House Vinyl New Releases - News

Thirteenth release on the much sought after Vinyl Only label.

British flavor for this brand new 7" from Legofunk Records with
an impressive action! Poetry edit over the epic music…

At Cloud’s Length is a collaborative compilation of musical works from artists on Melbourne/Naarm based collective WAT artists, using the vehicle of music as the driving force of connection.

While the opportunities to gather have been put on hold, this compilation is a collaborative release rising from a challenge set to the WAT artists roster to connect and create using isolation as a creative parameter from which to generate new music, resulting in surprising and powerful musical cross-pollination.

At Cloud’s Length - an ode to the use of cloud storage as the last front of musical collaboration during lockdown - reaches through the veil of isolation, passing overland, gathering energy and offering a release saturated with creativity and collaboration from afar.
This compilation is both a confluence of unique and diverse creative minds and a narrative of humanity's desire for deeper meaning and connection.

Music contributors:

30/70, Adam Halliwell (Mildlife), Alex Albrecht, Barney McCall, Bell Towers, Big Yawn,
Edd Fisher, Fantastic Man, IN2STELLAR, Kris Baha, Loure, Mike Callander, Morgan Wright, Michael Ozone, Rings Around Saturn, Sleep D, Sui Zhen, Toni Yotzi, ZFEX

The italian project Zero Call produces pure Italo Disco with perfect brushes of ebm- infused retro synthwave. Punchy snares, pulsing basslines and dramatic synths behind monochromatic female spoken vocals. Including the main track “Stellar Wind” + 2 remixes by Technobeton and Arkademode + 2 recovered tracks from his past discography. All tracks have been specially remastered for LONG CUT vinyl by Daniel Hallhuber at Young and Cold Studios.

Classic electronic disco album from 1978 freshly repressed for 2021.
Pressed by Unidisc, Canada 2021.

Yokohama-based producer Foodman - aka 食品まつり or Shokuhin Matsuri - continues his expansive sonic voyage with his new EP Dokutsu, out on 6th March 2020. It follows his 2019 release ODOODO, which was issued on Diplo’s Mad Decent label. Dokutsu is the first release on Highball, a brand new label exporting forward-thinking music from Japan.

Foodman emerged from Japan’s nascent footwork scene, using the genre as a springboard for an escapist exploration into a dazzling array of sounds. He’s since earned the respect of influential fans including Diplo, Benny Blanco, Cashmere Cat and HOMESHAKE, while Pitchfork, Noisey, FACT and Tiny Mix Tapes have included his releases in various ‘best of the year’ lists since 2016.

Opening track Kazunoko sets the tone for what will follow. Its woozy rhythm is evocative of the off-kilter playfulness that’s become a hallmark of Foodman’s uncategorizable artistry. It’s also a sign of his inventiveness that he constantly adds fresh layers to the track without losing sight of its light-hearted, spacious feel.

Another of Foodman’s unorthodox traits is his ability to meld the frenetic with the soothing. Hirake Tobira is a case in point. Its production is hypnotic, while its central motif - endless twists and variations on a vocal sample - is sufficiently insistent to demand attention. Kachikachi reverses the trick with a thrilling rush, stuttering otherwise unobtrusive sounds.

Elsewhere the EP plays on sonics which have echoes of the familiar while remaining alien: the boss fight soundtrack of Oshiro, the clattering percussion that dominates Imo Hori, and the ambient psychedelia of Konomi.

Based in Yokohama, an hour south of Tokyo, Foodman’s multifaceted skills also encompass DJing and painting. His press image, shown above, is a self-portrait. From the stripped-back sketches of his 2012 set Shokuhin (released on Giant Claw’s Orange Milk label) to the richer textures of ODOODO, Foodman has subverted everything from Okinawan folk to J-Pop to D&B/classical fusion into his own otherworldly inventions.

After the last acclaimed Pretty Eyes EP, and releases on Slow Town, Fly By Night and Messalina 'Don' Riccio is back on Bosconi Extra Virgin with a new four tracker EP fully inspired by his new residence in the middle of the mediterranean sea and where all his palette of different styles has been included.The record begins with the romantic vibe of the deep house and jazz-fusion oriented tune "Here You Are" , followed by the mid tempo jam of "Marcela" where its guitar notes will take your mind and your soul really so far to another level, then on the flipside a more balearic approach and a joyful-motwonish mood for the disco track "Please", as you will imagine yourself dancing on a ring around the rosey holding your hands with each other, praying as a hymn for peace and love in the whole world, while the mysterious vibe of the rolling late-night house groover "Tessie" closes up the EP with its shifting jazzy rhodes riffs, dramatic strings and cinematic atmosphere.
More richness in club music for your incoming summer!

