Pop & Rock Vinyl New Releases - News

On "Tambor De Cura", producer Daniel David (The Pendletons) and Bay Area staples Jazz Mafia team up with Rio De Janeiro artist Guinu to cook up a genre defying dancefloor hitter that blends dirty analog Brazilian funk, sci-fi synth sounds and raw horn lines with an unstoppable bass hook. Midway, the song transitions into a Samba break with a beautiful trumpet solo, while seamlessly returning to its infectious house tempo. Guinu's passionate vocals highlight the healing power of the music.

On "Devotion", producer/singer and multi-instrumentalist Daniel David (The Pendletons) teams up with Jazz Mafia to bring a rich up-tempo offering. Building off of a hypnotic jazzy house piano and tapestry of congas and live percussion, Daniel soulfully paints a picture of connecting to spirit through one's inner world. Jazz Mafia's driving horns build throughout, propelling the track, with relief by an energetic drum breakdown and conga solo.

Far Out Recordings proudly presents laid back Brazilian groove maestro Joao Donato’s synth-heavy collaboration with his son Donatinho. Sintetizamor sees the father-son duo jovially hurtle through space and time across ten tracks of sparkling pop, Brazilian boogie and club friendly disco-funk.

Joao Donato has been a hugely influential figure in the development of Brazilian music since the mid-1950’s. He’s played and recorded with virtually every one of his fellow Brazilian masters. Many of his own albums (of which he’s recorded over three-dozen) are regarded with such adulation that ‘cult-favourites’ doesn’t quite cut it.

Aged 82 at the time, Donato’s collaboration with his prodigious, synth obsessed son Donatinho - whose keyboard talents have been called on by the likes of the late Gal Costa, Djavan and Donatinho’s contemporaries such as Diogo Strausz - was originally released back in 2017, as a limited Brazil-only release.

For Record Store Day 2023, Sintetizamor will be available on vinyl (for the first time outside of Brazil) from participating stores.

** German Disco - first time on 7" ** "Matter of Taste" released their debut album on the small german Flame label in 1979. "Step By Step" is a monstrous Disco track while the flip side ("Haselief") is completely different and certainly surprises the listener. - as comped on "CAN YOU FEEL IT Vol. 4"! - 300 copies pressed! - first time on 7"! - 33 1/3 RPM!...

Wah Wah 45s hail the much anticipated return of one of their most beloved artists. Way back in 2006, the label first unleashed the anthemic "Modern Sleepover" by two man, smooth music loving outfit Talc. The song - an ode to a tortured love affair between a computer and its owner - with its shades of Zapp, Steely Dan and The Doobie Brothers - found favour with Djs and tastemakers from across the board from Bill Brewster to Gilles Peterson. Such was the cult status of the tune, that it spawned a sequel, naturally entitled "Modern Sleepover Pt.2: Robot's Return" which has recently had something of a renaissance thanks to an inclusion by legendary Detroit DJ and producer Moodymann on his "DJ Kicks" compilation.

Sixteen years and two albums later, and having seemingly put the project to bed for good, Talc (much like the robot) return for one final and very special release. This brand new 12", as well as featuring the sought after "Modern Sleepover" pairing together on vinyl for the first time, also includes the rarely heard Michel Legrand cover "De Gui Ding", previously only available in Japan (where Talc enjoyed a huge underground fanbase) as well as two stunning remixes from our old friend, The Reflex.

The Frenchman was the obvious choice to rework Legrand's 1964 camp jazz classic, and on his first mix delivers an uplifting disco friendly, vocal led take that should raise a few smiles on the dancefloor. His second mix is more of a late night affair with more of a deep, dubbier, house feel. Something for everyone then on this essential release, complete with gorgeous artwork from our award winning in-house designer Animisiewasz.

Two killers dj tools for 45 Djs ! Twice disco tracks, A side is a Disco Rap for 80, B side is a big classic Disco punched with phat drums and la little pitched up. As usual its a sure shot on 7inch.

