House Vinyl New Releases - News

We were playing the track ‘Common Ground’ out and it was getting the dance floor hot! It was an instrumental at the time and Renato Paris was in the dance (a singer that EVM has been working with, plays keys with Moses Boyd and is one of Gilles Peterson's one to watch) he came up and asked, “What's This?” grabbed the mic, peak time and layed down this dope freestyle vocal, it was a jaw drop kinda moment for us all! That was it, we had to make it happen! So we linked up Renato and Duke and it became the lead track on the EP. An infectious song that literally drips in soul and future R&B, and just fits perfectly over the strings on this killer broken beat track! It’s one that will stick in your head and make you play it twice!

The whole EP is nothing short of quality. From the sultry jazzy Bruk vibes of '2017 Heat Wave' to the monstrous club track ‘ Nighthawks’ an up front stomper with live drums and a bassline that'll make you shiver inside that funky top line.

‘Got My 606 Back’ has been getting rinsed by the Summer dance Forever crew’s KC The Funkaholic and was well received by dancers worldwide when it was used for an SDF promo earlier in the year. We’ve since had many of them asking when this is coming out! This one is a real body mover, sweat towel advised!

Finishing up on ‘IFZ Shuffle’ a wicked little house shuffler that almost takes you back to the 90’s. It has this sweet piano breakdown that then introduces synths and congas until the groove kicks back in again. This track and the whole EP for that matter, works in a multitude of situations. It wont fail!

Fragments of Reality continues to suck you through wormholes into the multiverse with the second selection of exclusive V/A tracks produced for the fledgling imprint.

FOR 02 opens with a brand new collaboration between Subb-an (ONE records) and Luther Vine (Phonica) with a track called 'Expression' - an ominous, swirling, floor-filling monster that combines relentless rhythms, otherworldly vocals and futuristic synths into a high-quality production. It's closely followed by 'Animal Anthem' from acid breaks maestro Rudolf C, that features his trademark multi-dimensional layers of sound wrapped up in a contemplative mood and finished with intense production skills.

The flip side opens with 'Pyramid' a fresh new sound from a mysterious duo, Voodoos and Taboos. Following a string of high calibre releases on Phonica AM and their own label the duo continue to make their mark as masters of cinematic sound design with this tripped out mind melter! FOR 02 is beautifully balanced with 'Enchanted' from Berlin based duo ERIS, known amongst other things for their releases on Tokyo based label, Cabaret. Once again Fragments of Reality delivers four unique excursions into different dimensions and soundscapes.

Fragments of Reality returns for the eagerly awaited third instalment with four exclusive tracks catering for diverse dancefloors.

ATAXIA & Mister Joshooa kick off with 'Subversive' - a slick tripped-out breakbeat-driven jam from Detroit's Marble Bar and TV Lounge residents. It's a powerful and expertly programmed production with a barrage of drums and bass held down by an array of ricocheting synth and vocal FX, tried and tested on Detroit's most discerning dancefloors. Next up Harrison BDP let's loose with 'Dirty Mochyn', a 90's inspired roller from the prolific producer featuring his signature dubby sound design, synth licks and a throbbing bassline.

Strap yourselves in, as the flip side opens with a deep house composition from hotly tipped Leeds based producer Adam Pits. 'Pat On The Back' sucks you into a wormhole of bubbling music with cosmic pads swirling around the stereo field and a beautifully expressive synth line - finished to perfection with a highly swung TR909 groove. The record is then perfectly balanced by Berlin based Keisuke with 'Ok Taiko' - a deep driving house track following hot on the heels from his killer debut EP on Phonica White. 'Ok Taiko' oozes with TB303 goodness and nostalgia-evoking piano stabs, all strung together with an ever evolving house rhythm.

The man like Lerosa returns to LDR with more electronic synth goodness for the masses.

The multiform of sounds from Lerosa is presented on this 6 track EP, which ranges from dark and moody electro soundscapes to electro bangers for the floor!

An essential 12 for your collection....but who can you trust?

