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House Vinyl New Releases - News
Cooper Saver is a Los Angeles based DJ and producer responsible for the Far Away party, cassette mixtape series, and radio show on Dublab. For the last 6+ years, Cooper has consistently brought unique and underrated talent from abroad for his late-night warehouse party while also regularly traveling around the world to DJ. As a producer, Cooper maintains a steady flow of remixes - recognized most for frequent remixes on DFA Records. As of late, Cooper's original music is finally starting to surface - starting with a debut full EP on Permanent Vacation. Coastal Breeze is a collection of tracks Cooper produced at home in LA over the last year or so, aimed at the late night dance floor with an injection of California sunshine. Close friend and local hometown hero Indra Dunis of Peaking Lights was summoned for vocal duty on 'The Search,' rounding off this release as the ultimate embodiment of Cooper's surroundings.
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Part One[8,70 €]
Dropping into chapters four and five of his Midnight Themes series, Marlon Hoffstadt responds to this summer's double set of 'Human Interpretations' - where Gramrcy, Eric Maltz, Johannes Albert, Bawrut and others remixed his previous work - with a two part EP of original material titled 'Law Of Attraction'.
Adopting a dynamic ebb and flow for 'Part Two', Hoffstadt nods to tribal techno and romantic trance on four new tracks where wandering acid-tinged leads cross paths with deep, expansive pads and free-flowing sentimentality.
Set for release on December 7th, 'Law Of Attraction Part Two' closes a busy year for Marlon Hoffstadt who debuted on Rawax, returned to Ransom Note Records and released 5 records on his own Midnight Themes imprint.
Join Marlon to celebrate the release of both EPs on December 8th at Renate alongside DMX Krew, Kowton, Meggy, Gigsta and many more.
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We’ve reached into the archives and pulled out another popular classic to be given the exclusive 7-inch coloured vinyl treatment. This time Blue Alphabet’s Cybertrance and Quixotism are in the spotlight. In 1994 Blue Alphabet sent shockwaves through the trance scene and pioneered the newly found Nu-Nrg niche that existed only in the deepest darkest corners of the scene. Four producers, Christophe Vervroegen, David Brants, Gregory Dewindt and Peter Schiettekatte made up the group over the years and together they rocked the globe. These four guys also make up a vast number of aliases who dominated many releases for Bonzai collectively, far too many to mention here. Cybertrance delivers the quintessential energetic trance track that is always guaranteed to lift the party. Quixotism stood firm on its own as it delivered an energetic and uplifting trance explosion. The simplicity of the melodies is so powerful it reached deep into our minds as we were carried along by a rip-roaring bassline. Check out our socials for pre-order info and snap this one up for your collection.
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Markus Homm is back on Still Hot and once again proves impressively that he is a guarantor for deep groovy dance floor tunes.
The title track “Pleasure” gets a hypnotic note from an Arpeggio building up in the background, paired with a distinctive drum groove that goes straight into the legs.
The female vocal, which gives the track a certain recognizability, also picked up by label boss Benny Grauer for his version of “Pleasure”. The Arpeggio reduced and equipped with a striking bassline, he gives the track a technoid touch.
The second original track "Golden Horizon" is way darker than the title track. The almost mystical sounds are accompanied by a crunchy bass drum and surely made for a lot of fun on the afterhour.
Vinyl fans can already look forward to the third original track "Dakar", which will be available only on vinyl.
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microcastle begins 2020 by welcoming Cornucopia back to the label for a new EP. The mysterious artist makes a much-anticipated follow-up to the July 2018 release ‘Forever Gone’. The three-track offering saw a wide spectrum of play and support from some of the underground’s top tastemakers in Adam Port, Ame, Baikal, Dixon, Frankey & Sandrino, Guy J, Jimi Jools, Laurent Garnier, Luca Bacchetti, Patrice Baumel and Solomun. With a release on Multinotes to highlight 2019, Cornucopia now lands back on microcastle with ‘River of Memories’ to begin the new year.
