House Vinyl New Releases - News

Dust-e-1 & Priori are back with a 4 track EP of dreamy, atmospheric electronica via their ANF alias. Thanks for listening & enjoy!

MPExperimentz is a series of tracks showcasting my first experimentz into the world of MPE. Programmed with the Linnstryment by Rtoger Linn. Additionnal Tracks Track The Trip. Acid Test and Hi Jigz are also included.

The debut LP from duo Sunflower Aquarium offers a full spectrum bloom into the electronic ecosystem. Dylan Batelic (Paper-Cuts) and Thomas Martin (Furious Frank) fuse together for a 7 track collection of low-slung immersive deepness, embodying a cycle of life via the ebbs and flows of sonic seasonal evolution. A collaboration of cyber synthesis; written simultaneously Melbourne through Adelaide during late 2021, the result a refined yet spontaneous take on dubbed downtempo through to driving dance deviance.

Beginning with a birth, the stand alone Intro’s saturated glow cultivates a vivid timbre and sun kissed sub-stratosphere. Sprouting melodic constructions continue to blossom throughout the record and growing pains are welcomed with open arms, a mature moodiness brooding delicately through assured drums and fleeting Janet vocal fragments. Broken beat patterns group together and tessellate, the woven sunken bass leaves space for flickering hi hat fissure in SA-124, this groove based atmospheric momentum evolving cohesively track after track. Bright, refined concepts that linger and dissolve in your subconscious for weeks. The B Side preserves the introspective tip but dives deeper, faster; Birds Of Paradise melting organic field recordings into blissful synth voices and ricochet breaks. Bubble (Contagious Mix) feels like a midnight highway dub drive, shooting and gliding fluently; coloured lights iridescently blurred as if it was all a dream... then the closing track, which induces a sharp sense of hypnosis. Traditional techno expressions flirt with your ears, layers of repetition locked and loaded, dwindling into the abyss; conclusion of the cycle.

Open Space Club Tools is back with another versatile pack of useful machinery. Sticky drum beats and tricky rhythms for the explorative club deejay. Volume 2 features a wide range of club styles from Korean prodigy Mogwaa, Miami’s best kept secret Bong Soup, New York heavyweight Will Dimaggio, and Canadian-turned-Berliner Logan Sturrock aka FlØrist.

Cyphon Recordings welcome DJ, producer, musician, and D.KO co-owner Flabaire for the fourth outing on the label.

At just 29, the Parisian artist, already has a fair share of victories under his belt. On his acclaimed D.KO imprint, which will celebrate its 10th anniversary this year, he’s released three albums and several EPs, as well as charting releases for Organic-Music, Deeppa Records and South Street.

For his next solo EP, he brings his beautifully affecting and nostalgic blend of electro, IDM, and deep house to Cyphon. Doing what he does best, Flabaire’s ‘Entre-Deux’ is an EP brimming with emotion and atmosphere. Pulling at the heartstrings, opener ‘In Between’ layers an electro beat over lush pads with iridescent synth lines rising out of the haze. Cowbells swing into action, pads swell and glisten, making way for a squelchy 303 to bubble underneath.

‘No Minding’ moves into softer realms, a serene blend of deep house and electronica, it’s paced by a warm bass bounce and shuffling percussion sprinkled with chopped vocal samples and bright keys. Flabaire’s bass mastery continues ‘Click Plok’, as does his deftness at producing delicate, gliding pads, this time punctuated by tight bleeps, gentle open hats, and a meandering synth solo.

Closing out the EP the atmospheric ‘FBG’, a balmy syncopated groove joined by twinkling synth melodies that dance over dusty breakbeats and hushed vocal stutters.

My Light, My World is a gorgeously slammin’ four track release by Brooklyn-based Ryan Clover on Eris Drew’s Ecstatic Editions imprint. We fell in love with Ryan’s music as we wore out the grooves on his killer 12 inch for ARTS. The tracks featured on My Light, My World are a perfect fit for Ecstatic Editions because, much like Eris’s sets, the tracks are beautiful musically and genuinely emotional, but they also seriously slap and translate powerfully on large sound systems. It is hard to find Big Room records with so much heart, so the label jumped to sign the tracks and prepare the project for release.