You know the drill by now. A triple threat of ‘80s infused, electro boogie rework goodness, delivered directly to your door via the Loveface DeLorean.

Reaching through the spacetime continuum, Loveface pulls out all manner of glorious nuggets from the hey days of disco, revamping, resampling and expertly rejuvenating them for the modern mind.

After 4 Years Promoting Events And Spreading Happiness All Over France, It's Time For The Lyon Based Crew To Extend Its Artistic Vision Through Their Own Label. If You've Already Been To One Of Their Parties You Know What To Expect. If Not, Look Forward To The Happiest Vibe Around !

Disclosure returned in February with the brand new ‘Ecstasy’ EP where they rolled out a track a day over five days in the same vein to their last release, the ‘Moonlight’ EP (2018). Only this time, the ‘Ecstasy’ EP was in fact, a precursor to their third album ‘ENERGY’ – set for release on August 28th on Island Records.

The irresistible electronic trio formed by Antonio Pecori Stefano Meucci and Andrea Giacchetti mainly known as The Clover strikes back on Bosconi Records with another strong 4 tracks ep. After an year spent into researchin and experimenting in their own studio, jammin for hours like a proper band as they are, using analogue machines, freaky instruments and concrete sounds, our lovely boys, always keepin their distinctive funky'n'groovy attitude, turned the page of their past west-coast inspired funky house vibe and changed the way of seeing club music into giving life to a completely new, fresh and personal house style.

The award winning compilation series Future Disco returns with it’s 14th instalment ‘Dance Club’, an embodiment and celebration of dancing, unity and togetherness, packed with key artists such as Dimitri From Paris, Dr Packer, Gerd Janson, Aeroplane & more.

Following a year of club closures and festival cancellations, 2020 was a year unlike any other. And our separation from the club environment was a reminder of its inherent beauty, empowering nature and community of dancers. ‘Dance Club’ is a symbol of this embodiment, that draws people to one common purpose - to dance.


Following the series’ 10th anniversary, the release of 2020’s highly regarded ‘Visions of Love’ album garnered widespread support and the aptly named successor ‘Dance Club’ follows suit. Also scheduled to take the concept to spaces across the globe as we get back to dancing together again in your own Future Disco Dance Club.

And of course, the eighteen carefully curated tracks by label owner and curator Sean Brosnan featured on the album are some of the finest selections of disco, and club ready DJ tools to soundtrack the summer of 2021 and beyond. The album also features a raft of exclusives, edits and unreleased tracks from Theo Kottis, New World, Antenna, and The Showfa.

Washington collective, The 3 Pieces, privately-pressed Iwishcan William on their own DL Records in 1982. The 12 has Discogs, for one, confused. Is it soul, rap, jazz, go-go, funk, electro, or educational? By nature of its birthplace and date of birth, it`s all of those.

Synths shimmer in harp-like glissando. The bass grumbles, rumbles, machine-made. The beat pops and locks. The whole thing grooving and exuding positivity. One part the cosmic funk of say Cloud One`s Patty Duke. Another, the balearic chug of Will Powers` Adventures In Success. Like Brother D it looks to “agitate, educate, and organize”, and stirs in the sentiments of Razzy`s I Hate Hate. Imagine if the Last Poets jammed with sister Sarah Webster Fabio. Keys parp like car horns, a real trumpet blows a Don Cherry solo, but the track really revolves around its sweet Sesame Street call-and-response chorus:

“I wish love. I can love. I will love. I am love.”

Swiss gentleman DJ and Phantom Island resident, Lexx, produces a killer remix - smoothing out the OG`s jerky edges, upping its sophistication. Making clear the contributions of Lexx` new bubbling electronics. rescuing a clipped guitar, previously lost deep in the mix, and moving the children’s voices to the fore. Ensuring you’ll remember that

““I am” is the glory of a wish come true.”

Idjut Boy Dan Tyler then ties up the package, well he actually kinda sends it out into space - expanding everything in echo. NYC Peech Boys-esque delay. The result is a mind-blowing, psychedelic, almost ambient, Larry Levan-like, Paradise Garage dub. Where fragments of song fly at you from four corners. Trippily pan from left to right. The horn blasts now paying tribute to King Tubby`s Hi-Fi. François Kevorkian going bang!