Following widespread acclaim for his recent LP ‘Always Inside your Head’, on March 4th / April 8th Matt Cutler AKA Lone releases four re-works of tracks from the album, entitled ‘Natural Aerials’.

On ‘Natural Aerials (Mouth of God Part Two)’, Lone utilises a similar sound palette as album track ‘Mouth Of God’, but rebuilds it into a brand new banger. Energetic, deep, trancey and driven by jungle-schooled breakbeats, with bassbin shuddering low-end, he delves deeper into the vortex. Whereas the album was made predominantly using software, Cutler has since been buying hardware – and this marks the first track made on these newly acquired synths.

Based around a version from Lone’s recent sold-out live show at London’s Village Underground, on ‘Inlove2 (One Thirty Mix)’ he ups the original’s BPM count, with sights set firmly on the dancefloor. Taking cues from the ‘Ambivert Tools’ series, this is a high-grade, proggy, main room acid rush.

On ‘Visited By Astronauts (SHERELLE Had A Groove Remix)’, the fast-rising star takes an ambient interlude from the album, and gives it what she calls “a space age, footwork jungle twist”. Her first released remix, Sherelle continues an impeccable purple patch, with a re-rub that’s both airy and light, but also heavily percussive, full of propulsive forward motion. She states, "it’s a pleasure and honour to remix for Lone, as being a long time fan, it's a beautiful thing to be able to collaborate. I really wanted my first remix to be special and also for someone who I hugely admire, so Matt asking me to be involved in this process wastruly magical!”

‘Echo Paths Ebb And Flow’ takes a downtempo album highlight, strips it back to just the synths, then unfurls them into a blissful ambient work that’s melodic, warm and fuzzy, swaddling the listener in candy floss clouds.

UFO Series starts 2022 with a high quality and intergalactic EP from a revelation artist called Moy On Wire. Emotional focused music that can remind us of many classic, warm and extra terrestrial sounds,crazy secuences even in fragments of the EP you can start making memories of the incredible space duo daft punk.

Pa’volar is a new label from Barcelona which aims to act as a collaborative platform for creative minds and positive souls.

The label kicks off its catalog presenting the debut release of label’s head Seb under his alias Neoser.

Open Senses EP is a versatile record with four original tracks full of eclectic sounds blended with house, breaks and downtempo beats, which makes it suitable for party and chill situations.

Now turn up the volume and enjoy!

Scruscru & Mike Fot return to SlothBoogie Recordings for the second instalment of their ‘Spliff Jams’ series, ‘Vol. 2’.

Scruscru and Moscow’s Mike Fot teamed up between 2018 and 2020 for a series of jam sessions at the latter’s apartment to record a bunch of music using a variety of Roland and Korg gear late into the night. Vol.1 was released on Sloth Boogie in September of 2021 and here the pair return to the label for the Vol.2 to kick start 2022.

‘k60k’ leads the release, fusing skippy garage beats, squelchy acid licks, oscillating keys and cut up vocals, ‘Enjoint’ retrains a similar aesthetic with a shuffled garage-tinged rhythm and amalgamation of chopped and pitched vocals snippets while a bumpy bass groove and warbling chord sequences further fuel the bouncy groove.

‘Hummus Dealer’ follows next on the flip side and shifts focus to swinging breakbeats, bubbling synths and hazy brass samples throughout. ‘Bro’ccoli Lasagna’ then rounds out the release, dropping the tempo to deliver an ethereal slice of downtempo goodness fuelled by off-kilter drums, snaking resonant synth lines and airy textures.

SINM introduces their second release: 74 Space Station EP. Starting out with "74 Space Station" the crew delivers an ambient influenced breakbeat with chopped vocals, voyage-like arpeggiators that take you back and fourth in a low-gravity state. Talented Cesare Muraca takes over a electro influenced remixed with a heavy baseline and layers of powerful synthesizers for a suprising twist on the original. Finally "Hello Callisto" rounds up the EP with a fast paced, train-like momentum with engaging baselines, galactic pads and garage influenced drums that will keep your journey going from start to finish.