Mysterious Argentinian Deep Spectrum delivers an EP with synthpop and italo influenced music for the pool/porn movie set/dance floor/living room. Yes that's right, this is universal music, suitable for all kinds of situations. Forever Free could be an instrumental b-side of a Soft Cell or Vicious Pink record while Para? so Fiscal (fiscal paradise) holds the middle ground between an 80s soundtrack and an underground italo jam. Punch Line on the flip is a smooth dance track where this talented new artist takes it to an even more sensual level. Fans of sleazy electronic futurism and early Legowelt should not sleep on this release!

Linda Jo Rizzo the 80s icon and former singer of the FLIRTS (produced by Bobby Orlando) stays musically true to iconic Italo Disco / Euro Disco sound!

Greatest Hits & Remixes compiles her best songs and is a must have for all fans of Linda Jo Rizzo!

Now finally available on vinyl!

Yellow vinyl reissue of the third volume of the 1997 "The Mood Mosaic" series. Contains the unforgettable French Kiss by Lil Louis, a 7 minute version.
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Following on from our previous Gladys Knights & The Pips 12" ('Love Is Always On My Mind'/'Bourgie Bourgie' Cat No: DISCO115) it gives us great pleasure to re-issue her most expensive and in-demand 12" - the Canadian only Walter Gibbons remix of "It's A Better Than Good Time" backed with the full version of "Saved By The Grace Of Your Love".

This is a legendary and super-rare 12" which was only ever issued in Canada and has become something of a holy grail for serious dance music collectors over the years.

A decent condition copy will currently set you back £300+ and that's only if you're lucky enough to find one! it's a Gibbons master-class like you know he can.

Fully remastered on limited edition 180 gram heavyweight vinyl.

Following the intergalactic odyssey of their first release, Hi Quality Records are back for round two. Switching to hyperdrive for another blast round the sun with two feel-good, cosmic channelling, disco burners from the mighty More Amour aka Artwork and Jon Solo.

Cruising out across the cosmos ‘Solar Flair’ is a sublime slice of boogie brilliance, with an infectious bassline and keys to match. Turning the heat up to 10 with Jon Solo on the solos, spiritually working those keys as Artwork conjures up his magic at the production controls. If you could drop the top on this spaceship and roll those windows down, this is definitely the groovin’, head bobber you’d have soundtracking your beam across the interplanetary highways.

With that non-existent breeze flowing over your spacesuit, ‘Heatwave’ ramps up proceedings on the B side. A funk-fuelled trip where sweltering Rodgers-esque riffs and slap basslines dance around string stabs and smile-inducing chords, with a signature spellbinding synth solo to top it all off. Break glass in case of emergency, this is your ticket out of any subdued dancefloor.

As the Compass Points to Nassau, Track Authority has you covered...

4 more special instrumentals clean cut to heavy black vinyl...

Opening up the Pop Shop in style, one side sees Norway’s Twson reworking a disco hit into an 10 minute 35 second epic whilst the other lets loose London’s Ron Bacardi (aka Ben Sims), dropping a slick edit of a hellarare MJ cover.

This round, we get treated to another masterclass in a far ranging deep balearic hypnotic chugging tripped-out ride with 3 cuts of the highest caliber. & For good measure, we hear it's been picked up by some choice selectors already.
Don't sleep. Grabbing doubles are to be recommended. TY

Eine Italo Disco Rarität aus dem Jahre 1985 jetzt wieder als farbige 12“ Maxi Single erhältlich:

Gary Richard – That’s Mine
Die limitierte Auflage dieser Maxi Single enthält die original Vocal Version und die Instrumental Version.

„That’s Mine“ enthält alle typischen Beats, Melodien und Vocals, die ein Italo Disco Song aus den 1980er Jahren brauchte.

Ein absolut zeitloser Klassiker, der in keiner Italo Disco Sammlung fehlen darf.

Storming into the new season with a monster of a recut on the A side that shook & rattled our bass bins with that mid-west boogie.
Tight drums. Check! Wailing lofi soulful vocals. Check! One in the bag? Check!

On the flip we have by some accounts the real gem! A super sweet take on Anthony White's "Can't Turn You Loose", taking the extended version into another level for some fresh love on today's dancefloors!