All carefully mastered with love from the original master tapes by Sam Berdah at The Wall studios.

Fresh Retro Disco Boogie Cuts With Cheesy Synths Riffs, All Tainted With An Early Groovy French House Style. Hand Played Keys, Bass And Guitars Makes It A Ready To Dance Harmonic And Rhytmic Cocktail

Emerging from the Toronto warehouse scene, Tush is a rising electronic music act powered by Kamilah Apong and Jamie Kidd. Taking inspiration from electro funk, early disco, post-punk and '90s house; their debut album 'Fantast' embodies the rawness, vulnerability, and intimacy of the dancefloor.

'Fantast' kicks off with the slow burning 'Wavy Baby', an invitation to get close, get intimate and submit to the groove: "Vulnerability is the key to us getting to that next step of intimacy". Up next is lead single 'Chrysalis', a high octane ride through a technicolour fantasy world of heady synths and driving rhythms that propel Kamilah's voice into an erotic stratosphere.

'Don't Be Afraid' is about having the courage to love defiantly, urgently, and with intention. Driven by Jamie's infectious bass lines and FX blasts, it smoothly transforms into an uplifting gospel-infused track.

Two high points of the album, 'Jessica F***' and 'Marathons', highlight Tush doing what they do best. These tracks are the sound of the warehouse scene that birthed the project in the first place and the late night jam sessions that were full of possibility pre-pandemic. Here, Tush really stretch their improvisational muscles - the interplay of raw soulful vocals, hypnotic basslines, synth pads, and heavy disco rhythms is at the core of what makes them so invigorating.

'Fantast' closes with the uplifting sunrise energy of 'My Joy', the light at the end of the tunnel. "This song is enchanted by the backing vocals of my friends and chosen family, who are my cornerstones to working through the wonderful mess that I am". Kamilah adds "The track gives me this feeling that - no matter how hard the world tries to beat it out of me - I can and I have had to work hard to cultivate my own happiness in my own sacred spaces - one of those being Tush. Ultimately, this is all I really need".

Under the banner elusive of PBR Streetgangs 'Lost Property'
These 'found items' are rumored to be the work of Bonar Bradberry from his secret vault of special edits, rare works and oddities. This Volume may contain:
A1 An Original work 'Montego' is still very much a loving tribute to Metro Areas classic 'Miura'
A2 is an edit that may be more familiar to most. The Chaplin Bands 'Il Veliero' faithfully edited for club play.
On the flip side we have another faithfully crafted re-edit of Cymande - Brothers On The Slide Then finishing things off, B2 is a is a remix of a rare gem, officially commissioned and then lost to the world of library music 'Restless' is a track from Bernard Fevre's highly prized 1977 album, the original now changing hands for nearly £300.

Full colour original sleeve artwork housing an aqua coloured 12 inch vinyl. A fully remastered reissue tribute release of the 1983 Kenny Lynch disco floorfiller, 'Half The Day's Gone And We Haven't Earne'd A Penny' complete with a new remix by Ashely Beedle.

With interest in Disco as strong as ever, we continue to mine the SAM Records catalogue for Disco treasures. “Free” by Rhyze is one of the catalogue’s lesser known titles, but with its inspired rolling horn hits sprinkled throughout the song and its funk based organ and keys, it’s got all the elements for a current hit among disco and house afficionados. World renowned and Grammy award winning producer Louie Vega recognized this a few years back even before disco was back in the spotlight and gave it a massive injection of modern dancefloor energy. And now the universally recognized “King Of the Edit” Danny Krivit has put his unique musical touch on this disco funk jam. On the B Side is another disco treasure from legendary Phillie based producer John Davis. “Love Magic” had all the memorable and classic elements of the late 70’s disco era. Produced at Sigma Sounds in Phillie, the song is embued with lush strings, over-the-top funky lead guitar and throbbing bass combined with sulty female vocals singing to one of the John’s consistently superb tunes. Danny Krivit brings out the hottest elements for the special 45 RPM 7" release.

In the mist of the night, a driver locks his rimmed glasses to his face, fasten his seatbelt and stomps his foot on the gas. An array of beams and city lights flow in a continuous spectrum that dissolves into lines as the car speeds up.

It's only a matter of time before his journey turns into a tunnel of light? Off he goes into the distance to test the space time continuum limits of speed and sound with aboard of his car only courage and humility. For his first EP, Romain FX digs deep in his emotions to pull out four Italo & House infused tracks full of musical surprises.

