House Vinyl New Releases - News

After the rip-roaring success of Disco Made Me Do It Vol 1, Riot Records hit you with four more Nu Disco whirlwinds from Danny Kane, Massiande, Chevals and Mark Brickman remixed by the likes of Art Of Tones, Moodena and Michael Gray.

Heavyweight disco dancefloor destruction, that will cause a ruckus whenever and wherever they’re played.

We know you could have done it as well - but you didn’t. Two chopped and pumpin’ edits that without a doubt fit the club and your record bag! Heat it up with Back 2 Rhythm + the 2020 Flex of 2010 and let the Bonus Flex take care of the rest.

Early support from:

- Kapote (Toy Tonics boss)
- Rhode & Brown
- Alex Virgo (Pomme Frites boss)
- Dance System
- DJ Delivery
- Dirty Channels
- REES
- Swales
- Tom Jay
- Crowd Control
- Phone D
- Paddy
- Slug Father

Live Ones let loose label boss Lorca for their sixth release - a tribute to the one and only, Larry Levan.

The A side ‘Larry’s Bomb’ channels that inner disco fire burning deep within. Extended and re-blended Lorca takes the essence of the Paradise Garage and reworks it with a modern tinge.

Flip it to find ‘Look What You Do’, a sun-soaked disco house number perfect for hazy, care-free days as equally as it is for bubbling up dancefloors.

One of the UK’s most exciting producers and the man responsible for one of Circus Recordings biggest records ‘Switch’, Jansons, takes the reigns in style for Revival New York’s first release.

With the insatiable appetite for his Lovehrtz EPs, alongside Richy Ahmed, causing sell outs as soon as they’re dropped, Jansons brings his bumping, tech house style to Revival. Exquisitely looping up vocal samples, swirling guitar riffs and sweeping strings in ‘Heartbreaker’, Jansons creates a blissful, slice of ecstasy that will be sure to melt more than a few hearts, minds, and souls.

The vinyl only ‘Alternative Mix’ takes things deeper, chopping and filtering the vocal snippets with a nod to early 2000’s house whilst letting that rapturous bass line take centre stage.

Early DJ Support:

Hot Since 82, Danny Howard, Richy Ahmed, Skream.

Nova Onda are back with a brand new 7inch with two new Brazilian Disco Boogie House tunes.
"Onda" is a dope Boogie slice activated by a hot bassline and gorgeous horns session with a female vocal for warming up under the sunset of Ipanema.
On the second side for starting the day in a good mood, you will find "Sabe Como Faz" a Funky bass cuica mid-tempo.

Abstrack proudly introduces the first of its new series of edits. The music on the record is a direct echo of the vibes found at Abstrack parties. These have been going on for over 8 years, taking place at roughly any time of day or night. The music on the record, dancing somewhere between dreamy slow motion tracks, peak-time weapons, and french singing anthem, was intended for the party rather than for the record and they’ve been rocking Nantes’ best-hidden dances for a while already. Now we’re happily putting them out for everyone to enjoy and rock their own party.

Opolopo returns to GAMM and delivers his characteristic blend of soulful and jazzy dance music like never before.

Yellowjackets 'Matinee Idol' gets a supreme uptempo treatment and gives you an instant feel-good factor. Together with some very smart vocal samples from Whitney Houston this is 100% peak time material.

On the B-side Opolopo went on a deep search and found an overlooked Eddie Harris jazz-fusion jam from 1987 that comes with some amazing doo-wop scatting vocals and amazing keyboard action from Opolopo himself.
Jazzy, bumpy and very dance-friendly.

Not just edits, tweaks!

The only question we should be asking about Ron Basejam and Red Rack’em getting in a studio together is ‘why did it take them so long?’ The Crazy P multi-instrumentalist brings a melodic sheen and strict work ethic to Berman's idiosyncratic, off kilter sample chops. We’re very excited to be bringing the first in a series of killer twelves from two artists who bring a huge amount of passion, soul and singularity to their music.

The infamous Crazy P studio in Nottingham, the scene of many a lost braincell for the pair became a different kind of playground with an arsenal of synths and the Basejam sample library proving fruitful. Several mammoth studio sessions were fitted in pre-lockown with both taking turns to lead when the other flagged. You can hear the grit in these tracks. Studio chiz, red wine and Alfreton Road kebabs fuelled these sessions. Buckle up for the Red Baron ride.

