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House Vinyl New Releases - News
For the second release on the buzzing Pearled Records imprint, fast-rising producer Sweater steps up to deliver 4 quality slices of sophisticated dancefloor material.
Hailing from Philadelphia, Sweater has been developing a reputation for tight and gripping tracks that deliver big energy with an emotive touch. Known for brilliantly blending house and breakbeat with his own unique style, heʼs built a focused catalog of releases that are always reliable. However, his latest offering on Pearled Records builds on that foundation with clear and thoughtful intention, showcasing arguably his most refined tracks to date.
Leading off PRL002 is ‘My Loveʼ a powerfully seductive breakbeat bomb with a delicate piano riff layered over a chugging bass line and that familiar rhythm. Next up is ‘King Ghidorahʼ, aptly named after Godzilla's arch-enemy, the trackʼs signature growl and skipping percussion make this a dark and bumping dancefloor anthem. On the flip side comes ‘Spaced N Pacedʼ that takes us deeper into the night or early morning, leaning on smooth atmospherics, a subtle bass line and of course pacey drums to keep the energy right on time. Rounding out the release is ‘Nice to Meet Youʼ, featuring Sweaterʼs signature breakbeat style and emotional melodies, because he canʼt help but tug at those heart strings.
Sweaterʼs PRL002 is set for release XXX via Pearled Records.
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London based Italo-house afficionado Demi Riquísimo’s Semi Delicious continues to roll out superb releases with consistent development in its sound. As the label matures towards its third year of operation, Demi invites a host of UK talent for the third Various Artists release to date.
Demi kicks things off with his archetypal soul-soothing disco-tinged house. Live percussion grooves interlock punchy kicks and mesmerising arpeggios sprawl out across the top. With his signature FM synth line riding across the top and accompanying chord grooves, Demi’s ‘Sanitise’ is an instantly distinguishable dance floor heater from the outset!
Bringing an immersive B2 experience, Baby Rollén delves deep into submerged acid territories. ‘Peripheral Visions’ explores the unseen with wandering 303’s interlocking over warm euphoric pads and jazzy piano licks. Persistently playful and uplifting while bearing all the sonic characteristics of a moody Detroit electro track.
Harry Oscillate is a force to be reckoned with his signature psychedelic house sounds landing on labels including Big Beat Manifesto, Misplaced Recordings and Melbourne imprint clipp.art. Here he relaxes into a mellow space voyage with driving 909 drums, intricate echoing leads and dazzling synth chords that embrace like a warm hug on the dance floor.
Bristolian super villain Gallegos has been tearing the underground scene in half recently with releases on Holding Hands and Banoffee Pies that have exploded into Boiler Room sets, peak time shows at Panorama Bar and on BBC Radio 1. His utterly unique sound fuses bold, dynamic synth writing with hip-hop-inspired sampling and monster drum grooves. ‘What About You’ is a lament to anyone suffering with mental health, a gentle reminder that we’re not alone.
Finally, the chugg king of East London Tech Support brings ‘Idyll Illusion’, a track that exemplifies his slow-burning mind-trips. Taking sounds from the late 80’s and blending them with his stylistic arpeggios and big beat drum machines. A perfect end to this moving ride through Semi Delicious 009!
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All Trackz Written by Alister.
Co Written and Mixed by Omar S
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‘Anomie’ draws on Latin, Classical and Middle Eastern cultural influences to create a beguiling collection of meticulously crafted deep house club cuts whose seductive power is impossible to resist. A bewitching sonic encounter that clarifies exactly why NOCUI is fast becoming one of Berlin’s most talked about rising producers in 2023.
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Limited Handstamped white label including 5 percussive spaced out techno tracks.
Indigo Aera is rebooting its ÆX limited whitelabel series after 3 years of radio silence. This new release aex016 marks the start of a new run of various artist ep’s with the familiar recipe: dancefloor oriented dj tools drawing inspiration from the more classic side of techno.
