House Vinyl New Releases - News

Kodokushi or lonely death refers to a Japanese phenomenon of people dying alone and remaining undiscovered for a long period of time.

Simon Crab in his most elegant contemporary style. A heavy dose of emotion (maybe disturbing!?) from the man behind the hugely influential alternative music band Bourbonese Qualk.

Lush soundscape, meticulous programming whilst still containing the dub DNA, what a conquest of freedom!

Unmistakable and inimitable Detlef magic on the B-side. Tolouse Low Trax serve a cerebral utopian idea long to 7,42 minutes.

Music for the head... and body! It's coming out in April, limited to 200 copies.

I listened to it day and night, in Tokyo's subway, walking across the busy streets and empty avenues. Sitting on the pavement in front of a konbini, a can of whisky-perrier in hand. On the plane, amidst the opaque grey clouds. And at the temple - humid mountainous scapes and dry wood.

In Japan the sun sets earlier, and the warmth of the day lasts a little longer, so it fades more smoothly into the night.

Aesthetically and musically speaking, it makes you want to dance the ‘JIVZ’, somewhat inebriated, a little too early in the afternoon, as if it were too late already, with nylon-bodies, bulging booties but the shoulders cumbersome, as the notes of 'HDV' play along.

Then, at first slow and wobbling, you hit the road onto some warm and cramped nocturnal destination. Preferably serving sake and broiled foods, 'D1V4G' on my mind.

Recall Eno through the volutes of 'M45C4R4D3'. And 'QYURKY RUQ' in Cutty Ranks' live and its lo-fi riddim.

The impression of being an airwave lost in between two AM frequencies, in the near-quiet of this interstice - 'D41N7Y 5QU4R3'.

Then you open an eye, look to your left, the body buried under a plaid, the pendulum of the big wooden clock has lost the pace, 'In Transit Across The Uni', and you can't help but think these ebony and solid oak monsters sitting in the living room once were that incredibly hi-tech cupboard in an ancient home. Giant mechanism, in the heart of the house. Watches and proportions. You close your eyes.

I figure myself the creature from the cover dancing an elastic dance, when comes the last of the 'JIVE ED' - its limbs suddenly zoomed-in, stretching out like chewing-gum seen from a disproportionate perspective, retracting just as quickly. Something that would fit the beach scene from Funky Forest like a glove, or the one of the animated short's screening.

Only frustration, the hope for a stronger, lastingly groovy and cheerful 'LYFSPAN’.

Correspondence on 12/12/18 at 13:02 - Charli TAPP























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Where does electronic music lead you? To the inside, to a calm and warm place where sound resonates with your body in quiet bliss, or to the outside where the rhythm wants you dance, even without moving? „WTMCT“ gives an answer to these questions that is complex yet extremely easy to understand in an immediate sentient and emotive way.

Menelaos music is unusual and unlikely both with respect to the structure and arrangement of tracks, and the materiality and spatiality of the sound. And yet these sounds convey an immediate sensation of familiarity and ease, of beauty and relaxation. Menelaos utilizes loudness and extreme dynamics in a thoughtful and intriguing way to accentuate strange runaway sounds while maintaining the continuity of the flow of the tracks, which is Ambient to the core. This is a rare art in our time, where hypercompressed and superoptimized glossy sounds dominate most of Ambient, drone and even deep listening music.

In this aspect the album follows and refines the subtle production skills of seminal electronic artists like Jan Jelinek or Terre Thaemlitz a.k.a. DJ Sprinkles. What is genuinly special about Menelaos music is the natural and seemingly effortless fusion of challenging experimentalism and a warm and soothing organic sound-design. This shows exemplary in the collaborative tracks with trombonist and bass trumpet player Achim Fink, a founding figure of the Cologne jazz and free improvisation scene of the eighties. Achim is uncompromisingand in times disruptive play merges perfectly into Menelaos serene soundscapes.

This way „WTMCT“ became a genuine album. It tells a story. It invites deep exploration but it does not demand it, thus transcending common notions of how Ambient or Electronica should sound. Text: Frank Eckert

The Album includes also some warm sampels (my live with the wave vol 1+ 2) from the Detroit legend Mike Huckaby to whom i very thankful.

