House Vinyl New Releases - News

Like a US house producers' version of the fabled grime MC battle competition 'Lord of the Mics', Brawther and Chez Damier came up with the idea of a producer contest to bring together the members of the Interweaved community, with the winners of the first round of submissions sharing their stems with the rest of the community, inviting remixes.
French born Roy Vision received the most votes in the online poll for his track '4 One Another' - a house bomb full of sub-bass pressure, craftily employed vocals and deft drum programming. The original is featured here, alongside mixes from Australian underground hero Marley Sherman, who took the trophy for his uplifting remix. London Based DJ Rouge, meanwhile hails from Ireland but loves original Italian deep house of yesteryear, and his offering was the second most voted work and is included here, slower and more wistful but still chunky in the beats department, with Dunique's spoken word part adding a quietly philosophical dimension to both the original and chirpy, cheery sounding mix from Montreal wonderkid South Shore Garage.

3am Recordings brings you its debut album, from label boss Al Bradley. While it would be much easier to get some huge name in for this who is previously unrelated to 3am, it was never going to be like that here. Staying true to the ethos of the label, it was important that this milestone was a reection of the label and what it has always stood for. The move back to vinyl in 2015 has rmly planted the label back
in its place as one of the UK's most consistent for house music, retaining its value of working with artists who have been involved with the label over its 19-year history, or who have been rm supporters of 3am during its time. Over the 9 cuts there are a variety of vibes, 'Little Treasures' aims to cover a selection of sounds that represent Al's inuences & styles, having been buying records since the mid-80s &
playing vinyl as DJ since he got his decks in 1991. The past is important as it represents where we started, the future is equally important, as it's the area of the unknown & we have to embrace it...

Covering deep house, dub techno, broken beats, raw machine funk, beatless ambience & more, the album is one that is danceoor-aimed, but works beyond that area too. With support from the likes of Placid (We're Going Deep), Carlo Gambino (We_R_House), Lolu Menayed
(Rawtrax), Lars Behrenroth (Deeper Shades of House), Loz Goddard (Oath), James Reid (Sonet), Moodymanc (2020Vision) & many more, the album reaches right across the spectrum of electronic music.

(2022 Repress)

"The story: "few years ago in rehab - everything was forbidden there, including music, and for several months I learned to listen to music in my head and remembered the television game, called Field of Miracles, or rather I remembered the sound with which the wheel spins; this is a cult TV program in Russia.

Having returned from rehabilitation we got down to business. We took samples from this program, some changed beyond recognition, some rethought. We recorded this release with a balearic mood, despite the fact that at that moment it was winter and there were severe frosts."

Kincaid returns to Control Freak for a main label release with the Sugar EP - 4 sac- charine, club-ready weapons from a producer at the top of his game.

Drawing on an array of club sounds from trance to UK garage and the best in con- temporary leftfield techno, the EP marks our most rave-ready statement yet, with percussive drum tracks and soaring euphoric pads - carefully crafted for dark rooms and packed dancefloors.

On the A-Side, Air-ism and Sugar bubble with peak time energy - a pair of secret weapons which haven’t left our record bags for months now. B1 E is a pounding, energetic 4x4 pumper, whilst Sycamore closes things out with moody, shuffling drums and powerful low end pressure.

Pressed by Deepgrooves - Europe’s leading ecologically-friendly plant for sustain- able vinyl production, made using 100% green biomass energy.

Escola Records is back in the game with their second release, a Broken Beat & futuristic Deep House odyssey.

On the first side Karmasound & Sara Bee open the EP with the uplifting soulful summer anthem “Esperándote,” full of choppy live drums, jazzy keys and sweet, melodic vocals.

Next, musclecars deliver a dreamy remix of “Esperándote,” putting a futuristic twist on classic soulful NYC deep house. Lush and sensual, with a beautiful vocal outro, the remix has a warmth reminiscent of nighttime summer heat.

