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Dances With Wolves is the original soundtrack of the 1990
Academy Award and Golden Globe winning film Dances With Wolves, produced, directed, and starring Kevin Costner. The original score and songs were composed and conducted by John Barry.

Barry won the 1991 Academy Award for Best Original Score and the 1992 Grammy Award for 'Best Instrumental Composition Written for a Motion Picture or for Television.'

John Barry's fifth Oscar-winning score is a profoundly
moving body of music.

Operating within the same realm as Pye Corner Audio, Pentagram Home Video's debut LP for Death Waltz Originals offers up a dystopian analog synth attack swathed in layers of distortion and heavy pounding drums, it works as an imaginary soundtrack in your headphones but also as a powerful beast on more adventurous dance floors all the time being super melodic too.

Strictly limited edition of 400 copies (200 for the UK , 200 for the USA) 180g black vinyl housed inside a 425gsm single pocket jacket.

Making its debut on vinyl, Wojciech Kilar's haunting soundtrack to Polanski's disturbing film The Ninth Gate (1999) features at its core the vocals of Korean born soprano, Sumi Jo. Kilar established himself as a horror score composer with Bram Stoker's Dracula and his work here on Polanski's film achieves a creeping sense of menace worthy of Polanski's dark tale of Satanic worship.



'If menacingly haunting horror music is your delight, then The Ninth Gate is not a score to miss.' **** FILMTRACKS

'hypnotic music...which is guaranteed to have you looking over your shoulder and under the bed.'*****

* 180 gram audiophile vinyl

'You talkin' to ME', undeniably one of the most famous quotes from movie history from one of its most memorable characters. Travis Bickle, the frustrated Vietnam veteran in Taxi Driver, the lonely nut obsessed with sex and violence who takes a job as a cabbie to battle his insomnia. Robert De Niro's legendary performance ensured that this Scorcese classic ended up on many a 'best movie of all time' lists.

It was also Bernard Hermann's last ever soundtrack. Hitchcock's favourite composer died just a few hours after completing the score. Like no other he composed a dark and threatening atmosphere that drags you into Bickle's twisted mind.

180 grams vinyl
Remastered sound

Released 500 copies



Italian FUNKY Library MONSTER from the infamous Fonit Usignolo series. This insane album contains many outtakes from the "INCHIESTA" jam we reissued in 2013, so it's probably fully recorded in 1977 and not 1979 as dated on original pressing. "FOGGY PLACE" easily explains why this album is on TOP levels, Hip Hop Funky with Scat vocals. 20 tracks of several Score and various themes, Jazz-Funk and Funky vibes all over, Fender Rhodes and Sexy Scat vocals, Bossa, Easy Listening, Blues Jazz, Hammond Funk, tense cinematic and lively groovy vibes for the full album. KILLER!

Remastered from the original master tapes, comes with promotional Obi string and A4 poster inside.
Released 750 copies



Italian legendary OST! - One of the Armando Trovajoli's famoust masterpieces. Original Soundtrack for the Italian cult Sexy comedy starring the sex-symbol Laura Antonelli and Giancarlo Giannini. Originally filmed in several episodes, directed by Dino Risi; afterwards reissued in France and Japan. Huge and lovely Score mainly characterized by the main theme 'SESSOMATTO', a killer famed theme which was originally a sample of Manu Dibango Latin Funk hit "Soul Makossa" (www.youtube.com/watchv=aWK_Josc0Og) with its stunning Funk Breakbeats terrifically rearranged by maestro Trovajoli. We reissued the original pressing featuring the 1st cutting of SESSOMATTO theme with the deleted Armando Trovajoli's Hammond solo. Enjoy it!

180 grams vinyl
Remastered sound

Released 500 copies

One of the rarest and best Library LP from the Fonit Usignolo series. Actually the full Soundtrack for an obscure Italian movie, this one of the finest Jazz-Funk Score coming out from Italy 1970s. Full POLIZIESCO styled sounds, sexy GIALLO & THRILLER grooves / dark COP themes with infectious flute stabs, clipped WAH WAH, elegant SPY JAZZ walzes, FUNKY drums, dope Rhodes, vertigo PSYCHEDELIC guitars/basslines, Panoramic LOUNGE, eccentric FUNKY-Baroque, Romantic themes and so on. The pinnacle of Italian arranger Alberto Baldan Bembo, a complete masterpiece!

AVAILABLE NOW!