Limited edition of 170

The Second Vinyl Release Of Mdm39 Is A Various Artist Ep Where The Label Stays True To Themselves And Their Pledge To - "support Your Local Talents". For The D.f.ü. Ep, Four Promising Artists Come Together, Each With A Unique Style But All With One Thing In Common - A Relationship With The Magdeburg Scene. With Florian's "rush" The A-side Starts Fast. Straight And Uncompromising, The 909 Percussion & Deep Melodies Make The Dancefloor Dream. The A2 Track Is A Considered 7:46 Min Slow Burner With Deep Dub Echoes. Meditation Stuff Here From Tommes. Renard's Trippy Deep-house Tune,"visit Your Mother" Creates Spherical Atmospheres And Pumping Lines Invading From His Soul To Your Feet. The B2 Delivers Eros Miguel. His "tribute" Is An Authentic Deep Bass Line Monster, Rounding Off This Versatile Ep.

3x12"

Nous'klaer Audio presents their second big label compilation: Paerels II. A refreshing splash of sounds not bound to a genre. A combination of deep listening pieces with slightly more cheeky cuts. Some from the vault, some hot off the fire. Tracks by Mattheis, Ben Buitendijk, Koraal, Amandra, Konduku, Riks & Rouz, Sistema di Prede, Melatonin Man, Philou Louzolo, upsammy, Lawrence Le Doux and Eversines.

Repress

Second album by Vril on Delsin Records. A deep excursion for mind and body, combining his trademark dub techno grooves with experimental ambient trips.

The man behind The Girls of the Internet returns to his techno-leaning alias with five resounding cuts entitled ‘My Dreams Are Slowly Dying’.

Following Tableland’s debut release at the end of the decade that picked up support from the likes of DJ Bone, Laurent Garnier, Jon Hester and Nemone on BBC 6 Music, the Girls of the Internet producer re-joins his self-titled imprint in 2020. The Girls Of The Internet continue to feed their superb reputation of delivering funk-fuelled electronics that draws inspiration from a variety of electronic music styles from the last 40 years.

‘My Dreams Are Slowly Dying’ kicks things off with pulsating kicks, undulant euphoria in the form of dreamy leads and stabbing melodies that fluctuate throughout. ‘Pyramid Scheme’ surges into squeaky modulations, jazzy tones and funky atmospherics that rolls with vibrant energy while ‘Charlie + Suzie’ offers up shuffling rhythms, subdued yet emotive synths underneath clattering highs and snares that get introduced in the latter stages, before ‘Wormwood’ rounds off the enchanting EP with a calming house cut harmonising together exquisite keys, deep bass vibrations and uplifting oscillations which carry you away until the end.

DJ support from Laurent Garnier, DJ Bone, Namone (BBC 6 Music), rRoxymore, Shy One, Ooft, Young Male, Brendon Moeller, Severino (Horse Meat Disco), David Martin (Dimensions Soundsystem), Massimiliano Pagiara, Dan Curtain

Standalone debuts it's first wax release with none other than Laughing Man. Four lucid heavy hitters with a phenomenal collaborative appearance from Kepler make this EP a journey to remember.

300 copies available - grab yours while you can.

From the fog comes Kontrolleri, Dorisburg's new label for original productions and collaborations. Creeped-out, hypnotic house music birthed from a stone monument deep in the woods.

After the first classy, deep and aetherial 12" back in May 2019, B2 Recordings is back with it's second release, and here we see the labelowner Bengoa move things forward with a three-track EP of all original material following a five-year hiatus. Title-cut 'Forest Law' takes the lead with robust, organic percussion at its core while wandering subs, airy, circling synth lines and vocal chants ebb and flow throughout the groove to create a rolling, hypnotic groove. 'A Little More' opens the flip-side next, embracing a dub leaning feel with choppy stab echoes, crunchy drums and bumpy bass hits before 'Corponation' rounds out the release, laying focus on expansive voice murmurs, airy atmospherics and an acid tinged bass hook alongside loosely shuffling, jazz tinged drums.

