Pop & Rock Vinyl New Releases - News

The first release on Spirito del Tempo, Voices of the Past by Das Firmament, explores a sound deeply rooted in the practice of its creators, representing a shared vision that shapes the foundation of the young Swiss imprint.

The high-energy momentum continues with Whodamanny’s new double single on his own Biloba Catalogue. Capturing the post-summer ache of an obsessive love, "Obsesiòn" channels that deep-rooted Southern intensity, where obsession isn't a flaw, but a vital, positive drive to love endlessly. Turning up the heat, "Corazón Caliente" hits with a raw, sweat-soaked proto-house rhythm and heavy workstation brass stacks built to set hearts on fire. On the flip side, both tracks receive DJ-ready treatments with the specially named dub version "Dub Pasión" and the instrumental take "Sueño De Verano."

black repress !

vinyl 12' / hand-numbered limited edition

Incl. Instr. Plant Mix By Frankie Knuckles

repress !
(45 rpm is a correct speed)


The Song when I Let You Down Is The Music For The Trailer Of A Gucci Film the Second Summer Of Love: Distant Planet By Josh Blaaberg (2018)

DJ, model, artist and selector Yuka Mizuhara steps forward with her standout 12-inch release 'Moon Dust' on Rush Hour. For her debut release, she joins forces with producers Benedek and Mickey de Grand IV (Psychic Mirrors), delivering a vibrant boogie and city pop-influenced transmission that bridges contemporary rhythm with classic, sun-drenched grooves.

Having spent formative years immersed in the underground music scene in Tokyo, with extended stays in Los Angeles and London, Mizuhara channels a rich blend of influences into her work. Known widely for her encyclopedic all-vinyl DJ sets, her residency on NTS Radio (Wave Flower), and high-profile collaborations with legends like Haruomi Hosono, Yukihiro Takahashi and Towa Tei, her musical output reflects a deep appreciation for groove, melody, and rhythm, carrying the torch of foundational Japanese techno-pop, experimental, and dance music forward.

On Moon Dust, Benedek returns fully to his signature West Coast boogie roots, laying down rolling, intricate synth basslines and melty chord progressions that form the heavy-grooving backbone of the record. Around this foundation, Mickey de Grand IV and Yuka Mizuhara write and weave extraordinarily catchy, endearing vocal melodies and hook-laden arrangements. Across its three distinct mixes, the track radiates Yuka's cute spirit—evoking a bubbly, high-spirited aesthetic reminiscent of classic 80’s RAH Band productions while blending sophisticated electronic arrangement with warm, organic dance floor vitality.

Fully stepping into her own as a recording artist following recent debut performances at major festivals like RDC and Rally, Yuka Mizuhara invites listeners into a romantic, synth-laden world built on pure groove and creative freedom.

Hello music lovers!

We're thrilled to present a very special vinyl release that's sure to bring back some amazing memories. It's been exactly 20 years since the 2 Black scored an incredible hit in Italy and abroad with their unforgettable track "Waves of Luv" - you know, the one that takes us “in alto mare"!

To celebrate this milestone, we're releasing a commemorative vinyl that's packed with goodness. On Side A, you'll find the two most-played original versions: the Soulstatic Radio Mix and the Mattara Vs Vtraxx Extended Mix. These are the classics that made us fall in love
with the track in the first place.

But wait, there's more! Flip it over to Side B, and you'll discover three brand new, super-fresh remixes that bring "Waves of Luv" right into 2024:


This vinyl is the perfect blend of nostalgia and contemporary sound. It's a must-have for any dance music enthusiast, and it'll be the perfect addition to your summer playlists. Don't miss out on owning this piece of dance music history!

Get ready to ride the "Waves of Luv" all over again!

Ein echter Dance-Klassiker ist zurück auf Vinyl! „2 Times“ von Ann Lee, der große Superhit aus dem Jahr 1998, erscheint endlich wieder als farbige, streng limitierte 12“ Maxi Single.