Elusive and organic in equal measure, the transcendent nature of Cornucopia has the rare ability to unite a cross section of music lovers. The romantic sounds of ‘River of Memories’ sits as perhaps the most apt illustration, invoking a rare combination of hope, heartache, reflection and meditation across it’s eleven-minute storyboard. Shrouded in mystery for nearly three years after countless live airings, it’s the pensive nature of ‘Holding You Tight When The World Collapses’ that follows. Rich in tone and texture, there is also a keen emphasis on rhythm and groove, as exotic drums and low-slung basslines marry fragmented melodies and wispy atmospherics, creating just the right balance of tension and emotion before melting down into the timeless sensibilities and metallic clusters of the EPs closer ‘Orion’. Classy and refined, it rounds out another elusive chapter in Cornucopia’s unique musical history, continuing the artist’s love for intriguing melodic concepts, while already finding a place in the playlists of the worlds most astute DJs.
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We are happily welcoming Jacob Groening to the Earthly Delights family,
a talented producer that has been on our radar for a while. Jacob comes
through with a very special 3 track EP, which will be our first ever vinyl
release. The EP features his unique sound that he masterfully integrates
into his live shows. Working more with musicians that he records at his
studio, he plays around with the recordings, taking it to the extremes
when it comes to cutting, pitching, warping. “...following my
intentional flow, not trying to force a specific sound. I am more listening
to what sounds are good to me and feel right.”
Jacob uses Prophet 12 a lot for the pads and most synthesized sounds in
EP, using the almighty moog voyager for the bass, recording percussion
and vocals. Most of the recordings are made with long-time friends and
other Berlin musicians. Noah Rott, who played the keys for Fask is Jacob’s
first Piano teacher from Hamburg and they have often collaborated since.
“Another very close friend of mine, Joel Silberkuhl, played the hang drum
for Fask and the guitar for Lacun. I visited him at his house in Luneburg in
northern Germany and we made music all day long. It brought us back to
our jam sessions when we were just 13 years old, playing reggae, hip hop,
jazz and rock...” Joining the release is a Canadian smooth vibes operator, Gab Rhome, who delivers a minimal melodic house vinyl only version
that's perfect to have on a 12”.
This EP interlines Jacobs friendships and experience making it a
heart-warming and truly personal release we are thrilled to share with
you !
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Opal Sunn's return to Nick Höppner's Touch From A Distance is sort of a recap of 2019 - a year that proved pretty incredible for the duo of Alex Kassian and Oba Hiroaki. Their live show took them quite literally all over the world including Tokyo, Valencia, Ho-Chi-Minh-City, Hanoi, Fusion Festival, England's beloved Field Maneuvers and last but not least: Panorama Bar in Berlin, where they performed twice in 2019 as part of the Touch From A Distance labelnights. Their „Laika EP“ has been largely inspired by their first Panaroma-Bar-performance in january last year, which they - unassuming, yet assertive - took by storm. Eight months later their show in the Laika tent at the UK's best kept festival secret Field Maneuvers marked a second highlight in Opal Sunn's calendar. As a tribute, Opal Sunn have called the opening track to this record „Laika“. Their second ep for Touch From A Distance is picking things up, where their debut left off, meaning Opal Sunn's sound design is as pristine as a mountain spring and their arrangements are as tight and effective as ever. Having played numerous gigs in the meantime, there seems to be a new focus, though. All four tracks feel much more centered and balanced, aiming quite effortlessly at a heaving dancefloor. „Laika“, the ep's lead track, sees Opal Sunn at their most effective and peak time. A long build up and a rolling 303 bassline make for a total sureshot of a track. On „Minority State“, the duo let's their Electro inclinations run free, fusing razor sharp beats with icy melodies and abstract sound effects. On the b-side, „Holy Mountain“ is essential Opal Sunn: Glistening arpeggios, gliding melodies and floating beats create a psychedelic atmosphere predestined to lose yourself in. The ep ends with „Tangerine Blues“, an equally atmospheric and trance-y track embedded in a rather broken beat, going for a more cinematic vibe.
