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OGE011 By Swoy - vinyl only

Following last year’s ‘Monster Skies’ comes another 6 track mini-lp of original works from label head Jura Soundsystem. Once again the EP aims to bring together the melting pot of influences that also inspire the label, Dub, Ambient House, Leftfield Disco and Balearica. The EP was made with the Roland classics, the Juno 106, SH101, D-05, TR 707 & 727 and includes guitar and sax work to balance the electronic sound palette. Mastering By Matt Colton.

Tape Cassette

Soundscape Versions pres. the 7th installment on its sublabel Mystic Versions produced and performed using all analogue hardware gear.
Six cuts between ambient electronica to experimental and dubbed out excursions

after a long silence Buttha comes back with four beautiful tracks

The second in a series of compilations by Jura Soundsystem (label head Kevin Griffiths) brings together music never before released on Vinyl and some sought after out of print titles. The LP broadens the scope of the first Volume and touches upon a number of genres moving fluidly through Ambient, Electro, Dub House, Slow Disco and Library music before ending with some star gazing Esoteric cuts.

‘Transmission Two’ is bookended by Carl Craig, whose ‘C Beams Glitter’ has never before been released on Vinyl, and the actor Jeff Bridges, who provides a perfect finale with a message of personal empowerment set to the music of Ivor Novello winning soundtrack composer Keefus Ciancia. In between you’ll find Aphex Twin protégé Bochum Welt, John Rocca of Freeez and Pink Rhythm, Library Music aficionado’s Daniele Patucchi and David Arch, a Jura Soundsystem edit of Sapho, Hitman from the Philly World music stable, Hirini Melbourne (a Maori composer, poet and Author) and a beautiful previously unreleased song from Zann.

This Double LP is a sketchbook of music picked up on digging adventures from the mind behind Isle Of Jura with artwork from long standing designer Bradley Pinkerton.

Having won approval and success in its debut release, the spclnch vinyl series continues with the release of a second record from Wiesbaden producer - Peter Fanai.

Weighty, spacious bass pleiades fill the sound field, erase the consequences of duality and, flowing into the viscous full-bodied substance of verified sound design, it would seem that they will momentarily shift the tectonic plates of the electronic genre.

Maestro Basicnoise is again involved in the spatial enrichment of textural proportions of reverberation and percussion. This time, their sequence runs under the quality mark of the Australian-German collaboration. The accurate Kooscha warms up the sensorics with elegant dance manipulations and a distinct rhythm, and the related association Echoton traditionally introduces a tart concentrate of meaningful thoughts.

The rich aftertaste of variable electronic abstractions takes the subconscious and musical outlook to a different plane.

Now you are more than an observer.

Brown Marbled Vinyl

Was würde der Re-Mixer Pit Baumgartner mit unbegrenztem
Zugang zum Sample Archiv von Pit Baumgartner anfangen?
Bekannte Motive, unbekannte Perspektiven... Stark eingefärbt
durch seine Affinität zum Reggae entstand ein munteres „DePhazz“-Mash-up, bei dem Kenner der Band das eine oder
andere Original in neuem Kontext wieder erkennen, mal mit
federnden House-Grooves unterlegt, mal mit Dub-Bass tief
aus dem Keller.
Die Liste der Künstler, die Baumgartner remixen durfte ist
lang: Boy George, Yello, Kool & The Gang, Aha, Kurtis Blow...
- nun hat er also in der eigenen Klang-Schublade gestöbert,
modifiziert, ge-dub-t, gewürfelt...und neu zusammen gefügt,
mit der ihm unverwechselbaren Klangästhetik und phazz-adelischer Eleganz!

Connaisseur posthumously releases Daso's self-titled long player to create a final memento for his musical legacy.

