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The soundtrack composed by Maestro Nico Fidenco for the 1974 movie directed by Mario Imperoli and starring a young Gloria Guida, is a collection of ultra cool tracks ranging from beat to lounge, from easy' funk to spacey' pop.

This is one of the best and rarest soundtracks composed by Nico Fidenco. Original copies with the CAM Scoring Record' Cover changes hands for more than 500 euro, while the few available with the original censored cover are sold at around 5.000 euro!!!

Our reissue reproduces the CAM Scoring Record' artwork, with the Contempo Records logo in place of the CAM Logo. Unfortunately the censored cover has a nude picture of Gloria Guida on, and we did not get authorisation to reproduce it.

The complete original soundtrack remastered from the original analog tapes. Master and sound restoring done by Roberto Zamori at Film Music Art Studio.

Paganini Horror is the second release on SUB OST, the soundtrack focused sub label of Subsound Records. For the first time ever on vinyl, this is the original soundtrack of Dario Argento protégé Luigi Cozzi's movie, composed and arranged by electronic composer and wizard Vince Tempera in 1989. Sinister like the sounds of a violin, this is a classic Italian horror score finally available on 2LP in a limited edition colored vinyl or black wax. Includes original artwork by E. Sciotti.

Paganini Horror is the second release on SUB OST, the soundtrack focused sub label of Subsound Records. For the first time ever on vinyl, this is the original soundtrack of Dario Argento protégé Luigi Cozzi's movie, composed and arranged by electronic composer and wizard Vince Tempera in 1989. Sinister like the sounds of a violin, this is a classic Italian horror score finally available on 2LP in a limited edition colored vinyl or black wax. Includes original artwork by E. Sciotti.

Classic soundtrack from the great Nico Fidenco (BLACK EMANUELLE) for the western movie PER IL GUSTO DI UCCIDERE from the cult director Tonino Valeri (My Name Is Nobody - Day of Anger) Fidenco is linked to the tradition of the great spaghetti western soundtracks such as the ones composed by Ennio Morricone and Bruno Nicolai, with a lot of classic musical elements and the help of I CANTORI MODERNI of Alessandro Alessandroni but with his personal and special touch'.

- FIRST TIME EVER EXTENDED RELEASE ON VINYL
- LIMITED EDITION OF 500 IN DOUBLE COLOURED VINYL

- 180 GRAM AUDIOPHILE VINYL
- ORIGINAL SOUNDTRACK BY THE
CHEMICAL BROTHERS
- PVC PROTECTIVE SLEEVE
- INCLUDES INSERT
- FIRST PRESSING OF 1500 NUMBERED COPIES ON
TRANSPARENT RED VINYL

Hanna is the soundtrack album to the 2011 British-German thriller film of the same name, directed by Joe Wright. The film stars Saoirse Ronan as the title character, a girl raised in the wilderness of northern Finland by her father, an ex-CIA operative (Eric Bana), who trains her as an assassin. Cate Blanchett is a senior CIA agent who tries to track down and eliminate the girl and her father.

The original score was composed by the British pioneers of big beat The Chemical Brothers, who had 6 number 1 albums and 13 top 20 singles in the UK. NME ranked the album at number 54 in their list of the 61 of the Greatest Film Soundtracks'.

The soundtrack of Hanna was nominated for multiple awards and eventually won an Alliance Of Women Film Journalists award in the category Best Film Music or Score' and a Los Angeles Film Critics Association award for Best Music'.

Written and directed by four-time Oscar® nominee Gary Ross (The Hunger Games, Seabiscuit, Pleasantville), and starring Oscar® winner Matthew McConaughey, Free State of Jones is an epic action-drama set during the Civil War, and tells the story of defiant Southern farmer, Newt Knight, and his extraordinary armed rebellion against the Confederacy.

The Original Motion Picture Soundtrack is composed by award-winning composer Nicholas Britell (12 Years A Slave, The Big Short, A Tale of Love and Darkness).
The composer, pianist and producer is part of an emerging generation of composers and artists who draw from an eclectic range of influences. His work is inspired by Rachmaninoff, Gershwin, Philip Glass, and Zbigniew Preisner as well as by producers Quincy Jones and Dr. Dre.

Single LP on blue vinyl in waxed illustrated gatefold sleeve, complete unabridged 1873 Jules Verne 20,000 Leagues stitched book, download code. LIMITED AND FIRM SALE ONLY.