“Trencacintures” (“waist breaker”) is the second original track of the EP, by Barcelona’s JP Sunshine & Guim. The title of the track is a playful reference to its “broken” rhythm. Magical keys and intergalactic pads create a cosmic atmosphere on this fun tune.

On remix duties we find the house producer Hugo LX taking the original on a deep excursion to the dance floor, adding breaks that make the track irresistibly groovy.

After a 2 year hiatus, Silver Dollar Club returns to round out a trilogy of EPs with a sparkling slab of weirdo tearjerkers and club-ready cuts from Bristol's own Remotif. With a healthy lineup of releases on Coymix, Air Miles, and his own label Familiar Strangers, it's been a busy year for Joe Reddick and for good reason: Prolific and versatile, he combines a classic club sensibility with an exploratory approach to space and texture that results in a sound all his own.

Slap Bass, wet arps, emotional breaks & driving percussion all come together to make a record that we're very proud to be able to put our name on. This will be the last in a series of three records from Silver Dollar Club; so play it in your sets, play it in the car, play it in the bath, whatever you do, just play it

Following their contributions to Unruh 01 and 02, Tachyon return with four tracks of their own for the Fried EP. After the funky breaks of ‘Fried’, things take a sharp left turn with ‘PCM Dub’ before we shoot into outer space with ‘Traffic’. The tweaked and blissed-out beats of ‘Late Chatter’ finish off the EP in style.

From deep inside the inner workings of L3 Liverpool comes the latest instalment from the city’s very own, Aerofunk. An EP built through atmospheric melodies, break scattered percussion and the heavy sub-driven, relentlessly shifting basslines he is becoming renowned for.

The EP opens itself out into true break-funk fashion with ‘The Definition III’, setting off via back-and-forth percussive movements with hints of hypnotising, atmospheric keys, that pave the way for one of his signature hard hitting, scattered basslines.

Moving in an ever forward style, ‘Funky Breaky West’ cranks up the level for the A-Side. The repetitive bassline layered beneath a kick that skips itself in-and-out of various timings throughout the track, alongside staple, party worthy snare and hat crashes, guide the music on course before delightfully introducing an added touch of flavour with two competing basslines that work together perfectly, hand in hand.

To the flip, there’s no time for pause, as ‘Zezwa’, a track built upon a differed style to its predecessors yet sugar coated in the unmistakeable A-F style, noticeably designates itself in a groove to make its listeners relentlessly move. Throughout and just in ear shot, riding their way throughout that background, is the unmissable sound of scurrying hats and cow bell strikes that seem to make spontaneous decisions for their choice of inclusion.

The B-Side close out supplies an ending filled with a stripped back groove, plied by guided reverberating horn sounds that give off a sense of alarm aimed to draw a mind to the fullest attention. All the while, the music shifts itself on in true, groove driven funk fashion. The keys and atmospheric tones that work themselves in midway through the track are worthy of noting, as if to cultivate the way for that melody one could easily mistake to have been designed by the touch of a musical robotics lab.

‘Chance Is Our Greatest Ally’ celebrates the launch of Faux Poly, a brand new label from Kassian

The label name pays tribute to a hardware-focused production style which they first experimented with on their “Faux Polynesia” EP on Phonica White. This stylistic turning point encouraged further exploration into this direction, discovering new processes to make genuinely unique dance music that focuses on the idea that the best sounds are not imagined and then created, they are discovered.

Follow Da Groove is pleased to announce Rico Casazza for its second strike. Waves of warm sounds ranging from dub to electro. An EP that definitely has a sensuality and a charm with 4 tracks that tell a story.

A unique approach from this energetic label that's really working for us down here. Techno/dub lush soundscapes galore...tip for ravers!

Supervision records is very happy to present its first various that gathers big talents for a wide range of breaky beats and groovy sounds. Garage vibe at its finest.

REPRESS

Antonio aka Raw Ambassador is the next from the another perspective that presents us 4 tracks of Raw electro for dance floor and with their travel melodies.