One year has passed since the man who fell to earth left us as a black star. David Bowie was one of Jean Claude Gavri's all-time heroes, JC pays tribute to the man in this special one off release of his classic Let's Dance remix, scheduled for release on Bowie's 70th birthday.

A treasure trove of edit wonders from none other than the Turkish master and esteemed digger’s digger, Jonny Rock, released on the ever-dependable Orange Tree Edits.

Four cuts, taking you on whistle-stop tour around the inner workings of Rock’s mind, from electro to new wave, with a slice of Serbian soft rock in there for good measure.

The award winning compilation series Future Disco returns with it’s 14th instalment ‘Dance Club’, an embodiment and celebration of dancing, unity and togetherness, packed with key artists such as Dimitri From Paris, Dr Packer, Gerd Janson, Aeroplane & more.

Following a year of club closures and festival cancellations, 2020 was a year unlike any other. And our separation from the club environment was a reminder of its inherent beauty, empowering nature and community of dancers. ‘Dance Club’ is a symbol of this embodiment, that draws people to one common purpose - to dance.


Following the series’ 10th anniversary, the release of 2020’s highly regarded ‘Visions of Love’ album garnered widespread support and the aptly named successor ‘Dance Club’ follows suit. Also scheduled to take the concept to spaces across the globe as we get back to dancing together again in your own Future Disco Dance Club.

And of course, the eighteen carefully curated tracks by label owner and curator Sean Brosnan featured on the album are some of the finest selections of disco, and club ready DJ tools to soundtrack the summer of 2021 and beyond. The album also features a raft of exclusives, edits and unreleased tracks from Theo Kottis, New World, Antenna, and The Showfa.

For the first time on vinyl, three classic best selling remixes from the Selador catalogue plus a never before released exclusive mix from Damon Jee.

Massive support from everyone from Pete Tong and Solomun to Hernan Cattaneo and Camel Phat.

Each remix made the top of its respective genre on Beatport.

13 years ago, while Jerome Derradji was Djing in Liverpool, he was approached by a young lad named Andy Ash.

Andy handed Jerome a CD. It was so great that all the tunes ended up on “Carnival De L’Spirit”, his (now legendary) debut D12” for Stilove4music.

In the last decade, Andy has been releasing critically acclaimed House and Disco 12”s on some of the best labels on the planet such as On The Prowl, Delusions of Grandeur, Dessous, People Must Jam and many others.

Finally on March 29th, Andy will drop “Not At Home”, his first (official) full length on Still Music.

In more than a decade, Andy’s production has matured and evolved. It is now more sonically subtle,
superbly arranged and it seamlessly brings you straight to Detroit, Chicago and New York with the perfect blend of Disco, Garage, Acid and House.

“Not At Home” is a fantastic DLP with 6 songs that showcase how much Andy has mastered his craft while staying true to his roots. This is how real house music sounds like.

To top it off, Andy, who is also a fantastic painter, created his own artwork which perfectly matches his music. (Fans of Keith Haring will not be disappointed….)

With “Not At Home” Andy demonstrates incredible maturity, creativity and talent.

As usual, this release is limited to 500 copies on vinyl.

Local NYC boy Eli Escobar makes better than good on his debut release for RNT with a 4-tracker of secret heat from his personal arsenal!

The EP bursts out of the gate with Bullfight of Love, blazes through the percussion heavy Everybody, hits full stride with the reworked Paradise Garage staple The Music, then lets us down nice and easy with Seven Eleven.

Pay your fare and take a ride on the NYC underground!

Leoparden dive into the summer with the warm, lovely space anthem "hoyt oppe" and the dancing synth-disco groove "Lopebass" on the B side.

A SUPER RARE LATIN AMERICAN SQUIRREL TO PUT SOME CHA CHA CHA BACK INTO YOUR LIFE AND SET FIRE TO YOUR DANCE FLOOR.