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The release of Marc‘s album „Voyage de la planète“ in 2017 marked a new era of his career. With ten rather beatless tracks where he combined his definition of electronica with classical instruments like violine, cello, double bass and piano Marc began to walk the path of fresh sounding music for the brain.
The title track has been the most successful one so that Marc called no one else than Erased Tape‘s poster boy Ben Lukas Boysen from Berlin to contribute his very own interpretation. Ben created a typical and unique version which comes along with a, believe it or not, 4/4 kick pattetn towards the end. But listen yourself, it totally makes sense. And Bordeaux‘s best Ocoeur made a short but epic ambient version you also should not miss.
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After 7 strong and ranging releases by the likes of KiNK, Fort Romeau, Autarkic and De Sluwe Vos amongst others DGTL Records has set out a diverse and yet steady course. A mixture of these different sounds is all found on this Various Artists EP, with input coming from different parts of the planet. The 4-tracker consists of contributions by HAAi, Rebolledo and Paulor, Axel Boman and JP Enfant, of which three are also playing at the annual DGTL festival in Amsterdam this April. Needless to say, the EP will be available at the festival too. The Various Artist release on the Dutch label is the first in a series, so expect more to come. HAAi is up first on the EP with her track 'Drumting'. The Australian born, London based DJ and producer has enjoyed a rapid rise to prominence over the past few years, most recently winning the title of the BBC's 'Most Essential Mix of 2018' for her contribution to the world- renowned mix series. 'Drumting' channels a similar energy to that found in her warm up sets, with a danceable yet steady rhythm underpinning her characteristic globally-influenced blend of electronic and acoustic elements. The typical driving and sturdy sound of Mexico's Rebolledo and Paulor is evident on the A2 side of the EP. Their 'The Fog and the Forest' is almost like an LCD Soundsystem song without the lyrics due to the sturdy bass line. When the captivating synths and overpowering guitar chords drag you further into the foggy forest there's no turning back, but why would you! Axel Boman's 'Surfliner' is one to listen to while overlooking the ocean after a warm day in the sun for sure. The emotional piano chords that are with you throughout almost the entire track, are there to hold-on to while 'Surfliner' takes you on a melodic and enticing trip that is best described as new-school Balearic. Another trip comes from Amsterdam's own techno wunderkind JP Enfant. 'Sputnik' is a smooth but stirring ride into space loaded with hallucinogenic acid lines. Exploding into ecstasy at the edge of the universe, while the ride back to planet Earth is just as exciting as the way up. JP Enfant's techno track is the perfect closer of the very first VA release on DGTL. Just like the previous two releases the artwork on this EP comes from the very skilled duo Boris Acket and Tim Straver.
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With Apir we are happy to introduce a new name, but yet a familiar producer behind this moniker. Tim Green has been around for quite some time now and just released his well received album on Cocoon Recordings last year.
While Tim Green’s sound is very melodic & playful, Apir has a much more stripped back approach, focused on a certain sound and direction. We felt this was the perfect follow up to our very own ‘X’ EP on Siamese.
Adriatique
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Monaberry’s label boss, good old Herb, is back in business. The House multi-talent curates the latest Mona compilation – Herberts Best #8. Famous Monaberry artists and new faces from all over the world follow his call and deliver exquisite productions to grandpa Herbert.
Tim Engelhardt’s contribution “Skin” is a deep hitting symphony of a cineastic atmosphere, rolling drums, crystal clear luminescent synths and captivating arpeggios. Mi.li.an’s vocals enchantingly highlight the track’s vibrant beat and the analog drive finally flows into bubbly extasy.