The release includes 2 new names to the label: the A1 track from Malin Genie is a true homage to the percussive tribal techno era in the ‘90s. The A2 from Anna Kost, is a strong electro / house hybrid which builds on a strong flowing breakbeat. A3 is pure melodic Detroit styled dub, from Ivano Tetelepta, who simply never disappoints and always delivers the highest standard. The final two “last but not least” tracks are solo productions from labelheads Jasper Wolff and Maarten Mittendorff.
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The fourth installment of MdCL’s Midnight Snacks series features remixes of snacks from vol 1 & 2, reimagined by Foursixone (Germany), Sound of Fractures (UK), Laroye (France) and Coflo (USA) – instrumental dancefloor pressure for the broken beat and soulful house heads. Curated by the Mashibeats community – community-sourced remixes and community-A&R’d – the EP kicks off with Foursixone’s broken beat reimagining of ‘Crush Velvet’: file alongside BITA and 2000Black. Sound of Fractures blends jungle bass-line pressure with a 2-step bounce on ‘Blue Hour’. On the flipside we dive into house with Laroye’s alternate mix of ‘Crush Velvet’ – a future nu-jazz house classic, and wrap up with the gospel organs and deep 4/4 grooves courtesy frequent Osunlade collaborator, Coflo.
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Fresh new collaboration between friends Handy x Shall Not Fade, bringing together artists from each label to produce a side each for the VA.
Lining up for Shall Not Fade we have London's 9th House & Berlins Ruff Stuff and batting for Handy we have Trouble Makers Adam Curtain, Bobby Cazanova & a collab from Arthur Dudley and the ever on-form Retromigration.
As it says on the tin – “Keep it in the Family”
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The Maghreban has been making Dance music and related genres under various names since the mid 90s, spanning Jungle, Hip Hop, Rave, House and Techno; on labels like Versatile, Black Acre, Eglo Records, R&S Records and his own Zoot Records.
This is his second full length LP under this project and is a refinement on his first. He has worked with the jazz saxophonist Idris Rahman to craft something more cohesive perhaps and more rooted in Jazz and Techno as well as Eastern music. There are also vocal collaborations with Nah Eeto, Omar and Abdullah Miniawy.
Airplay from Benji B, Gilles Peterson and Tom Ravenscroft on BBC Radio. DJ and Radio Support from Ben UFO, Nina Kraviz, Mosca, Otik, Eclair Fifi, Totally Enormous Extinct Dinosaur, Martyn Bootyspoon, Appleblim, Krikor, Photonz, Gramrcy, and many more.
Favourable reviews so far in Uncut & DJ Magazine: "His most expansive statement so far..Innovative and Irresistable", Reveiws to come in Mixmag, The Wire and other publications.
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- A1: Farron - RSEndless Line
- A2: Farron - Entrance Wounds
- A3: Farron - Hoog83
- B1: Farron - Music For Saps
- B2: Farron - Tensit
- B3: Farron - WH Respiration
- C1: Farron - Fort Miley
- C2: Farron - Toesbarn
- C3: Farron - Lido Recess
- D1: Farron - 19-7/5-12
- D2: Farron - Acorn Solo
- D3: Farron - Under Tower Talk
- E1: Lindenberg Support - C20-25
- E2: Lindenberg Support - SKS (101)
- F1: Lindenberg Support - Gate
- F2: Lindenberg Support - Kinda Weak
- F3: Lindenberg Support - Pol -1 (For Stefan)
- G1: Quiem - Strayed And Aimless
- G2: Quiem - You Looked So Pretty On My Balcony
- G3: Quiem - Your Singular Courage
- H1: Quiem - My Tiny Engine
- H2: Quiem - On My Mother's Birthday
- H3: Quiem - Trauma And Its Clutches
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Tee Illa is a musician and beat maker based in Pretoria South Africa. This is his 1st single released on Selected Works and encompasses house, UK Garage and Future Funk influences. Tee Illa blends a wide range of musical genres and combines influences such as Lo-Fi Hip Hop, house and breaks music with South African, Afro Futurism and Traditional African music into his own brand of exciting electronica. Coloured and standard black vinyl, comes with art print.