We first came in touch with Daso when we saw him performing live at the
Dachkantine in Zurich around 2006. He really had this stage talent which
fascinated us straight from the beginning. At this party we agreed on the first release on Connaisseur, the "Adventure EP" including the strong "Sam n Max", which was a great presentiment of the many releases to come.
Daso was a unique character with a lovely sense of humour, and surprising quirks which could be like marvels to us. One moment, we would be worried just seeing him crossing a busy street and in the next, he would be rocking the stage with major self-confdence and the attitude of a real rock star.
In our history of Connaisseur, he defnitely was one of our most important
artists, and some of his best music was released with us. He played many label nights, and together we enjoyed uncountable laughs, discovered cities and countries while touring and collected invaluable memories.
It is the way of the world that we as a label eventually focussed on new artists, and Daso, too, embarked in new directions. We still stayed in touch, even though the gaps between our contacts became bigger with time. The frst time we realized that Daso was ill was in the frst quarter of 2016. We had invited him to our 10th anniversary party in Berlin, but he didn't feel well enough to be able to come. Shortly after this, he went to the doctor and was diagnosed with cancer. We were shocked. Daso was always such a positive person, it simply didn't add up for us that someone like him could get sick.
Obviously an irrational and unjust thought, but it just felt so unfair.
When he started chemo therapy I spoke to him on the phone, and my label partner Martin, who lives in Berlin, gave him a frst hospital visit early in summer of that year. A bit later we visited him together, and yes, he was optimistic, still full of humour and also motivated to pick up his career again as soon as possible. This impression was of course only from a distance, but I was delighted to see how confdently he presented himself on socials after all his treatments, and how after recovery he started playing gigs again.
At some point I realized Daso hadn't been active on his socials for a while, which concerned me. This was in the frst quarter of 2018. His last post on Facebook had been made on November 30th and I knew this couldn't bode well. After contacting some common friends I was told his prospects were not good. I was about to go on an Easter holiday but planned to visit him on my next monthly trip to Berlin. I didn't have the chance. On Easter Monday, April the 2nd, 2018 Daso passed away.
At Daso's funeral, which was on a wonderfully sunny day in late spring, his father came up to me and asked if I might be interested in releasing this album, which Daso had been able to fnalise in the last months and weeks of his life. We didn't decide on doing so lightly, knowing that the release of a post-mortem album can bring up certain issues. However, in the end, we agreed to do it, as we sincerely strive to create a fnal memento for Daso's musical legacy.

The self-titled album Daso will be released on April 5th, three days after the first anniversary of Daso's obit.

The sixth Daydream release proudly celebrates the first ever solo EP of an historic artist of the imprint and good friend MJOG.

Spread across 3 tracks, 'Trust First' has been in fruition over the past year and is the biggest project of MJOG's career to date. Produced to display his confidence and friendship for the label, the EP embodies the artist's depth of knowledge and showcases his diversity as a producer by drawing from different influences.

Side A takes off with the title track, a straight up minimal club banger infused with chunky percussions, ethereal pads and vocal clips overflowing with warmth and emotion.

On the flip side, this is MJOG turning up the energy levels with 'Brainwave'. A beautiful journey rhythmed by a solid drumbeat, metallic sounds and enchanting melody drifts giving it an interstellar feel.

To close the EP, prepare to embark on a 'Pacific Dream', a galloping beat combining strong drums with alluring and atmospheric dubby pads, turning it into a galactic ditty.

A few months after the landing of "Point A", the debut instalment in
a series of 12" VA's blending in works from new faces and more established names.

"On Board Music" returns this winter with "Point B", a followup featuring choice slices from
on-therise French soundscaper Diane Barbé, Madridbased dub experimentalists 'Uanamani' and wellknown-Spanish-techno artist 'Daniel Kyo' under his CORE alias.

Starting off with Diane Barbé's "Something For The Mountains", an eight minute piece of textural sublimation fusing strains of Easternmost-traditional music and heartraking downtempo, the disc moves on towards further dynamic, verbedout atmospherics with Uanamani's 'Luzzu' - It's taking us straight to some eerily exotic place, where delayed drums & teeming layers of faux-organic luxuriance make one!

Flip Sides and you'll find CORE setting the deepness'o’metre to
eleven with a pair of dub bedout rollers. Cutting a path of hypnotic devastation across-
the dancefloor, 'Mantra' loops you in for a truly mindbending trip down techno's deepest depths.

Beaming back the energy levels stacked up by the previous, hectic closer "Energia" spits out fiery waves of mesmeric synth arpeggios to ensure definitive control upon the dancers' body & mind, - Headtripadvisor recommends!

Vinyl Only.