For the best part of 10 years, For Those That Knoe has maintained its position as a platform for obscure and under-represented artists of recent past, (re)introducing their music to the world in the form of a stories told in chapters and specially crafted albums.

Taking a slightly different tack, For Those That Knoe is looking to the present rather than back in time with a first LP outing for Slovenian producer Vid Vai.

Vid Papez has had a succession of quality EPs under his belt, originally classically trained on violin, lute and guitar, his sound has developed into a lush mix of catchy breakbeat rhythms, precise intelligent percussion and other-worldly melodies and sound scapes.

In constructing Laminar Flow, Vid has taken inspiration from fluid dynamics and coupled it with early influences in the form of UK bleep, IDM and breakbeat sounds. The result is a timeless piece of liquid-smooth sonic art that is strongly relevant in 2022 whilst also giving a gentle nod to the pioneers of the deeper end of the rave scene.

LAURENT GARNIER
"Hummm this is twisted and so damn good"

Noted for his vast and psychedelic bass heavy productions, Brighton based producer Etch pulls out four killers for the ‘Sloppy Rhythm Trax’ EP on Hypercolour.

With a pedigree that has bestowed labels like IllianTape, Sneaker Social Club, LMD SunkWorks and TempOzone with exceptional singles and albums, the man like Etch fires on all cylinders for his Hypercolour debut.

Impenetrable and heady vibes are served up on ‘Lazyville’, whilst‘ Gaia’s Mainframe’ give us some of that aforementioned psychedelic bass in spades!‘

Pluto’s Groove’ tears into jungle and d‘n’b territories, rinsing out the acid breaks vibes, whilst ‘Belladonna & The Poppies’ throws down more sub bass frequencies in a dusty and decidedly chugging EP finale.

Roy Mills readies a whirlwind trio of bass-bin-rattling tracks for his Local Knowledge label.

This is the third full solo release for Roy, who turns in a set of genre-spanning, sound design heavy cuts - channelling his twisted, thrilling take on dance music.

Leading the A1 is ‘Chinchilla’, a weighty tripped out stepper with mind-bending basslines, bubbling synths, and sharp stuttering drums taking charge.

Following is the low slung mutant ‘My Safeword is Dolphin’, a tongue in cheek break up song that serves up wonky percussion, vocal chops, and uneasy bleeps, fragmenting between dance floor tension and prog-matic might.

The 10 inch release settles it’s vibrations below the surface, ending with ‘Aquatiqué’. Gentle, reverberated drums work in tandem with spacious, considered sound design for a comparatively calm but no less club relevant closer to the EP.

The record comes complete with an AR interactive 70 x 48cm Offset printed poster, printed inserts, stickers + special treats.

Keep The Peace™ 2022


Includes AR Interactive 70 x 48cm Offset printed poster

Includes Printed Inserts

Includes Roy Mills ‘Mascot Sticker’ + special treats

Includes Poly-lined Paper Sleeve for Safe Storage

Spin Fidelity returns home to Magnonic Signals with an outstanding solo EP, Gravitational Lensing…

‘Harbour Lights’ (+) opens the EP and instantly grabs you with its elastic bass and soaring synths. Jam packed with the Spin Fidelity signature sound, driving electro and Martian melodies.

Next up is ‘Change Is Gonna Come’ (++) A laid back 4/4 groove that builds and develops into a full on acidic symphony which is sure to please the 303 lovers.

On the flip ‘Fall’ (-) is a descent into emotional robotic funk. Hypnotic and beautiful in equal measures, definitely a track to get lost in!

Last but not least we have the epic ‘Midnight Creep’ (- -) The stuff of dreams or nightmares? Dark and light? The Midnight Creep is lurking. Haunting electro.

Signals are getting stronger…

4 naughty cuts of dark garage. Full of swing, sub, and straight rollage. Buy multiple copies so you can hang this up on your wall.