Matt Karmil's fifth album is a meditative collection of woozy loops and soft focus house. STS371 is the follow-up to IDLE033, - - - -, ++++ and 2018's acclaimed Will. Matt Karmil is British born - growing up in the rural town of Salisbury, near Stonehenge. Suffering a prolonged illness as a child, he spent much time indoors whiling away the long hours by playing with a classical guitar. Eventually he was well enough to see the world that had almost left him behind, and he spent his early twenties as an international traveller, DJing, record collecting and working as a producer-engineer in London, Paris, Stockholm and Berlin. In 2012 he decided to settle on Cologne âÇ" a city famed for its excellent club scene and ultra-minimal take on techno via the collective of artists and producers around the Kompakt label. With a studio established in Cologne, Matt made his LP debut with the well received (but hard to Google) "----", combining dusty samples and elegant tape hiss with scuba-diving grooves and minimalist vibes. In the same year he released the jubilant club anthem 'So You Say' on Tim Sweeney's Beats In Space label and remixed John Talabot and Axel Boman's (Talaboman) single 'Sideral'. Recent years have seen a raft of new releases from Matt, remixing XPress 2 for Skint, the albums idle 033 and ++++, as well as 12"s for YumAc Records, Idle Hands, Endless Flight and Studio Barnhus, received with great reviews in publications from The Wire to Resident Advisor and beyond. 2016 also saw Matt much in demand for his skills in engineering, mixing and mastering, working extensively with Matias Aguayo for Crammed Discs, Kornel Kovacs for Studio Barnhus and Talaboman for R&S, among many others. At the invitation of artist Christine Sun Kim, Matt composed a sub-20Hz piece for Bounce House at Sound Live Tokyo 2015, while his video collaboration with Boston's MIT Media Lab, Time Moods, was premiered in late 2017.

Dark may light through cold nights. Do you hear the sound
echoing from the distant tower? It leads you to the sound of
desire. The dazed mind dissolves into pulsating waves and
disturbing tones. Z.O.R.G. is calling and won't let you go. The
cover is limited to 200 editions with a handcrafted silkscreen
artwork - The vinyl package includes two bonus digital tracks
and the whole EP via Bandcamp download code.

Following the acclaimed ‘I’m Not Defeated’, Bronx-born singer-songwriter Fiorious returns to Glitterbox for his latest release,
‘Future Romance’.
An artist that represents the dawning of a new chapter of Glitterbox talent, described by Mixmag as “a specialist in stirring emotions,” Fiorious’ indelible vocals make him a vital new force in dance music.

Those privileged to witness his performances across Europe this summer will recognise the irresistible ‘Future Romance’, a soulful, electrifying cut destined for heady dancefloor moments.

Now this special 12” package builds off the seductive original, as the A-Side opens with Deetron’s remix, where the Swiss DJ & producer uses atmospheric strings and swirling synths to provide a sublimely blissful house re-work, along with the essential Deetron Acid Dub.

On the flip, disco innovator Mighty Mouse delivers a gloriously funk-laden mix destined to set dancefloors alight, along with the original and Accapella. With his forthcoming album ‘Revisionary’ set to release next year, ‘Future Romance’ is a captivating preview of things to come from this enigmatic artist.

If we would have to name one thing our fans have been consistently asking for, it’s a vinyl version of THE FIELD’s legendary first album FROM HERE WE GO SUBLIME: originally rolled out in 2007, this much-acclaimed full-length debut of what was to become one of the most celebrated projects in our artist fold saw a regular CD edition and an accompanying 12" sampler – but never a full vinyl release. Following our long sold out 2014 limited edition reissue for Record Store Day, we welcome FROM HERE WE GO SUBLIME back as a double LP in gatefold vinyl.

Axel Willner aka THE FIELD joined the Kompakt family in 2005, bringing forward a new fusion of ambient and techno that fed on his adoration for Wolfgang Voigt’s classic 90’s projects Gas and M:I:5 as well as the shoegazer rock of Slowdive and My Bloody Valentine. Called a “techno pop landmark” by Pitchfork, FROM HERE WE GO SUBLIME almost immediately became a cult favourite, starting a trend that continues to this day – as can be seen with THE FIELD’s most recent full-length offering CUPID’S HEAD that has been lauded by critics and crowds alike.

The most striking feat of FROM HERE WE GO SUBLIME must be its sonic cohesiveness, debuting a fully-formed artistic vision that – seven years and three albums later – hasn’t lost any of its luster. As a fixture in THE FIELD’s discography, it remains as important as ever, with Axel Willner installing a blueprint that inspired many but sounds like no one else… except himself. Giving you a feeling of warmth and familiarity on first listen that you can’t quite grasp, it’s like this sound has always existed, when in fact it was the unique creation from one highly gifted producer. And it all starts here.