Club Designs head honcho and infectious beat impresario Garneau is joined by Vanouver Slab party series producer Max Ulis for the “Big O EP”. Both extraordinary producers and DJs in their own right, these Canadian underground stalwarts never fail to impress.

Breaks, beats, booms, and bass – expect to hear these on the club circuit for a while, each track a brilliant combination of deep house roots with breakbeat tips.

After manufacturing delays these tracks have been kept under wraps for over a year, but we are so happy to finally release them for the world.

The French crew La Boomerie is back with its second EP produced by Sunaas. Deep dive into its musical Spectrum, produced with Birkenstock on feet and cat on knees for dancefloor and sofa purposes.

LIMITED RED TRANSPARENT 10" / HAND-STAMPED / NUMBERED / NO REPRESS

Welcome to our renovated cinemusima. Where we perform film musicals the other way around.

First off, we are proud to welcome back our Untitled B jungle nuisance acts to the scene.

Now choose among two red pills for your spouse to ingest:

- Untitled A aka Special Agent Corn
- Untitled B aka MI6 Lovers Kush


(playable at 78 RPM under the influence of C17H21NO4 and 33 1/3 RPM on shrooms)

After spending most of 2020 putting music out on respected labels like Far Out Recordings, Sonar Kollektiv and Oye Black Label, Croatian producer Jan Kincl is kick starting 2021 with a 4-track EP featuring a remix from Atlanta-based house don Kai Alcé. The EP is titled "It's Been A While" and consists of three original pieces; "Love's So Far Away" is a direct peak time club track drawing a lot of its influences from the raw and dirty side of Detroit house music. "Day By Day" sits somewhere on the cross section between deep house, broken beat and jazz, with Regis Kattie's beautiful Rhodes melody woven throughout the track. "Just Stay (Kai Alcé Remix)" is a masterful reinterpretation of "Just Stay", which transforms the otherwise more laidback original into a driving 3am house tune. "Just Stay (Dub)" is best described as a connecting point between A1 and A2. Jan's raw house groove juxtaposed with a deep and subtle jazz feel coming from the hands of Regis Kattie.

The third installation from Ernest's Way 'Chrysalis' sees Featherstone return with another 4 track EP building on his already diverse catalogue.

This release features angular rhythms offset against dreamy, introspective yet expansive melodic passages.

Orson Bramley calls for the return of old friend Mesak to his label for his 3rd release.

This time Mesak teams up with Daniel Savio and the results are quite simply amazing!

This 4 track Ep delivers tough yet melodic Drexciyan sounding electro cuts that are set to cuase devistation on dancefloors around the globe.

The wonderful Trixie offers two spellbinding stories for the second chapter of the Dream Dancing journey...

The legendary El-B returns to GD4YA with 4 bumping House & Garage tracks.

Perfect for the Summer & Club!

DJ Fucks Himself showcases his versatility on the "WEISSE WESTE EP": a nod to the producer's hi-vis getup when he gets up behind the decks.

The four-tracker kicks off with a Jungle-infused club tool: "Cafe del Mardcore", which combines a relaxing vocal with sweet synth harmonies for a zen-like rave atmosphere. "Ausgefallen" carries you further into the groove with its sublime sampling and eery vocals.

On the flip we have "Dream Team", where influences of Electro and Footwork can be heard combined with ethereal pads and sizzling percussion. B2's "Take It", which rounds out the release with a mystic 140 bpm roller, whose uplifting chords and infectious vocal make their way out of the club and into your heart.

Bristol based producer Gilbert steps into the time machine with this wonderful EP that sonically and spiritually connects to the early works of Warp pioneers such as B12, LFO and Speedy J. First track Ylem starts with a strong kick but is nevertheless a subtle builder that directs you straight to deep space. Shift the Focus, the opener on the flip, may well be the EP's most suitable track for the (dreamy) dance floor - the cut's dense melodies and subtle 303 flavours work well with Gilbert's rhythm section and would slowly but surely draw you into a psychedelic swamp when played in a club. The tracks Lucid Dream and Are We Alone are even a bit more otherworldly and fitted for an armchair listen. A big tip for anyone into layered, mind bending UK techno!