Reordering musical elements, patterns, and machines, Permutation is a duo of music producers from Barcelona who bridge inuences from electro and techno to 90s IDM and ambient electronica. Their second release presents three tracks developing a nuanced sonic palette of syncopated electro rhythms and intricate percussion immersed in a
dreamy contemplative atmosphere.

Following the success of their sold out inaugural release, Out of Sorts present their second vinyl release, Farr’s Wide Eye. 



With Farr’s Bassline Interferometry becoming synonymous with the success of the first release, it only felt right to invite him back for his first full vinyl release, joined by Canadian artist, Ciel, on remix duties. For Wide Eye, the Vienna-based artist sets out on three new dancefloor excursions, each featuring his customary delicate melodies and complex percussion, whilst scouring different corners of the club music continuum. 


The release starts with title-track Wide Eye, a deep piece of post-grime club bass which weaves a moody atmosphere between spacious vocals and rattling percussion, wrapped around a menacing acid line which cuts through the space to create a claustrophobic finish.

Reticle is a full-throttle club workout where warped bass, gunshots, rewinds, and rave-tinged vocals are all on the table, nestled amongst relentless percussion which bounces between razor sharp two-step, speed garage and dubstep sequencing. A tool for full dancefloor destruction.

Give Me Shelter takes a step away from the weightier side of things, showcasing how easily Farr’s customary rhythmic programming and sound design can be applied to a myriad of different genres. A delicate melody and deliciously colourful bassline are joined by a hypnotic vocal sample and intricate synth work to create a slice of peak-time euphoria.



Ciel has become known for her musical storytelling, and she rounds off the release in usual style with the Give Me Shelter ‘Safe Harbour’ mix. A cheeky irresistible lead melody and Balearic style percussion coalesce with airy synths to leave a sweet taste in the mouth.

Instinct has been one of the key protagonists in garage's ongoing renaissance. Not only have his tunes given a fresh take on the much loved old sound, but there have been plenty of them, too. Now he's back with yet another full length, and once again it's packed with heat. There are deep shufflers that nod to the original US garage sound, as well as darker, 2-step tinged get downs. More so than before, there seem to be plenty of reversed bass stabs and MC vocals, old school signifiers and jungle breaks that pay homage to the roots of the sound while never simply copying it. The heart aching vocal of 'Don't Know' is our fave and a likely candidate for one of this summer's standout tunes.

Producer duo Greg Wheeler and Dean Slydell spent a lot of time on the A3 road back in the nineties, which runs from London to Portsmouth. The trax for Molar's third strike date from the same period. House gourmets know their sought after releases from the mid-nineties on UK’s Ferox Records. Molar is very happy to present four diverse tracks that were produced between 1995 and 1998 that have now been carefully remastered for the „A3 EP“.
From the rather cheerful house groover „Changing Places (Edit)" and the deep head nodder "Telling Lies" on the A-side to the technoid, slightly reminiscent of Italian Onirico "First Contact" and the freshening breaky "OpenGL" on the B-side - there is something for everyone on MOL03 again!

For their first outing of the year, Accidental Meetings deliver the goods once again. This time calling upon Baroque Sunburst's co-founder, Soreab. He's served up three contrasting club tools and finishes it off with a low-slung, bass-heavy drifter. It's a deeper look into Soreab's repertoire and one we have not seen yet, the release demonstrates his multiple styles with Soreab effortlessly weaving between tempos and tones.

The record starts with Drunken Ballad, clocking in close to 100bpm with a mutant dembow beat, its rattling percs switching up the techno/dancehall crossover with some squelchy sound design added in for good measure.

Maranza Percussion Ensemble takes it up a notch, with dubbed-out rhythmic percussion the theme and a surging sub throughout. Smidges of eerie echos and delayed vocals sprinkled from open to close.

The B side takes another turn, with Done Everything getting flipped on its head by the MC, Logan. Maximum energy on all accounts with Soreab at the controls throughout.

The Sphere closes out this slab of wax, low-slung and moody. A pulsating beat from the start, matched with ghostly drones & sirens. A perfect close to a contrasting and diverse release.