Just right after the release of his latest track on Monaberry Sobek pleases grandpa Herbert with “Camerlengo” – a gently evolving and hypnotically dragging track with some smacking groove that wraps around the floating framework and tickles your senses all at once.
Armonica, the charismatic duo from the dephts of Italy, put a mad peaktime track on the table. “Time” is just bursting with slightly dark synths and FXs. The energizing bass line and the vocals reduced to the essentials are literally pushing this track onto the global stage.
Another track is delivered by Sonic Future from Porto Alegre, Brazil. His artwork “Pontilismo” is full of vigorous rhythm, crisp synth variations and minimal 80ies flair that will knock your socks off. Especially the filter modulated chords carry you away to Alpha Centauri and fuse together with the beat into an embracing sound.
Luis Junior brings “Go Gech” into play, a rotating Detroit UFO made of technoid ruthlessness and deep groove. He successfully blends dramatic synth chords, vocal snippets, and striking FXs into a continuous storyboard with a break that will make your endorphins dance and pleases with a lovingly staged happy end.
Italian stallion Ivan Masa uses Afro House elements and sprinkles some melodic parts and softly playful groove to build the sound frame of “Nativity”. Dense spaces and percussions merge into an ethno inspired work of art that will flow straight into your body and soul.
Ikarius & Dhakka join with “Salvation”, a hypnotic production that catapults the audience into a next dimension with opulent synth chords and effects, crunchy claps and subtle toms. The track composition is indeed psychedelic and a powerful tool.
Ultimately, a compilation like this can only be brought into being by good old Herb himself. We bow to his wisdom and cannot wait for these seven gorgeous pieces.
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“Beautiful, beautiful. Magnificent desolation.”
(Buzz Aldrin’s first words when he joined Armstrong on the surface of the moon) Now that the world has come to a standstill please let us guide your attention towards this special 12”. Round and ever-turning like the moon, it rests on the record player. Move the tonearm and the disc will ooze strangely comforting tones.
Exuberant, yet melancholic at the same time.
RSS Disco have created a psychedelic, blissful jam that moves currents & constantly changes shape. Meandering voices inhabit the sphere, a pumping bassline secures the foundation. The warp core is frail at this power level but seems to be holding up.
Frequencies unravel, the bridge heats up. This must be fairy dust made of moon rocks.
On the dark side of the moon, we find ?Aera (Permanent Vacation, Innervisions) ?with his signature arp-fest. Elevating the original track form the surface to the stars, we have left home and there is no intention of ever coming back.
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Green Vinyl
We ring in the new decade with our first release of the year from none other than KÖLSCH. Many have been waiting for new music from his studio and the results are stunning. Let’s start off with “Shoulder Of Giants” – a string indebted affair that carries his signature style in a gorgeous, introspective means that won’t disappoint long-time fans. “Glypto” tells a different story – high volume percussion lead a choral chant into a superbly catchy, shrilling synth as KÖLSCH demonstrates his masterful sense of restraint and pure dancefloor liberation throughout. Welcome back.
Wir läuten die neue Dekade mit niemand anderem als KÖLSCH ein. Viele haben auf neue Musik aus seinem Studio gewartet und die Ergebnisse sind erwartungsgemäß umwerfend. “Shoulder Of Giants” mit seinen eleganten Strings ist klassischer KÖLSCH Signature-Style - großes, emotionales Kino, selbstverständlich mit ausreichend Wumms für die größten Tanzflächen und Festivalbühnen. Langzeit-Fans werden garantiert nicht enttäuscht sein. “Glypto” wiederum erzählt eine völlig andere Geschichte – energetische Percussion leitet einen außerweltlich anmutenden Chorgesang ein, bevor ein alles durchbohrender Synth für kollektive Beglückung sorgt. KÖLSCH demonstriert hier abermals seinen meisterhaften Sinn für Understatement bei gleichzeitiger Euphorie-Garantie. Willkommen zurück.