Daniele Baldelli meets the colourful performer/DJ/stylist Gaff E many moons ago via the dance floor during one of his Dj set where, as usual, Gaff E dances HARD; Hi-Energy Punk Disco Queen Gaff E transcends genres flying her own divine style. Her radical performances are a wild, carnal, hallucinogenic, activating trip! Gaff E is unapologetic in her bodily animal energy, as infamous as she is dedicated to colour and female vibrance. A shameless wild woman and chameleon of style liberating bodies everywhere. They hit it off instantly, and ever since they have wanted to make music together. During a European Festival tour Gaff E reaches Baldelli at his home and they decide to collaborate with a deep connection in studio screaming "Be wild… be free… BE YOURSELF!"; these two happy tracks were born to connect people with their true selves and ultimate freedom which best express the nature of Gaff E and the Cosmic Disco Sound of Daniele Baldelli. Magic happens when the Disco Queen and the Disco King join forces!

“More Short Shorts on the Dance Floor!! I am deadly serious when I say this; I wish more men wore Short Shorts!! And what better way to get that message out than via a Blast of Fresh Virtuous Disco! Bringing back old school cosmic disco-rap vibes with playful, seductive and strong DELICIOUS beats! With this record we want people to have the most fun they’ve EVER HAD MOVING THEIR BODS.” Gaff E

Jamaican born and Toronto raised, KG Russell is an unsung journeyman who followed the DIY path with his compelling output. Only a handful of collectors have been aware of the few releases via his private imprint Rain Sound - of which little information is known and copies very seldom seen.

A striking stand-out of Russell’s work comes via his Dance With Me album - a self-produced jewel originally recorded in 1988 with help from friends Tony Cameron and Orville Malcom on session duties. The brilliant blender of synth-soaked soul was released in 1990 on cassette only. Roughly 200 copies were manufactured and personally handed out to local record stores around Toronto.

Crown Ruler returns, plucking out three superior cuts for Last Dance and breathing new life into each via an impressive remastering effort from Melbourne sound wizard Daniel Elleson. Finally pressed to wax, this EP is clearly deservent of the 12” treatment. An island-tipped-electro-come-proto-house string of melters , guaranteed to prick the ears of lovers of the obscure and exotic. Last Dance is full of curious influences. It could be described as Caribbean flavored drum machine r’n’b. From the title track, a hypnotic boogie dancefloor filler, to Talk To Me, an electro rap meets smooth-jazz love jam, and finally Dance With Me, a bent and wasted soul ballad - Russell bares it all in another lost treasure given some TLC and repurposed for today’s DJ leaning ear

Claude François is one of the most mythical figures of French Pop music you might have never heard of. He was active from the mid
60’s until his sudden and untimely passing in a tragic domestic accident in 1978. He was mostly known as a teenage sensation, but
being a trained percussionist, he had proper groovy numbers too. Most importantly, he co-wrote and sang the original version of what
would become “My Way”, one of the most enduring songs in history. In 1977, after hearing Lamont Dozier‘s ‘Going Back To My
Roots’; “Cloclo” (as the french lovingly called him) saw the potential of this new Disco trend. This quickly led to the recording of
‘Magnolia For Ever’ and ‘Alexandrie Alexandra’ under the direction of his long time band leader Slim Pezin, who happened to be a
Manu Dibango collaborator as well as a core member of seminal Disco studio outfits Voyage & Arpadys. ‘

Alexandrie Alexandra’ was recorded in October 1977 at Trident Studios in London and featured a team of skilled UK players, all of
whom were involved in Cerrone recordings.

Back in Paris, Raymond Donnez AKA Don Ray added strings and horns, then sound engineer and keyboard maestro Bernard Estardy,
AKA Universal Energy, L.E.B Harmony and La formule du Baron did the original mix.

‘Alexandrie Alexandra’ features an all-star studio cast, but unlike other French acts with same Disco pedigree, it never reached an
international audience, mostly due to the very prominent vocals being sung in French.

As Claude François last single and one of his most successful, it was never originally remixed for clubs, nor released as a 12’’. To this
day, it is still the most played French song in the country’s Discotheques, transcending generations.

Dimitri From Paris, being very familiar with this song, always felt the urge of lifting the vocal layer to unveil the beautiful orchestration.
So, when finally entrusted with the original multi track stems, he turned the spotlight on Don Ray’s string and horns, bringing the great
drums and percussion to the forefront, adding his signature tricks and breaks in the process.