expected to be published on 23.06.2023
Tee Illa is a musician and beat maker based in Pretoria South Africa. This is his 1st single released on Selected Works and encompasses house, UK Garage and Future Funk influences. Tee Illa blends a wide range of musical genres and combines influences such as Lo-Fi Hip Hop, house and breaks music with South African, Afro Futurism and Traditional African music into his own brand of exciting electronica. Coloured and standard black vinyl, comes with art print.
expected to be published on 23.06.2023
"You never get a second chance to make a first impression”
Rovas presents Aleexe (Panea Records) with a solid four-tracker EP that provides a complete experience into this inspiring artist's intellect.
My Shoulder is Your Shoulder”, kicks off this EP with a highly danceable and dense vibe. Deep synths evolve with snappy percusions and a bassline that leaves no doubt: this is going to be serious shit. “Teson” follows on the same side getting the table ready, with some breaky vibes and a resting bassline, mastered by cheeky vocals and playful synths.
The B side seems to spread a brighter atmosphere designed for the daytime, delivering stripped back and sensual contrasting tracks. “Teapetesis” incorporates great melodies and rolling riffs that bring the energy flow up until the end. Lastly, “Comprehension” gives a closing with the perfect dreamy calmness.
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Baguette Magique Records is a music company based in Madrid and established in 2021 by Thomas Moulin. The record label is a platform that promotes up-and-coming music artists, without getting cornered into any particular style and focusing on quality and longevity. BMR sound is pure, smart and hopefully timeless.
The first release is a solo EP written and produced by Uruguayan DJ Enzo, who uses the a.k.a. DJ E for his debut as a producer. In his first record called JMG 88’, he presents a timeless and elegant four tracks EP somewhere between Techno and House with breaks, harmonic touches and Montevideo electro flavours. A1 titled “En la Hora” features Mendez.
JMG 88’ is a visit card that will allow the world to get familiar with Baguette Magique’s universe and start drawing the picture of its unique musical identity.
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Under the alias 4E, producer Can Oral created his own unique sound of raw, futuristic acid-electro. The A-Side tracks "Ask Isadora" and "Conga Banana" first appeared on the album, Blue Note, released on Home Entertainment in 1996. On the flip are two unreleased tracks picked from his extensive archive and edited by FIT Siegel. These were also recorded during this era, which Can describes below:
"In the 90s I moved to NYC to start a band with Jimi Tenor. I had a small flat in the East Village with the apartment number 4E and that became my artist name for the downtempo and electro material I was working on. The style I called Futuristic Electro because I didn't want to relate to the old school with this. I had my studio on the kitchen floor and pretty much only used EMU SP-1200, TB-303, TR-808 and SH-101 by good ol’ Roland. In a way NYC was still developing because it was all about house music. In 1995, I opened Temple Records in Manhattan with Dr Walker from Air Liquide and DJ DB from Smile Communications. The record shop was inside the Liquid Sky clothing store. After a fire in the shop, along with a falling out with the owner I decided to talk to a fortune teller to find out what the future held. Her name was Isadora, and she had a TV show called "Ask Isadora." She told me on live television to move out, have my own shop and be independent, so I did. Thanks Isadora!"
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LUXE & Tom Place are next up with their collaborative ‘Moonquake’ EP. The signature cross genre influences can be heard in the off kilter percussion, laid on top of bassy cuts, with subtle trance influences permeating throughout. A bold way to close out another year of releases on Dansu Discs.
Firm favourite, Angel D’lite is back to close off the record with her jungle filled flip of ‘Moonquake’.
