House Vinyl New Releases - Presale

Transcendental dreamstates and techno synthscapes projecting from 1992 into the future.

Written and recorded shortly before his departure from Psychick Warriors Ov Gaia, Dream Night Dance Music is the visionary first album from Robbert Heijnen under his celebrated alias, Exquisite Corpse. Exploring ritualistic rhythms and organic synth sculpting with a delicacy far beyond most techno released in 1992, the seductive atmospheres and rolling sequences of Dream Night Dance Music reach well beyond pure dancefloor functionality to become an immersive experience for introspection and extroversion alike.

Belgian label KK Records originally released Dream Night Dance Music as a single LP and CD, long-since out of print and highly sought after by the notoriously enthusiastic PWOG / Heijnen fanbase. This expanded reissue on Forever Records spreads the release across two 12"s, adding the track 'What A Life' originally released on the Reassembling Reality single, recorded during the same sessions as Dream Night Dance Music. In addition, the limited vinyl edition comes with a bonus 10" featuring previously unreleased tracks 'Calling' and 'Sure'.

Praise for Dream Night Dance Music:

"The Dream Night Dance Music CD is… electronic opium… The soft, analogue synth sounds and arrangements strongly recall minimal music (Glass/Reich). Music that never ends, constantly winding new loops and coils around the listener's vulnerable inner self." Fritz, Trust Zine, 1992.

"The sound is very trance-like and hypnotic, yet remains highly danceable and never gets boring… It is sure to appeal to night owls, cyberpunx, and neon-light junkies alike." Spex, 1992.

"Heynen strikes a compelling balance between a multitude of rhythms, melodies, and timbres. Permeated by an almost swaying groove, the music reflects influences ranging from the early "minimal music" of composer Steve Reich and the electronic architecture of pioneers Kraftwerk to various non-Western, mystical traditions without ever resorting to mere imitation." Corné Evers, Oor, 1992.

Three decades since Global Underground began defining what a superstar-DJ mix album could sound like, this anniversary release breaks from the format entirely. Instead of just one artist focus, the focus is on the decadal number: here there are 30 artists, 30 new exclusive tracks - and no mixing. Guy J, Rodriguez Jr., Quivver & Dave Seaman and an unexpected Nadia Ali/Frankey & Sandrino pairing headline the tracklist, compiled to represent the current state of the progressive-house lineage. Collector's edition aside, the standard triple-vinyl set on purple, orange and aqua vinyl is the one you wanna own.

Global Underground ist stolz darauf, diese wegweisende Veröffentlichung anlässlich unseres 30-jährigen Jubiläums präsentieren zu dürfen. Dreißig Künstler, dreißig brandneue, exklusive Tracks – zur Feier von dreißig Jahren, in denen wir euch die allerbeste elektronische Musik präsentieren. Auf „THIRTY“ sind einige der dynamischsten Künstler der Dance-Musik vertreten: Guy J, Rodriguez Jr., Quivver & Dave Seaman, Nicky Elisabeth, Yulia Niko, HotLap, Spencer Brown, eine ganz besondere Zusammenarbeit zwischen der legendären Nadia Ali und Frankey & Sandrino sowie viele weitere.

Blisterknistern is foil and crackle: dry, brittle, a little clinical. Five hardware jams that stumble rather than swing, stoic where you’d expect groove. A house that remembers the clicks ’n’ cuts era.

Die französischen Brüder Carl und Renaud alias Jersey verbinden UK-Rock-Energie, 2010er-EDM und French Touch zu einem emotionalen, live-orientierten elektronischen Sound. Nach gefeierten EPs, Arbeiten mit Justice und Phoenix sowie Shows bei Coachella, Portola und Primavera erscheint mit „Nothing’s Fake“ ihr Debütalbum – zwischen explosiven Electronic-Tracks, Pop-Hymnen und introspektiven Momenten.

Third time’s a charm, or possibly an anomaly. Johannes Volk returns to Running Back for another five exercises in perception, memory and dance-floor physics.
Following Extra Dimensions and Lightweave, this third instalment finds Volk continuing his particular way of making machine music feel strangely human and vice versa.

Shining Force starts somewhere above ground. Gliding across an unfamiliar planetary surface, optical illusions and physical anomalies slowly interfere with the senses. Unknown landscapes,
peculiar vegetation, nature behaving unnaturally: techno as field research. Switching From Bicycle to Spaceship does exactly what it says on the tin, more or less: trading pedal power for propulsion as a deceptively simple groove gathers speed, sheds gravity and quietly leaves the atmosphere behind.