3x12" with clear marbled vinyl (blue splashes)
„Assemblage“ of Rhauder & Paul St. Hilaire contains all originals of their Ornaments works plus an unreleased bonus version. It’s a recut on three 12 inches with clear marbled vinyl (blue splashes) in a
stamped natural carton sleeve. Expect 10 dub techno tracks combined with the beautiful voice of Paul St. Hilaire aka Tikima

Joe Herrick - Dream Reading'Extrapolation Records are proud to present the first record by Joe Herrick, 'Dream Reading'. Comprising of 14 tracks from a vast archive of his material we've been listening to for the last 5 years, the album moves from ambient soundscapes to off kilter hip hop and house, all held together by Herrick's individual use of looping and samples.
Euphoric, psychedelic, paranoid, rugged, claustrophobic all at once, the dream scenarios throughout include a variety of daily work events, journeys to different locations, family matters, sex acts, and encounters with other human individuals, animals, and deities.'

The 803 Crystal Grooves Collective cuts label was launched in 2019 by Cinthie as a platform for material from her collective of friends and producers she admires.
The project was launched with a four-track VA featuring S3A, 9th House, KETTAMA and Asquith and here we see two new additions to the roster in the shape of France
Anaxander and Azuni aka Washerman.

Next up on Baum is no other than Mike Schommer of DeepChord fame who is back after a 15 year break, with a three track EP. His first release after his break was out on Steve O Sullivans Mosaic Records, and now his second one is released on Baum Records. Mike s sound does not need any introduction, the music speaks for it self, but one thing to say, Dub Techno does not get any better than this.!

Patrice Meiner returns on Druzhba with two groovy tracks that will keep you on the dancefloor long past bedtime. The spiritual original versions are accompanied by killer reworks from Justin Pak & the one and only - Javier Carballo. Boom!

3x12" with clear marbled vinyl (blue splashes)
„Assemblage“ of Rhauder & Paul St. Hilaire contains all originals of their Ornaments works plus an unreleased bonus version. It’s a recut on three 12 inches with clear marbled vinyl (blue splashes) in a
stamped natural carton sleeve. Expect 10 dub techno tracks combined with the beautiful voice of Paul St. Hilaire aka Tikima

Oleg Buyanov also known as OL, DJ and electronic music producer from Moscow, Russia. Leading member of Gost Zvuk.

On a hot summer day, you enter the main hall of a well-known local Vietnamese restaurant. The noise of the visitors' voices merges with the national music playing in the background. All seats are occupied in the hall and the polite staff takes you to a separate room where the atmosphere of calm and comfort prevails. Beautiful interior, cool air and soft light conducive to relaxation. Exotic dishes and drinks allow you to fully enjoy the authenticity. Far away in the distance voices from the main hall are now barely audible, you are in anticipation of a great evening.

Splash Art Vinyl - Clear With White Splashes

For the 50-anniversary release label owner youANDme teams up with Steve Bug and the magic vocal artist Black Soda to present Detroit inspired deep house combined with dubby influences. The record
will be released in a special limited splash art vinyl edition

Ltd repress

Ivano Tetelepta's Siena imprint hits double figures with a stylish fifth installment of its Sampler EP series. The co-founder himself features next to Vivian, Toki Fuko and Tom Liem.

Tetelepta goes first with more of his cavernous and dubbed out grooves. They roll smoothly beneath a jumble of toms and vocal samples and sci-fi soul comes from the warm chords. Vivian then serves up something brilliantly trippy, with brain cleansing synth lines, alien life forms and a kinetic minimal drum line all making for a late night mood. Next is Tom Liem, the ESHU associate who excels here with the superbly spacious Freediver, a dubbed out ambient techno with a persuasive rhythm and exquisite sound design. Toki Fuko closes out with a more driving dub techno cut that has rippling chords and perfectly undulating drums. This is another forward thinking fusion of dub, minimal, ambient and techno.

After the success of their debut album in 2018, Kermesse again teams up for some finishing touches with Noema as a co-producer and delivers a stunning new EP for The Magic Movement.

The 4-tracker kicks off with 'Marimba' that gets you right in the mood, featuring Kermesse's trademark sound of minimal beats, dubby synths, and South American percussion.

The title track 'Awake' shifts the mood into a more playful and funky side, featuring Pedro's sleazy vocals, syncopated keys and jazzy drum fills. Caution: Sing-along-alert!!!