Part 2 from this highly in demand 10” series of 3 releases. Limited hand stamped copies..

Room 15's sub label, MM Series brings you broken beats on its debut release. The tracks have already gained strong support from artists like Kozo, Guy From Downstairs, Nu Zau, Cosmjn, Chad Andrew, Clovis, Prichindel, Viceversa, Miroloja & many others..

Limited press, Vinyl only

Alien Imprints is back with their second release which includes some well-respected artists along with rising talents showcasing their skills.

False prophets - Relpek A.K.A. Kepler is a DJ/producer who hails from the North of England. His offering is a crisp electro track that generates a calculated bass, analogue stabs and phrases with sweeping synths.
Spider Ink - Ollie Drummond, a respected DJ from London gives us a proper tech house number solid 4:4 beats, crafted basslines and pad effects that follow with acid riffs.

Thibo - Bronxy and ETRE from the Ukraine collaborate on this deep house affair, with soulful grooves, smooth deep bassline and "spacey vibe" pads create a cool hypnotic flow.

Childhood Intelligence 15th release presents “The Return Of Intelligence '' by UK duo “Interlect 3000”. Far ahead of its time, the two artists composed these futuristic timeless pieces, unknowingly, for generations to come. The album pays homage to the early days, fusing aspects of Techno, Trance, House, Electro, Ambient. Truly a hypnotic journey from beginning till end, live recorded & dedicated to the journey itself. Traxx which were written and recorded at Spare Room Studios, Essex and Phantasm Studios, London, between 1992 -1996 have now been rediscovered and released in 2022. Interlect 3000 as the architects of their own world are driven by passion and dedication for electronic music. A testament of skill and imagination only known to masters of their art.

Tim Jackiw of Ukrainian/Australian descent grew up in Adelaide, where he is making impressive sounds on his Amiga 500 computer since the early nineties. As the techno scene thrived during that period he began to explore the cities clubs and radio stations and contributed with DJing and numerous radio shows up till 2005 when he moved to Melbourne for a permanent home. Since then he has been producing and releasing on many quality labels and running his own underground label "Offworld Records Australia"

The Amnesia EP is a follow up to 2019’s successful "Monuments" LP containing 4 tracks of deep, dubby and moving aquatic housey techno. Lucid takes us down a mysterious corridor of twilight space and fleeting hypnagogic imagery, deep basses and layered percussion threaded with Tim's signature live improvisation throughout. Next up is Amnesia the title track with its haze and watery backdrop taking us through a long distant fragmented memory, a broken and decayed film reel recalled through lush expanded pads and rich strings. Side B lifts us up into Pillars of Creation, a deep space cosmic interpretation of universal birth. Finishing off the EP is Gravity loss a funky string laden exploration using off beat percussion and slivers of delayed melody swimming through the atmosphere of some distant planetary sky we can only imagine.

The one and only MdCL - Mark de Clive-Lowe - is back with a batch of Midnight Snacks fresh out the oven. The third installment in his series of instrumental broken beat, jazz-fused tastiness features four new tracks of Mashibeats dancefloor goodness.

"Musashi 2474” kicks us off with the bruk grooves, imagining a sci-fi future where the legendary samurai Miyamoto Musashi travels the spaceways. “Journeyman” follows, taking us into downtempo, head-nod, boom bap territory built around an MdCL piano sample. The EP’s flipside starts with “Third Plane” - a soulful broken beat jam, twisting and turning through a synth and keys drenched soundscape. We close out this snacks session with “Orbits” - a jazzy house inspired roller to take us home...

Having kicked off in Galway and then quickly on to Brisbane, we travel across the pond to Durham, to pick the brains of one dance music’s freshest minds and most exciting talents, Tommy 2000, for the all-encompassing GTOWN 003 - ‘2K Musik’.

5 tracks that will travel the length and breadth of your brain; from the epic opener and lead single, ‘Whales’, to the algebraic break sequences of ‘T-2000’, Tommy’s follow up to his debut EP on DJ Haus’ Dance Trax is about as mature a sound you could expect from any artist, let alone an 18 year old just dipping his toes in the water.