2016 Limited Edition Release.

Comes in a 'BBC Records & Tapes' generic inner sleeve.

180 grams vinyl
Gatefold sleeve
Remastered sound from the original master tapes

Released 500 copies





Italian Prog. holy grail and one of the most prized records of the genre. Impossible to find in its original edition (also a repress from 1989 exists), this album remains a fleeting appeareance of Italian discography and fair object of desire in the record collectors circle, maybe appearing 3 or 4 times in the last 20 years. Musically influenced by Symphonic Rock legends of the period like Emerson Lake And Palmer and Italian Top Prog. bands like Le Orme, features a stunning Progressive suite on the first side followed by a more commercial Pop-Rock vibes on side B. Released in 1972 on the small Library label CGO with faint distribution and signed by Italian Library players and session men of the time like Walter Rizzati. Screaming organ, whriling drums / percussions / sounds and overflowing bassline. Italian Progressive-Pop legendary album!

180 grams vinyl
Remastered sound

Released 500 copies



Italian Free Jazz milestone. Here's Franco Tonani (NIGHT IN FONORAMA, drum set of WHAT'S HAPPENING by Azzolini ecc.) at the drums together with top Italian Jazz musicians of the time for a full Free Jazz/Avant-garde session. Tracks like "SHEPPING", "ODD PIECE" and "WHISPER" are high-class bopping Jazz cues with Tonani killing at the drums. Other weird and Avantgarde themes on both of the sides. Legendary italian Jazz LP!

180 grams vinyl
Remastered sound

Released 500 copies

A totally INSANE italian Killer Library LP reissued for the joy of collectors and sample hunters from the highly-collectible Fonit Usignolo series. Famed Mario Molino's album for the MENTAL Breakbeats hailing from the track "TRAFFICO CAOTICO", a simply mindmelting Electronic Hip Hop Beat which seems to be written nowadays. Spaced-out deep Electronic and Experimental sounds with another atomic shot "ICELAND BOSSA" featured. More Avantgarde, TV-Score themes, Industrial vibes and Space Electronics madness on the rest of the album. TOP Molino recording can buy!

180 grams vinyl
Remastered sound

Released 500 copies



One of the darkest and in high-demand Italian Library. From the infamous Fonit 7001 series here's the most obscure and deepest Rino de Filippi's creation composed along with maestro Giancarlo Chiaramello, very elusive LP. Obstinated Dark Breakbeats like in the killer "OSTINAZIONE" with Fuzz Psychedelic guitar and amazing drumming tempo. More dark samples on "PULSAZIONI". Spookiest guitar and basslines ever and scary atmospherics with screaming sophisticated vocals too. Insane record!

From his seemingly bottomless well of unreleased conceptual pop, jazz and pioneering electronic experiments, Swiss composer Bruno Spoerri, in conjunction with long term collaborators Finders Keepers, finally unleashes the master tapes to an obscure 1972 feature length documentary called Langstrasse Zwischen 12 und 12 (Long Street Between Midday And Midnight). Directed by Gianni Paggi (who had also worked on Swiss pop music weekly Hits A Gogo) and radio host and author Max Rüeger this seldom seen film studied the stark counter balance between the lifestyles of the inhabitants of Zurich's famous Langstrasse - a varied and vibrant stretch of road in centre of the city which played host to a unique mix of contrasting cultural and social groups, working class families and energetic creatives. Langstrasse Zwischen 12 und 12 explored real-life stories of family run businesses, schools, nine to five commuters and the contrasting nightlife scene including the city's liberal after hours red light district. To accentuate the ironic and slightly schizophrenic nature of the production Paggi and Rüeger called upon Spoerri as one of the country's most versatile instrumental composers to share a first-hand impression of the area as a local himself. Exploring a wide range of musical disciplines from early modified synthesisers to rock rhythms via found sounds, jazz, folk and traditional Greek music, Spoerri successfully infused vibrant bursts of sonic colour into the monochrome imagery of the programme, creating a floating narrative undercurrent quite unlike anything heard on regular Swiss TV during the era.