The complete 1873 steampunk classic novel of Captain Nemo and The Nautilus, here with a blue vinyl 12' of underwater music by Jonny Trunk, all beautifully housed in a gatefold sleeve with nautical illustrations by cult tattoo artist Liam Sparkes. Simply an awesome package, but a very limited for record shop release.

Two years ago the publishers Four Corners Books approached Jonny Trunk because they wanted to produce a book with an LP. They have an ongoing publishing project called The Familiars Series' which reproduces classic books with new interpretations. Jonny Trunk has always had an interest in underwater music (think Jacques Cousteau on the TV) and so Jonny's immediate choice was 20,000 Leagues Under The Sea, which would allow him to make his very own underwater music. Jonny also had the idea of tattoo / scrimshaw (sailor's art scratched I to whale teeth) for the artwork, and so the book designer, John Morgan, found the amazing Liam Sparkes to draw beautiful nautical illustrations for the front, back and inside of the gatefold sleeve. The resulting package is a beautiful thing, a large heavily illustrated gatefold sleeve with the complete Jules Verne novel as a stitched book, blue vinyl 12' LP and even a download code.

THE MUSIC
This is Jonny Trunk's third full length LP, and focuses on his love of underwater music. With the story in mind the music conjures up sounds of the deep, with slowly pulsing jellyfish, scattering shoals of jolly fish and of course an attack by a large angry Kraken. Anyone who has read the book may well remember that every so often on the Nautilus, Captain Nemo retires to his quarters and plays music on his salon pipe organ. So for this release every cue on the LP is punctuated with Nemo's playing. With tense walks along the sea beds in curious breathing apparatus to glorious string passages conjuring up slow endless drifts across calm waters, this is an intriguing, creative and most unusual musical work.

Few artists in the music profession are as unclassifiable as Nina Simone. During her long career she tackled material from a variety of styles, garnering an audience that included soul devotees, folk followers, R&B lovers and even jazz buffs. 1962's Nina Simone Sings Duke Ellington helped consolidate her reputation as a singer/musician to be contended with and represents the first of two albums she recorded devoted to the work of one supremely talented individual - the other being Billie Holiday.

Given the status of the Duke's tunes, often allied to definitive performances, the decision to include a smattering of lesser-known melodies was probably a wise one. "Do Nothin' Till You Hear from Me," "I Got It Bad And That Ain't Good," "Solitude" and "It Don't Mean A Thing" had long been favorites Ellington circles, but lesser lights like "The Gal From Joe's," "Merry Mending" and "You Better Know It," really allowed Nina the chance to put her own stamp on them. Given its dedication to the compositions of one man, Nina Simone Sings Duke Ellington may be viewed as a curio - but it is one never to be ignored.

Arranger, composer, bandleader and orchestrator Nelson Riddle's work for Capitol Records helped keep such vocalists as Frank Sinatra, Ella Fitzgerald, Nat King Cole, Judy Garland, Dean Martin, Peggy Lee, Johnny Mathis, and Rosemary Clooney household names. He also composed a number of acclaimed film soundtracks from the mid-50s through the mid-80s including the original score to Stanley Kubrick's provocative 1962 black comedy Lolita. It features the catchy instrumental "Lolita Ya Ya" which later became a hit single for The Ventures while the main theme was composed by Bob Harris.

Regarded as one of the greatest Science Fiction films of all time, it also has a masterful score composed by Alan Silvestri that is triumphant, whimsical and adventurous. Never before released on Vinyl, Silvestri's score is incredibly iconic, and essential for soundtrack collectors. Available for the first time on Vinyl, pressed on 180 Gram Vinyl featuring original artwork by Matt Taylor.

Continuing the tradition set by the original, the score for Back To The Future Part II is equally as exciting, and pulse-pounding as the sprawling timelines bring Silvestri's music to the future, past and everywhere in-between... And timely, released just in time for the "Future Date" where Marty McFly and Doc Brown travel to at the beginning of the film. Featuring 20 minutes of previously unreleased material, pressed on 180 Gram Vinyl featuring original artwork by Matt Taylor.

Back To The Future Part III is the sleeper of the trilogy soundtracks. Containing some of the best compositions of all of the three scores, the West inspired music brings to life some flourishes previously missing from the Trilogy: romantic, and truly cinematic, the Train sequence is Silvestri at his best. Featuring 20 minutes of previously unreleased material, pressed on 180 Gram Vinyl featuring original artwork by Matt Taylor.