This very special 12’’ on Dimitri From Paris new Les Disques De Paris label, features a full vocal ‘Version Discotheque’ and a dubbed
out ‘Version instrumentale’, on each side.
With these new remixes ‘Alexandrie Alexandra’ finally sounds like a Cerrone Vs Claude François record. Something it almost really
always was.

Freestyle Records releast eine dringend benötigte und vollständig lizenzierte 12"-Reproversion von 'Front Line s/w Saving All My Love' von Midnight Energy, die 1984 ursprünglich auf Wal-Brooks Records erschien. Zwei Knallerseiten mit teurem Electro-Boogiefunk aus New Jersey, geschrieben und produziert von Tony McLachlan von der Fresh Band (bekannt durch 'Come Back Lover').

Kalita are proud to unveil the second volume in their "Borga Revolution!" compilation series, focussing on the phenomenon of "Burger Highlife", a crossover of West African melodies with synthesizers, disco and boogie that took over Ghanaian airwaves during the 1980"s and beyond. Featuring both highly sought-after recordings by artists including Atta Frimpong and D.J. Lawyer Okyere, as well as seminal performances by greats such as Pat Thomas, A.B. Crentsil and Alan Cosmos, Kalita once again come to the rescue of audiophiles, DJs and music-lovers alike with "Borga Revolution! - Volume 2". Spread over a double-LP housed in a gatefold sleeve. Accompanied by a 12-page booklet featuring extensive interview-based liner notes on each artist and never-before-seen archival photos.

80s 80s 80s

A favourite of some of the biggest DJs out there, including the likes of Floating Points and Theo Parrish, Queen Yahna - Ain't It Time is a slice of P&P gold that’s been crying out for an official reissue.

Succulent soul-soaked vocals with that top shelf disco production that effortlessly marries peaking strings with glorious horns and a conga-led percussion section. Smiles for miles - this is feel-good business right here with the instrumental nestled on the flip.

Soundway reissues the vocal and instrumental versions of
‘If I Love You’, from G.C. Cameron, the lead singer of the
legendary soul group The Spinners. The release also includes
two unreleased recordings from the same session - ‘Live for
Love’ and ‘Thank You Baby’.
Hailing from Mall Creek, Mississippi, G.C. Cameron rose to
fame at 22 years of age, when he joined Motown Records
to become lead singer of The Spinners. After a string of well
received releases, including chartbuster ‘It’s A Shame’, cowritten and produced by Stevie Wonder, Cameron left The
Spinners to pursue a solo career.
It was a trip to Fantasy Studios, San Francisco in 1977, where
Cameron teamed up with Harvey Faqua, Greg Crockett and
Elgie Stover to realise what is arguably his finest work. A full
album was recorded, but only two tracks saw the light of day,
via the short-lived UK label, Flamingo.
Soundway’s Live for Love release comprises the two indemand cuts previously released on Flamingo - the deep and
dubby disco-workout ‘If I Love You (Instrumental)’ and soul
drenched ballad ‘Live For Love’, coupled with two unreleased
recordings rescued from the abyss after 45 years of collecting
dust. The modern-soul-dancer ‘Thank You Baby’, backed
by Jeanie Tracy and Martha Walsh, is a jewel that displays
Cameron’s full range whilst the vocal to ‘If I Love You’ elevates
the recording to dance-floor-ready

FROM RAY CHARLES TO SELAH SUE, FROM NINA SIMONE TO IBEYI, FROM BARRY WHITE TO ALOE BLACC, DISCOVER THE BEST OF THE GREATEST VOICES OF SOUL MUSIC OF ALL TIME IN A 5 VINYLS BOXSET

The 16th release from Heat Rock is here! Featuring a duo of 80s Funk remixes from DJ Organic (Phoenix, USA) who takes a Clinton classic to the club, while Nick Bike (Vancouver, Canada) walks a fine line between House and Hip-Hop with his Rick James flip. There's a big BPM difference between the sides which makes this one a must-have
DJ tool. Doubles are recommended!

On their ninth outing, party fraternity and disco institution Tropical Disco further establish their central place in the vanguard of contemporary disco - not only as a reputable record label, but as a swiftly ascending DJ duo playing an array of high-profile shows across Europe over the last year.