On the flipside, Label head honcho Noema turns 'Awake' into a hell of an anthem, taking the listener with his submarine remix from the depths of the pacific ocean to a blissful balearic ending.

'Images' picks up the balearic vibe and closes the EP with dreamy sunset house vibes.

Map.ache's debut album on Giegling.

Marc & OVEOUS bring the classic bruk flavours to Atjazz's label with their new e.p. 'On Again'.

The original harks back to the old Co-Op nights with a tough bass synth and OVEOUS' soul laden vocals, tied together behind a punchy, syncopated broken beat rhythm. Dress to sweat, this one will make the bodies move.

First up on the flip side the '4x4 Dub' switches the rhythm to a straight up 4x4 house beat, but that subby synth carries through the broken beat touch. The original mixes' vocals are dropped in favour of one of OVEOUS' short spoken word monologues before he steps back to let the music do the magic.

The 'Dubstramental' gives you one final interpretation utilising the same dubbed out template as the B1, but reverting back to the original broken beat pattern to give you three different flavours to throw down with.

Dial warmly welcomes Soela to be the first album release in 2020, the 20th anniversary year of the label and the latest addition to their artist’s roster. Soela’s debut Album Genuine Silk is an exploration into the deepest shades contemporary and House Music and Ambient. With a continuous stream of essential compositions, Soela creates a mesmerising undertow of enchanting atmospheres and moods. Soela aka Elina Shorokhova is a wanderer, passing through cities, clubs, landscapes and genres that all left unmistakable traces on this release. Genuine Silk marks the end of a three year long journey that started in Rostov-on-Don and ultimately led to a new life for her in Berlin. Three years that saw acclaimed and celebrated releases on record labels like Kompakt, Detroit Underground and Nerang Recordings.

Here it is! Our debut release. This is just the start of our journey and sculptured on to this record is what you can expect to hear from our releases. The VA is a perfect collaboration of artists with each track complementing the next and capturing the Sub:Conscious ethos through the medium of groovy dubby sounds.

It's only fair - in terms of universal balance - that stratospheric pop success should be countered with some gutter realism.

Release No.12 then is the smudged mascara of the morning after, still in the club, but definitely not ready to leave.
'Imperfection Turns Me On' is the sound of Nile Rodgers sharing a bag of flake with the local bell-ringing society, while B & E upsets the curtain twitchers with an uplifting lude-a-thon of swirling synth riffing and those ever-present Crooked and pin sharp beats.

SLEEPWALK unashamedly hogs a whole side, gently imposing its dub-soaked 15 minute self directly into your hypothalamus, with some Basic Channelesque transcendentalism, but from Yorkshire.

Dependably unbendable !

As always, limited and LOUD

Vinyl Only

PT005 sees NYC based Gee Dee deliver the fifth physical disc on Planet Trip, following his recent EP on Superior Elevation Greg D presents the "Key of Sea EP”. A freaky four tracker of cosmic influenced melters, effortlessly moving through hazy and dub influenced housey cuts, balearic tinged earworms and oddball downtempo trips. Suitable for sunsets with friends or late nights with strangers, a record with a tune for all hours of the dance.

Limited to strictly 300 copies, no repress.

2x12"