180gr. Ltd. Ed. 750 copies - originally released in 1974 on Ricordi

First official reissue ever for this Italian holygrail soundtrack, finally back to life in a longwaited

180gr. limited edition supervised by M° Giuliano Sorgini himself, who also signs here his personal liner notes. Remastered from the original master tapes preserved for more than 40 years in almost perfect shape, ZOO FOLLE is a super-wanted psych-funk album, a truly masterpiece for all breaks-beat lovers, full of rhythmic percussions, acid flute, synth works, dark electronics, drum-machines, crazy handclaps.

The score was composed for an Italian TV movie in 1974 directed by Riccardo Fellini (brother of the most well-known Federico), originally released on Ricordi Label in the same year. Featuring Edda Dell'Orso and some of the best Italian session-men leader in the soundtracks and library landscape such as Maurizio Majorana and Antonello Vannucchi (from I MARC 4), Nino Rapicavoli on flute and Giuliano Sorgini himself to organ, keyboards, piano, drums and percussion.

Limited edition, only 1000 copies

For the first time ever since their original, mega expensive editions, a straight reissue respecting the complete original tracklist and original artwork of the two LPs containing the fantastic cocktail of psychedelic club sounds, easy listening, funk grooves and sitar pop produced by Manfred Hübler and Siegfried Schwab (Embryo, Et Cetera...) that were used by Jess Franco for the soundtrack of his classic movie...



...as well as his other kitsch b-movie euro classics She Killed In Ecstasy and The Devil Came From Akasava, all featuring the incredible beauty of Spanish cult actress Soledad Miranda (a.k.a. Susann Korda).



In remastered sound, original artwork and a lavish 8 page full colour booklet with notes and photographies!

A key and compelling component to Brady Corbet's directorial debut, it is Walker's first O.S.T. work since his remarkable score for Pola X in 1999.
Partly inspired by Jean-Paul Sartre's short story of the same name, The Childhood Of A Leader is a tense psychological drama tracing the formative years of a young boy and set against the backdrop of the 1919 Paris Peace Conference that led to the establishment of the Treaty of Versailles.
Walker continues to work with long-term collaborators Peter Walsh (co-producer) and Mark Warman (musical director), with the latter conducting an orchestra comprised of 46 string players and 16 brass for the studio recording. Both Walsh and Warman were involved in the live film score performance of The Childhood Of A Leader, alongside a 74-strong orchestra, an event which closed the Rotterdam Film Festival in February this year.

With their charming look of exploitation LPs, The Vampires' Sound Incorporation's Psychedelic Dance Party and it's 'brother' album Sexedelic's Sexedelic (also reissued on Wah Wah as LPS186) hide the joint works of German composers Manfred Hübler and Siegfried Schwab that were used on three classic 1970 b-movies directed by Spanish film maker Jess Franco:
· Vampyros Lesbos
· The Devil Came From Akasava
· She Killed In Ecstasy
Besides the film director and the soundtrack composers, these three films also shared the presence of Spanish actress Soledad Miranda.Original copies of these LPs could be found for next to nothing in European flea markets until the mid 1990s, when Lucertola Media compiled them both on the 3 Films By Jess Franco CD. The amazing sounds that mixtured jazz pianos, easy listening brass section, psychedelic fuzz guitar, pop harpsichord lines, exotic sitar, and funky bass & drum beats were rediscovered and given new life when a compilation LP featuring the grooviest tracks from both albums was an instant hit which ran high in the alternative music sales charts.

The legend grew when 'The Lions And The Cucumber,' opening track from The Vampires' Sound Incorporation's LP, was picked by Quentin Tarantino and given mainstream exposure on his third film Jackie Brown (1997), starring Pam Grier, Robert Forster, Robert de Niro, Samuel L. Jackson, Bridget Fonda and Michael Keaton. The 'Vampyros Lesbos sound' became a classic, awakening also new interest on the movies themselves which have been also issued on DVD since then. The music of Hübler and Schwab has also been sampled and revisited by many artists.

Since then, original copies of The Vampires' Sound Incorporation and Sexedelic LPs fetch small (and not so small!) fortunes in the collector's market. Now, for the first time, the original albums from which all these amazing tracks were taken from are reissued in its original complete tracklists and sleeve artwork. Owning these two LPs is the only way to have in vinyl format all the original material issued by Hübler and Schwab - all previous reissues omit tracks from the original LPs.

Now, for the first time ever, these extremely sought after LPs get a straight reissue in their original artwork, expanded with the inclusion of an 8-page full colour booklet that includes many photos and liner notes.Made in a limited edition of 1000 copies. Get yours before it's too late!