THE RODENT MASTERS OF UN-CLASSIC, NIGHT TIME GROOVES DIG DEEP TO PRODUCE ONLY THE BEST VIBES AROUND.
CLIMB HIGH EVERYBODY!!! X

'Music For Us' is Italo-Disco in its pure state! If the two original versions on this 12inch reissue's main side by House of Music are "untouchables" as the "purists" rightly claim, the rebuilt version by Danilo Braca on the flip must also be considered a masterpiece! The original vocal is hot, Helene has a very sexy voice, while the instrumental has a strong groove, thanks to the excellent synthesizers and bass. It seems that Junei's 1987 'Let's Ride' was inspired by this milestone published five years earlier by Stefano Zito.
The sequences of this song, which has become legendary, now sound good, precise and without the distortion of the previous reissues.
By turning the vinyl you'll find a later work by Stefano Galante, the same composer and arranger who, along with Claudio Casalini, at the end of the 80s created a song renamed 'Music For All Of Us'. 13 sumptuous minutes completely rebuilt by Danilo Braca. The Italian DJ based in the Big Apple is a true magician in radically transforming a song without losing its original charm. His version, renewed with a more modern and universal taste, will certainly please everyone. Very captivating, it will attract many new young Italo-Disco fans.

After a long break (6 years!) mysterious ARTIFACT label is back with a new private pressing of juicy Bottin re-edits. Fist off, "Domenica" is an upbeat synthesizer disco number, complete with happy chanting and funny instrumental hooks. Second track "Cha Cha Cha" leans towards Italian new wave, with English, French and Spanish vocals. Maybe what Tom Tom Club could have sounded like - if they were from Milan. Side B starts with a thick, throbbing funk groove "Chico Train", topped by hilarious narration of a surreal train ride to, station to station. The closing number "Vital Grace" is a dark, sexy disco thing, with lush female vocals and over-the-top strings. As often in all things Bottin, this EP is all-Italian affair - Vinyl-only and very limited quantities as usual.

Ways Of The Sun' war Frankey & Sandrinos Underground Hit im Winter 2015/2016 und ein Meilenstein in ihrer DJ- und Produzenten Karierre mit weiteren EP's auf Labels wie Mule oder Innervisions. Hier kommen nun saftige, frische Remix von Vienna's Wunderkind Peter Kruder, Jimi Jules, Zürich's Manuel Fischer, und Armitage. Peters Mis ist fein einfühlsam modern, Jimi Jules zaubert einen ganz tollen Dub-House Skank Groove, Manuel Fischer geht in Richtung klassischer Chicago/Detroit Vibe, und Armitage liefern diese rohe Old-School Techno Version. Die Jungs hinter Armitage sind super bekannt und Global Players, aber wer's ist bleibt mal

DJ Harvey's Mercury Rising at Pikes Ibiza celebrates its 5th year. To celebrate and in loving memory of Tony Pike Harvey's has compiled his second collection of music inspired by and that represents the party. Never Mind the Balearics Here’s DJ Harveys Mercury Rising volume II.

The opening track from the award-winning 'TOY' album has been extensively remixed by Andrew Weatherall. Frautonium is Andrew's favourite track from 'TOY' and he's produced four very different mixes covering electro, house, minimal and cosmic disco.
With a wide-screen ambient version from Ian Tregoning.
Limited edition of 1,000 copies and released only in the UK as a double 12´´, this won't be available digitally (no streaming, iTunes, Beatport or CD).

Second up on 7's Clash we have a spoken word mid-tempo piano house chugger, squarely in the balearic nu-disco camp that Pete Herbert excels in. With the original version on the flip at a more dubby pace reminiscent of early back room tracks you’d hear in the days of white jeans, waistcoats, perms and pointy finger dancing….

3 x 80s boogie disco & funk cuts , reworked for the dancefloor.

George Feely is back on Random Mind State an comes around with three slaming peaktime house
tracks and the Soul searching edit you know from his Boiler Room on top Cheers!

Limited Vinyl - Edits for the Dancefloor!

With an Arturo Micro brute synthesizer put through psychedelic effects, Modern Ruins keeps the flame of Andrew Weatherall and Suicide burning through times of isolation and disarray. This Synth Wave/New Wave experience of an album, released on LP on Höga Nord Rekords, sums up 2020 with its dark and cold sound.

The title speaks for itself: “Unemployment Disco Line” reflects the desperation in the sound and the reverb-drenched vocals in the back of the soundscape comes from deep within the Covid hole. Sick, fed up and restless!

Drawing influences from masters like the legends above,Rowland S. Howard, Johan Balance + Peter Christopherson et cetera, this debut album by Modern Ruins sums up four decades of underground club music and no matter how long this pandemic goes on we are in “Nothing Blues” until the dance floors open again.

The dream team pairing of The Mighty Zaf and Phil Asher are back once again with a triple dose of their highly sought after '80s edits. From rare feel good '80s boogie to a South African boogie disco dancefloor delight and topped off with a modern soul disco funk anthem, these edits are must haves in any collection.

Underground disco, soul, funk DJs will love this!