Moodena initiates TD09 with 'All That Jazz', a brilliant rendering of deeply emotive styles that classily cultivates a slick and polished sound palette. Unique but instantly recognisable as a Moodena production, it’s a slyly understated A-side, laced with scorching swagger and burning slow like a Cuban cigar. As ‘80s slap-bass picks away, vivid chords cut through the mix with a potent sense of poignancy: hearing Moodena's productions feels like listening in on a jam session, imbuing the conventional nu-disco framework with a revitalised sense of spontaneity, keeping us utterly rapt in the process.

Sartorial's 'Ruby' generates an inexorable momentum from the first few notes, summoning a hypnotic effect through seductive percussion, raunchy basslines and two saxophones that call out to one another like lost lovers across a dimly-lit dancefloor. A gifted producer who develops his craft with each release, Sartorial certainly knows how to treat ‘em right.

Two Tropical Disco debutantes make an unforgettable entrance on the flip, with Phazed Groove's 'It Must Be Luv' working all kinds of magic on a classic, bringing in propulsive drums and a wriggling bassline to truly ignite that exultant peak-time energy. Fellow newcomer C. Da Afro expertly threads together sensual vocals and filmic strings on ‘PlayHouse’. Summoning from the depths a pummelling low-end that echoes mystic rave nostalgia, he evokes all kinds of degenerate debauchery with a pleasing shudder that’ll send chills down your spine. These two are instant classics from a pair of promising artist headed straight for disco distinction.

Tropical Disco’s latest release builds on their outstanding discography with a stone-cold essential, custom-made for those who like their disco kinky, deep and dancefloor-centric!

Celebrating twenty-five years of Aficionado as a place to play away from suffocating mainstream club culture, DJs Jason Boardman and Moonboots have compiled a contemplative set of 16 tracks that holds a deep meaning to both themselves and attendees of their now legendary parties. The compilation includes two new tracks exclusive to the release: J Walk’s ‘Cool Bright Northern Morning’ and Begin’s remix of Canyons ‘Akasha’.
Reflecting on how it all started 25 years ago, Moon considers their no-plan-plan to be a makeshift plateau which evolved organically: “All we did was try to play good records one after the other without any consideration for fashion. And people wanted that”. Alternative approaches were not unknown at the time, but Aficionado, as Jason and Moon’s Sunday sessions became known, pressed the reset button with unique resolve.
Jason elaborates: “It was 1998 when we started. It was our own 'fuck you’ to the Super Club regime - almost everywhere then. The ‘anything goes’ Balearic ethos was in abeyance. It wasn’t cool at the time, but we both just wanted to keep that original spirit alive. ‘Keep it open’ had always been my approach to DJing - even from playing at Youth Clubs as a teenager. No rules or generic constrictions. Play anything that you like from any era, any style from any time. We always encouraged our guests to dig deep and play outside of their comfort zones, their usual styles”.
The lovingly crafted musical mystery tour of this compilation, considering its pleasantly hypnagogic intent, may not reflect the madness of these now distant memories. This is an older and considerably more responsible collection and this is what we need right now - a temporary respite from a world almost capsized. A mood, a meditation created by masters of their craft. Odd socks from disparate global locations making new sense side by side. An assemblage, if you like. A thread through many different kinds of thinking. A new picture pieced together from the lost pieces of many jigsaws.

Never Before Reissued On Vinyl! After the smash success of Deee-lite's debut record World Clique, and their now-iconic dance club hit "Groove Is In The Heart", anticipation was high for a follow-up from the New York-based dance music trio of vocalist Miss Lady Kier, and producers DJ Towa Tei and Super DJ Dmitri.

For their sophomore record Infinity Within, Deee-Lite opted to venture in a different direction of sorts. The club-embracing disco-funk sounds and groovy vibes of World Clique were everpresent, but while that record contained themes of global togetherness, Infinity Within took a more socially aware route, with politically charged themes of environmentalism, (To show their bonafidese, Infinity Within was one of the first titles to be issued in an ecologically friendly Eco-pak.) sexual liberation, voting rights, and critique of the juidicial system.