Mit seinem unverwechselbaren Eurodance-Sound, der eingängigen Melodie und dem legendären Refrain gehört „2 Times“ zu den unvergessenen Dance-Hits der späten 90er Jahre. Jetzt gibt es den Kult-Track endlich wieder als besonderes Vinyl-Release – ein Highlight für Nostalgiker, DJs und alle Vinyl-Liebhaber.

Die 12“ Maxi Single bietet insgesamt 5 verschiedene Mixe und lädt damit zu einer musikalischen Zeitreise zurück in die große Ära des 90er-Jahre-Dance ein.

Das farbige Vinyl und die streng limitierte Auflage machen diese Veröffentlichung zu einem besonderen Sammlerstück, das in keiner Dance- und Vinyl-Sammlung fehlen sollte.

Belgian label De:tuned celebrates its 60th release and 17 years of existence with a majestic 2-track EP, Infinion Regress, by Dopplereffekt.

Drawing on more than three decades of experimentation and sonic exploration, Dopplereffekt continues to evolve its unique signature. Non-rhythmic in nature, Infinion Regress delves into the atmospheric depths of sound, enhanced by the angelic presence of the human voice. A cinematic journey into an immersive world, uniquely crafted by Dopplereffekt.

Kevin Foakes (Openmind, DJ Food, Ninja Tune) created the artwork, with mastering by Mike Grinser at Manmade Mastering. Available on 180g vinyl, with a separate digital release through all the usual platforms.

He's back once again is Monsieur Van Pratt with more of his so-wrong-they're-right disco edits. This fight volume has two edits reshaping source material with the usual deft touch. His opener 'Linda' runs on clipped drums, tight bass loops and bright string stabs then 'Oye Un Momento' keeps its original vocal but reinforces the groove with heavier kicks and 'El Ritmo Que Te Atrap' has a kitsch Europe feel. On the flip, Disco 86 shifts towards something classier with 'Crees Que Soy Sexy' riding lush chords and plenty of glistening melodies drawn from the Rod Stewart original and 'Tu Amor' is packed with electric vocals and retro future keys for a full send finish.

Mit "Autosmile", ihrem Debüt für das Label 4AD, schärft das US-Duo @ (At) sein unverwechselbares Profil zwischen psychedelischem Folk, Indie-Rock und experimentellem Pop. Die Songwriter:innen Victoria Rose und Stone Filipczak entwickelten ihre Musik zunächst über Jahre hinweg aus der Distanz. Auf dem Nachfolger ihres vielbeachteten Debüts Mind Palace Music bündeln sie diese Arbeitsweise zu einer ebenso verspielten wie ausgereiften Klangsprache. Die elf Songs von Autosmile verbinden klassische Songstrukturen mit komplexen Arrangements, ungewöhnlichen Harmonien und einer ausgeprägten DIY-Ästhetik. Obwohl Stone während der Albumarbeiten nach Philadelphia zog und beide erstmals in derselben Stadt lebten, blieb der kreative Prozess bewusst unkonventionell. Unterstützt von befreundeten Musiker:innen, die Cello, Violine und Schlagzeug beisteuerten, entstand ein überraschend üppiger Sound, der dennoch seinen intimen Charakter bewahrt. Inhaltlich bewegt sich das Album zwischen Verlust, Selbstreflexion und Hoffnung. Der Opener "Bird" verbindet düstere Folk-Klänge mit eingängigen Pop-Momenten, während der knapp siebenminütige Titeltrack "Autosmile" eine Trennungserfahrung in eine poetische Reise voller mystischer Bilder und existenzieller Fragen verwandelt. Songs wie "I Know You Are (But What Am I Thinking)" feiern die Schönheit von Veränderung und Vergänglichkeit, während "Punish My Mind" das Spannungsfeld zwischen Selbstbestrafung und Selbstfürsorge auslotet. Trotz der oft dunklen Grundstimmung bleibt Autosmile von einer spielerischen Experimentierfreude geprägt. Prog-Einflüsse treffen auf Indie-Sensibilität, Melodie auf Komplexität. Victoria Rose und Stone Filipczak verzichten bewusst auf eindeutige Botschaften und schaffen stattdessen offene Deutungsräume, in denen sich persönliche Krisen und neue Möglichkeiten begegnen. Das Ergebnis ist ein Album, das Schönheit und Schmerz gleichermaßen umarmt und selbst in seinen melancholischsten Momenten einen leisen Optimismus bewahrt.