'Fascinate' is a foot stomping house banger hoedown which distils their collective years of sample voyaging into a taut yet jumpy floor wrecker. Uptight, urgent popped guitar licks and a face squinting bassline are mixed upfront with the track devolving at every chance with many a detour including the most warm uplifting middle eighth. A monster arpeggiated synth bass closes proceedings with a dark, knowing edge to the distant hardcore pads fading in.

'She Makes It Work' fuses stoner hippy tabla with a deviant tinged vocal benignly muttering missives while the second pill begins to kick in. Uplifting mangled chords meld with an ever building mood towards a deliriously melting peak moment. As with the A side, the track ends in a questioning manner taking the listener to another plane. This is a cosmic spiritual loft party 7am burner. A late '70s community group going off piste at a Wednesday night drumming circle by serving up the wrong punch.

Repress off this collection of edits from 2006.
All essentials for the pub rotary deejay sets but also a great collection of tracks to have on one 12"
Features an edit of Nice N' Wild's latin freestyle heater Diamond Girl.

EDIT & DUB thrill us yet again, this time diggin' into the vast archive of CASABLANCA and gifting us with favorites made famous in the underground by the likes of RON HARDY and FRANKIE KNUCKLES. Do yourself a favor and order this now. Super Limited One Sider! DISCO EDIT

One of the most significant rare groove tracks ever recorded plus Opolopo = magic!

Headhunters 'God Made Me Funky' get a respectful and tasteful tweak where Opolopo gives it an uplifting face job for today's dance floors.
As always, additional keys and production are the standards here...proper.

On the B-side Opolopo goes towards the soulful house territory with a big and uplifting rework weak of Sylvia St. James downtempo classic 'Motherland'.

Not just edits, tweaks!

Jazz N Palms selects 100% fusion, jazz, funk in full exotic effect, re-edited and retouched with a modern approach and new sounds to listen under the palms or simply imagining it.
Limited Mixtape, cassette only, including tracks from the first three vinyl releases (JNP 01-02-03) + 2 unreleased.

Download code included (unmixed tracks).

Exclusive vocal c/w instrumental mixes of Betty Lou Landreth’s ‘I Can’t Stop’ on this lead-single for the forthcoming Backatcha re-release of Betty Lou Landreth's in-demand 1979 album, "Betty Lou” (cat# BK037 – to be announced). Expanded to a double album, it features the original studio recordings along with bonus material and alternative takes. The late Betty Lou Landreth had already paid her singing dues long before she walked into Studio A at Detroit’s Superdisc, touring with the USO and performing with R&B and Jazz players on the live circuit.

‘I Can’t Stop’ producers Joel Palmer and Charlie Gabriel recruited some of Motor City’s top fellow musicians for the session, including Gabriel’s longtime friend and housemate, trumpeter Marcus Belgrave, arranger Travis Biggs, drummer J.C. Heard, Motown Funk Brothers’ pianist Joe Hunter and trumpeters Herbie Wilson and John Wilson, keys player Emmanuel Riggins, bassist Hubie Crawford, the Body sisters and many more.

"We just got together to cook up a gumbo. Detroit, New Orleans, funk, jazz, torch, country and some great, great musicians to bring the flavours together."

Joel Palmer, 2021.

From LoFi to Disco this release suits many tastes. All House,
all Jazz, all pleasure.

Release number five with two cuts edited and performed by Gigi Testaon both sides with voodoo flute edit on side A and atmospheric
interpretations on side B.

Having previously released on RNT as part of duo Balako, Diogo Strausz now makes his solo debut on the label with an absolutely stunning offering of electronic Brazilian jazz. A São Paulista now living in Paris, Strausz made international waves earlier this year with his piece ‘Pausa,’ a grand and sprawling orchestral work written and recorded by musicians around the world in isolation.

The two songs on Strausz’ new Emancipação EP showcase his gift for instrumental composition that feels at once both fresh and timeless, informed heavily by the classic Bossa Nova and Samba repertoires of his native Brazil, yet translated through a modern production lens, and executed with exceptional musicianship. The end result is an undeniably unique sound that will fit equally well in the collections of jazz and MPB aficionados, as in the crates of modern DJs and listeners alike.