Hidden In Dark belongs to a more immediate kind of archaeology: fog, strobes, bodies and those inexplicably intense emotions that only seem to exist on a dance floor at the right (or wrong) hour.
Back Alley Dancers turns the telescope around and looks backwards. Vocal fragments, pitched, delayed, reversed and removed from their original meaning trigger half-memories of youth, and of
encountering music and culture before you quite understood what any of it meant. Familiar feelings in unfamiliar shapes.
Finally, Drumatury dispenses with introspection and gets down to elementary forces. Morphing bass drums meet a Chicago jacking snare-roll massacre. Drama becomes drumaturgy. Or the other way around.
Five tracks, several states of consciousness, one Johannes Volk. No protective equipment supplied.

Love Song 28 is a landmark South African deep house track produced by Pretoria-born DJ and producer Jullian Gomes. Originally released as a single in 2011 featuring the soulful layered vocals of Bobby, the track established Gomes as a prominent figure in the global deep house scene. An emotional deep house “ballad” for the fans of Lovebirds – Want You In My Soul, Hardsoul and Carroll’s – Back Together, Dennis Ferrer - How Do I Let Go, and the original of Solu – Fade.

Along with a duo of mixes from label boss AtJazz alongside Charles Webster rework, this is unmissable, especially as a limited-edition reissue on crystal clear glass vinyl in a picture sleeve.

Your farmer grants you certain freedoms not because he cares about your liberties but because he wants to increase his profits.

The Mannheim homie ManooZ has been releasing some fab tunes for over a decade on labels like Chiwax, Selections, Local Talk or just recently Chicago’s own Star Creature, but there’s no stopping. A true house lover, ManooZ dedicates his „Rhythm of motion EP“ to Chicago House! The a-side represents the jacking side of Chicago with raw and hypnotic grooves and stripped-back basslines. Just listen to „rhythm of motion“ and „mode six“! The b-side goes deeper with a more soulful approach and strings and melodies all over! A perfectly balanced release by the one and only ManooZ!

In the begining there was jack! And in 2026 there’s still jack!

Teeing up the next dynamite release on Brighton-based label Murmurations is prolific UK producer Michael James. Spread across four cuts, the fifth vinyl release from the label - MURM005 - continues to focus on essential, stripped-back, driving dancefloor energy with a nostalgic edge. The Moving Music founder delivers exactly that throughout his four excursions here, laced with infectiously swung grooves from top to bottom, synonymous with his sound. “Ultra Realism” kicks off the record with heady peak-time action, its enormous elastic bassline winding itself around intricately arranged, skippy drums, rarely letting up as the track evolves.

Dubby, golden-era tech house sounds arrive on the A2, titled “More Of That”, a fitting name for this after-hours future anthem. As we land on the B-side, we’re greeted by “Lazy River Express”, another slick encounter with a distinctly charming attitude to it. Hard not to move to this one. Rounding off the EP is another example of punchy, rolling action, begging to be played loud. “Stargazer” leaves us with a crisp yet dreamy finish, rounding off the EP with another standout cut for the record bag. In its early days, Leo Christopher has managed to build a sought-after catalogue with the Murmurations imprint, and long may that continue. The curation is always one step ahead, and the label has very quickly become a buy on sight imprint for devoted diggers. An exciting combination here as a growing label joins forces with a staple name on the UK circuit.

Bondage-Music proudly welcomes back Mihai Popoviciu with his latest EP, “Pick Up The Phone.” A familiar name on the label, Popoviciu returns with another refined selection of deep, groove-driven house music, combining his trademark rolling rhythms, warm basslines and subtle atmospheric elements.
With a sound that effortlessly balances depth,­ hypnotic grooves and dancefloor energy, Mihai Popoviciu has established himself as one of the distinctive voices of contemporary house music. “Pick Up The Phone” continues this signature approach across four tracks, delivering a focused and timeless club release.
For this edition, Bondage-Music presents the EP as a Limited Splatter Edition on 180G vinyl. Adding to its collectability, two tracks are available exclusively on vinyl, making BOND12086 a special release for DJs and vinyl enthusiasts alike.

Celebrating the 30th anniversary of its original release, Night Song returns in a special edition on rose leaf green coloured vinyl. A Grammy Award nominee, the album captures the extraordinary meeting of the legendary Nusrat Fateh Ali Khan and Canadian guitarist, producer and composer Michael Brook, whose atmospheric soundscapes provide the perfect setting for Nusrat’s ecstatic, transcendent vocals.

With Nusrat’s legacy continuing to reach new audiences following the landmark 2024 release of the unearthed archive recording Chain of Light, Night Song remains one of the defining cross-cultural collaborations of its era. This anniversary edition includes a printed inner sleeve with updated liner notes and photographs.

Revival House Project makes a triumphant return to Peppermint Jam with four essential, soulful house cuts. After months of intense anticipation and heavy ID requests, these highly sought-after tracks are finally receiving a proper, official vinyl release.