Volumes 1 and 2 of Mac Quayle's amazing synth-based score for one of the best and most innovative shows of 2015, 'Mr. Robot' Season 1

Volume 1 pressed on double white vinyl housed in full colour deluxe Gatefold sleeve with Double Sided Printed Insert, 11" x 22" Poster and Download Card.
Volume 2 pressed on double white vinyl housed in full colour deluxe Gatefold sleeve with Double Sided Printed Insert, a spray-paint art stencil and Download Card.

Quayle's score draws to mind works by great composers such as Cliff Martinez, Cabaret Voltaire and Vangelis, but is ultimately its own dark unnerving beast, at times strange dreamy and atmospheric, whilst being almost unbearably claustrophobic at others. Much like the show itself, the soundtrack is destined to be a classic

Volumes 1 and 2 of Mac Quayle's amazing synth-based score for one of the best and most innovative shows of 2015, 'Mr. Robot' Season 1

Volume 1 pressed on double white vinyl housed in full colour deluxe Gatefold sleeve with Double Sided Printed Insert, 11" x 22" Poster and Download Card.
Volume 2 pressed on double white vinyl housed in full colour deluxe Gatefold sleeve with Double Sided Printed Insert, a spray-paint art stencil and Download Card.

Quayle's score draws to mind works by great composers such as Cliff Martinez, Cabaret Voltaire and Vangelis, but is ultimately its own dark unnerving beast, at times strange dreamy and atmospheric, whilst being almost unbearably claustrophobic at others. Much like the show itself, the soundtrack is destined to be a classic

Vinyl 7" edition of 150 housed in uv printed sleeve.

The album is the result of a double consideration travelling on a parallel path.

On one hand the sensation evoked by dissonant organic sounds merged into patterns and chaotic structures,on the other hand its connection with the exploration of the concept of propaganda, with its adaptive and unstable nature, its relationship with the concept of privacy and its application in everyday life in the digital era.

The two tracks, non sono un criminale and non ho niente da nascondere, are composed by a loop structure in order to emphasise the sensation of anxiety and confusion, the melodic changes are introduced by the use of pronounced reverberations, especially in non sono un criminale.

Here on vinyl for the first time, Grammy nominee Ramin Djawadi's score for Game of Thrones Series 3 is integral to the fabric of the show with choir and orchestra counter-balanced by percussion and rhythmically driven sounds from the world music arena.

His creative use of sound effects adds mystery and allure to this epic fantasy of political and sexual intrigue.

This third collection of music from the series offers fans three different versions of the Game Of Thrones theme - two of them previously unreleased.

"Dark Wings, Dark Words" is a downtempo choir version whilst "For The Realm" is a solo guitar version performed by Djawadi himself.

Additional music includes "It's Always Summer Under The Sea (Shireen's Song)" performed by Kerry Ingram who plays Shireen in the show along with "The Bear And The Maiden Fair" sung by US indie rock band The Hold Steady.

ORIGINAL SOUNDTRACK

- 180 GRAM AUDIOPHILE VINYL
- PVC PROTECTIVE SLEEVE
- 4 PAGE BOOKLET
- MUSIC BY DOMINIC LEWIS / HENRY JACKMAN
- FIRST PRESSING OF 500 NUMBERED COPIES ON MONEY MONSTER GREEN VINYL

In the taut and tense thriller Money Monster, Lee Gates (George Clooney) is a bombastic TV personality whose popular financial network show has made him the money wiz of Wall Street. But after he hawks a high tech stock that mysteriously crashes, an irate investor (Jack O'Connell) takes Gates, his crew, and his ace producer Patty Fenn (Julia Roberts) hostage live on air. Unfolding in real time, Gates and Fenn must find a way to keep themselves alive while simultaneously uncovering the truth behind a tangle of big money lies.
Dominic Lewis, a British-born film composer, has been working with some of Hollywood's most acknowledged and revered composers, including, but not limited to Hans Zimmer, Ramin Djawadi, Henry Jackman and John Powell. He is now a resident composer at Zimmer's renowned Santa Monica musical think-tank, Remote Control Productions.
His additional music credits to date include the films 'Rio', 'Kung Fu
Panda 2', 'X-Men: 1st Class', 'Sherlock Holmes: A Game of Shadows',
'Captain America: The Winter Soldier', 'The Amazing Spider-Man 2',
'The Interview', as well as multiple commercials.
Henry Jackman has done production work with artists including Mike Oldfield (Voyager), Sally Oldfield (Flaming Star), Trevor Horn/Art of Noise (The Seduction of Claude Debussy), Elton John and Gary Barlow. He made scores for 'X-Men: 1st Class', The 5th Wave, Kick Ass 2, This Is The End and many more.