Four DJ cuts from the crates of Bottin!

The dream team pairing of The Mighty Zaf and Phil Asher are back once again with a triple dose of their highly sought after '80s edits. From rare feel good '80s boogie to a South African boogie disco dancefloor delight and topped off with a modern soul disco funk anthem, these edits are must haves in any collection.

Underground disco, soul, funk DJs will love this!

backtotheparty once again, focusing on restructuring and representing, without compromising the original spirit.

Foundational firepower, raw to the core since the day they were laid down, chopped and channelled into new creations.

PERSIES are back with the 8th instalment. The a-side samples a girl group from 60's Brazil and the b-side combines two tracks that shouldn't really work together.

Second release from Label head Mouhcine Zouitina commonly Known as Polyswitch. Casablanca’s finest returns for a second release with six songs spanning over the spectrum’s most vivid junctions. « FEVERISH CUTS VOL.2 » flaunts a strong funk connection merging with an uplifting rhythmic activity under a jazzy atmosphere. This continuum endorses the first volume with an ensemble of afro-diasporic and free flowing sonic slices.

'Legend' is lofty praise that is often used lightly, however, Mike D from the Beastie Boys certainly is one in the truest of spirits. We are delighted after over 30 years of being involved in music to finally release a project involving such a hip-hop pioneer and icon as Mike. In keeping with the maverick attitude of the Beastie Boys, you don't always get what you expect. For this release there isn't a hip-hop beat, instrumental-funk or hardcore-punk joint in sight, rather an electronic-African club banger.

Mike took it upon himself to rework Malian artists Idrissa Soumaoro and L'Eclipse De L'I.J.A. and their track ‎’Nissodia', which is taken from the 'Le Tioko-Tioko' album originally released in 1978 on the German Democratic Republic (GDR) label ETERNA. The song was also featured on 'The Original Sound Of Mali' compilation released on Mr Bongo back in 2017.

It was November 2019 and the day before a Mr Bongo 30 years celebration event in Paris at the Pedro party in the 'New Morning' club, when out of the blue the remix landed in Dave Mr Bongo's inbox. We loved it straight away and decided to road test it the next night in the club. Whether it be a remix/re-edit/rework, it doesn't matter, what does matter is that it works spectacularly in the club and had people jumping on the stage to dance at the party. A sensational track and one which leaves a beautiful memory of good-times from a night out in Paris (and one which is in retrospect is even more poignant as the late-great maestro Tony Allen was in the club that night), and we are sure it will light up many more dancefloors to come.

Round three of JARC’s audacious, aural onslaught comes in the for of a double header of incendiary cuts, reworking that disco sound with hypnotic grooves and beefed up low ends, best served at full blast.

First up, you’re hit with ‘Move On Up’, looped, echoed and powered out into the cosmos. Earworm synth and sax hooks meet choice vocal snippets and a pumping beat.

Flip it over for a salacious number, ‘U Make Me Hot’ drenched in horns, guitar struts, and all too enticing vocals, tied together with a boisterous bassline that will rumble the very ground you stand on.

Keiko's New Edits from Finest "Nakayoshi Use Only". Super massive killer Edits of "Samba de flora" and "Slip away"

After its latest dancefloor killer reléase HOMES EP by icelandic hero ILO, Nómada Records feels like ready to pay a homage to the roots of HOUSE MUSIC. This Time Nómada is proud to present its Disco, Afro and Boogie Side with an Edit Series. This first volumen will be leaded by German chief “Marcus Lindner a.k.a DELFONIC”; who has created and managed plenty of labels and released music on well known labels such as Money $ex Records, Oye Records and Toy Tonics.

DELFONIC EDITS is a four track EP, where you can see how important the Black Culture and Black Music is for DELFONIC and this is his tribute to that legacy that It has been spreading for centuries. The reléase opens with “Saturday Night Dance Edit” a 70’s fresh dance track with strongs strings, warm synths and catchy vocals followed by Delfo’s Check Edit where boogie and soul music match perfectly. Perfect track for chilin, smoking some cigarettes and driving by the coast.