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Afterhours. is back with Ukrainian underground talent Silat Beksi. As expected, the 3-tracker appropriately named "Transend EP" displays a fine selection of stripped-down music prone to dancefloor introspection.
The title track 'Transend' shows Silat's talent for creating steady, bare-boned grooves, filling the sonic space with menacing atmospheres, chopped vocals and bizarre modular squelches. Flipside's 'Monoliza' follows the same stable groove principle but applies quirky sound-design techniques reminiscent of the golden ages of microhouse for an added swing. 'Elephant Dream', the EP's closing track, swaps the four-by-four rhythms with breakbeat-infused constructions, adding just the right amount of sway for its deeply floating atmosphere.
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Joining us for the third release of Arpanet, Infinity Plus One, veteran producer coming to us from the London underworld.
His unique sound oscillates between a twisted, distorted techno with hypnotic vocals and breaky electro.
Truly timeless sounds that we dare you to recognize. Two of the tracks are repressed 2005, but two others are unreleased from his 1999 catalog and the other was cooked up just a few months ago in 2022
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It was perhaps only a matter of time before Si Begg rocked up on Central Processing Unit. Now an esteemed veteran of British beat tracks, Begg's name has become synonymous with quality club productions ever since he burst onto the scene three decades ago. In the years since, Begg has released scores of records on some of the most prestigious labels in the business - Tresor, NovaMute, his own Mosquito. As such, his debut on the Sheffield imprint whose name has become a sign of quality since it launched in 2012 seems like a wholly logical progression for one of electro's most consistently excellent producers.
Begg's casual mastery of his sound is shown off by the fact that he doesn't over-egg the pudding of the Energie Electrique EP. Rather than doing sonic cartwheels to get people's attention, Energie Electrique is characterised by the way Begg adds or subtracts elements to sturdy grooves. It's an approach which makes for a collection of tunes that manage to bring the boogie from the off while they also hide all sorts of aural Easter eggs amidst the mix.
On opening cut 'Energy', a droning start full of crisp drum programming soon develops into a head spinning electro groove reminiscent of Kraftwerk's Computer World. An acid-laced bassline waxes and wanes, modulating in intensity across several minutes as Begg sprinkles in percussion, synth blurts and vocoder vocals. It's a slyly insistent rump-shaker, and the - ahem - energy that the track provides carries through into following number 'Buckfunk Beatz'. This joint begins with a gnarly, chattering synth sound before the sizzle and snap of a broken-beat kick-hat loop locks into place. While still very Kraftwerkian, 'Buckfunk Beatz' also has the playful grizzle of contemporary practitioners like Cardopusher and Begg's fellow CPU operator Silicon Scally.
Things switch up at the start of Energie Electrique's second side. Rather than rolling out a high-octane groove, Begg delivers a low-slung mid-tempo roller called 'MS10 Machine Funk'. The programming on the kick drum here could almost pass for a dirty south hip-hop production if Begg didn't lace it with such a strangely compelling use of the oscillator - sometimes squealing, sometimes squawking, sometimes wobbling, always thrilling. The mix flecked with chordal stabs, 'MS10 Machine Funk' is a masterclass in combining danceable beats with the quest for thrilling sounds that is so often the mark of a truly musical mind.
To round things out, Begg brings us back to the beginning. 'Electro P1 B' is a delightfully dystopian bit of Drexciyanism. Piston-hiss drum programming, nervy atonal synth nodules, some cavernous reverb deployment - this is a body-mover if ever you heard one, and one executed with all the style, aplomb and panache you'd expect of Begg.
Si Begg takes his Central Processing Unit bow with the Energie Electrique EP, a quartet of club tracks to rival anything in his vast and vaunted discography.