Wenn wir eine Sache benennen müssten, nach der unsere Fans immer wieder fragen, dann wäre es eine Vinyl-Version von THE FIELDs legendärem ersten Album „From Here We Go Sublime": Urspünglich 2007 veröffentlicht, wurde das gefeierte Debut, das zu einem der beliebtesten Projekte innerhalb unseres Künstler*innen-Ordners wurde, sowohl als reguläre CD-Edition als auch als begleitender 12“ Sampler veröffentlicht – aber noch nie als vollständiges Vinyl-Release. Im Anschluss an unsere seit langer Zeit ausverkaufte limitierte Reissue für den Record Store Day sagen wir Willkommen zurück zu „From Here We Go Sublime“ als Doppel-LP in der Gatefold-Vinyl-Version.

Axel Willner aka THE FIELD tat sich 2005 mit der Kompakt-Familie zusammen, im Gepäck eine neuartige Fusion von Ambient und Techno, die sich aus seiner Bewunderung sowohl für Wolfgang Voigts klassische Neunziger-Jahre-Projekte Gas und M:I:5, als auch für den Shoegazer-Rock von Slowdive und My Bloody Valentine speiste. Von Pitchfork als “Techno-Pop-Meilenstein” bezeichnet, wurde FROM HERE WE GO SUBLIME fast über Nacht zum Kultfavoriten und legte den Grundstein für eine Erfolgsgeschichte, die bis heute anhält – wie man anhand des von Kritik wie Publikum gleichermaßen bejubelten, aktuellen Albums CUPID’S HEAD sehen kann.

Die hervorstechendste Stärke von FROM HERE WE GO SUBLIME wäre dessen klanglicher Zusammenhalt, das Debüt einer vollständig ausgeformten, künstlerischen Vision, die – sieben Jahre und drei Alben später – nichts von ihrem Glanz eingebüßt hat. Als feste Größe in THE FIELDs Diskographie ist das Werk so wichtig wie je zuvor, eine Blaupause, die viele inspirierte und doch nach nichts anderem klingt… außer sich selbst. Bereits beim ersten Hören ein schwer benennbares Gefühl von Wärme und Vertrautheit verbreitend, scheint dieser Sound immer schon da gewesen zu sein, obgleich es sich um die einzigartige Schöpfung eines hochtalentierten Produzenten handelt. Und es begann alles hier.

Lexx’s album "Cosmic Shift" gets the remix treatment. The five track ep offers a wide range of influences, connecting the dots between Deep House, Dub, lush spacey rhythms and breezy beach vibes.

Mixed by Phantom Islands very own Kejeblos, fellow Swiss producer 'Androo', known for his work on Music From Memory & Second Circle, Eirwud Mudwasser, who provided the latest edition of the Japanese Snaker Series, and already two new versions by "Lexx".

The track "Expanding Happiness" is exclusive to the vinyl edition
of this release.

Massimiliano Pagliara is a true powerhouse! With his last album "Feel Live" under his chest, as well as an ep on Ostgut Ton (where he also holds a residency at the legendary Panormamabar) and a string of strong remixes, the trained dancer from Italy now presents his first full length ep for Permanent Vacation: "Nothing Stays In One Place For Long". The four tracks on the ep show the perfect symbiosis between man and machine (in this case a fleet of analog synths and drum machines) and offer the full spectrum of Massimiliano Pagliara's production skills from dubby, chord driven techno, to playful acid disco and blissful balearic house. Despite this wide range, he always keeps his trade mark sound that you can also find in his numerous dj sets around the globe merging a variety of people and styles for a happy dance under one roof.

New year, new luck.

Our resident JESSAMINE is making the serve and releases his first artist EP on our in-house label.

With its rough bassline and arpeggio, the title track flutes clearly focuses on the dance floor, moreover, it is not too fine for an emotional break either. dérive-the second track on the A-side-is a much more twisted, darker and trippier one, more suitable for the later hours on the lobby and similar intimate dancefloors.

As long-time friends of the club, MAP.ACHE and KASSEM MOSSE contributed fantastic remixes. While KASSEM MOSSES's stille floeten remix comes along a little more stoic and therefore all the more hypnotic, MAP.ACHE's interpretation of flutes is uplifting and a catchy tune as described in the books.

