfect start to any day or set. On the other end of the Snooze spectrum, Dixon elbows it in the ribs. First and foremost a DJ, Dixon does what DJs do. He straightens out the thing, loses its fat and makes it fit for his specific dance floor and anyone who is keen to joy. So good that it is a perfect end to any day or set. Damn, I am jealous of this record.
All that's missing now, is a bonus beat. (Gerd Janson)
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A lost UK boogie gem from 1982 / Brit Funk era, recorded by singer Tony Crockett and Ralph Lewars' band "Pastiche" !
All in their early to mid 20's and born in London of Caribbean descent. The group were short lived, working on material for just a few years with the "Queen of Hearts" 12-inch being their only release. The track immediately demands the listener's attention with it's jazz piano, thumping drums, heavy bass, guitar licks and laced with funky flute, synth stabs, spacey sound effects, then dropping into soulful silky vocals and slinky rap - bringing together this killer boogie groove. Now finely re-issued for the first time by Diggers Dozen, giving this incredible rare record a more deserved chance to be heard and loved!
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Bosconi Extra Virgin has prepared for you two super tasty Various Artists featuring 11 tracks by 11 new, fresh and promising producers mostly from all around the italian peninsula but not only! "The Sweetest" Volume 1 begins with the outstanding jazzy midtempo song of Austrian producer M.A.R.S "Feel The Heat" and the deep space, italo soundtrack infected boogie directly from Napoli of Bop & 291out 's "Uomo Dalle Nuvole" , known for their releases on Acido records and Really Swing.B side features instead the chugging raw deep house track (($)) from misterious producer from Tuscany Def Safari and more funky, garagey, soulful vibes and broken beats by The Mechanical Man from Napoli and young artist Jts1 from Milano.
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After releasing music from Japanese artists like Rondenion, Altz & Onomono it's time for Bosconi to export some of it's Finest Italian homegrown products to the land of the rising sun. This Japan Special Edition release on Bosconi Extra Virgin includes 5 Exclusive Unfitered Sessions starting slightly more "old school" on the Aside with the happy & dirt funk moods from Minimono's track "All Good So Far" and the dark afro-funk force of Riccio's serious banger "Uhh". The B side goes more quirky, beginning with the aquatic, gentle & sexy vibe of Nas1's opening sketch "Polite" heading to the biting and raw bliss of Rufus' ghetto house cut "Hellow" and closing with the epic, dreamy,romantic and driving punch of "See You Soon" by Life's Track.100% Unfiltered Extra Virgin vibes!
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The seventh (!) volume of high class reworks from rising star Young Pulse is here and it's a banger !.
With a mixed bag of jazz-funk, early 80's boogie and high energy disco there is something for everyone here.
But we really wanna give the A side track 'Bobo's Reason'(Willie Bobo) an extra mention...proper full on summer jazz-funk with a slight disco edge. Feel good material.
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10″ (Vinyl only)
Another limited edition PUSS release, each copy with a unique yellow kiss mark.
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All Is Well ist zurück auf Drumpoet Community, nach dem Überraschungserfolg seiner Fragments EP, die 2018 released wurde. Hinter seinem Alias steckt immer noch ein Mysterium. Obwohl das Geheimnis nicht allzu gut gehütet ist möchte der etablierte Producer das Projekt „All Is Well“ frei von Wertungen und Erwartungen halten. All Is Who? All Is Why? Listen with your ears. Listen with your heart. All Is Well. Isn’t it?
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Here is a special record for the disco fraternity. Pressed in a limited quantity of 300 copies only.
Chicago veterans Rahaan and DJ Emanuel have teamed up for a remix project for new label “Yams n Rekkids.” Reworking this collection of classics, the pair brings a reimagined take on disco era dance floor staples with Rahaan’s trademark minimalism and punch. In 2021, these mixes shine a light on much of what was missing over four decades ago.