As a massive bonus, the record features the blockbuster collaboration AC Soul Symphony vs. Mousse T. – 'Dance To The Music' (feat. Kathy Brown), uniting two legendary forces on one unstoppable track!

Re-release of Steffi's successful debut album Yours & Mine on her new imprint. The classic house album that reminds of early Detroit and Chicago tracks with a modern touch!!!

Three years on from the release of his critically acclaimed second album as Tambores En Benirras, Graham Newby returns with album number two, a glorious celebration of the mystical, magical and life-affirming musical meditation on stretched-out sunrises and the breathtaking beauty of dawn.

Newby has more reason that most to cherish picturesque and soul-enriching sun-up moments. During the process of making second set Onda Horizontales, the long-serving Cumbrian DJ, crate-digger, beat-maker and producer’s sight deteriorated to such a degree that he was certified ‘registered blind’. As a result, new working methods were found, with Newby delivering widescreen Balearic visions as much from muscle memory and feel as the visual environmental cues that once fired his imagination.

Third album Alba Amba – ‘amber dawn’ in English – finds Newby in dawn-ready mode, serving up music to soundtrack stunning sunrises and those clear early morning moments where anything seems possible. It’s a simple idea, beautifully executed, with the artist once known as Gripper conjuring up a meditative and mesmerising mix of slow-burn aural colours, tactile textures, gradually unfurling chords, and heady melodic motifs.

Newby sets his stall out with the smouldering, pre-dawn bliss of the jaw-dropping title track, where reverb-laden female vocalisations and twinkling electronics usher in a golden dawn, before reaching for shimmering, sun-bright melodies, heart-stirring chords and undulating TB-303 lines on the ambient acid chug of ‘Bucanero Acido’.

Newby’s instinctive grasp of mood and texture comes to the fore on the drifting, soft-focus ambient dub head-nod of ‘No Se Me Pasa’, where strummed acoustic guitars, echoing vocal samples and weighty low-end warmth catch the ear, while his history of dusty downtempo beat-making – originally explored on his early 2000s releases for Grand Central Records – informed the dancehall-meets-trip-hop fusion of ‘Batalla De Etiquettas’.


With its epic, head-turning ambient intro, raw electronic bass, effects-laden hand percussion and slow, restless build, this triumphant closing cut signals the moment the sun has well and truly arrived above the horizon. It’s a genuinely stunning conclusion to a soul-stirring set.

2026 Repress

On Left At Sunset, Tornado Wallace taps into those fragile, glowing moments after a long night in the club, when the lights come up just enough, the bass softens, and the first hint of morning slips through the windows. Time feels suspended.
The lead track Asahi Ga Yondeiru (“the morning sun is calling”) captures that feeling perfectly. Built around Courtney Bailey’s gentle vocal, it drifts somewhere between late-night house and early morning reflection. It is not about the peak. It is about what comes after it. That quiet euphoria when you realize the night gave you something you will carry back into the real world. The rest of the EP stays in that same emotional zone: warm, slightly melancholic, but full of light. These are tracks for the very last dance, when the floor is half-empty, hearts are wide open, and every sound feels a little more meaningful. Not an ending, really. Just the beginning of whatever comes next.

Holic Trax presents its 36th release, featuring Tuccillo.
On the A-side, “Eves Sky” returns, a track that was played on the terrace at DC10 Ibiza in the early 2010s. Now reissued on a full 12” cut,
the one-sided pressing allows the low-end bassline to be pushed to its maximum.
On the B-side, “Percussholic” and “Musicly” are included.
The former was previously vinyl-only, while the latter was released digitally.
Both tracks are now brought together on the same format for the first time.
A three-track house EP

Originally released in 2023, this highly sought-after release finally gets its much-needed repress in 2026. Original copies are already exchanging hands on Discogs for £50+, so make sure you grab this while you can — before the Discogs sharks get their grubby mitts on it!

Two Cold, a name synonymous with the number two and of course, ice cold beats. Even though the London based brothers haven’t actually released any music yet, their coming has been foretold by a growing chill that has permeated the dance music stratosphere.

Legs beginning to quiver and shake? That’s Two Cold.

Hips involuntarily gyrating in an attempt to stay warm? Two Cold.

Jaw chattering like maracas? It’s those frosty boys, you’d better believe it.

If you like your dance music to take you on a psychedelic journey through time and space, the DESERT LEATHER EP is for you.Winding passages that explore breaks, bleeps, bass and beyond. Genre defying influences snatched from every dimension of the dance diaspora.

Inescapable body-rocking beats that echo through your very bones so hard that even your ancestors have a boogie.

The DESERT LEATHER EP will expand your mind to the very edge of the horizon, where earth and sky meet and where all laws of nature are meaningless.