Clover’s arrangements on the EP unfold in truly magical and unexpected ways with buildups giving way to gorgeous musical passages. “We Love (We Feel)” is a heartfelt instrumental which sets the tone for the record, while the title tune “My Light, My World” declares boldly “ITS ON!” before heeding to woozy chords and a sax riff that sounds amazing in the mix. Flip the record over for “Here We F***ing Go!” which is a total boast track for deck players but doesn’t lose its sweetness in the process, and the powerfully fun closer “Let Me Tell U Sumthin’” which reminds sweaty dancefloors that “Love Is Special.” Ecstatic Editions hopes you’ll put your needle in the groove and dance hard to one of the season’s sweetest bangers.

The EP features original art by Karina A. Linares and mastering by Trutone legend Carl Rowatti.

Die Heavenly Remixes-Reihe präsentiert weiterhin die besten Remixe, Versionen, Meditationen, Re-Rubs und Dubs von Künstlern aus der ganzen Welt, die auf der Liste des aufregendsten Plattenlabels des Landes stehen. In den meisten Fällen handelt es sich bei den Alben um die erste physische Veröffentlichung eines Remixes, die sie von den Streaming-Playlisten in ihr rechtmäßiges, spirituelles Zuhause auf superschwerem Vinyl (oder glänzender, supergepackter Compact Disc) befördert.

Heavenly Remixes Volume 7 führt nach Belfast, wo David Holmes - ein Produzent, der 1994 zum ersten Mal auf Heavenly auftauchte und den Acid von Saint Etiennes Like A Motorway aufpeppte - als Solokünstler und als ein Drittel von Unloved auftritt, die von Horse Meat Disco direkt in das Herz eines Vauxhall-Schwitzkastens befördert werden.

The first installment from Luv On Wax features four pieces of finely tuned house and break music in physical form. Dreamy soundscapes, slick rhythms, and a fresh infusion of minimal flavor.

Dive into the captivating world of Lenxi with her electrifying debut EP, Silent Treatment. This mesmerizing blend of Acid, Electro, and melancholic pop influences takes you on an immersive journey, where soothing tones evolve into hypnotic depths.

Hailing from London and based in Amsterdam, Lenxi is a versatile producer, songwriter, DJ, and musician. Experience the enchantment of Silent Treatment and embark on a musical adventure like no other.

Long time collaborators Meat Beat Manifesto (Jack Dangers) & DHS (Benjamin Stokes) get together on fresh new 12” EP ‘Man From Mantis’. Both artists have rich musical histories, Dangers having released an extensive collection of music as MBM since the late 80s including pre-hardcore/jungle breakbeat touchstones (Helter Skelter/Radio Babylon) & late 90s masterpiece ‘Prime Audio Soup’, released on Trent Reznor’s Nothing Records and recognisable from its use in The Matrix. Stokes on the other hand has a smaller back catalogue but no less influential, having been responsible for all-time-classic foundational techno blueprint ‘House of God’.

Dangers & Stokes have always played around beyond the edges of the familiar and this EP is no different: 4 tracks of breakbeat techno future-sound that live in a world of their own. ‘Pandemic’ opens the EP with squeaky-clean mechanical acid, intentional and direct, tight and well-controlled, underpinned by a revolving, bubbling acid line. ‘Aggressive Mantis Squad’ comes bearing weighted breaks and hinterland bleeps, spanning the past and the future. B-Side opener ‘Automatic Mouth’ is a twisting chugger, occasionally breaking down to reveal a whirring & stuttering machine-spirit before the EP closes with the drum-fest dream sequence of ‘International Sound System’.

These are lab-grown rhythm bombs, finely tuned off-kilter grooves, razor sharp crucial beats ready for the future, out on Love Love Records, June 9th 2023.