Allison Graves is the work of a singer, songwriter and naturalist from New England who has created a powerful, breathy debut that sounds aged and well loved, like an old home, with dogs barking in the background and kids playing in the yard. Allison Graves' rich sense of melody and harmony underscores the depth of the work.

Written and recorded across six months and two coasts, with a secondhand guitar and a broken laptop, I Still Look For The Mountains draws inspiration from many wells including Adrianne Lenker and Bon Iver. As if this debut was a long lost reissue from Joe Boyd's Witchseason catalog, this album is reminiscent of Nick Drake and Vashti Bunyan. Highly recommended to Imprec fans of Kurt Weisman, Diane Cluck, James Blackshaw, Kimya Dawson, Asa Irons/Swaan Miller.

Opening with a brassy modular synth sequence and layered vocals, Allison Graves immediately establishes a vibe ever-present throughout I Still Look For The Mountains. With songwriting that pins down big, all-encompassing feelings, Allison Graves makes sense of the profoundly unexplainable joys and sorrows of human existence.

The Lost Hotsound Release… 40 Years in the Making

Some records are forgotten. Others become legends before they even get released. Back in 1985, two pioneers of the Dutch electronic dance scene, Michiel van der Kuy and Peter Slaghuis, joined forces to create Space Dream during the sessions for the now-cult Hot Dance Party compilation. The track was destined for its own 12-inch release on Hotsound Records, even receiving a catalogue number, 850122. But somehow, the record never happened. The music remained an unfinished demo, locked away for over four decades. Until now!

More than 40 years later, Space Dream finally gets the vinyl release it always deserved. A.P. Mono has carefully completed the original recording, preserving its authentic 1985 sound and bringing this long-lost piece of Dutch electronic history back to life. But the story doesn’t end there. When Michiel van der Kuy heard about the project, he decided to jump back into the spaceship himself, producing a brand-new, contemporary interpretation of his own creation. Joining forces with A.P. Mono and Orbital Force, the result is a four-track journey through the universe of spacesynth: the original version that arrived over 40 years late, plus three fresh, high-voltage reworks.

For the die-hard Hotsound collectors, the Laserdance devotees, the admirers of Michiel van der Kuy and those who still cherish the legacy of Peter Slaghuis, this is something special. A missing chapter of Dutch electronic dance music finally finds its way onto wax. Four cuts packed with cosmic synth lines, driving electronic rhythms and that unmistakable 80s DNA. Made for vinyl junkies, Italo-wave selectors and DJs who love their dancefloors somewhere between vintage space disco and modern electro. 1985 called. The future finally answered. Space Dream has landed. Forty years late. Right on time.

Product Info:

BICEP announce their long-awaited third studio album ‘SLUG’, out January 29th 2027 on Ninja Tune. Its 18 tracks move between rave, breakbeat, vocal-led material and ambient soundscapes, spanning the full breadth of BICEP’s sonic DNA. ‘SLUG’ is firmly rooted in the unmistakable BICEP sound, while also seeing the duo broaden their musical palette, pushing familiar DNA into new territory.

The list of artists featured across ‘SLUG’ is their most expansive to date, and includes Clark, Eartheater, Lauren Duffus, George Riley, SOARR, Saskia, Kehina, KUČKA, Sassy 009, Rowena Fysx, Julia Kent and Zosia Jagodzinska.

The album’s title was inspired by the stark contrast between the land slug most people immediately picture and the extraordinary colours and shapes of their underwater counterparts. At the heart of ‘SLUG’ is an invitation to look beyond first impressions.