RIYL: Kraftwerk, Silicon Scally, Drexciya, Cardopusher, Annie Hall
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Toy Tonics come up with the LOST TOY TONICS MIXES EP. These tracks came out over the last years on Toy Tonics as digital releases or bonus tracks. As they had such a great feedback now they come together on a 4 track vinyl. Folamour’s remix of french producer Mangabey was one of the biggest stream hits of both (4 mio plays till now on Spotify). Demuja made a whole Toy Tonics EP 3 years ago that pushed his career a lot... "Brissy" was a key track. Felipe Gordon made 2 EPs on Toy Tonics, but the Pontchartrain remix was released only as a bonus digital remix. And Sano, from Colombia usually releases on Public Possession. He made a one off EP with Kapote 2 yars ago. It was just a digital release back then. So here comes the massive Sabrosito Tool on vinyl finally. Sick latin house track!
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Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years.
Dig in....
Back in the early '90's California's West Coast's parties, raves and clubs began to be fueled by the emergent sound of tripped out acid breakbeats and psychedelic house jams. Jason Drummond, AKA DJ Spun & Courtney Nielsen teamed up as Central Fire, their debut was both influential and pioneering, released in '94 on Twitch Recordings, a mainstay of the San Fran scene, it would pathe the way for what was to come.
'This Is A Shout Going Out' (Into The Future Mix) opens with infectious bubbling 303, there's breaks aplenty with expertly programmed twists and turns along the way, whilst the vocal keeps it lively throughout. The Sliced and Diced Mix sees Jim Hopkins edit the original down into a jam packed journey.
Over on the flip 'Central Fire' (Yes People It's Time Pt.1 and 2) takes a more stripped back approach, a b-line and breaks that deliver the funk underpin delicate riffs, dub FX and an unforgettable flute interplay to turn this track into another devastatingly programmed episodic ride.
This EP has stood the test of time, an essential rarity that has achieved cult status amongst the most discerning DJs, music heads and record collectors alike.
It has been legitimately re-released with the full involvement of Jason and Courtney, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!
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- A1: East-West - Can't Face The Night (club mix)
- A2: Omri Smadar & Roy Shpilman - Adama
- B1: Herbert - Keep Time (Nobody) (Nobody)
- B2: Dan Curtin - Particle Dawn
- C1: Jensen Interceptor - Lean Before The Interview (feat Assembler Code)
- C2: Elkka - Hands
- C3: Hodge & Peder Mannerfelt - All My Love
- D1: Elkka & Jeigo - Body
- D2: Villager - Monocyclical
- D3: Breaka - Living
Elkka’s deep intuition is the unifying thread throughout Cardiff-born DJ and producer’s illustrious career. Vibrant releases for Local Action, Ninja Tune and her own label and party, femme culture, have marked her as an unstoppable force within the London underground.
This recognition metabolised when she was awarded BBC’s prestigious Essential Mix of the Year in 2021, spotlighting her radiant blend of classic house, breakbeat and experimental electronica to the world over.
As the next curator of DJ-Kicks, Elkka is voyaging through rave euphoria. “This is a really special moment for me because DJ-Kicks has been a formative part of my musical education,” she says.
An intoxicating journey through Chicago house and disco, leftfield techno, UK bass and electro-punk, Elkka conjures up an atmosphere that is as primed for the club as it is the listener’s interior world.
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Master of the Polish underground, Chino returns to the Pinkman umbrella with a new solo EP on the Mindri sublabel. Following on from his 2021 debut as one half of Radiation 30376, Chino turns up the dystopian dancefloor energy with a 4-tracker of dread-laden apocalyptic funk. A relentless drive of twisted arps weaving their way through thunderous drums, the crazed tension builds and builds and doesn't let up from start to finish. The perfect soundtrack to an ill-fated cinematic getaway drive that leaves you with only one final conclusion: there is no escape.
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London based label Natural Selection present their 4th release in the form of a 4-track physical and digital Techno EP courtesy of Rommek, entitled "Devil's Playground EP". Cut by Simon at The Exchange Vinyl and mastered by Dadub Studios, Berlin.