Two lads
Wicked beats
Original styles

Clever boys
Original styles… wait I said that already
Lots of bass
Delightful melodies

Two - as in there are two of them

Cold - as in their beats are ice cold

As part of the 20 Years of BM anniversary celebrations, Bondage-Music proudly presents Bondage Games Pt. 11 — a special five-part vinyl series. Each release is named after a constellation, together forming a unique tribute to two decades of Bondage-Music.
With Bondage Games Pt. 11, the label's iconic vinyl series returns in its most ambitious edition to date. Created to celebrate 20 years of Bondage-Music, the series unfolds across five constellation-themed releases, each featuring four exclusive productions from artists closely connected to the label.
The first chapter, Ursus, brings together four exclusive tracks from Roger Gerressen, Sascha Dive, Rhadow and Lola Palmer. From Roger Gerressen's hypnotic groove-driven Patterned Shards and Sascha Dive's unmistakable deep house craftsmanship on Dub Chronicles #10 to Rhadow's atmospheric Ripples and Lola Palmer's warm and emotional Slow Down, the record perfectly reflects the timeless musical identity that has defined Bondage-Music since day one — deep, soulful, groove-focused and made for both intimate listening and late-night dancefloors.
Pressed on heavyweight 180g vinyl and housed in an individually printed sleeve, Ursus continues Bondage-Music's longstanding commitment to exceptional quality in both music and design. The artwork was created by BM's longtime Head of Artwork, Pete Bombart — a close friend and an integral part of the label since its earliest days. His unmistakable visual language has become inseparable from the Bondage-Music identity, earning a loyal following far beyond the music itself.
Whether collected as part of the complete anniversary series or enjoyed on its own, Bondage Games Pt. 11: Ursus is a celebration of the artists, the friendships and the unmistakable sound that have shaped Bondage-Music over the past twenty years.

Underground heroes to worldwide pioneers. Deep cuts from the world's largest archive, pressed on heavyweight, collectible vinyl. Here is a list of names that defined techno, afrobeat, minimal, tech-house and alternative electronic music - all still top of their game.

The A-side features a typically robust Ricardo Villalobos remix of Beck, made accessible by the vocal lead and distinguished by an astonishing 14 minutes of playful drums and sound design that only Villalobos could create.


The AA-side opens with three pioneers co-creating a bass-heavy tech-house banger, with a tinge of guilty pleasure. Katy B on vocals, with Four Tet and Floating Points on production duties. Two further pioneers, Jeff Mills and Tony Allen, follow it up with a deep, brooding organ jam built on layers of intricate, varied percussion. To close, we hear a different side of Villalobos in collaboration with Max Loderbauer of the experimental jazz and electronic music scene. Built on original acoustic recordings, it is reframed with serene delicacy.

This is our deepest release yet.

Limited run. Follow the sound.

a A1: Beck - Cellphones Dead (Ricardo Villalobos Remix) 14:36
b B1. Four Tet, Katy B, Floating Points - Calm Down 4:04)
c B2. Jeff Mills, Tony Allen - Locked And Loaded [7:47
[d] B3. Ricardo Villalobos, Max Loderbauer - Recat [7:15]

[a] A1: Beck - Cellphones Dead (Ricardo Villalobos Remix) [14:36]
[b] B1. Four Tet, Katy B, Floating Points - Calm Down [4:04)
[c] B2. Jeff Mills, Tony Allen - Locked And Loaded [7:47]
[d] B3. Ricardo Villalobos, Max Loderbauer - Recat [7:15]

[a] A1: Beck - Cellphones Dead (Ricardo Villalobos Remix) [14:36]
[b] B1. Four Tet, Katy B, Floating Points - Calm Down [4:04)
[c] B2. Jeff Mills, Tony Allen - Locked And Loaded [7:47]
[d] B3. Ricardo Villalobos, Max Loderbauer - Recat [7:15]

[a] A1: Beck - Cellphones Dead (Ricardo Villalobos Remix) [14:36]
[b] B1. Four Tet, Katy B, Floating Points - Calm Down [4:04)
[c] B2. Jeff Mills, Tony Allen - Locked And Loaded [7:47]
[d] B3. Ricardo Villalobos, Max Loderbauer - Recat [7:15]

[a] A1: Beck - Cellphones Dead (Ricardo Villalobos Remix) [14:36]
[b] B1. Four Tet, Katy B, Floating Points - Calm Down [4:04)
[c] B2. Jeff Mills, Tony Allen - Locked And Loaded [7:47]
[d] B3. Ricardo Villalobos, Max Loderbauer - Recat [7:15]

[a] A1: Beck - Cellphones Dead (Ricardo Villalobos Remix) [14:36]
[b] B1. Four Tet, Katy B, Floating Points - Calm Down [4:04)
[c] B2. Jeff Mills, Tony Allen - Locked And Loaded [7:47]
[d] B3. Ricardo Villalobos, Max Loderbauer - Recat [7:15]