Ship to Shore PhonoCo. is proud to present the first ever vinyl release of Joe Renzetti's scores to Frank Henenlotter's Basket Case 2 and FrankenHooker. Basket Case 2 found Henelotter creating a sequel to his now classic 1982 gross-out, with the freak twins' Duane and Belial back out on the prowl, but also looking for love and acceptance. FrankenHooker is Henenlotter's riff on the classic Frankenstein story, with Jeffery Franken, memorably played by James Lorinz, resurrecting his dead love Elizabeth using pieces of the women who walk 42nd street.

Scoring duties on these two films were given to Oscar-winning composer Joe Renzetti, a familiar name to horror fans who know and love his scores to Child's Play and Dead & Buried. Instead of going for the obvious, campy approach, Renzetti plays it straight, letting his moody, sometimes unsettling music act as counterpoint to the absurd on screen happenings.

Featuring reversible cover art by Cleveland comic-book legend John G, extensive liner notes by Renzetti and a completely remastered score supervised by the composer, this is a release that is not to be missed by fans.

The eponymous stage musical My Fair Lady (1956) got a very successful film adaption in 1964 starring Audrey Hepburn and Rex Harrison. Based on the original script by Frederic Loewe, the film won eight Oscars and three Golden Globes. Composed by Alan Jay Lerner (lyrics) and Frederick Loewe (music), the songs were performed by both the film cast and guest singers Marni Nixon & Bill Shirley and were supervised by German pianist, conductor and composer André Previn.

The story about Eliza Doolitte, a Cockney flower girl who takes speech lessons so the she may pass as a lady, now gets an expanded Music On Vinyl At The Movies release.

Sing Street ist der neuste Film von Regisseur und Drehbuchautor John Carney, der mit dem
oscarprämierten Film 'Once' und dem Sommerhit 'Can A Song Save Your Life' zwei der
mitreißendsten Musikfilme der vergangenen Jahre geschaffen hat. Auch sein neuer Film, angesiedelt
im Dublin der 80er Jahre, sprüht nur so vor Carney's Leidenschaft für Musik.
Der kreative Filmemacher zaubert die Geschichte eines musikverrückten Jugendlichen, der als
Außenseiter in der Schule gebrandmarkt in die Welt der Popmusik flieht und nebenbei von der
unerreichbaren, schönen Raphina träumt. Seine Idee: Er läd Raphina ein, im Musikvideo seiner Band
aufzutreten. Sein Problem: Er hat gar keine Band, kann noch nicht mal ein Instrument spielen. Also
gründet er mit ein paar Jungs aus der Nachbarschaft kurzerhand eine Band und voller Leidenschaft
schreiben sie ihre ersten Songs.
Die Musik, die einen großen Teil des Films ausmacht, bringt das Lebensgefühl der 80er Jahre mit
einem unvergesslichen Soundtrack mit Hits von The Cure, Duran Duran, The Police und Genesis
zurück. Der Soundtrack ist wie eine 80er Jahre Kompilation mit extra neuem Material von - Sing
Street', der Band aus dem Film

180 gram color vinyl LP

First time on vinyl ever, released on 180g coloured vinyl. Taken from the 1965 horror-goth movie directed by Mario Caiano as Allan Grunewald, a very sparse and dark soundtrack with luscious orchestration.

180 gram color vinyl LP

First time on vinyl ever, released on 180g coloured vinyl "La Cugina" is the soundtrack of one of the most sought after Italian Sexy Comedies. Music composed, orchestrated and conducted by ENNIO MORRICONE. Jazzy and lush textures featuring Choir I Cantori Moderni di Alessandroni, Oscar Valdambrini on flugelhorn, and Edda Dell'Orso on vocals.

Born in Oakland, CA, but raised in New Mexico, Partch learned mandolin, violin, piano, reed organ, and cornet as a child. Clearly a unique talent, even that early on, Partch went to USC Music School but was dissatisfied with his teachers, and instead studied music on his own where he learned to reject many of the Western constructs of music and began experimenting with using scales of unequal intervals in just intonation, and was one of the first Western composers of the 20th century to use microtonal scales. These recordings were some of the first made after Partch settled in Sausalito and founded his legendary Gate 5 studio. Debuted in 1953 on KPFA radio, these compositions still sound otherworldly and cutting edge today. Essential American 20th Century composer Harry Partch, on Jeanne Dielman.