Parisian label Another Moon are pleased to announce the imminent release of the second collaborative album by Scott Monteith aka Deadbeat and Paul St Hilaire aka Tikiman entitled 4 Quarters of Love and Modern Lash. When asked about about the album's motivations and production process, Monteith had the following to say: “I first heard Paul's voice back in 1996 when I stumbled upon the first Burial Mix 10 inch in a local shop, and it would be no exaggeration to say it has echoed in my mind ever since. We began working together in 2008, and it's fair to say the experience of performing and learning from him has left an indelible mark on my artistic process and my outlook on life in general. He is possessed of a truly electrifying spirit. I’ve had a folder on my hard drive called “For Tiki” for 14 years now, for those more often than not late night studio moments when I stumble upon a rhythmic or musical phrase and hear that unmistakable voice bubbling up in my mind. When that folder fills up with enough of those little magic moments I know it's time to call him, though strangely enough, he more often than not ends up calling me around those times. Such is his deep universal awareness.” “I wrote the initial sketches for what would eventually become this new album over the course of last year to a large extent as a way of trying to process what I perceived as a creeping darkness and sickness in both my own life and the world in general that desperately needed exorcising. When I received his initial responses I nearly fell off my chair. It goes without saying that Paul is a lyricist and poet second to none, and anyone familiar with his enormous body of work can attest to that. And yet, there was something in these latest pieces that hammered the proverbial nail clean through the wood. They perfectly captured this sense of rising tension, of a world that was getting almost psychedelically weirder and darker by the day, and both held a mirror up to this and offered some much needed release. Little did we know, nor could we possibly have imagined, that by the time the record actually hit the shelves, things would get exponentially weirder and darker still.” “It is my great hope that at some point in the coming months we will be able to get back on the road and share these new pieces with people in a live setting, as performing with Tiki is truly one of my greatest joys, and I think it’s where the fire in our work together truly burns brightest. In the meantime, it is my great hope that these 4 long form meditations might provide a little solace for people in their isolation, be it quietly, eyes closed lying on the coach, or cranked up, full on raving in their living rooms.”

Incredible production from great guys - Local Dub, specially for Hoarder.

vinyl only

180g clear marbled vinyl + stamped sleeve + inside out printed cover

Mood of departure presents the 50th release of ORNAMENTS. "Roadmap" LP is crossing borders,
forests, mountains and deep atmospheres on a trip of finest electronics from the past and today
combined with recordings of destructions.

Some Previous here

Resident Advisor

German label Ornaments Music is putting out its 50th release, Mood Of Departure's Roadmap.

The album comprises twelve tracks of melodic ambient and trip-hop, and is due out next month. The LP will be pressed up on marbled vinyl on November 6th, while the digital album is slated for November 23rd release.

This summer, Ornaments Music put out Assemblage, a dub techno collaborative project from Paul St. Hilaire and Rhauder.

Groove MAG

„Man soll die Feste feiern wie sie fallen.” Hachja – 2020 ist wirklich vieles anders. Sogar manche Lebensweisheiten treffen in diesem Jahr nicht mehr zu, wie sie das noch letztes taten. Zum Glück dürfen wir uns aber über eines umso mehr freuen, über tonnenweise neue Musik. So feiert unter anderem Ornaments Music Release-Jubiläum. Das Berliner Label bereichert seit 2008 mit Künstlern wie Marko Fürstenberg, The Analog Roland Orchestra und Rhauder die Dubtechno-Sparte mit maßgeblichen musikalischen Beiträgen. Mit dem 50. Release Roadmap beschreitet Ornaments nun neue Wege und veröffentlicht ein emotionales Album, dass sich irgendwo zwischen Ambient und Electronica wiederfindet.

Mood Of Departure heißt die Person, die dieses Werk vollbracht hat. Wer dahinter steckt bleibt vorerst geheim. Nur soviel sei gesagt. Es ist nicht ihr erstes. Oder seines? Weil es nur spärliche Informationen über den/die Künstler*in gibt, stehen die einzelnen Stücke ohne Personenkult oder seitenlange Lobeshymnen an erster Stelle. Und wenn man mal ehrlich ist, gibt es schon genug Ablenkung in der heutigen Zeit. Durch das Intro des Albums, durch „Scan”, wird sofort deutlich, dass es sich hier nicht wie gewohnt um ein klassisches Dancefloor-Album handelt. Die Stimme der Sängerin, die auch in einigen weiteren der insgesamt zwölf Stücke vorkommt, verleiht dem Track eher Band- statt Producer-Charakter. Ein sanfter Ambient-Teppich aus luftigen Flächen und wiederhalendem Gesang wird durch simple aber präzise Hip Hop-Beats fortgetragen, und man ist nach dieser Einführung gespannt, was noch folgt.

Faze MAG

Mit dem Debütalbum „Roadmap“ von Mood Of Departure veröffentlicht das Label Ornaments sein 50. Release!

2008 startete das Label, das bekannt ist für sein marmoriertes Vinyl, mit einer EP von Marko Fürstenberg, Acts wie youANDme, Sascha Dive, The Analog Roland Orchestra, Steve Bug oder zuletzt Rhauder & Paul St. Hilaire haben hier auch ihre Spuren hinterlassen.