In scoring such a project to a precise deadline Spoerri would require a trusted group of regular musicians, many of whom would appear on collectable records by Swiss groups such as The Metronome Quintet, The Rainbow Orchestra and Emphasis. As a leader of The Metronome Quintet himself Bruno was comfortable working alongside reliable members Fernando Vicencio (sax and flute), Ueli Staub (vibes, keys and percussion) and drummer Rolf Bänninger - who's prominent playing is best exemplified on the previous Finders Keepers/Spoerri LP Hommage Au Fromage. Other players on this session include Latin multi-instrumentalist Antonio Conde who had simultaneously bonded with Vincencio in the jazz rock super group The Rainbow Orchestra under famous guitarist/soundtrack composer Pierre Cavali (see record FKR008). Another Cavali/Vincencio collaborator to appear on this album is pianist Renato Anselmi who would later join both musicians in the band Emphasis - vital to this session Renato Anselmi would provide extra keyboards to Bruno's experimental and textural synthesiser tones. Later in the 1970s Spoerri would also enlist Anselmi to play on the soundtrack to art house film Lilith (recently sampled by US rapper Jay Z. For hardcore collectors of European jazz the appearance of trumpeter Franco Ambrosetti might warrant some deserved attention. A firm fixture on the Swiss jazz scene alongside Spoerri and regularly playing with George Gruntz, Ambrosetti's earlier work on records alongside players like American sax man Shahib Shihab or French saxophonist Barney Wilen remain some of the most expensive original items on the collectors market. The final icing on the cake for this session would be the inclusion of Switzerland's leading harmonica player Heinz Pfenninger, a welcome addition to the group having played with Ueli Staub in the award-winning Roby Weber Quartet (Pfenninger can also be heard playing bass alongside Rolf Bänninger on Spoerri's aforementioned Hommage Au Fromage LP).

Like most of Bruno's releases on Finders Keepers Langstrasse Zwischen 12 und 12 sees the artist explore unique new territories, combining the skill of incredibly talented musicians and combining his own discoveries in the realms of electronic music and his own brand of post- concrète found sound application which would appear on his rare postcard records made for industrial companies utilising wristwatches, pneumatic drills and forklift trucks as essential parts of his orchestral palette. This early 70's glimpse into Spoerri's narrative composition for the small screen captures an important European artist-cum-scientist treading a seldom trodden path between experimental pop, jazz and music technology in its infancy.

Tossico Amore is La Batteria's personal tribute to the composer Detto Mariano and the movie directed by Claudio Calligari in 1983. It is a true concept album that further expands the already rich sound tapestry of the quartet. La Batteria initially grabbed our attention with a first album that succeeded in combining the typical Italian epic sound attitude with materials coming from the wide, and often obscure, field of sound libraries and film scores.

Tossico Amore is about reworking the music originally composed by Detto Mariano for Caligari's cult movie. Starting with a series of heavy themes inspired by the tough world of drugs, the music slowly transforms into full Progressive-Rock, that's where La Batteria effectively show their wide and multi layered background. A modern Prog-Rock opera that takes shape from Detto Mariano's weird musical ideas and develops through a completely new soundscape. This is the definitive accomplishment of a band who's able to melt sonic elements from the 80's, such as New Wave and Synth Pop, with materials coming from the previous decade. This is truly a new musical experience that shows how the spirit of Italian Progressive music (Rock, Jazz, Libraries, Film Soundtracks) can resonate between past and present. A total blast! Really!

To be remixed by Mala is a rare honour, and one that is perfectly in line with Dubkasm's ethos of always moving forward while staying true to dub's versioning tradition. This 10" cut of 'Victory' - with dreamy, deep bass, Mala's unique percussion style, and the anthemic horns that helped make the original a huge hit - has been exclusive to Mala and Dubkasm sets for a over year. The accompanying video, with its aerial shots of Bristol and close-ups of the musicians has already been an enormous success. The eerie, echo-drenched b-side, 'Stealth' is an all-new, never heard before track. Paying homage to the classic Xterminator sound, with its heavy drums and transistor trickery, it's a driving, powerful tune.

From writer Charlie Kaufman (Being John Malkovich, Eternal Sunshine of the Spotless Mind) and Duke Johnson (Moral Orel, Frankenhole) comes Anomalisa, a stop-motion animated film.

Michael Stone, an author that specializes in customer service, is a man who is unable to interact deeply with other people. His low sensitivity to excitement, and his lack of interest made him a man with a repetitive life on his own perspective. But, when he went on a business trip, he met a stranger - an extraordinary stranger, which slowly became a cure for his negative view on life that possibly will change his mundane life.