That sense of duality shapes the writing and production. Clean drum patterns were distorted; pristine vocals pushed through analogue processing; soft synths placed against rougher textures. Long-standing BICEP hallmarks of melancholy, euphoria and emotional resonance were pushed further. As BICEP explain: “It’s about putting conflicting feelings together because they become bigger and richer next to each other.”

After stepping away from the road, BICEP immersed themselves in their archive, returning to old demos and techniques they had experimented with 10 or 15 years earlier. They began reassessing what they considered fundamental to the BICEP sound. In a new studio with a custom vocal booth, they developed the tracks alongside their collaborators, with songs often ending up somewhere very different from where they began.

‘SLUG’ is a record intended to reveal itself differently depending on when, where and how it is heard, offering new details with repeated listening.


SIDE A

Product Info:

BICEP announce their long-awaited third studio album ‘SLUG’, out January 29th 2027 on Ninja Tune. Its 18 tracks move between rave, breakbeat, vocal-led material and ambient soundscapes, spanning the full breadth of BICEP’s sonic DNA. ‘SLUG’ is firmly rooted in the unmistakable BICEP sound, while also seeing the duo broaden their musical palette, pushing familiar DNA into new territory.

The list of artists featured across ‘SLUG’ is their most expansive to date, and includes Clark, Eartheater, Lauren Duffus, George Riley, SOARR, Saskia, Kehina, KUČKA, Sassy 009, Rowena Fysx, Julia Kent and Zosia Jagodzinska.

The album’s title was inspired by the stark contrast between the land slug most people immediately picture and the extraordinary colours and shapes of their underwater counterparts. At the heart of ‘SLUG’ is an invitation to look beyond first impressions.

That sense of duality shapes the writing and production. Clean drum patterns were distorted; pristine vocals pushed through analogue processing; soft synths placed against rougher textures. Long-standing BICEP hallmarks of melancholy, euphoria and emotional resonance were pushed further. As BICEP explain: “It’s about putting conflicting feelings together because they become bigger and richer next to each other.”

After stepping away from the road, BICEP immersed themselves in their archive, returning to old demos and techniques they had experimented with 10 or 15 years earlier. They began reassessing what they considered fundamental to the BICEP sound. In a new studio with a custom vocal booth, they developed the tracks alongside their collaborators, with songs often ending up somewhere very different from where they began.

‘SLUG’ is a record intended to reveal itself differently depending on when, where and how it is heard, offering new details with repeated listening.


SIDE A

Product Info:

BICEP announce their long-awaited third studio album ‘SLUG’, out January 29th 2027 on Ninja Tune. Its 18 tracks move between rave, breakbeat, vocal-led material and ambient soundscapes, spanning the full breadth of BICEP’s sonic DNA. ‘SLUG’ is firmly rooted in the unmistakable BICEP sound, while also seeing the duo broaden their musical palette, pushing familiar DNA into new territory.

The list of artists featured across ‘SLUG’ is their most expansive to date, and includes Clark, Eartheater, Lauren Duffus, George Riley, SOARR, Saskia, Kehina, KUČKA, Sassy 009, Rowena Fysx, Julia Kent and Zosia Jagodzinska.

The album’s title was inspired by the stark contrast between the land slug most people immediately picture and the extraordinary colours and shapes of their underwater counterparts. At the heart of ‘SLUG’ is an invitation to look beyond first impressions.

That sense of duality shapes the writing and production. Clean drum patterns were distorted; pristine vocals pushed through analogue processing; soft synths placed against rougher textures. Long-standing BICEP hallmarks of melancholy, euphoria and emotional resonance were pushed further. As BICEP explain: “It’s about putting conflicting feelings together because they become bigger and richer next to each other.”

After stepping away from the road, BICEP immersed themselves in their archive, returning to old demos and techniques they had experimented with 10 or 15 years earlier. They began reassessing what they considered fundamental to the BICEP sound. In a new studio with a custom vocal booth, they developed the tracks alongside their collaborators, with songs often ending up somewhere very different from where they began.

‘SLUG’ is a record intended to reveal itself differently depending on when, where and how it is heard, offering new details with repeated listening.


SIDE A