Second remix 12'' of the Firecamp Stories Nettle's album. Enjoy ! Last copies ever !

Videosphere, the debut album by Kompakt’s latest signing, the London-based artist Lake Turner (aka Andrew Halford), swoons into focus with “The Sunbird”, a teasing drift of lilting, ambient tones, riding out a submerged piston-pulse rhythm. Across its brief 109 seconds, it manages to traverse evocative terrain – something mythopoetic, something both humble and grandiose, a glimpse of the other behind the sky’s curtain. “I wanted to conjure up something resembling an ancient ceremony or death procession,” Turner nods. “Like a hymn to the surroundings of a faraway hill.” It’s both sky-bound and earthen, a ritual incantation to call in the music of the spheres.

Turner was introduced to the Kompakt family by his sometime collaborator Yannis Philippakis of Foals. He’d previously made music in post-punk and indie groups Great Eskimo Hoax and Trophy Wife, but Videosphere is the first time he’s fully articulated his own vision of electronic music, aside from one limited lathe-cut 12”, 2018’s Prime Mover EP, on Algebra. The lush ambient-disco-techno dreams of Videosphere were constructed and completed in his London studio and at his parents’ arable and sheep farm in Worcestershire, which might help explain the hazy, unhurried pastoralism of the album.

“There was a slight bittersweetness in finishing the record (in Worcestershire) as my parents were in the middle of selling my childhood home,” he sighs, before quipping, “on the plus, I ended up shearing a lot of sheep over the summer.” A student of archaeology and ancient history, Turner is no doubt carefully attuned to the twisting cogs of history and memory, and it’s no surprise that Videosphere has a nostalgic, melancholic cast; much of its beauty rests in the way it tugs, gently, at the heart strings – see the tear-stained cheeks of the lush, dappled “Honeycomb”, or the sweetly sad electro-roundelay of “No Way Back Forever.”

It’s not all drift-dream hypnosis, though – Videosphere is very much grounded in the now. ““No Way Back Forever” is a nod to the linear nature of time,” Turner explains by way of example, “and the tipping point of the world climate crisis that scientists have now declared.” Jayne Powell’s vocals are sent spinning through the song, wound like candyfloss; she takes centre stage on the techno hymnal title track, too. Throughout, there’s a sense of forward movement, despite the life stasis we find ourselves collectively bound by in mid-2020; there’s also a yearning for the communal, for community, that’s captured in the album title, a nod to an object Turner encountered at London’s Geoffrey Museum, “a television set in the shape of a spaceman’s helmet from the 1970s.”

“The vision I loosely had was to make an electronic record that had a communal warmth and almost ceremonial or ritual feel. I wanted to examine the relationship of our archaic minds in the trappings of the modern world,” Turner concludes. “What the Videosphere also symbolizes for me is the oneness of humanity and community, prevailing.”
Eröffnet wird "Videosphere", das Debütalbum von Kompakts jüngstem Signing, dem in London ansässigen Künstler Lake Turner (alias Andrew Halford), mit "The Sunbird" - einem herausfordernden Strom aus Ambient Sounds, die zu schweben scheinen, um sich dann in einen subtilen, maschinellen Rhythmus zu verwandeln. In gerade mal 109 Sekunden gelingt es dem Stück, ein gewaltiges Terrain abzuschreiten - etwas Mythopoetisches, bescheiden und grandios zugleich, gibt uns eine Ahnung davon, was sich hinter dem Himmel verbirgt. "Ich wollte etwas heraufbeschwören, das einer alten Zeremonie oder Totenprozession ähnelt", sagt Turner, "wie eine Hymne an die Umgebung eines weit entfernten Hügels." Himmlisch und irdisch zugleich, eine rituelle Beschwörung von Sphärenmusik.

Der Kompakt Label-Familie wurde Turner von dessen zeitweiligen Mitarbeiter Yannis Philippakis (Foals) vorgestellt. Zuvor hatte er in den Post Punk- und Indie-Bands Great Eskimo Hoax und Trophy Wife gespielt. Bis auf eine limitierte lathe-cut 12", der "Prime Mover EP" auf Algebra von 2018, artikuliert Turner mit "Videosphere" zum ersten Mal seine eigene Vision von elektronischer Musik.