The score is composed by Carter Benedict Burwell. He is best known as a regular collaborator of the Coen brothers, having scored 17 of their films, among them Fargo (1996), The Big Lebowski, No Country for Old Men, Burn After Reading, and True Grit. Other notable works include the Spike Jonze films Being John Malkovich, Adaptation and Where the Wild Things Are.

- Hollywood Legend Clint Eastwood's Only Vocal Album
- Reissued on Vinyl for the First Time Ever
- Vinyl Mastered by Joe Yannece
- Lacquer Cutting by Carl Rowatti at TruTone Mastering
- 180-Gram Vinyl Pressing

Clint Eastwood That Clint Eastwood Well, sure...Clint has demonstrated a deep love and aptitude for music as both an actor and a director (e.g. Play Misty for Me; Bird) during his entire career, and here you catch him right at the beginning of it, fresh from his success on the TV series Rawhide, crooning (and quite competently so) a collection of country & western favorites! A little-known side of one of Hollywood's biggest icons!

Michelangelo Antonioni´s 1961 masterpiece LA NOTTE is an atmospheric and enthralling movie starring the great Marcello Mastroianni, Jeanne Moreau and Monica Vitti and is the second entry in his famous 'alienation trilogy' the central film of a trilogy beginning with 'L'Avventura' (1960) and ending with 'L'Eclisse' (1962). Antonioni's composer-of-choice for the first and the third movies was Giovanni Fusco, however, Since LA NOTTE was shot in Milan, Antonioni's initial idea was to hire a native composer, Giorgio Gaslini considering that there was a big difference between the jazz music that was being produced in the South and in the North of Italy.. Gaslini wrote his score while the film was being shot, making a cameo with his own orchestra in the party that serves as a background for the film. According to his recollections this ended up being the most bizarre and exciting experience of his career. The end result is fairly unique as well: a catalogue of ambience jazz music that boasts an unprecented phsycological thrust.

Waiting to Exhale Made Author Terry McMillan a Literary Superstar, and, When Brought to the Screen, Was One of the First Movies to Feature African-American Women in Leading Roles
Its Soundtrack Took the Music Industry by Storm, Topping the Billboard Pop and R&B Charts for Five and Ten Weeks, Respectively
Masterfully Produced and All but One Track Written by Kenneth 'Babyface' Edmonds
Featured R&B Divas Old School (Aretha Franklin, Patti LaBelle, Chaka Khan) and New School (Whitney Houston, Brandy, Mary J. Blige)
Includes the #1 Hit Singles 'Exhale (Shoop Shoop),' 'Not Gon' Cry,' and 'Let It Flow'
Originally Released on Vinyl Only Overseas in an Inferior Package That Jammed Both Records Inside a Single Album Jacket Pocket
Real Gone Music's Limited Edition (of 1000) Package Puts This Landmark Album Out on Vinyl in the U.S. for the First Time with Gatefold Packaging Featuring a Luminous Photo of the Movie's Four Female Leads
Released in Purple Vinyl (Whitney Houston's Favorite Color)
One of the Great Make-Out Records of All Time, the Peak of '90s R&B

Waiting to Exhale was a phenomenon on so many levels. First, it was a literary phenomenon, as the 1992 novel launched author Terry McMillan to superstardom. Then, when the feature film based on the book was released in 1995, it became a broader cultural phenomenon a mainstream Hollywood film focusing on the lives of four African-American women was a genuinely revolutionary act at the time. And, finally, it was a musical phenomenon, as its soundtrack seamlessly blended female R&B divas new (Whitney Houston, Brandy, Mary J. Blige, etc.) and old (Aretha Franklin, Patti LaBelle, Chaka Khan) in a masterful suite of songs composed and produced by Kenneth Babyface Edmonds. Critical and commercial reaction to the soundtrack was over the top; The New York Times deemed the album one of the Top Ten releases of the year, and the record topped the Billboard Pop and R&B charts for five and ten weeks, respectively, spawning the #1 hit singles Exhale (Shoop Shoop), Not Gon Cry, and Let It Flow. Yet, because the album came out in 1995 at the height of the CD era, Waiting to Exhale never came out on LP in the U.S., and was released in Europe as a low-budget 2-LP set with both records stuffed inside a single album jacket pocket. Now, Real Gone Music is releasing this landmark 90s R&B album on vinyl in America for the first time in a limited edition (of 1000) gatefold double-LP package sporting a luminous photo of the movie s four principal actors (Whitney Houston, Angela Bassett, Lela Rochon, and Loretta Devine) on the inside spread and pristine vinyl pressed in purple (Whitney s favorite color). Gently pulsating and seductive, Waiting to Exhale is Babyface s masterpiece, one of the great make-out records of all time; now you can get that slow jam groove in the grooves!