Just 100 copies pressed – make sure to book your place for this unforgettable journey.

Celebrating our tenth release, First Cut delivers the label’s first split release. Like the arbitrary scheduling of our hometown Dublin’s bus system, it took a while for these tracks to appear – and then they all came at once!

Tr One drops ‘Fold’, a rousing house track, led by insistent piano keys and tough drums, while on ‘Crash2’, Lerosa delivers a wonderfully sub-aquatic electro-techno jam. Bringing the listener back to earth with a driving bass and powerful rhythm is Giles Armstrong’s ‘Deep is For Dopes!’

180g gram vinyl, screen printed sleeves

Rising star Innellea demonstrates his prowess with four diverse, powerful cuts. In a short time Innellea has made a significant impact.

His production is inventive and progressive, gracing dance floors with emotional depth, considered arrangement and pumping rhythms. His debut EP opens with ‘Confronted Reality’, which is driven by an
oscillating low end, complemented by an emotive melody and a huge riff - tinged with drama throughout.

Next up it’s the title track, a morose cut that utilises breakbeat-esque
rhythms, piano keys and warped vocals. On the flip The Loss Of Hope’ features beautifully composed, trance-esque layers drift over a driving rhythm - lifting spirits and invoking the Heaven within. Finally, ‘Irreversible’ takes us into the darkness, with spinetingling melodies and hard-hitting drums ...

The first X-Kalay release of 2022 finds Melbourne’s Escape Artist traversing wormholes, complete with an assist from the ever-prolific Roza Terenzi.

Picking up where a 2019 Salt Mines debut left off, ‘Wanna Dance’ allows proggy tendencies to flourish across some mind-altering electro. Portals to higher planes of consciousness and uncharted star systems fling open as widescreen, celestial pads make way for lysergic climax.

Ramping up the intensity with her ‘Bassbin Mix’, Roza Terenzi jumps on remix duties; another electro workout, but this time more urgent, more propulsive. Bringing the tribal-breakbeat pressure in spades, it’s quintessential Terenzi.

More prog, but leaning further towards cosmic techno percolation, ‘Levitator’ finds mazy arpeggios in seemingly infinite ascent. ‘Time Knife’, on the other hand, is a radiant, beatless highlight. Deploying cascading synth arps to truly mesmeric effect, it sees the Antipodean achieve sublime tension in a rare moment of introspection.

A first full vinyl release from Leeds-to-London label Reel Long Overdub, featuring two friends from the extended family. First up, New Delhi's Monophonik presents his signature brand of wiggy modular techno and breaks on Tabalchi, before unleashing a fusion of UK jungle and Goa trance with the relentless Sourcecode. On the flip, Diastema of Naples' Nice To Be party crew serves up dubby club heaters Teeth Drifting and Dubquake.

Junes delivers ‘Transport Express’ the 4th instalment in his Dote series.

Limited to 100 units

Next up on the Kyiv-based label Kashtan comes from a very promising Ukrainian artist Monoconda.

Oleksandr Filonenko aka Monoconda is a Kyiv based multi-instrumentalist, music composer, sound producer and a live performer. While making music for commercials, theater and public places, Monoconda started to release his own electronic music in 2018 with an album called "Alphabet". His second release, "Low Light" was recorded during the pandemic isolation, and was named as one of the best records of the year by top Ukrainian musical journalists. There was much music recorded after that, alone and in collaboration with different musicians, but the pandemic and the war have made the release process somehow impossible or at least quite a hard quest. But the music is always being done, cause that's what he is here for.

The main concept of the Kyiv label Kashtan is to identify and carefully choose the pearls of Ukrainian electronic music, which are not defined and limited by genre definitions. This playing with genres has been released through the album "Horizon" by musician Monoconda.