Taking major inspiration from the ancient Chinese divination text I Ching, Miss Lady Kier would later explain that Infinity Within was a natural progression for the group, not a departure. Elaborating in an interview with Reflex Magazine, she remarked: "The reason why we titled this new album Infinity Within to balance out World Clique’s idea of looking outward and thinking about unity is if you look outward, you should look inward to see what you’re doing as an individual.

Because people seem to be so passive I’d like to see people turn their TV sets off and start protesting." Infinity Within was not the overwhelming commercial success that World Clique was, but it's tracks shined on the Billboard Dance Club charts, with it's lead single "Runaway" reaching #1 on the chart, bolstered by a Gus Van Sant-directed music video.

The record also featured a slew of top-tier collaborators, including Parliament veterans Bernie Worrell, Maceo Parker and Bootsy Collins (Returning from their appearances on World Clique) as well as Bootsy's brother Catfish Collins, legendary house DJ Statoshi Tomiie, and rap verses from Michael Franti, Jamal-Ski, and a pre-"Tennessee" Arrested Development.

Even though critical reaction at the time was cooler than their debut, over the years Infinity Within has been considered an underrated
gem of 90's dance, a classic of early club and house music, and a remarkable follow-up for Deee-Lite.

Hot on the heels of ‘Mordechai’, the critically acclaimed third album from US psych-rockers Khruangbin, the Texas trio are set to become the latest act to present their own LateNightTales in the popular, long-running musician-curated album series.
Having first come to prominence in 2013 when producer and D.J. Bonobo included Khruangbin’s ‘A Calf Born in Winter’ in his own collection of songs for the series, the little known Houston trio had yet to release an album, but have since gone on to become international superstars forming their own exotic, individual sound. “The LateNightTales series is such a special thing to be a part of because we wouldn’t have made it if it wasn’t for Bonobo’s LateNightTales, because that’s how we got into the LNT family – and got a break.”

The greatest dance hits from the past decades now again available on coloured vinyl! This series only contains the greatest dance hits from the 80’s, 90’s, 00’s and 10’s, in the original versions. Collected by decade on a seperate vinyl.

A ‘must have’ for any true dance-music lover!

All Italo lovers love Vivien Vee, where “Americano” and ‘Give Me A Break” are considered to be true Italo classics. Now, “Grandmixer” Ben Liebrand has remixed Vivien Vee’s “Wanna Feel” completely in 80’s style, with a wink to his famous 1984 remix of Valerie Dore’s “The Night”!

Conveniently, this release further features the famous bonus beats separately, so, “where the music stops, the beats continue”. For your mixing pleasure!

This High Fashion Music release further features the Ben Liebrand remix of “Gotta Go”, and Vivien Vee’s long unavailable extended version of “Higher”.

Taken from the original master tapes, superb remixes ‘Ben Liebrand-style’, and a must for all Italo-Disco lovers!

Now finally this series is also available for all vinyl fans. 8 selected Italo Disco New Generation titles, of course in long versions, get the „ZYX Italo Disco New Generation“ Vinyl Series started.
Issue #1 brings Savage, Italove, Carino Cat, Stockholm Nightlife and more to the turntable. At the end of the year 2020 we will continue with issue 2 of our new vinyl series.

Having co-produced Duran Duran’s acclaimed fifteenth studio album, ‘FUTURE PAST’, Erol Alkan returns to recent single ‘ALL OF YOU’ to deliver a very special Extended Rework. Paying tribute to the band’s pioneering ‘Night Version’ remixes that tipped their earliest material towards the dance floor, this grandiose reimagining equally recalls Alkan’s beloved reworks from over the years.

Recorded with founding members Simon Le Bon, Nick Rhodes, John Taylor and Roger Taylor, ‘All Of You’ also features lead guitar from Graham Coxon and backing vocals by Barli. Blessed with the raw material, Alkan distills each element into a glorious disco odyssey totalling nearly ten minutes, an epic but sensual dance floor trip that already ranks amongst his finest work. 

Phantasy is proud to release 'ALL OF YOU (Erol Alkan's Extended Rework)’ (backed with an instrumental version) on a limited run of 12” vinyl.

After a longer break, Dub Disco is back with a special package of magical edits. Proven worldwide on dancefloors of several continents, Dub Disco decided to release these timeless gems on vinyl.