From the same vibrant cinematic landscape of 70s studio supergroups as Goblin, The Pawnshop, The Feedback and The Braen's Machine comes The Magnetic System
The Italian incognito dream team comprised of Milano prog keyboardist Vince Tempera and Cinevox sibling Franco Bixio and launched the career of Video Nasty maestro Fabio Frizzi. Bridging the void between Giallo jazz bass driven prog and the arrival of home studios and synthesisers, the omnipresent film music of The Magnetic System marked a sea change in Italian genre film music, promoting melodic electronics to the forefront of Italian pop culture and pre-empting the first murmurs of Italo disco and synth-pop. Sharing session musicians, studios and release schedules with many of the aforementioned luminaries, Bixio, Frizzi and Tempera's magnetic powers continue to attract musicians and aficionados of discerning sight and sound.

Rare outtakes from early pioneering and controversial electronic jazz experiments presented on vinyl for the first time !!
This previously unpressed music provides and absolutely essential insight into Zen master experimental jazz outrider Don Cherry on the eve of his fertile Holy Mountain period which saw the composer combine all his well-travelled influences - such as the free music incubation of France and Germany with the traditional instrumentation of India, north and west Africa - then return to New York with a technicolor dream team and a healthy appetite for emerging synthesisers and electronic music. This project between electro-acoustic pioneer and Synclavier developer Jon Appleton coincided with his own history defining years at Dartmouth College where he played an integral part in the formation of one of Americas first electronic music institutions. Recording benchmark LPs for Folkways Records and Flying Dutchman Jon collaborated with Cherry to create the album Human Music which tested the boundaries of electronic sound, jazz and ethnological disciplines in a series of melodic and rhythmical interfaces that would polarise both musical tastes, pop politics and potential spiritual beliefs in the process.

Recorded in the exact same sessions at Bregman Electronic Music Studio, Dartmouth College, New Hampshire the two tracks Don and Jon did not appear on the Human Music LP and now show a glimpse of what future unisons might have bequeathed before both artists coincidentally re-located to Sweden to pursue their individual and very specific journeys into contemporary music. Released with the blessing and encouragement of Appleton himself this record is quite simply a treasure of a dream-combination from the early doors of genuine alternative popular music. These rare sides combine the creative technology that directly coincided with the dawn of Bob Moog's and Don Buchla's synthesiser revolution with the homecoming of outernational free jazz which, in tandem, spearheaded America's most radical music developments in the subsequent two decades and beyond. Don/Jon and The Human Music sessions also prelude Cherry's further imminent electronic positioning alongside Carla Bley and Don Preston (on Escalator Over The Hill) and in film soundtracks for Jean Rollin collaborator Jean-Noël Delamare and Jodorowsky's The Holy Mountain (with Walter Sear) before a hiatus from the for almost a decade. This extra glimpse of that important era, at the hands of these two pioneers, is now available in this very special package.

LP 180gr.ltd. ed. Clear Lime vinyl/ incl. poster 30x30cm


Directed by Lucio Fulci in the Spring/Summer of 1972 on the lonely Apulian hills in the province of Bari, and released in theaters during the Fall of that same year, "Non si sevizia un paperino" (Don't torture a duckling) is among the most significant and representative works of the Italian genre cinema!
The cast also includes Tomas Milian, Florinda Bolkan and Barbara Bouchet, an exceptional and unique triad, as is the work in question.

At the corners of another virtual trio of '60-70s soundtrack composers we have Ennio Morricone, Piero Umiliani and, precisely, Riz Ortolani, here author of a mostly classical/symphonic musical accompaniment, never epic or overwhelming, but rather slow, gloomy and, given the content of the film, dramatic and tense. On top of all this, in the end, there's the famous "Quei giorni insieme a te" (Those days together with you), sung by Ornella Vanoni, whose theme is recalled more than once in the other LP tracks.

The importance of "Non si sevizia..." is thoroughly analyzed in the liner notes of this release, the first ever LP version of the full soundtrack, which wasn't at all taken into consideration at the time; the only exception was the single track "Quei giorni insieme a te", released on 45rpm but not representative of Riz Ortolani's work at all. This release finally solves this gap, thanks to a sparkling gatefold cover, with new artwork and a 30x30cm poster insert with lobby cards and flyers of the film.