Following his recent Australian tour, Modeight label mastermind Silat Beksi now connects the dots between Europe's thriving minimal underground and the emerging scene down under by showcasing Aussie modular specialist Venda for Modeight's 8th vinyl release. After early 12" outings on Norse Projekt & Subsonic Music, Venda now presents his most accomplished work to date - the darkly accented and introspective "Ovio" EP.

Here is more definitive sonic proof that there is something special brewing on the island continent. With the Aussie revealing 3 deeply rhythmic cuts, awash with subtle artefacts and submersive hues. His dynamic approach to production results in a perfect union with Modeight here, as the imprint continues to explore the farthest realms of minimal music.

The long awaited 6th release on Neighbourhood by the talented Reflec, coming with a mixture of breaks, techno, broken beat, lush pads, sweet melodies & everything in between. dBridge has put his unique twist on Spectra, tough snares, gnarly bassline & subtle acid licks. It's hard to pigeon hole this one!

Halvtrak returns to Cold Blow with techno-romantic rave escapism, riding Chi House-leaning rhythms and intergalactic Techno sculptures. If his previous “Images By Night” dealt with things nocturnal, Digital Dawn opens the curtains to a blue-eyed retrofuturism, bursting with colour and spark.

The A-side shows Halvtrak at his most upbeat vibe to date. X-pressed and Rhythm Overture teleport us on a nostalgia trip to the acid, rave and breakbeat era which is re-imagined by an artist too young at the time but who parsed the ethos from the artefacts of its heyday.

The B-side throws a deeper counterbalance to the release. Born out of studies in the Chicago house tradition, Phase Distorshun quantum leaps into a turning point in time where disco influence was long abandoned and sights set into the unknown deep space.

The closing number, Doubt, does not relent on the 4-to-the-floor but turns the gaze inward, exploring our inner vulnerabilities while musically standing on the shoulders of New York-style house and the early UK-produced Detroit Techno a la B12, Stasis and the like.

Malik Hendricks has carved a place for himself in the New York City club scene with a string of carefully composed releases on musclecars’ Coloring Lessons imprint and his own Money Cat Records, each full of gems mined on the line of deep house and deep listening.

Malik continues this run with Blue Flame, his debut on NYC label Bliss Point. Blue Flame finds Malik in full control of his craft, offering an alchemy of warm, in-the-pocket house grooves, live instrumentation and sparse, soulful vocals that build masterfully toward the dancefloor catharsis we’re all after.

Breakbeat Paradise Recordings is back with the 10th installment of the epic Toxic Funk series featuring 2 of lead playing in the funky breaks/nu disco scene: Prosper & Stabfinger.

With an impressive catalog of classic releases as solo artists Prosper & Stabfinger have also dropped some huge disco flavored EPs together on labels like Bombstrikes, Timewarp, Royal Soul and right here on BBP. To celebrate the 10th edition of the Toxic Funk 7-inch vinyl series - Prosper & Stabfinger has prepared 2 timeless dancefloor bangers which oozes disco, breaks, big grooves and indeed Toxic Funk.

Hang On The City takes a light funky groove and twists it into the Prosper & Stabfinger and the result is a catchy funky groover that will get any dancefloor swaying. On the flipside the duo takes on a more progressive groove with electric boogie basslines on a steady disco break. Catchy dancefloor vibes to the fullest.

BBP on the spot to continue to push the boundaries while staying true to the classic funky breaks vibes that we love to rule!

For the premiere of the Folklores & Legends Series on Luzerna Records, Dynasty of Dreams wrote for us a Native American adventure between a Cowboy and The Cherokees princess.

"A Wild West Story LP" mixes solid breaks and percussions to magical pads and deep organs,

The wind instruments, pianos and guitars, used in these sounds immerse us in a vintage and authentic progressive house.