The B-Side is a homage to afro and highlife music starting with “All Is Africa Edit” a 80’s eclectic get down that will make you wish have been part of Africa. and last but no least the release close with “I’m Away Edit” a percussive african caribbean track with an infectious champeta driven rhythm and catchy vocals.

EDIT BY EDIT

Relax... Don't do it! Don't sleep on this limited repress. One sided with silkscreen printed sticker on the flip.

Club tracks for weak knees and sweaty palms! Finally on wax, a series of club edits paying tribute to Glasgow's infamous after-party scene ca. 2011 - 2019. Mom's Spaghetti takes influence from sounds heard at these events by mixing curveball selections with muscular techno. Vol 1 offers up 4 bootleg mash-ups served in a sauce adjacent to Robert Hood's legendary Floorplan alias.

The new release on 45 Loves features Beastie’s and Biggie’s both on each side over some cherry-picked Moar beats. Vocals fit so snug that we wonder what life would be like if Moar had grown up in New-York City in the 90's. Dancefloors were made for this, quality stuff. The flip is another fusion cut, dropping the tempo and creating a disco/rap affair.

Boston edit fiend Kon returns with his gang in tow for some more stone cold funk to make you groove...

Needless to say - this one slaps in all the right ways! Aided and abetted by his long time engineer Caserta and featuring the dope musicianship of Soul Supreme on keys and Xander Vrienten on bass, Kon brings us the boogie love, reimagining a jam from one of Buffalo's most famous sons. This has summer JAM written all over it, we're talking chasm deep bass, snapping drums and the illest rhodes you've heard for a minute. Oh yeah, there's a dub on the flip too.... essential. Welcome back Kon & The Gang!

handstamped vinyl

What’s Amore? Amore is a lifestyle, it’s a feeling, it’s an attitude. Amore is cruising down sunset boulevard in a pink Cadillac. Amore is drinking Long Island ice tea at a baby shower. Amore is high octane. High risk. High reward. That’s Amore!

Jean Claude Garvi returns for another three-track journey of beach-ready Balearic gold on his own EBO Records.

‘Nite Dubbin’ kicks off proceedings - a piano laden, rapturous slammer laced in acidic arps and bongo goodness. Take to the flip for a slo-mo boogie reinterpretation, ‘Interview By The Pool’ perfect for those beachside lounges and poolside shenanigans, with an unreleased 12 inch mix of atmospheric synth-pop swellings, ‘Last In The Bin’, to close out the EP.

Two new afro-cuts by Marsupials.
Limited 200 copies in a green cover with hand-stamped label.

After 3 stomping collaborations with Burnski’s brilliant new label Cardiology Records, The Owl is back on his own relentlessly impressive imprint.

Owl Records is a proven staple for serious disco and house jocks, including regular plays and exclusive DJ Mix on Craig Charles’ hugely popular national BBC Radio 6 Funk and Soul show.

Now he brings us the aptly named ‘Bare-knuckle Blues ep’ serving up four tracks that will raise heads on any dance-floor. Kicking off with the chunky blues stomper ‘In The Right Place’, The Owl instantly shows his intelligence for turning an originally potentially funky number into a big speaker blaster with enough new groove to forget the era it came from, while paying tribute to that time.

Track two, ‘Fair’ has more of an original blues vibe but the percussion suits the bass so well that you feel you’re hearing a live band playing a current track. His clever cuts make it a must for anybody that loves their funk with a bit more ‘pow’.

The B-side does not let up on the level of energy, flying straight into the female vocal gem ‘Be Funky’, yelling through the speakers that “Everything I do gon be funky from now on”. And this is certainly true from the Owl.

The final track is only slightly a step down in tempo from the others but rounds off this classic ‘bluesy-house’ EP in The Owl’s usual classy, funky style. Expect this to sell as fast as he flies.

Produced and arranged by Marvin Augustus this early outing from The Plainwrap Band lay dusty on a reel that somehow had become in the hands of Producer Stu Gardner.

The reels were transferred and we liked what we heard.

We took the time to find Marvin who had forgot about the reel he cut in 1976 around 5 years prior to their first release "The Ghetto Bird". And to its whereabouts.

For this early recording some of the best West Coast musicians were drafted in for "Baby don't leave me here"/"How does it feel".