Side A side contains a session remix of “Burnin’ Up,” a UK dance-pop crossover from seminal vogue performers, Imagination. With stems derived from a combination of the original 1981 mix and 1983’s Night Dubbing album remix, “Up In Flames” is a combination remix of a remix bringing to light a different side of Leee John and company’s original concept.
Side A also includes 1976 Motown disco classic “Love Hangover,” by Diana Ross. Only this time it’s not actually Diana on the track! Expertly crafted, DJs Rahaan and Emanuel’s “The Cure” excerpts Diana while bringing to the forefront a mysterious background vocalist to helm the lead. The result is pure dance floor magic.
Across the entirety of Side B is a dubbed out 1978 groove from female P-funk phenomenons Parlet. Originally known as “Pleasure Principle,” the “Lucky Starships” remix remains close to the integrity of the original composition, while bringing to light that which has been buried in the original mixes.
Remixes From The Dungeon is the second project from DJs Rahaan and Emmanuel and the first of many for nascent label Yams n Rekkids. Primed for the dance floor, these songs bring a Chicago take on dance music history,
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It’s the start of a new era for the cobbers, as they present their first compilation of 100% original music. Cementing the label’s New Age Italo manifesto, these four tracks straddle neon-tinted nostalgia and sleek futurism. Sounds from yesteryear, for the dancefloors of tomorrow.
This dichotomy is clear on opener ‘Silicon Horizon’, a propulsive banger from Kayroy which draws inspiration from the threshold of the digital age, evoking the rush of a nighttime race through city streets on a Tron bike.
The anthemic ‘Make Italo Disco Great Again’ gives tune to the phrase brandished by DJs such as Skatebård. Romain FX faithfully celebrates the ongoing Italo legacy with appropriately tuneful synths and cheesy lyrics, courtesy of vocalists Guido Balboa & Annika.
On the flip, German synth-wave fanatic Compilerbau delivers an atmospheric masterclass with ‘Raindance’. Here, intricate percussion and retrofuturist synth-scapes create an adrenaline rush of a track which could easily be the theme song from a lost 80’s action movie.
GREETINGS completes the release with ‘Time Is A Thief’, a bombastic trip to the Paradise Garage complete with piano stabs, a throbbing bassline and enough cowbell to cure any fever.
Another limited vinyl-only release, get yours quick before these boots have all danced off the shelves.
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What began as a challenge to fight creative stagnation, soon grew into a fully-fledged audio-visual project for Belgian DJ, producer and live artist, Biesmans. Setting himself the goal of making three tracks per week for a month, he re-scored ‘80s pop culture moments – including films, TV shows and games, resulting in a brilliant 12-track work encompassing new wave, indie, dark wave, electro and
disco.
Moving his modular-heavy studio to Berlin in 2014, the ensuring years saw Joris Biesmans drop heat on Correspondent, Disco Halal, AEON, 17 Steps and Future Disco. He’s been a core member of Watergate
family since his arrival in the capital, working as the club’s sound technician. He made his debut on Watergate Records in 2020 with the well-received ‘Electric Love’ EP.
The ‘Planes, Trains & Automobiles’ album took shape in April last year as the lockdown was starting to take grip and Biesmans needed a positive distraction. Ensconced in the music of his childhood and ‘80s
pop cultural fodder, he locked himself in his studio and set about creating, later digging through archival footage to match the music. Biesmans, who previously undertook work scoring films, was so absorbed by the process, he’d sometimes do it in reverse; allowing the vintage media be the guide. Throughout the period, the clips were shared each Monday, Wednesday and Friday on his Instagram, building up a firm following from fans, friends and colleagues. And thus, the project found its wings, developing into an album.
Throughout the dozen tracks, highlights are plentiful; from the neon ambience of the Kraftwerk-inspired ‘ ‘Cosmic Cruise’, which later accompanied a smoky scene between Tom Cruise and Rebecca de Mornay in ‘Risky Business’; the sun-soaked, retro-pop title track, which became the album’s first single, and was paired with a jubilant dance scene from the Breakfast Club; ‘Cold Void’, the album’s second single, which saw Biesmans link up with fellow Belgians Boi Wonder and Tom the Bomb for a dark wave creation built around a heavy guitar solo and set against a backdrop of Blade Runner clips; and the silky electro funk of ‘Another World’ that soundtracks scenes from Miami Vice.