Ibiza legend and all round well respected industry man Chris Coco is back with more of his seaside sounds. This time his Mediterranean magic is cast over 'La Guitarra' which as the title hints has Flamenco style acoustics with tropical house drums and heartfelt synths. There is a pair backed and delicious dub also, and then modern disco don Rune Lindbaek comes through with a mesmeric take that is laidback and lush in its design. Last of all is Daniel Braca with a Deep In Brooklyn remix thing brings some fine Latin house styles.

incl Peter F. Spiess remix

Chicago mainstay Mark Grusane partners up with Eric Schwab of metro Detroit to co-produce five diverse tracks that channel some of their Midwest dancefloor influences. The pair developed the tracks over several studio sessions during a Chicago winter, combining their respective sonic inspirations with assorted gear, sounds and samples that they each brought together.

The A1 is a cheeky club house track with an upbeat bassline, bouncing synth stabs, looping vocals by Amiruz, and a touch of 303. On A2 a driving beat rides over a wonky bass loop, filtered percussion layers, and dialogue snippets from a 70’s crime flick. On the flip, B1 layers 303 basslines and bleeps, spacey atmospheric sounds, and monotonous vocal clips, fusing 80’s synth music and mid-90’s electro. B2 is a relaxed deep electro cut, with 808 rhythms, dissonant synth pads and basslines, and the voice of Mark Grusane. B3 delivers a house jam with a chunky bassline, drum machine workouts, and percussive vocal samples. Whether you’re looking for sunny house cuts or late night freak jams, this record has something for everyone.

LOS ANGELES BASED PRODUCER MINION DEBUTS ON EVAR RECORDS WITH THE FOUR-TRACK EP 'NITE LYFE.' RELEASED ON AURA T-09 AND TRICKFINGER'S REVERED RECORD LABEL, 'NITE LYFE' MERGES HARDCORE, TECHNO AND GABBER WITH SOFT TEXTURES AND GOSSAMER SHEENS, EVOKING AN INTENSE, WAVEY TRIP. THIS ONE IS SUITED TO A CHURNING, POST-3 AM DANCEFLOOR, OR IN MINION'S OWN WORDS, "WARM SUMMER NIGHTS IN LOS ANGELES WAREHOUSES."

OPENER 'SAD B0I MASSIVE' BLENDS DISTORTED, GABBER-FLECKED DRUMS WITH CRUNCHY SNARES, WHILE A HAZY, DAFT PUNK-ESQUE SYNTHLINE CONJURES A DREAMY VIBE. THIS SIGNATURE MINION MOVE CONVEYS HIS KNACK FOR SERVING UP HARSH YET ROMANTIC ATMOSPHERES, PAIRING TWO OPPOSITE MOODS THAT MELT INTO ONE ANOTHER LIKE ACETONE AND WATER.

ON 'MAGNETAR', WE'RE CAUGHT UP IN THE THUNDERDOME CIRCA 1990, BUT JUST FOR A MOMENT. WHILE RUBBERY KICK DRUMS AND WHOOSHING HOOVER SOUNDS SHAPE THE TRACK, MINION COMBINES THESE OLD-SKOOL ELEMENTS WITH A MORE MODERN QUIRK, PRODUCING A TWINKLING MELODY THAT AROUSES EMOTION AND EUPHORIA.

THE PENULTIMATE TRACK 'GREY GOO' IS THE TOUGHEST OF THE FOURSOME. BUILT WITH OFF-KILTER, GRAINY KICKDRUMS AND CINEMATIC PADS THAT SLINK BETWEEN RUSTY BEATS, IT BRIDGES HARDCORE MOTIFS WITH DELICATE SHADES OF GREY, MINION-STYLE.

FINAL TRACK 'SATURDAY NIGHT IN A PARALLEL UNIVERSE' DISPLAYS MINION'S VERSATILITY AS A PRODUCER. DELVING INTO A POTENT PALETTE OF ELECTRO, BREAKBEAT, TECHNO AND 2-STEP, HE WELDS RAPID-FIRE CLAPS, FIZZING HI-HATS AND A HEARTFELT MELODY, WEAVING THROUGH BLEEPS AND A CHUNKY BASSLINE—A SIGNAL TO END A LONG TRIP, SOMEWHERE IN A PARALLEL UNIVERSE.