L.u.c.a. is Francesco De Bellis aka Francisco. Years ago he started putting together some selections for a friend of his: Luca. The intention was to pick songs to be played during car rides, and like any other kind of ritual, this too would come with strict rules. You'd have to go throw the whole selection of 100 tracks without skipping, because every single one was important. Be it the sounds, the arrangement or its creativity, each track was there for a very specific reasons. It quickly became a monthly event which for several years evolved in a deep musical research without genre boundaries: Disco and psychedelic, soundtracks, library music, exotica, electronic and dance music, italo, new wave, pop or prog. Tracks of each and any historical period and provenance had been featured in this special compilations. But it wasn't always that easy to come up with the right piece and eventually Francesco started producing a few on his own to fill in the gaps. After six tracks, it was quite clear that there was a project developing, one in which he could finally experiment freely, leaving behind the rules that often come with dance tracks. Of course, no name could have been better than the one of his friend that had inspired everything And so L.u.c.a was born. Now, while preserving the same mind set, L.u.c.a is back with an album that embraces a new-hippie vibe, strongly pervaded by a mystical naturalism. This is a whole new universe in the making, where rumbling magmatic atmospheres evolve gradually in a journey through an idealist new world, celestial interludes revealing a full take over of nature, with a pervasive library feel that dates back to the great Italian masters, carrying on Edizioni Mondo's legacy.

"THE REVENANT" is the new Alejandro G. Iñárritu one year after the brilliant and Oscar winning "Birdman", "Babel", "21 Grams" and "Amores Perros". Produced and distributed worldwide by 20TH CENTURY FOX, "The Revenant" stars Leonardo DiCaprio and Tom Hardy.

Following the success of 2014's Birdman (Winner of four Academy Awards including Best Picture and Best Director), director Alejandro G. Iñárritu pushes the limits of film making with the survival epic The Revenant. Starring Leonardo DiCaprio (Titanic, Wolf of Wall Street), Tom Hardy (Mad Max: Fury Road, The Dark Knight Rises) and shot in the frozen Canadian wilderness with only natural lighting, The Revenant is a story of loss, revenge and resilience in the face of impossible odds against the furies of man and nature itself. The film is heavily favoured to be a critical darling as awards season gets under way.

Director Iñárritu has chosen to forgo almost all dialogue in favour of a gorgeous soundscape and a sweeping score. A film of this magnitude deserves a composer who understands creative artistry and unbridled passion. Japanese master and Oscar winner Ryuichi Sakamoto (Merry Christmas Mr. Lawrence, The Last Emperor) fits the bill perfectly. Along with fellow Yellow Magic Orchestra member and frequent collaborator Alva Noto, Sakamoto has created a gripping soundtrack that is sure to be a treat for the winter crowds. Bryce Dessner (writer for Kronos Quartet and the LA Phil) also supplies additional music.

"Diva", Jean-Jacques Beineix's first film became a cult classic movie such as this soundtrack internationally acclaimed which received several awards and numerous gold records.

For the opera sequences in "Diva" Vladimir Cosma re-orchestrated "La Wally", a previously unknown work by Alfredo Catalani with the aria superbly sung by Wilhemenia Fernandez who acted in the movie.

The emotional relationship between a young postman and the diva is enhanced by "Sentimental Walk", a piano solo, pure in its simplicity of line and reminiscent of the Erik Satie's "Gymnopedie". The versality of the composer is discovered in the mystical music accompanying various scenes in the film, such as his research of Tibetan chant and exotic instruments bringing a mysterious atmosphere to the film.

This CD presents the entire musical score as well as "Le Chien de Monsieur Michel" a nostalgic valse musette using a dance-hall piano, accordion and tuba with a constant reassuring carousel movement yet secretly underlying Monsieur Michel's solitude...

The bonus track features a recording of Sentimental Walk done by the composer with Chet Baker...

LP (+ FREE CD WITH BONUS TRACKS + d/l code)

The Second album by Big Funk Factory D-Funkt! the soundtrack to the story Transaction Declined'.

The band's usual cast features amongst others Mat Johnson (Jamiroquai, Laura Doggit, Julian Perretta, Duffy)as The Nerdmeister General on keyboards. Wayne Nunes and Perry Melius (Tricky, Aswad, Billy Ocean) as That Tall Bloke and The Metrognome on bass and drums.