Melbournian Kayroy artfully blends varied influences to deliver a stunning, dynamic and exciting EP, venturing deep into the depths of fizzy prog & cyborg disco.

Second release from California based label and Slipmat designs InTheBagg. Another record from the friends for the dance floor and the afterhours sessions.

This four-track EP offers four highly effective dancefloor cuts that ride the line between an array of styles around the clock.

Recorded in 1997 in Vienna as part of a workshop named "Greguar" which took place at the University of applied Arts in Vienna, and was produced by the Institute of contemporary Art Vienna. Official re-release!

Casual Ghetto Muzik from Istanbul, 212, Beyoglu.

The third release from r.organic is finally here, bringing to light a hidden gem of the Romanian scene. MFT is a young live act delivering a cosmic experience. We are privileged as a label to be the ones pressing this musical fairytale on wax. Expect three beautiful house tracks infused with breaks, electro and acid, and a very trippy outro. 300 copied available. Vinyl only. Artwork hand-crafted by Andrei Pqpa and Mario Francisco. No repress on this one.

Early support by Herodot, Mihai Pol, Vlad Arapasu and others.

Next up on Seven Hills, we have an original release from the Holland-based Timo Faber and Jeffrey Baardolf AKA Young Adults!

Serving up 4 slices of tech’d out wiggle, melding: techno, minimal, electro, and a splash of noxious chemicals, the Anxiety Bar EP comprises a variety of heavyweight d-floor weapons.

Threat Level Midnight blends a combo of idiosyncratic drum samples with an infectious bubbling synth line, a prime example of peak-time tech-house tackle. While the title track Anxiety Bar takes a dark, moody, almost gothic turn, seriously phat bass for seriously phat systems.

On the B, Integrated Lizard People slithers and slinks about gurgling synth lines and features unsettling reptilian almost-vocal sounds. Serving as a high-class closer, Fermented Feelings reigns in the trip with satisfying electro-ish drums,

The ever masterful London based DJ/Producer Shy One is back with a new 5 track EP titled From The Floor To The Booth. Following on from the fuzzy, acidic haze of the vinyl only Crumb Trail 7 inch the new EP encompasses futher rich and eclectic sounds of Shy's musical heritage, London leaning from Broken Beat to Soul, Garage to Grime. The record journeys through and abstracts a variety of styles, tipping its cap to the archtectics of Londons musical underground from Soul II Soul and 4Hero to Loose Ends and Roll Deep. A notion every bit apparent in Shy's eclectic bass heavy, hi-energy club selections. The record is Shy One's most in-depth and ambitious release to date. The artwork is created by Herald Essuman of Artbox London. An incredible London based charity that supports artists with Autism and learning disabilities.

Co-founder of Lisière Collectif & Kosmogonik, Bogdan Ardeleanu marks his debut on Swiftness under his solo moniker @ardb with a 3-tracker so timeless we guarantee it will age like a bottle of posh wine (we don't refund if not tho').

The "Unusual suspect" EP is an exhibit of crafty club-oriented productions that emerged from ardb's versatile music persona.
The smooth nostalgic harmonies of the pads on "Every other day" hit as an instant classic. The name together with the repetitive sequence of the main lead both suggest the groundhog day-like phenomena we can all relate to in these pandemic times where every day feels exactly the same.

Punchy acoustic toms and jazzy ride patterns are the EP's recurrent themes and are blended very smoothly with breakbeats and robotic arps on "Reverdie".

The bassline on "Unusual suspect" is a serious tension builder that is being deconstructed into an unexpected explosive free jazz drum solo on the main breakdown making it a real weapon that you will want to carry in your bag.

Dusky are back with their blistering rework of JT Company’s 1990 release ‘Don’t Deal With Us’. Retaining the infectious piano line of the original Dusky beef up this Italo House classic with their infamous basslines and driving percussion, resulting in a peak summertime anthem.

For the third release label decided to spoil you with a four-track record from various artists that can trigger caustic dreams.