Berlin's Exit Strategy are back with newcomer LOR. Keeping in line with the label's established modus operandi, the promising young artist delivers some deep and emotive Techno. LOR's unique productions are drawing a lot of attention lately.
These driving but nevertheless spiritual sounds are making the magic happen.
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London-based, Belfast-born blogger-production duo Matt McBriar and Andy Ferguson need little by way of introduction. They've released one absolutely killer track after another, snaking through everything fromdeep disco edits to moody two-step to classic New Jersey House vibes with incredible ease, on some of the most exciting labels out there: Throne of Blood, Under the Shade, Domino, Love Fever and now, Aus Music. This EP sees the pair working in collaboration with fellow Northern Irish producer Ejeca (aka Garry McCartney), as well as the inimitable Serge Santiago (in his Omar Odyssey guise), with Panorama Bar resident Steffi rounding off the release perfectly with a superbly crafted remix. Their blog Feel My Bicep continues to weed out an astonishing breadth of untapped and under-appreciated tunes and edits, even proving to be a popular destination for DJs looking to beef up their set-lists last minute before a gig. Their most recent single, $tripper was the top seller on Juno & Phonica for many weeks and with this new EP they look set to continue this seemingly endless run of on-point dance-floor bombs.
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At the vanguard of Greek electronic music, Anatolian Weapons, an alias of Aggelos Baltas, has garnered praise from the likes of Lena Willikens and RA. This is a deliberately dancefloor oriented release, with a host of long acid laced tracks, and some surprises. The titles offer a subtle nod to a recently passed DJ and polymath, and the remixes give a fresh feel to Aggelos’ tracks, with Serbian selector AASKA and Coma World on duty. The remixes give a fresh feel to Aggelos’ tracks, with AASKA breathing downtempo energy into ‘Only Harmony Seeds’, and Byrd Out associates Coma World (Betamax and Pete Bennie) imbuing ‘Other Paths’ with a dreamlike spirit driven by Betamax’s treacle-like drumming.
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Following on from their 2017 ‘Welsh Music Prize’ nominated debut ‘ Life in Analogue ’, Cotton Wolf are back with a brand new album. ‘ Ofni ’ (Welsh for ‘Fear’) will be released on 4th October on vinyl and digital formats.
Set against a thematic backdrop of social uncertainty, the album’s darker material is simultaneously imbued with anxious paranoia and hopeful positivity. The new tracks from the Cardiff duo showcase a bolder production with faster tempos and purer electronic sounds, alongside hypnotic, abstract and melodic ideas inherent to their previous release. Whilst the bulk of the album is instrumental, the title track features an ethereal vocal contribution by Adwaith’s Hollie Singer.
Brought together through various musical projects, Llion Robertson and Seb Goldfinch discovered their mutual appreciation of electronic music, as well as their love of film and TV soundtracks. Through Cotton Wolf, the pair aim to create organic, intelligent soundscapes that provoke equal measures of thoughtfulness and danceablity. Seb’s background in classical composition and arranging (BBC National Orchestra of Wales / The Gentle Good) combined with Llion’s work mixing and producing (Super Furry Animals, Gruff Rhys, Aldous Harding, James Yiull) , leads to an expansive, unique approach to songwriting and the wider collaborative process.
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