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Eagles & Butterflies' massive Can't Stop feat. Coloray finally arrives on vinyl! The record comes in a specially refined cover and features two reworks from Gerd Janson.
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Part four of Hivern Discs' Fragments compilation. While compilations tend to look backwards, 'Fragments' is far from being a retrospective. Since its launch in 2008, Hivern Discs has favoured a documentary approach, capturing the most vital and exciting sounds within its orbit at each particular moment. In keeping with the ethos of the label, this extensive compilation, comprising 29 new tracks across six 12?s, offers a panoramic glimpse of Hivern's present and gives indications as to its near future. The artists featured comprise both fresh and familiar faces; some of them have been a foundational presence since the beginning (John Talabot, Pional, Marc Pinol), others are recent acquaintances (Epsilove, Fantastic Man, Inga Mauer, Samo DJ). Together the compilation makes for a snapshot of Hivern's current identity, with a wide array of names and projects connecting the dots between the sounds, moods and ideas that continue to inspire and move the label today. Hivern was born a decade ago as a platform to celebrate a shared sensibility beyond any semblance of categorization. And that's what this collection of music is all about.
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Powder In Space marks the first in a new series exploring dance music's form and informality from Tim Sweeney's Beats In Space Records. The friendly voice behind the longstanding Beats In Space radio show and a formidable DJ to dance floors around the world, the ...In Space series, like the rest of the label's eclectic catalog, is testament to Tim's trust in the selector and vice versa.
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Collecting orders for repress
John Talabot and Pional bring back their Lost Scripts project to start a series of 12" with some of the jams the duo has been recording during these past years between Barcelona, Madrid and Giske. The release comes housed in a sleeve by Arnau Pi.
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It’s been a year since the Adana Twins conceived their label TAU. In that time they have successfully signed and released a slew of tracks that have captured the imaginations of influential selectors and dancefloor lovers alike. To celebrate their first anniversary, and all the success it has brought them, the Adana Twins take charge of their label’s 10th release with a three-tracker full of high quality, melodic electronica aimed straight at the floor. Kicking off with D.J.A.M.H. the duo get straight into it with a stirring analogue bassline that pulsates with dark intent. Gentle pads envelop the low end, counteracting the darkness with a lighter atmosphere. An extended breakdown, punctuated by Ridoutt’s spoken word vocal ushers in the dramatic main body of the track. The bass is modulated and warped, the pads become eerie and drum rolls heighten the tension. A second breakdown pushes the energy levels higher as a contagious melody joins the fray and we’re transported out of our bodies into an unknown realm. Next up is ‘Maya’, which hits hard from the outset with its jabbing beats. A wistful, melancholy melody sweeps across the chunky drum patterns, touching our hearts with its sorrowful tune. The main riff comes in after a couple of minutes, adding more emotion to the sombre narrative. This is a cut that will move the dancefloor physically and emotionally, encouraging contemplation and perhaps some nostalgia. Lastly, ‘Spaceman’ turns things gnarly with its grumbling b-line and slapfunk beats. As per usual the Adana Twins create a magical melody that prances above the low end enchanting the listener and whisking them away to a dreamland. Meanwhile the snarling bass maintains its belligerent flow, advancing with malicious intent. A kooky breakdown lightens the mood before we’re immersed in another wonderful blend of rugged bass and playful melody. Clearly in celebratory mood, the Twins deliver an outstanding EP as they hit TAU’s first anniversary. A fitting release for a label that is going from
strength to strength.
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Watergate favourites Frankey & Sandrino make a timely debut on the club’s imprint, with a classy remix by Tiefschwarz in toe.
If you’ve found yourself at the Oberbaumbrücke institution on a Thursday in recent years, chances are Frankey & Sandrino were responsible for the soundtrack. The pair of Sandrino Tittel and Frank Beckers have captained the Thursdate residency since 2018, serving up a beguiling blend of deep grooves and twinkling chords progressions.