Michael Brown (George Michael, Chaka Khan, Leona Lewis) on guitar in the guise of The Widdler, Jodie Linscott (Just ... Everybody look her up on google) as The Lin Machine on percussion and Vanessa Haynes (Incognito, The Gorillaz, Van Morrison) and Janet Ramus (Shapeshifters, David Bowie, The Eurythmics) who are cast in the roles of Siren One and Two and feature on the track She wants what wants.'


Some notable guest appearances include Ernie Mckone (Galliano, Push, Candi Statton) as The Slightly Shorter Bloke whose bass features on Independent Street', Rob Hughs (ABC, Heather Small, Eddie the Eagle film soundtrack) in the role of Bobby Pop Sax and Tim Cansfield (The Bee Gees, Steve Winwood, Annie Lennox) who for the benefit of this album goes under the title Acoutico Fanstica. His fabulous Spanish guitar playing features on Only The Silent Survive'.


Fronted by Andy Wood Mitchell (The AM Band, Andy & The BigFunk, Andy & the Other One) the organizer of this musical menagerie revises his past role as Vocalist, Producer etc ...

The Music begins with a more electro funk vibe than the previous release but the introduction of live instrumentation later on brings the sound right back to the Funk base that was established in the band's first album Factory Sample'.

VERY LIMITED VINYL REPRESS : 300 only

This was only the second archive release (and the first on vinyl!) of a Doctor Who soundtrack after the Doctor Who 2005 British TV comeback, featuring a collection of 'special sounds' by British electronic composer Brian Hodgson.

Doctor Who - The Krotons is a 4 episode Doctor Who serial first broadcast in weekly parts
from 28 December 1968 to 18 January 1969.

Brian Hodgson was a member of the BBC Radiophonic Workshop and worked closely with Delia Derbyshire, the seminal figure of English electronic music. As the original sound effects creator for Doctor Who he was responsible for the chilling Dalek voices and the powerhouse sound of the Tardis lifting off.

Brian created The Tardis sound in 1963, running a back door key for his mother's house along the bass string of a dismembered piano and treating it electronically. The sound of The Tardis lift-off is still in use.

Brian comments: "I spent a long time in planning the Tardis sound, I wanted a sound that seemed to be travelling in two directions at once, coming and going at the same time."

The collection displays Brian's highly innovative techniques that, together with Delia Derbyshire's experiments in modes and tunings, became the staple of British electronica.

Original Artwork by Rich Kelly. 25th Anniversary. First time ever on Vinyl.

In collaboration with Howe Records, we're excited to announce celebrating the 25th anniversary for the score to Naked Lunch. Composed by three-time Oscar-winner Howard Shore collaborating with both jazz legend Ornette Coleman and the London Philharmonic Orchestra.

The soundtrack is a dazzling mix of a traditional Hollywood Orchestral score with incredible free jazz flourishes from Coleman , here he works with the London Philharmonic creating incredible textures over Shore's beautiful , edgy and moody orchestrations that recall Bernard Herrmann's work on Taxi Driver and occasionally lets loose without them (Bugpowder , Interzone Suite) backed only by his son Denardo on drums , these tracks are thrilling and offer a perfect counterbalance to the more measured tracks with the Orchestra, showcasing the incredible and fearless free jazz stylings that made him a legend.

Death Waltz Recording Company, in collaboration with Lakeshore Records are excited to bring you what is likely to be a future classic in the form of Ben Lovett's sophisticated electronic score to science fiction thriller SYNCHRONICITY. Starring mumblecore specialist AJ Bowen (YOU'RE NEXT) and cult hero Michael Ironside (SCANNERS), SYNCHRONICITY is about an inventor that creates a time machine and uses it to go back in time to stop the potential theft of the technology. Lovett's music recalls all the obvious candidates for these types of scores, John Carpenter, Vangelis, Tangerine Dream, but while he stands on the shoulders of giants he still manages to create something that exists on its own terms.

SYNCHRONICITY is all about immersion, the score wraps you up in it and massages your senses before taking you on a beautiful but dangerous journey. It feels like a dream, with Lovett's evocative soundscapes modulating and pulsating to augment the pervasive synth melodies. Much of it is ominous, foreboding - it flows between serenity and paranoia, but it always coheres into the kind of experience that is almost impossible to replicate. The future, the past, the present: they're all here, and SYNCHRONICITY feels both futuristic and timeless. It is what it is, a beautiful contradiction.