ALTHOUGH MINION PRODUCED THE TRACKS FOUR YEARS AGO, 'NITE LYFE' STANDS THE TEST OF TIME AND DOESN'T FOLLOW ANY ONE TREND OR GENRE. INSTEAD, IT'S AN ALCHEMY OF SONIC PATTERNS AND CONTRASTING COLOURS, NODDING TO MINION'S PUNK, HARDCORE AND EXPERIMENTAL INFLUENCES THAT CULTIVATED ODDBALL ELECTRONIC MUSIC IN THE 80S. THE AFTERGLOW OF THESE SOUNDS CULMINATES IN AN EP THAT RIPPLES WITH INTRIGUING HOOKS, CORROSIVE QUALITIES AND STRANGELY BLISSFUL MELODIES. IT REFLECTS THE EXPANSIVE ETHOS OF EVAR DOWN TO THE FINAL BAR.

Julian is a real studio wizard. The 7th Eliptic release, Peach In Chaos LP, is his much anticipated debut LP. It finds him explore rhythms that are imbued with all manner of late night motifs. Deft pads, wonky samples, chunky techno kicks and filtered loops all bring off beat charm and curious character to each and every track.

On A side, the bleep-heavy 'Peace In Chaos' stands out from the very first kick as a dance floor track, it spans across the full spectrum with the psychedelic bass and crunchy '90s techno groove. On the flip, Julian explores a deeper territory, with some twitchy samples and nagging groove, on the minimalistic - but no less fluid or mind-altering - 'Joaca'.

'Just Be' has a more rugged groove with slippery shakers and kinked percussions, tough rolling minimal aimed squarely at the main room at peak time, the dense bass pulsations of the track compliment the mood. 'Nightzzz' takes things into moodier territory with a broad sweep of keys spelling out an eerie mood around a break beat. A complete journey on B side.

Get ready for more swing-fuelled hypnotic groove business on C side, featuring the late night bass driven bump of 'Say Cheese At The Radio', that it gets more heady, with swirling pads circling round the vocal and nimble hits.

With 'Day-Z', Julian is diving deep into murkier waters via the creepy electronics, foreboding chords and heavy bass line, hypnotic enough for perfect dance floor dynamics. Finally, go deep into the afterhours on the atmospheric and sensual mood of 'A Matter Of Choice'.

Played by Rhadoo and Raresh.

“Dreams of a Dancefloor” is the latest EP by Octo Octa (aka Maya Bouldry-Morrison) on her label T4T LUV NRG. Maya spent the last 3 years perfecting her engineering on these three sensual, beautiful and enveloping songs. For the opening track, “Late Night Love”, we hear Octo Octa capturing not just the subjective experience of dancing together, but also what happens after the party, making love and holding her partner close. It has none of the formalism of “big trance” and is instead an extended house-trance missive all her own with beautiful resonances that evoke Motherbeat and the ineffable softness of true connection. The second track “Let Yourself Go!” raises the tempo but maintains the mood of the record. The song is a classic Octo Octa ecstatic breakbeat acid jam written for building heat in the body and for speaker-dancing under a starlit sky. The E.P. closer, “Come Here, Let’s Commune”, is an invitation to explore togetherness. The essence of the track is a gorgeous piano theme, grounded in Maya’s belief that the dancefloor experience can be not only exciting and ecstatic, but also deeply moving and generative—a reminder that underground dance culture offers permission for connections unsanctioned in the dominant society.

The EP features original art by Q and mastering by Trutone legend Carl Rowatti.

Alec Falconer & Harry Wills debut their first full EP under their Snoozin’ B alias. The backseat is free - come take a ride on the snooze cruise.

Bangers from the King of Baltimore.

There is a place in this universe called Ploiești. A former industrial city, grey, totally colorless. This is where the story begins for A Dublu, a project founded in 2012 by Ardeleanu Bogdan and Andu Simion, when they created musical sequences inspired by Cameliei or Vlasiei areas.