The four-track ‘Nova’ EP is the embodiment of this immersive sonic palette. ‘Chimes’ is built around a strong melodic lead that rises and falls throughout the lustrous seven-minute cut, as lilting pads and delicate drums patterns complete the work. The title track follows on, a delicious exploration into the deep, as subtle acid lines rub shoulders with meandering synths to build a masterful snake-like groove.
Tiefschwarz’s remix of ‘Chimes’ brings heat to the package as the original is imbued with a muscular
percussive heartbeat. ‘Black Hole’ is a sweeping composition made for the after-hours as a searing lowend synth is juxtaposed with an effervescent melody line to create an atmosphere-heavy finale
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On their debut album as DOVS, Tin Man and AAAA summon the ethereal spirit of acid. Tin Man, AKA Johannes Auvinen, has been studying the emotional potential of the Roland TB-303 for 15 years now, and AAAA (Gabo Barranco), a fixture of the Mexico City underground, might as well be his acolyte. While the coincidental similarities of their studio and live approaches make this collaboration feel natural, even expected, Silent Cities is anything but. Acid Test 14 features remixes from select trackboth Tin Man & AAAA individually as well as label mate John Tejada.
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Correspondant welcome V, the once-mysterious man behind now-legendary head-turners on Cin Cin, Nautilus Rising and his own Le Temps Perdu. Since revealing himself to be Lithuanian veteran Vidmantas Cepkauskas at last year's Boiler Room Vilinius - at Club Opium, the famed Lithuanian underground haven he programs - he has continued to flourish and innovate... And he promises plenty more in store for 2018. It starts right here with 'Numeros'. A triple-headed technoid narrative of many layers; '1995' immerses us gently with a palpitating bedrock that's delicately built up with humanised textures and oceanic chords, '2001' uses the physical thrust of sprightly EBM motifs to drive us into the bleak new century while '2017' kicks with a pneumatic drive and a dizzying chain of chimes and harmonics that whisks us through the rave ages while looking firmly and defiantly into the future.... Where a fittingly rattled, dramatic and dynamic Fabrizio Mammarella remix awaits.
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The time has come for the third and final release of exclusive cuts from the Adana Twins mix compilation. Kicking things off is Aaaron's 'Muir' where organic grooves lay the groundwork for ethereal melodies and sinister vocal calls before Adana Twins 'Ocelotes' picks up the pace as powerful percussives oppose robust sonic displays of emotion.
Following suit of the previous track, Andre Hommen steps up next and delivers a vigorous journey where an unrelenting arpeggio drives forward at high velocity creating a wild and impassioned ride before Daniel Bortz and Sascha Sibler's 'Yuppie' draws back the intensity level to deeper, dub infused territories where groove is paramount.
'Gazebo' from Human Machine picks up the energy level once again as hi pace drums and rapid fire melodies culminate in a fever pitch of dance floor antics before Kadosh & Yost Koen's 'Dunkellila' dives back into celestial territories as a ghostly lead winds eerily into oblivion.
Rounding out the end of the release is Kintar & BOg's 'Tribelune' where melodic percussion and lush sonics traverse a path deep into emotional sector's before Upercent's 'La Lluita' finalizes the release with an exquisite array of sonics laid over an engaging broken beat rhythm resulting in a lullaby-esque dreamscape of gorgeous harmonies.
And for the vinyl connoisseurs Aaaron, Adana Twins, Human Machine, and Andre Hommen will be available via vinyl while the rest will be digital only. Enjoy!
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Fall is the result of Mono.Noise label head Daniele Di Martino and Second State artist Rocko Garoni. They have created a Techno anthem with straight drums, lots of acid and a striking melody which is made for intense nights. Second track is a hypnotic vocal mix of the original together with singer LoraUte - make sure not to get lost while listening. First remix is coming from Martin Eyerer and he is proofing once again that he understands how Techno works - absolute rave track. Matthias Schuell is known for his uncompromising Melodic Techno but this time he is giving us a different side of him. He produced a percussive Electronica remix with a constant progression and perfect arranged dramaturgy.