Die üppigen Ambient-Disco-Techno-Träume von "Videosphere" hat Turner in seinem Londoner Studio und auf der Schaffarm seiner Eltern in Worcestershire produziert, was den nebulösen, gemächlichen und beinahe pastoralen Charakter des Albums erklären könnte.

"Es gab einen bittersüßen Moment als ich mit der Platte (in Worcestershire) fertig geworden war, da meine Eltern gerade dabei waren, das Haus meiner Kindheit zu verkaufen", seufzt er, bevor er witzelt, "das Positive war, dass ich im Laufe des Sommers eine Menge Schafe geschoren habe". Als Student der Archäologie und der Geschichte des Altertums ist Turner zweifellos mit den sich unaufhörlich drehenden Rädern der Geschichte und der daran geknüpften Erinnerungen vertraut, und es ist keine Überraschung, dass "Videosphere" einen nostalgischen, melancholischen Einschlag hat; viel von seiner Schönheit liegt in der Art und Weise, wie es einem sanft ans Herz geht - die Tränen benetzten Wangen von "Honeycomb" oder der ambivalente Elektro-Reigen von "No Way Back Forever".

Trotz allem hypnotischen Driften und Träumen - Videosphere ist sehr stark im Jetzt verankert. "`No Way Back Forever`ist eine Anspielung auf die lineare Natur der Zeit", erklärt Turner beispielhaft, "und auf den Wendepunkt der globalen Klimakrise, den Wissenschaftler gerade ausgerufen haben". Jayne Powells Gesang wirbelt dabei wie Zuckerwatte durch den Song und steht auch im Mittelpunkt des technoid hymnischen Titelstücks. Überall ist ein Gefühl der Vorwärtsbewegung zu spüren, trotz der Stagnation, in der wir uns Mitte 2020 kollektiv befinden; trotzdem existiert eine Sehnsucht nach dem Gemeinsamen, nach Gemeinschaft, die im Albumtitel eingefangen ist - eine Referenz an ein Objekt, dem Turner im Londoner Geoffrey-Museum begegnete, "ein Fernsehgerät in Form eines Raumfahrerhelms aus den 1970er Jahren".

„Die lose Vision, die ich hatte, bestand darin, eine elektronische Platte zu machen, die eine soziale Wärme und eine fast zeremonielle oder rituelle Atmosphäre ausstrahlt. Ich wollte die Beziehung unseres archaischen Geistes in den Fallstricken der modernen Welt untersuchen", so Turner abschließend. "Was `Videosphere` für mich auch symbolisiert, ist die Einheit von Menschlichkeit und Gemeinschaft, die am Ende obsiegt".

Mayak continues to deliver it's vision of Moscow sound. On A-side of our 11th release Adjustment Bureau shares one of their specials - housy and dub-inspired track "My Music Stops The Moon". For the B-side remix we invited minimalystic master - Lowris, who implements his groove for the best moments of afterhours.

2x12"

Fluxion is an artist with a long standing contribution to the electronic music scene. "Perspectives" is the artist's 9th full length album under this moniker.
His collaborations over the years with top boutique labels, such as Chain Reaction and Echocord records, and his total volume of albums and eps, place him at the forefront of the electronic music scene, for more than 20 years.From avant guard electronic dance music to techno with ambient textures, Fluxion has managed to stay at the forefront producing music that helped shape up a whole scene.
"Perspectives" is a more personal album expressing the artist's state of mind at a specific point in time where the need for change was a necessity..
There are moments in every artistic path, where instead of following a concept, an instinct, a theorem, music becomes the tool that allows you to see and reflect more clearly on your own feelings.
Music has this unique ability to talk straight to your inner world, and doesn't necessarily request the process and the complexities of an analytical mind in order to be understood..It can just be felt.
That is at the core of "Perspectives", which sees a release on the artist's imprint Vibrant Music.
This album reflects on moments and moods, but in the process of doing so it manages to balance between listening environments, making it a fine full LP listening experience, and at the same time offering some great club choices, with tracks like "Formation","Glimpses". "Dawn","Glimpses II" and "Cliff" a version of which has been released by XLR8R last year.
With "Perspective" Fluxion has no intention to impress, but rather express in a more honest way, and share a moment in time, full of intimate moods, and take us on a journey..
One where feeling the music, is at the center.