Biesmans explains about ‘Planes, Trains and Automobiles’: “I started this as a lockdown challenge, in which I would make three tracks per week for a month, alongside providing videos where I re-scored
footage of 80s pop culture moments. Inspired by the movie of the same name, I picked the title because it ties to the theme of ‘mobility’. Our society is based upon being mobile and when Corona hit us, we
could taste a bit of being immobile. As an artist that meant, I could focus on making music 100%. No distractions, no weekend gigs, no parties just making music. This new lifestyle resulted in my first album.
A journey into the past but looking forward to the future, experimenting with other genres and techniques to make a real album that goes beyond club music.”
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Cale Sexton brings the heat and the beat with his first full EP on Butter Sessions! This 4 tracker features jacked up electro with Sleep D, dubbed out analog jams in his signature style and a sax infused heart warmer with long time friend Samual Sax Master Davidson.
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Gordon Koang, South Sudan’s enigmatic superstar and ceaseless fountain of infectious, upbeat pop music, kick starts 2021 by revealing a series of remixes from his recent Unity album, this time partnering with two of the undisputed leaders of electronic music in his adopted home city of Melbourne, Australia - Sleep D and Andras.
Stranded overseas after civil war tore apart their country over six years ago, Gordon and his cousin Paul Biel Kueth, who were on tour performing to expatriate communities in Australia, were forced to apply for humanitarian protection and made the heartbreaking decision to leave their families stranded at home, on the chance that citizenship would be granted and reunification made possible.
After languishing on the outskirts of Melbourne’s suburbs for many years, Gordon met the Music in Exile label, a not-for-profit run by members of Melbourne’s flourishing music scene in order to create more opportunity for the city's numerous refugee and migrant musicians. He immediately assembled a band and tracked his eleventh full-length album, Unity (his first recorded album featuring performances in English and made widely available).
In the midst of a successful run of singles and festival performances around Australia, the Covid-19 pandemic hit, derailing Gordon’s newfound success and growing status as the darling of Melbourne’s vibrant music scene. Forced to find alternatives, Gordon reached out to some of his newfound friends in that city’s community. The result - this set of startling remixes by some of the finest voices in electronic music today.
Gordon, who was born blind in a small village in South Sudan’s Upper Nile Valley, began composing on the thom, a five-stringed instrument sometimes referred to as a Sudanese banjo, He started busking on the streets of Juba, accompanied by his cousin Paul Biel, who would sell homemade cassettes and CD’s. His anthems of peace, love and unity struck a chord, and before long Gordon found himself as something of a folk hero and a voice for peace in a country torn by ongoing conflict.
Now resettled in Australia, Gordon records and releases music in order to support his family back home in East Africa. He still awaits Australian citizenship, and forges on in the hope that this may one day be granted, allowing him to reunite with his wife and family in his newfound home.
Unity is Gordon’s eleventh full-length album and first to be recorded in Australia. It was produced by Stefan Blair and Liam Parsons of Melbourne lo-fi legends Good Morning, and features an ensemble cast of Australian performers. South Sudan and Y Dah are taken from the album, reimagined here by Andras and Sleep D. The remixes were a gift to Gordon and his family, with no fees paid or royalties due - all proceeds go directly to Gordon to help him reunite with his family.
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Perfect Motion are proud to present this 3 track E.P. from Irish producer Hubie Davison, riding the wave of success since his breakthrough release 'Sanctified' on Midland's ReGraded imprint which took the world by storm since its release in 2016, this next release packs all the heat Sanctified did and more. With 3 feel good, hands in the air jazzy house and disco edits on this record ready to fill dancefloors all summer at festivals and beyond.
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