Agenda 2020 ://about blank-style.

404 is a young collective based in Paris of 4 very different guys making music together. Last year they released a debut mini LP on Dusseldorf label Candomble and started performing live at Concrete and other prominent venues. This is their second release ever. Dark, improvised, smokey, claustrophobic techno of the highest psychedelic grade, bringing together elements of the « slow techno » sound, industrial textures and dub.

We received in distribution the second release of NVH, with three tracks by LOR. Vinyl only limited release

Derek Carr re-issues his highly sought after Warm Machines EP on his own label Trident Recordings. Four smooth, warm and uplifitng Detroit rooted House tracks in Derek's singular style.

A unique album of outtakes from the classic ‘Songs
Of Praise’ and ‘In Pursuit Of Shashamane Land’
albums, compiled by On-U archivist Patrick Dokter
from the original tapes and expertly sequenced to
work as an immersive listening experience. A
companion piece to the acclaimed ‘Return Of The
Crocodile’ set from 2016 that took the listener on a
version excursion through the early years of the
group.
 These are the dubbier and more out-there
experiments mixed down whilst Adrian Sherwood
was shaping the sound of the albums. Bubbling
percussion lines skitter across the stereo spectrum,
ghostly voices echo inside the machine and
mangled guitar riffs beam down from Mars, whilst
staying rooted in the tough tribal rhythms that
form the bedrock of the AHC sound. This is music
for the head and feet, take heed!
 Mastered by King Kevin Metcalfe. Comes with
digital download card for full contents plus doublesided poster insert containing an extensive new
interview with African Head Charge mainman
Bonjo Iyabinghi Noah, telling the story of his early
life.

Originally issued in 1993 and the last African Head
Charge album on On-U Sound for 12 years,
released at the height of the band’s popularity as a
staple of live music festivals.
 Continuing the skilful fusion of styles they had
explored on ‘Songs Of Praise’, this album added
elements of trance and electronica to their
trademark percussion-heavy sound.
 This expanded reissue adds eight bonus tracks to
the original vinyl edition, including two that have
never been released before.
 Includes a digital download card for the full audio
plus a double-sided poster insert with excerpts
from a new interview with band leader Bonjo
Iyabinghi Noah.

Originally issued in 1990 and considered by most
fans to be African Head Charge’s masterpiece.
Religious chants set to an African dub backdrop of
layered hand percussion, with a mighty sonic and
great musicianship places the record in a unique
place. An outernational classic.
 For this reissue the album has been expanded to a
double LP with all the tracks from the original vinyl
release plus bonus tracks previously only available
on CD.
 Includes a digital download card for the full audio
plus double-sided poster insert with excerpts from
a new interview with band leader Bonjo Iyabinghi
Noah.

The first album African Head Charge made for OnU since 1993, this 2005 set was a triumphant return that saw longtime collaborators Bonjo Iyabinghi Noah and Adrian Sherwood reunited in the studio once more, the album title referring to the project’s original mission statement (nicked from Brian Eno!)

 This album is African Head Charge at their very
best, rich in varied percussion and spiritual chants,
set over hypnotic and transcendent layers of
African rhythms, trippy and bubbling dubbed-out
effects and trademark pounding bass.

 This is the first time the album has been released
on vinyl. Cut over 4 sides for maximum dynamics
by King Kevin Metcalfe.

 Includes double-sided poster insert featuring a
new interview with Bonjo, two bonus tracks and
digital download card for full contents.

2011 album available on vinyl for the first time. Master percussionist Bonjo Iyabinghi Noah joins forces once again with dubmaster Adrian
Sherwood at the controls and a whole host of guest musicians, including contributions from dancehall pioneer Jazzwad and electronics from Adamski.

All the elements of a classic African Head Charge album are present: spaced out dub, tribal chants, ecstatic trance but updated with a rugged sound system undercarriage. Arguably some of the hardest hitting AHC rhythms laid down in the studio to date.

Cut as a double LP for maximum dynamics by King Kevin Metcalfe. Includes digital download card for full contents and double-sided poster insert containing new interview with Bonjo on the making of the record.