* The Complete, Restored Soundtrack

* Heavyweight Black Vinyl

* Old Style Tip-On Gatefold Jacket

* Liner Notes by Director and Composer John Harrison

* Artwork By Rhys Cooper



Waxwork Records proudly presents the expanded and deluxe soundtrack release to TALES FROM THE DARKSIDE THE MOVIE. This classic anthology horror film released in 1990 features many big name acting talents such as Debbie Harry, Christian Slater, Steve Buscemi, David Johansen, and James Remar.



John Harrison (Creepshow) acted as both the film's director and the soundtrack's composer. The film was written by George A. Romero (Night Of The Living Dead) and Stephen King.TALES FROM THE DARKSIDE THE MOVIE has been referred to as ' The Real Creepshow 3' by horror movie special effects legend, Tom Savini (Dawn Of The Dead, From Dusk Till Dawn).



For this expanded, definitive soundtrack release, Waxwork Records worked closely with John Harrison to track down the original master tapes in the Paramount Pictures vault. Upon locating them, Waxwork faithfully restored and remastered the entire soundtrack for vinyl. Much of the music contained in this new release does not appear on the original 1990 album which is now out of print and has become a collector's item amongst both horror fans and record collectors. Fans of horror movies and synth heavy scores will find Waxwork's TALES FROM THE DARKSIDE THE MOVIE vinyl release right at home in their spider web encrusted record collection.

Art duties were tackled by Australian illustrator, Rhys Cooper.

Three years in the making, Adam Green is ready to reveal his most fascinating project to date. Aladdin is the shimmering soundtrack to his very own hyper-sensory, poetic and humorously subversive film of the classic Arabian Nights tale, made with a cast of recognised New York musicians, actors and artists.

Soundtracking a modern twist on the traditional tale and starring himself as the title character, Adam Green's Aladdin is 13 new songs of unbridled and joyous fantasy. It's the sound escaping from the crevices of Adam's symbolic imagination where the lamp is a 3-D printer, the princess is a decadent socialite, the planet gets a sex-change and its population prints out an analogue version of the Internet.

Three years in the making, Adam Green is ready to reveal his most fascinating project to date. Aladdin is the shimmering soundtrack to his very own hyper-sensory, poetic and humorously subversive film of the classic Arabian Nights tale, made with a cast of recognised New York musicians, actors and artists.

Soundtracking a modern twist on the traditional tale and starring himself as the title character, Adam Green's Aladdin is 13 new songs of unbridled and joyous fantasy. It's the sound escaping from the crevices of Adam's symbolic imagination where the lamp is a 3-D printer, the princess is a decadent socialite, the planet gets a sex-change and its population prints out an analogue version of the Internet.

Mondo is pleased to present the soundtrack to the science fiction cult classic Robinson Crusoe on Mars (1964), for the first time ever on vinyl. Over 50 years before Matt Damon was labelled 'The Martian,' there was the story of lone astronaut Christopher "Kit" Draper and his struggle to survive on the red planet after being marooned by his ship's near miss with a meteor.
For a significant portion of the film - as Kit explores the terrain with no other life to communicate with (except for his monkey, Mona) - Nathan Van Cleave's music takes centre stage. Van Cleave's themes are simultaneously foreboding and triumphant. Only a few short years before Planet of the Apes took science fiction to its inevitable dystopian ends, the soundtrack to Robinson Crusoe on Mars is a pure patriotic time capsule, the sounds of a retro-future when science fiction films were still produced with true optimistic sincerity.

Featuring original artwork by We Buy Your Kids, and pressed on 180 Gram Black Vinyl.

ARTWORK BY: We Buy Your Kids

"A theme so melodiously melancholy it's been singing in my mind continually after one TV viewing 30 years ago" - Gruff Rhys

From the one-man studio vault of the guitarist who adorned Histoire De Melody Nelson, The Kick Inside AND Diamond Dogs comes a post-punk, 80's TV soundtrack that aims to restore the unforgettable names of Billy and Icky in your nostalgic consciousness while liberating lost music of a significant unsung UK composer.