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'TANZBAR WHITE' kicks off with a various artists EP, Upcoming Belgian duo Pelace delivers the heat on the A-side with two house jams, perfectly fit for those old school house sessions in forgotten basements. ... On the flip, we find Huygens (a.k.a Kiani & His Legion a.k.a. Far Out Radio Systems) with two long awaited early trance tracks.
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The latest release on microcastle welcomes Brian Cid back to the label for a brand new EP. The US artist last appeared on the Canadian imprint a year ago with his well received 'Belles Du Shaman' EP. Three diverse and uniquely organic productions along with a remix from Eagles & Butterflies saw the release reach #1 in Beatport's Electronica and Progressive House charts, while placing #4 in their overall Top 100. A subsequent release on Manjumasi, along with a stunning EP on his Endangered imprint saw Brian's music played and supported by Adriatique, Tale Of Us, Lee Burridge, John Digweed, Henry Saiz, Guy J, Hernan Cattaneo and Joris Voorn. His Theory Of Light project with Holmar Filipsson from Thugfucker debuted with two remixes for Cityfox while a solo EP is due on the label later this year. Now making his much anticipated return to microcastle Brian presents his three track artist showcase 'Pluto', alongside a remix from Marvin & Guy.
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Ritter Butzke celebrates it's ten year anniversary! In the last decade the colourful and diverse night club grew to a considerable and international renowned institution in Berlin. For this occasion we are more than happy to welcome Extrawelt, Oliver Koletzki & Niko Schind, Monkey Safari and N'to on our Ritter Butzke Studio label. We hope you'll enjoy our „Ritter Butzke – 10 Years“ as much as we did and
still do!
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Moodmusic is ready for release number 200! After more than twenty years of output and dedication the label is now more than proud to offer the next release underlining the history of Moodmusic. For catno. Mood200 we gathered together three outstanding artists who follow up their first release under the name MKS. We are talking about none other than label boss Sasse himself, Sandrino and Langenberg. After the great success of the first MKS release it was only a matter of time till the three producers come back with some more black gold. The main track 'II' is coming on vinyl. Onesided for your pleasure.
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Julius is finally back on his own home Smallville with Along The Coast- it's the first solo 12' since his mesmerizing Flocking Behaviour album in 2014. After remixes for Telfort and Lerosa recently, a 12' together with moomin on his Closer label and some Smallpeople material last year plus a surprising non-electronic album with his band-project Tonight Will Be Fine (together with Abdeslam Hammouda) on Japanese label Mule Musiq, Julius is now back on his own imprint, delivering 3 deep cuts for the dancefloor. Next to running the Smallville record-store and -label, Julius started his own club-night and accompanied stamp-label Down By The Lake (catalogue number 03 is out now) in Freiburg, plus hosting the Smallville & Friends thursday at legendary Golden Pudel Club in Hamburg every month as a Smallpeople residency together with Just von Ahlefeld. They also put out record no. 5 on Smallville-offshoot Fuck Reality recently. Watch out for more good things to come this summer.. As always Along The Coast comes with a full Cover Artwork by Stefan Marx. All Tracks are written, produced and mixed by Julius Steinhoff Mastering & vinyl cut by Helmut Erler, Dubplates & Mastering Artwork by Stefan Marx
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Trading Places is what happens when three talented producers from different parts of the globe come together in Throne of Blood’s Brooklyn studio. Long time friends Moscoman (Disco Halal), Max Pask (Throne of Blood/Crodwspacer/DeeWee) and NYC legend Justin Strauss have built upon years of hanging out in New York and Berlin to form a loose, improvisational partnership. Recorded whenever Moscoman found himself in NYC and supplemented by sessions from frequent collaborators Strauss and Pask, Trading Places transforms a handful of days jamming together into one of Throne of Blood’s finest releases. It’s also the label’s first formal collaboration with Disco Halal, a one-off partnership similar to previous releases with Monty Luke’s Black Catalogue and Adam Marshall’s New Kanada.