Geodesic 003, or Polytraffic EP is a collection of tracks suitable for different moments in a clubbing night, acid textures, warm synths for warm-up but also techno directions perfect for more aggressive sessions or more alert bpm.

Dot is hailing from Israel which lately has been seeing quite a bit of spotlight for its burgeoning house and techno scene. However, Dot’s music on this ep is no big room, anthemic number, but rather a slow moving, deep, hypnotic drive through the desert, at sun set.

Techno pop dance music incoming! Pretty much 10 years after its debut with the „She Knows EP“, Jet Hammer – the collaborative project of seasoned producer Nacho Marco and trusted vocalist Garen Moreno – finally expand its horizon with new songs. The Last Night EP sees the valued tradition of the extended dance mix gets rejuvenated, readjusted and reprised. Recorded between Warm Studio in Valecia and Chief’s Peak Studio in California, with influences ranging from the avant-garde fusion of Tuxedomoon to the groove of the Pet Shop Boys and the subsequent fashion that became Acid House (the UK definition, of course), the EP is home to four tracks that are cut from the same cloth.
Last Night sounds modern on the main mix and like a lost The Cure demo on the 1981 version, it’s hard to resist in either version. How We Started develops the thought into something of a power ballad and last, but not least, the instrumental version of On Your Side delivers the sugarless dessert for allergic subjects. Halcyon dance hall days ahead!

For it's 46th outing, Klasse Wrecks recruits the Brooklyn based producer Gee Dee to it's ranks. Gee Dee aka Greg Droggitis turns in a wonderful and fully fledged collection of tracks that burst to the brim with atmosphere and sunny vibrations. True to the label's ethos, the music is as always, hard to pin down under one specific genre but instead slyly calls on various classic House, Electro and Acid tropes. The overall sound is one that is both universal and transcendent, feeling familiar but still surprising. 'Dream In Colour' is indeed an apt title for the EP as it spans the musical spectrum and is a lucid and vivid trip into the imagination of this new and exciting producer.

After releasing four compilations on cassettes featuring tracks from Bliss Inc., Low Tape, Maruwa, DJ Lifegoals, Greenwald, DJ Safeword and others St.Petersburg based label Snippets Music present their first vinyl release. EP was written and produced by a musician from Utrecht, a regular guest of Operator Radio and the author of the digital release "Trans Atlantique" for Gestalt Records — Tifra.

For the debut vinyl release Tifra has prepared three tracks which were remixed by the artist who released vinyl releases on Lobster Theremin, Craft Music and GASP Records — Marco Lazovic and label head of 10010 Records — Ksky.

Ritmo Terco is an independent record label based in Bogotá (Colombia) since 2021; dedicated to paying tribute to the roots of electronic dance music, combining the old school gritty sound with a modern vanguard touch. RT is an invitation to rebel against the opression, let yourself go and just dance to good music with a
strong and postive sound system message; so Join us to this Music Cult For Your Soul.

This, the label’s debut release is a blend of cutures and sounds between the Colombia production duo RUSH CITY ( Midnight People – Yung Dumb Records) and London vocalist HANDERK”. “Cosmic Vibrations” is a four track Ep that fuses old-school House, Techno, Tribal, Hip Hop, Reggae, Breaks and African Percussive with anologue synths. The A-Side opens with “Feel The Rush” a UK Street-Style with a heavyweight bassline, hipnotic synth phrases and a catchy dub
vocal. Next up the title track “Cosmic Vibrations” is an 80’s dub Hip House style tune with a raw and hipnotic 303 acid riff and an uplifting message of unification and love for planet earth: definitely an absolute danceflorr bombshell!

The B-Side opens with “C-Rush On U” which is a deep vocal acid house reminiscent of Larry Heard’s 80’s deep house movement with “Fingers Inc”; due to its electro bassline, warm synths pads and a catchy melody vocal. Closing the release the RC duo show up their remix skills with a minimalistic 90’s deep raved up versión for “C-Rush On U”.