Based in London, Rommek has seen his music released by the heaviest of renowned labels such as MORD, ARTS & James Ruskin's Blueprint Records. Rommek returns to Natural Selection after releasing with the label via their widely acclaimed VA compilation fundraiser "In Aid Of Ukraine" in 2022, with his track "All Blood Is Red", which has gained support by some of the most respected DJ's worldwide.
Since his debut release in 2014, Rommek has creatively expanded his own sound and has firmly established himself within the global techno and experimental scene. His extensive interest in sound design is crafted within the dense atmospheres, heavy broken drums and dynamic tones found within his productions. After various releases that grounded him within the Blueprint family, Rommek then completed his most established work to date, the 'Set In Stone Trilogy' in 2018. The three part release compromises of 12 tracks, original and remixes from key members of the Blueprint team; James Ruskin, O/V/R (James Ruskin & Regis), Broken English Club and Makaton.
After releasing over 15 solo EP's, Rommek has gained a wide range of noteworthy support, from being played on BBC Radio 1, to features and reviews in Mixmag, The Wire and The Quietus magazines. In 2018 he was featured within the top 100 globally charted artists on Resident Advisor. From this, it is clear that Rommek is driven to continue expanding his capabilities and keep excelling forward. After forming a close connection to Natural Selection in recent years, he has now cemented himself as one of the main front-line artists and residents within the London based imprint.
Natural Selection are well known for bridging the heavier spectrum of Techno, Electro, IDM, Acid, etc. with new, experimental style and form. One can always expect cutting-edge, hard-hitting, underground electronics from Natural Selection, with extreme diversity in sound.
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Watergate favourites GHEIST make their long-awaited label debut.
There’s an auspicious connection between GHEIST and Watergate; the Berlin four-piece played their veryfirst live show at the club in 2017. Since this time, not only have they become tried and true favourites at the Oberbaumbrücke hotspot, but they’ve caught the ears of electronic music fans the world over, establishing themselves as one of the most promising new acts on the scene.
After stellar releases on Last Night On Earth, Diynamic and their own Radau Records, ‘Zukunft’ is a fitting debut, shining with the GHEIST’s trademark juxtaposition of melancholic and euphoric tones. The title arouses an immediate nostalgia courtesy of its shimmering combination of organ stabs, scattered vocal effects and smooth bass. ‘Disclose Yours’ will make the hairs on your arms stand up with its major key synth riff and stirring vocal. Completing the package is a slick dub, primed for the early hours.
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Having been previously released digitally and on CD back in 2009. We decided RSD 2022 was a great opportunity to release this seminal album on Red Transparent vinyl for the first time.
‘Don’t You Remember The Future’ is the debut artist album from Jamie Jones, peering into the coming apocalypse with a body-shaking, teeth-grinding, tripped out fusion of sound on Crosstown Rebels.
There are some talents that remain inconspicuous and then there are some you can’t ignore. Jamie Jones is the latter, quickly rising to superstar status in underground dance circles over recent years. Releases on Crosstown Rebels Hot Creations, Defected, Cocoon, Get Physical and BPitch have catapulted him to become a cult figure and he is widely admired for his true originality. From his debut single ‘Amazon’, to his albums' anthem ‘Summertime’, his unique sound has won him worldwide audiences and this album has been widely anticipated as one to change the face of current house music.
With ‘Don’t You Remember The Future’ Jamie Jones delivers an album of “intergalactic techno house, where old school prince meets cybertron.” A seamlessly blended up-tempo mix filled with eerie and energetic moments. Featuring ten brand new tracks from Jamie Jones, alongside this years dance floor anthem ‘Summertime’ and the current ‘Galactic Space Bar’ - which features the vocals of Egyptian Lover - the album’s twelve tracks are stitched together in an entangled web of beats and bleeps, available digitally as separate edits.