The mid 70s presented mature, fertile grounding for maestro Piero Uimiliani's Sound Workshop Studio, exploring side ways explorations in to gravitational soundscapes and beyond.... Released in 1975 via his prolific Omicron imprint, Genti e Paesi Del Mondo ('Peoples and Countries of the World') is a return to the ethnic flavours so beloved of Umiliani's zeitgeist. Umiliani turns anti-clockwise launching a left field mental audio pad to uncharted territories. On Genti e Paesi Del Mondo sparse, eerie electronic confections spar in unison alongside moody transgressional vibes. Umiliani's mysterious pathways unlock a trinket box echoing the Germanic stylings of Wolperath's Plank Studio and Herzog era Popol Vuh. This loving reissue recreates the original artwork, master tape Laquer cutting and Umiliani's autograph notes on the project.

Wymond Miles was raised in the working-class small towns of the American West. On Call by Night, the singer's latest widescreen opus, Miles masterfully evokes that lost landscape, all while grappling with issues of fatherhood, privacy, PTSD, violence, and dissipated romance. The album adds a critical new chapter to the Fresh & Onlys guitarist's story as an artist, and reasserts him as a major voice in contemporary songwriting. Call by Night sees Miles building a noticeably bigger sound than on his previous solo records, while simultaneously standing as his most intimate work.

It's a record explicitly written for the fidelity of the vinyl format, with louder songs beginning each album side and quieter songs at the interior. His attention to sequencing paid off, the album flows like a piece of classic cinema, and sounds like it's splashed across a drive-in screen in 70mm. Recorded using vintage gear by Phil Manley (The Fucking Champs, Trans Am) at El Studio in San Francisco and Miles' Garden Chamber home studio, the record is a treasure of tube-amp warmth, and a landmark in the songwriter's catalog. Miles wrote most of Call by Night on piano, and while the wall-of-sound guitar and cinematic synth playing that helped define his earlier efforts is still present, the beating heart of the songs is left more open thanks to his new method.

Where previous full-lengths were cloaked in distinct aesthetic choices, this record exists outside of any stylistic restraints. Divided in Two,' the lead single, considers dignity, class, honor, and father-son relationships through the devastating lens of PTSD, all set to a sardonic flag-waving waltz, with martial percussive bomb blasts. The title track explores the enduring aesthetic of British psych-folk. Other songs dip into the traditions of gospel music, sea shanties, and even big-box power ballads, using antique instruments and Miles' unique perspective on the modern world to forge a new collection of entries for the American songbook. Miles has said the songs on Call by Night mark his more definitive commitment to seek, listen, and give voice to an enduring muse.' If that's true, then the muse has obviously been singing to him loud and clear.

Wymond Miles was raised in the working-class small towns of the American West. On Call by Night, the singer's latest widescreen opus, Miles masterfully evokes that lost landscape, all while grappling with issues of fatherhood, privacy, PTSD, violence, and dissipated romance. The album adds a critical new chapter to the Fresh & Onlys guitarist's story as an artist, and reasserts him as a major voice in contemporary songwriting. Call by Night sees Miles building a noticeably bigger sound than on his previous solo records, while simultaneously standing as his most intimate work.

It's a record explicitly written for the fidelity of the vinyl format, with louder songs beginning each album side and quieter songs at the interior. His attention to sequencing paid off, the album flows like a piece of classic cinema, and sounds like it's splashed across a drive-in screen in 70mm. Recorded using vintage gear by Phil Manley (The Fucking Champs, Trans Am) at El Studio in San Francisco and Miles' Garden Chamber home studio, the record is a treasure of tube-amp warmth, and a landmark in the songwriter's catalog. Miles wrote most of Call by Night on piano, and while the wall-of-sound guitar and cinematic synth playing that helped define his earlier efforts is still present, the beating heart of the songs is left more open thanks to his new method.

Where previous full-lengths were cloaked in distinct aesthetic choices, this record exists outside of any stylistic restraints. Divided in Two,' the lead single, considers dignity, class, honor, and father-son relationships through the devastating lens of PTSD, all set to a sardonic flag-waving waltz, with martial percussive bomb blasts. The title track explores the enduring aesthetic of British psych-folk. Other songs dip into the traditions of gospel music, sea shanties, and even big-box power ballads, using antique instruments and Miles' unique perspective on the modern world to forge a new collection of entries for the American songbook. Miles has said the songs on Call by Night mark his more definitive commitment to seek, listen, and give voice to an enduring muse.' If that's true, then the muse has obviously been singing to him loud and clear.