Marcelle arrived via punk, post-punk, avant garde and dub and lives by the independent, forward-thinking spirit inherent in those scenes. "Everything Not Yet" is Marcelle’s ninth vinyl-only release for Jahmoni Music from Munich and follows on from last year’s ‘One Place For The First Time’ which swiftly sold-out and is now onto a repress. The 10" vinyl is released alongside her latest album "Saturate The Market, Now!" featuring a shorter album-cut of ‘Everything Not Yet’ among nine other tracks. So are you sitting comfortably? Well Marcelle would prefer if you weren’t. Because this is music for misfits to move to. The very opposite of business techno. A missive from a cult DJ with an enviable record collection and a fearless artist who couldn’t give a flying fuck about dance music norms. Saturate the market with pure energy – let’s do this!
Seb Wheeler, Mixmag

”Are you ready to take your turn now?” asks a mischievous voice at the beginning of DJ Marcelle’s new album. But by this point you don’t have a choice: you better buckle up for a joyride through the wild, unpredictable imagination of a true electronic music auteur. ‘Saturate The Market, Now!’ is stuffed with the kind of raw, rhythmic workouts and playful humour we’ve come to know and love from the long-serving Dutch artist. Let’s start with the music: Marcelle pinballs between pumping outsider house, brilliantly weird acid and musique concrète experiments where anything could happen at any given time. Then there are her famous track titles, which take another aim at nightclub patriarchy (‘Technicians And Their Light Effects’, the successor to last year's 'Technicians And Their Smoke Machines') at the same time as displaying a keen sense of satire (‘I Fell In My Own Cesspit!’) and revealing a difficult relationship with the sour, massive rock that for her is ‘German Bread’. With artwork featuring a collage of puppets found in her Amsterdam house and Marcelle’s own on-the-road photography, this is yet another album that sets her a mile apart from the paint-by-numbers dance music producers - or “accountants” as she’s witheringly described them.

Marcelle arrived via punk, post-punk, avant garde and dub and lives by the independent, forward-thinking spirit inherent in those scenes. A sense of freedom is imbued in her work, unsurprising given that this album was written in two weeks and was made entirely on her own collection of machines (save a few choice vocal samples). It’s Marcelle’s eighth vinyl-only release for Jahmoni Music from Munich and follows on from last year’s ‘One Place For The First Time’ which swiftly sold-out and is now onto a repress. The vinyl is released alongside a 10” featuring extended and dub versions of triumphant album-cut ‘Everything Not Yet’.

So are you sitting comfortably? Well Marcelle would prefer if you weren’t. Because this is music for misfits to move to. The very opposite of business techno. A missive from a cult DJ with an enviable record collection and a fearless artist who couldn’t give a flying fuck about dance music norms. Saturate the market with pure energy – let’s do this!Seb Wheeler, Mixmag

GMT (Phil Moffa, Guy Gerber and Seth Troxler) heads of the A side with a bang. The haunting strings of the original wind their way through drums reminiscent of jacking 90's house before the
drop of the classic Decompression bassline, chopped and spliced sure to make your mid section feel nice.
Mike Shannon touches down with a modular synth rework that takes the original and twists it into a modern acid trip and groove signature of his programming style. Like surfing a spaceship through a technicolor wormhole to planet funk.
Deadbeat shows his strength with a spaced out dub version. A master of his craft he delivers a reverb drenched, morphing grove that will transport your head to an indica haze.
Natalia Escobar stretches the pulls the track into an intense ambient time machine. This escape into the 5th dimension will induce shivers down your spine and make your 3rd eye burst into flames.
We hope you enjoy the work of these talented navigators! Safe travels :
Volume 3 is still to come and will feature DJ Rush, DJ Sodeyama, Quenum and S Katz (a.k.a.Katsuhiko).

Repress

The debut EP on Council Work from label owners Frankel & Harper. The Trimmers EP contains 2 originals, the first in the form of "LHR.AMS", a heavyweight slice of UKG with strong influences taken from the European house scene and also their drum n bass background. "Trimmers" is a raw dub and jungle infused cut with a sub layer guaranteed to shake speakers stacks. INSTINCT joins for a remix and switches things up by adding a catchy vocal which definitely passes the old grey whistle test.