Cosmic cuts such as ‘Mars’ and ‘Deep In The Ghetto’ create a new dimension through soaring synths and idiosyncratic samples while the sonic dance floor weapons ‘Half Human’ and ‘This Is How’ release the lethal disco master within Jamie Jones. The jacking, peak time moments of ‘Summertime’ and ‘Sand Dunes’ produce a current take on the early acid house sound and each step of this peculiar story solidifies the strange notion of being within an undiscovered time and place. ‘Don’t You Remember The Future’ features the guest vocals of a variety of musical souls, checking off some of Jones’ remote influences and revealing the greater versatility of this skillful artist. Norwegian oddball duo Ost & Kjex feature on the anthem, ‘Summertime’.
The seductively charged ‘Absolute Zero’ unmasks the talent of London based DJ, producer and vocalist Alison Mars (AKA Alison Marks), resulting in a beautifully epic and mysterious after hours track, and the toxic ‘Galactic Space Bar’ features live vocals from one of the creators of the electro scene, The Egyptian Lover, an old hero to Jamie Jones through early rap cuts like ‘Egypt, Egypt’ and ‘I Need a Freak .’ ‘Don’t You Remember The Future’ vinyl release is the album that brought the future into the present."
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Returning to the remix series again, this time with The Future Stylin' remixes of the rare EP from 1993, originally written and produced by Rob Haigh under his alias Haute Control. This time we are pleased to be working with DJ Trax, Syko, Denham Audio & ManiFesto each one bringing their own take on Rob's 1993 track.
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Prolific Bristol based producer & DJ Gallegos debuts on London label Curving Track Gallegos’ with ‘Sycophantic Maniac’, dropping on the 27th July featuring additional tracks 0832am & Stop Continue. Having previously released music on labels like Holding Hands & Banoffee Pies, ‘Sycophantic Maniac’ is a big room record fusing together acid top lines, fast paced breaks and a driving low end, receiving early support from TSHA and featured in her forthcoming Fabric mix compilation CD out on the 7th May. The highly anticipated record has also seen spins from NTS stalwart Moxie, and will be receiving the remix treatment later this year from an exciting up and coming artist.
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Baby Rollén’s Slump Recordings imprint returns for 003 - with a debut EP from mpeg. The Stuttgart based producer traverses the underground with his signature hypnotic tone!
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repressed !
***Taken from Leaked Whatsapp messages between DJ Absolutely Shit and Il Bosco***
Yo cousin Bosco...how's ya raisin widge?
Nice one for that last lot of dough i'm starting to well buzz off all this music industry bollocks now you know...mad what you can do with a catchy DJ name and pure absolutely mega tunes wot are miles better than anyone elses init?
Anyway i've been diggin' me fuckin' 'ed off ant I recently and got some more well primo gear for yas here...done 8 this time - was thinking if i'm managing to sort me life out banging out EPs for yas - if I do and album or two i'll be mega wedged in no time deffo init.
Yeah i'm thinking fuck this i need to get out this rank shit-hole quicktime... spotted this sick 3 bed thatched cottage gaff in Cadishead the other day, well smart. Detached n everything G, so can deffo get a proper grow on in there piece of piss. Gran's doin me ed in n all here G, big style the old slapper. She keeps robbin' me cash!
Turn me back for 5 mins and she's fuckin chonged it all the little turd... fuckin fuming ta fuck g cant wait to do one from that shitty flat...and if she thinks she's keeping me dodgy sky box she suck me widge haha.
Anyway shout me soon init. fuck knows what to call this album g. ask Pharaoh to come up with a name for it the turd. i can't be arsed thinkin... Seen him the other day actually bumped into him and that Crispy Duck guy who does those sick comics. They was outside some posh coffee gaff in Ancoats with a few other chumps lobbing bricks at a pile of other bricks down near the canal drinking pink hooch the turds. Get em to do the artwork for it n all g. if they want paying or owt tell 'em to suck me widge haha.
Nice one
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