‘Whales’ leads the way as an almost orchestral breakbeat builder-style track that reaches its peak gradually and really takes us for a ride as we step into the world of 2K Musik. Following on from that, is the most classically-conventional track of the lot, ‘Baff’. The four to the floor backbone lulls the listener to be sucked into what is an entirely unique club track they’ve never even come close to hearing before. That is then spun on its head entirely when Tommy’s almost bookmark sound comes into play on the title track, ‘2K Musik’. Hammering us with breaks and unapologetic bass, this marriage of old school sounds with entirely dynamic arrangement and all around ingenuity tells us exactly what 2K Musik is all about.

We swap over to the B side then, without much of a break for air, and kick off with the ever-nautically themed ‘Tuna’. At this point, it’s more than evident that Tommy 2000 is entirely worthy of his placement as an artist that’s here to stay, as if he’s pulled us underwater to listen to what the sea creatures have to say to us. Totally transforming even more modern sounding breakbeat drum patterns and bending them to his will, GTOWN003 is almost like a portal into the mind of a music genius, not just an EP you sit down and listen to; this is an immersive exhibition into the world of Tommy 2000. The final stop on the line is ‘T-2000’. You want to stop and get off, but you can’t. Everytime you think you’ve got this track figured out, you haven’t. Snares coming crashing down and attacking the breaks just as you’ve began to comprehend the synthlines and pads that eb and flow off of each other as this crescendo takes us home and back to reality, as the needle lifts on what is only the beginning for one of dance music’s brightest stars on one of its realest labels.

GTOWN003 - 2K MusiK by Tommy 2000 lands on G TOWN RECORDS on June 24th. Are you Ready?

2 tracks lifted from RBB’s 2015 “Rhymes, Beats & Brass (Remixed)” digi-LP make it to vinyl for the first time - two superb remixes from 2 superb producers Chris Read & Sam Redmore – what’s not to like ?

Rotterdam-based Beyun returns to Vault Wax with four deep cuts of Detroit-meets-UK influenced breaks and electro with lush pads, emotive strings, and cosmic acid lines.

Black Key return from a four year hiatus in style - with 4 sublime tracks from Australian ultra deep house don Planisphere - aka David Swatten. Following an incredibly well received LP on reissue label For Those That Knoe, Swatten returns with more expansive, smokey and utterly consuming deep house cuts, stamped with his unique sound but offering a different flavour from his Definitive Transmission LP. One which immediately stands out from the crowd. Being only his third release in 20 years, there's an understandable sense of anticipation around Swatten's output. This release undoubtedly puts Black Key firmly back on the map, picking up their deserved reputation for releasing only the very best deep house, aimed well and truly at the heads.

Magnonic Signals welcome back the extraordinary talents of Darren Nye following his label debut on Neuromorphic Engineering Vol.1.

Well known for his beautiful techno, electro and electronica and featuring on top labels including FireScope, Nebulae, Revoke and Childhood Intelligence, Darren brings ‘Forgotten Technology’ which is some of his best work to date.

'Hidden In Plain Sight' (+) a dystopian electro track weaving lush warm pads and glassy eyed melodies over bubbling 808 beats with added 303 grittiness resulting in a wonderful timeless Detroit inspired gem.

‘Behind The Smile' (++) Imagine if B12 and Larry Heard met up for a late night jam in the mid 90's! A chi-town bassline combined with icy atmospherics and exquisite drum programming all make for a great track for both club and home-listening alike.

On the flip Dream Sequencer (-) takes us into pure space territory. A Nu Electronica style techno monster with driving drums and immersive emotional content throughout.
This track is sure to make any discerning dance floor go into overdrive!

To close we have the amazing electronica of 'Great Tartaria' (- -) Mr. Nye pulls out all the stops to deliver a sumptuous story-telling track. A pounding 808 kick and then soul soothing melodies and strings take you to a higher plane.