Opening the EP, the haunting and percussive “Submission” features vocals from The Golden Filter and is backed by a special Moscoman remix.
“Elevated” takes a turn for the cosmic with its feet planted firmly in the club, and the EP closes with the epic slow burner, “Trading Places.
Photography and Design by Nuphar Blechner
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After a two year break, Watergate Affairs comes strong with the third installment of the popular
series, this time focusing on unearthing talent from outside the crew’s immediate circle.
A superb quintuplet of cuts marks its return. Danish duo Baime contribute the glistening ‘Majka’ that
entrances with a beguiling mix of cosmic synths and ethnic scales.
Tel Aviv’s Kadosh returns to the label after featuring on the Adana Twins’ ‘Watergate 25’ compilation last
year. His track is the seductive ‘Better Days’, a beautiful piano-led piece that stands apart thanks to the
artist’s deft arrangement skills, having played the keys since he was 12.
Buenos Aires born, Ibiza-based Kintar drops the evocative ‘Paradisou’, that builds with bass stabs, an
exotic vocal line and swirling pads for a dancefloor-ready finish.
The perky ‘Lucero Del Alma’ rounds out the pack, the label debut from Kevin Di Serna. The Argentine,
who’s released quality material on Innervisions, Endless and Lost & Found crafts a hypnotic house cut
primed for late night moments.
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Opening the record are PIN UP CLUB with ' Dilapidated '
The band was approached enthusiastically by Mireia Records' label heads RSS DISCO last year afterlistening to their first record 'Friends Of The Vortex' on Bordello A Parigi and seeing their live show on a dutch festival. Everyone was on the same page (of the book about Italo Disco's legacy) quickly, music was exchanged, and the fruits of this likeminded partnership can finally be heard out loud.
'Dilapidated' takes you from a state of pondering into the spiral of a fever's dream and back. Melancholic pads are balanced with an infectious bassline on the foundation of hard-hitting drums.
Two remixes deconstruct the original track for different parts of the night on the dancefloor: LAUER (Running Back, Permanent Vacation) recruits cow-bells, sirens and ... power to his arsenal and thereby shoots the song towards the sweaty ceiling of your neighborhoods basement rave. His knack for melodies and euphoria is widely known but he really manages to knock you out of the park with this one.
RSS DISCO channel the original track in to a psychedelic journey with a distinctive Italo feeling. A frayed lead melody interwoven with moist Oberheim chords and backed up by old-schoolish drums and a classic arpeggiated Juno Bassline ignite neon lights and incense at the same time.
On the flipside CONGA FEVER is bopping you deep into the thicket, accompanied by his ' Chihuahua '. Whirring synths, striding drums, and a bassline heavy as the setting sun make up this groover. The song feels moody and balearic, accentuated with strings in an arabian tuning, yet it's decidedly FUN and danceable. Conga Fever, who already had a solo EP and a contribution to the ' We'll Sea ' series on Mireia Records, impresses with music that sounds effortlessly thick and interwoven - surely achieved by playing all instruments himself and a keen ear on every frequency.
The remixer of this side is Jacob Korn (Uncanny Valley) who jokingly referred to his mix as the 'teutonic approach'. The incense has burned out, making space for a new-beat-esque groove, reflecting the cold neon. The bassline and chords still flutter playfully but make no mistake, it's a straight call to the dancefloor.
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A New Chapter Begins For Our Best Work Records Artist Fabian Dikof With His New 12 Inch Release "Into You".
Both Of The Tunes Again Clearly Show-off His Creative Skills.
His Signature Sound With Its Playfulness Surely Will Get Stuck In Your Ears.
With His Perfect Mixture Of Electronic And Organic Sounds
Pressure On The Dancefloor Is Guaranteed.Peaktime - A1 & B1!
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