Andrew Weatherall turns in two thudding, low slung tracks. Expect clattering effects, outer space bleeps, and hypnotic bass. Andy Bell returns to join Andrew in the studio, layering a haunting, tripped-out guitar line over the top. File under cosmic dub. 1000 vinyl only. Remixes on the digital edition from Andrew’s Two Lone Swordsmen partner Keith Tenniswood, and Lithuanian taste-maker Manfredas. Mastered by Noel Summerville. Artwork by G.S-L Studio.

Chasing up Good Morning Tapes’ standout EPs by HTRK’s Jonnine Standish and UK synthesist, XVARR, the ’All Welcome’ 12” pairs three previously tape-only tracks with a trio of exclusives on a killer compilation from the promising French labelSupplying a varied and engaging experience ranging from Tapes’ classical Indian invocations to Eszaid’s gutted D&B and Kiki Kudo’s fizzy electro-dub, ‘All Welcome’ renders the label’s aesthetic wide open with a wonderfully shine-eyed appeal to mutual, empathetic ambient souls and lovers
of electronic magick.

Tapes, aka South London enigma Jackson Bailey, coaxes the EP into action with the woozy title tune of his 2018 tape ’Silence Please’, meshing electronic tanpura drone with mysterious winds and sloshing tabla drums in a respectful tradition of English artists including Robert Wyatt and Shackleton, before Eddie Ruscha’s Only Thingz spies Eno via The Orb and Vangelis in the glyding
synth pads and smeared brass tone of ‘All Eyes Open’, and Berlin-based Brazilian artist INNSYTER follows a deliciously groggy ambient hunch in ‘Morning Blend’.

The label then play it closer to home with an eviscerated D&B dub by Eszaid, co-owner of the Paris-based Collapsing Market label, with ‘The Most Sacred Syllable’ primed for fans of Andy Stott or Demdike Stare, and Anthony Naples takes it to NYC with an extended mix of his scudding piano house workout ‘Goodness’ off the ‘Take Me With You’ tape (not found on the LP released by ANS!), and Kiki Kudo keeps it stateside with the palpitating electro-dub fizz of ‘Hala Dub’ in a style relatable to E.M.M.A. or Jay Glass Dubs.

After the initial release from Transformations, the collaboration between Deepchord & Fluxion continues with the Bona Fide EP.The urban journey remains, with the duo challenging the audience with another colourful and sonically rich release. The duo has created their own multi-layering sound; a wide space cinematic environment.As before, two really engaging recordings that are not written with one specific environment in mind.

Repress, Vinyl Only

When was the last time EDMX served you what you expected? Maybe you drop the needle down in anticipation of some slick boogie-inflected synth pop and get walloped in the face with hellfire techno. Perhaps you were itching for body-popping electro and got cerebrally hijacked by pagan coldwave.

On this latest magnum opus, his first on Queen Nanny. Ed Upton is in the mood to get down low in every sense of the word. On the frequency range, this is a record dripping with lard-fed bass at every turn. The arrangements too are devilishly low in channel count – raw riddims with just a few key ingredients to do the necessary damage. Then there are the tempos, which predominantly set cruise control at 90 BPM and glide.

It’s not hard to tell where EDMX’s inspiration has sparked from on this album – in the spirit of celebrating the compatability of oddball sonics from all corners of the globe, he’s patched his sound into a specific vibe and struck gold with some of the most distinctive riddims you’re likely to hear all year.

Mark Seven's PARKWERKS.. Hard, Raw, and Raunchy Dubs for DJ's

This new serie of "Raw cuts" focus on a spontaneous desire to share some personal beats, sometimes, Deep such as "Mindshift", or more percussion and beats driven such as on both versions of Mandrum, and even Techno with Progression, i hope
you'll find them enjoyable and useful! Dj Deep

Lazare Hoche: « I like Mindshift and will play it out, great tension and infectious vibe! »
Roman Poncet: « Amazing Release will play it out! »
Ben Sims: Charted!
Levon Vincent: I like the Mandrum dub. Very nice
Jeroen Search: thanks, just downloaded it, and always feeling your stuff!!
Claire Morgan Solid! Love Mindshift & Progression, thankyou :)
Luke Slater Just great!! full support
Mosca Yes yes! Not often I go for a Main over a Dub but Mandrum is the one! Fine line between
classic stripped back stuff and futuristic freshness... love trax like this that can straddle both depending on context.