Signal are getting stronger…

As the System Error tree extends its branches, a new concept is born, Fresh Tunez - a safe haven for dancefloor dynamic beats from an array of shining producers under the System Error radar. Inaugurating the Berlin based project is Fantasy Attitude and Polarity founder, Luca Piermattei. Quirky and innovative sound structures from the Italian producer, quilted with unique emotion, yet infectious funk.

For the fifth release, Clut Communication presents the first solo debut of an Uruguayan artist, Molen, with his "Subterranean Practice" EP. Five energetic tracks perfect for the dancefloor, combining elements of punchy electro and psychedelic ambient techno, influenced from 90's sounds.

Dr. Rhythm was a short-lived house project by a British musician Mark Woollard who would later go on to become a library musician. As Dr. Rhythm, he released two 12" on Chill music subsidiary Danceteria in 91 and 92. Joining Mark on production and remix duties were Jason (E.M.U.) and Neil of Liquid Son whose house hits we also reissued in 2021.

Cold Blow is proud to resurrect these irresistibly fun house works as a remastered compilation, right on time to brighten up the promised summer of 2022.

Retrospect vol. 7 - Reshaping the 70s, 80s, & 90s with the sounds of now.

Illegal Jazz Vol. 2 was a strictly limited edition and now finally 2.1 is ready to see the world!
4 Disco-Jazz-Funk from the 70ies reworked by Delfonic & Kapote.

Ode to the Mode is the new EP from Naarm/Melbourne DJ & producer Kayroy. His first for the Velodrome Recordings imprint, this record sees the producer blend his love for synth-laden italo-style house and rave-ready techno, resulting in a record that is equally suited for cloud gazing and peak club moments.

The record opens with ‘Behind the Clouds’, a dense and sprawling track that pairs vibrant synth leads with crystal clear percussive work - a modern flip on a warm italo-house sound. With the EP’s title track, Kayroy takes a more club-focused approach, delivering a high-energy groove packed with buzzing 303s and an ear-worm percussive hook.

The flipside sees the producer journey into hard-hitting electro territory on ‘Ping Pong Funk’, before closing out the record with the slow-burning breakbeat bomb ‘Better Late’.

Back in stock !

Michael Mayer is one of the leading German tastemakers in dance music and his DJ sets have influenced a generation (or two) of musicians and fans.As an artist, Mayer remains tirelessly motivated to DJing, in the studio or behind his desk at KOMPAKT, the label he co-owns. His recording career spans four albums, 23 EP's, nearly 170 remixes and the legendary DJ mixes for fabric and Immer. '&' is his third full-length, a passionate and personal album that speaks as broadly as his DJ sets - embracing his genre-busting love for music, rhythm and atmosphere - and the dancefloor in front of him. '&' is the rare manifest of an established artist who is willing to risk it all and challenge himself, and the world around him. 12 tracks, 12 single narratives coming from a group of very individual minds orchestrated by Michael Mayer - the DJ, artist, A&R but most importantly, obsessed music lover. Michael describes the process of curating and creating '&' as a constant battle between his three alter egos but 'the obsessed music lover has had the final say.' As diverse as they are, all the tracks that result from this long and winding road create a cohesive story and present the elasticity of Mayer's musical galaxy. Michael gladly leaves it to the rest of the scene to discuss the different grey shapes of club culture. For him there is only one club culture - a playful and open-minded one that's easy to comprehend after you hear ‚&'.

Kennedy again uses the power of machines to translate his late-night dreams and spaced-out thoughts into two tracks of borderless hi tech soul music. This second musical manifestation of dreams is the newest in a unique series of thoughts, sensations and sounds occurring from a person's mind, translated by machines.

These are sounds that are always playing somewhere in your deepest subconscious mind. They're like a portal into another dimension where predictable arrangements do not exist. Chords seep and bleed into one another. Melodies drop from above like the liquid colours of an acid trip. They have blurred edges. The cloudy focus of each track means you sink in deep and latch on to an astral synth line that takes you higher, or find yourself gazing in wonder at the sci-fi bleeps that gently drift by.