Bringing back fractured memories of Scouse teenage rebellion, sports casual weekend wear, chip shop violence and escape missions to the Welsh Valleys (where baby birds are fed Mars Bars and shoplifting is the local currency), the series One Summer made an indelible impression of gritty realism, tragic heartbreak and woeful hope in the hearts of a dumbstruck generation in 1983.

Inducing abject fear in protective parents and a street smart swagger amongst clued-up youths, this adaptation of a coming of age pastoral thriller by a reluctant Willy Russell broke new boundaries pinpointing a cultural teenage void between post punk activism and the acid house years while arguably giving Thatcherite telly addicts a tiny kick up the arse.

Scored by legendary KPM/De Wolfe library musician Alan Parker, a renowned session player for Serge Gainsbourg, Kate Bush and Bowie (amongst many more) this score retains a genre defying personality, pinpointing the stylistic essence of the era while successfully switching from barren Rumble Fish funk, pastoral Moog noodlings, Pentangular folk, 80's post-punk rhythms with hints of dubby melodica/harmonica. Composed to cue for the short five-part series (that TV commissioners were too scared to revisit), Parkers bursts of self-propelled small screen scoring came in one to two minute spells allowing Finders Keepers to comfortably fit the entire soundtrack on one neat eleven track limited 7' EP thirty-three years down the train line.

Never before available on any format, Penny Records is honored to present this first time release, mastered from the original tapes, on deluxe 140 gram red vinyl in a gatefold sleeve with bonus CD of the entire album plus a reproduction of the original film poster.

1983's Amore Tossico is a legendary cult film, a stark and unflinching look at Italy's 'junkie generation'. Directed by Claudio Caligari, he approached the film more like a documentary than a work of fiction, using as his 'actors' actual and recovering junkies; Caligari 'imagined it more as a straight-up visual ethnography, hyperreal, replete with humor in the most grotesque situations - like life.'

Accompanying Caligari's stark imagery and story is the soundtrack by Detto Mariano - a prolific composer, arranger, and pianist - who wrote the entirety on his FAIRLIGHT series IIx, a now revered synthesizer that had just been released that year. The sound is therefore scary and up to date, a true companion to the vivid and rough imagery of the movie. This led the composer to a brand new level of engagement: the machine is the tool, hence the music, quite possibly the Italian answer to the industrial revolution. Coming from an academic background, Detto Mariano knew little of the so-called grey area, but in fact Amore Tossico can easily be associated with the pioneers of the genre, such as Throbbing Gristle and Cabaret Voltaire. The soundtrack is dark, angular, harsh and - just at times - funky. Surely it can rival the intensity of Carpenter's The Thing or Throbbing Gristle's Heathen Heart

Jack's cover of the Stevie Wonder classic performed by White on the season finale of ABC's hit series, The Muppets. This 7" single includes White's cover with the legendary Muppets house band, the Electric Mayhem, on the a-side, plus the special TV rendition featuring the Electric Mayhem along with the rest of the Muppets singing along as the b-side.

In 1958 the BBC Radiophonic Workshop opened with the aim to enhance in the main, drama output on the Third Programme (now Radio 3) following the development of new electronic music techniques emanating from Europe. Their work expanded across the BBC to take in TV drama (especially sci-fi), schools programmes and themes. The latter being their most celebrated and well known work, Delia Derbyshire's treatment of Ron Grainer's theme for Doctor Who. This collection, originally released by BBC Records in 1979 to celebrate 21 years of the workshop appears for the first time in its full original form on CD. From The Goons (Bloodnocks Stomach) to the Interval Signal to Doctor Who and Great Zoos Of The World this is a fascinating chronicle of some of the most innovative music ever made. These groundbreaking compositions providing a major influence on music from The Beatles and Pink Floyd and onwards into the contemporary world of Aphex Twin, Orbital and The Chemical Brothers. "The Radiophonic Workshop, I loved all that, it fascinated me, and still does. - Paul McCartney

01. Quatermass And The Pit
02. Bloodnock's Stomach
03. Outside
04. Science And Industry
05. The Artist Speaks
06. The Splendour That Was Rome
07. Interval Signal
08. Phra The Phoenician
09. Stick Up
10. Time Beat
11. Ideal Home Exhibition
12. Time On Our Hands
13. Arabic Science And Industry
14. The Chem Lab Mystery
15. Know Your Car
16. Dr. Who
17. Tardis
18. Choice
19. Hardluck Hall
20. Talk Out
21. Science And Health (Mike's Choice)
22. Secrets Of The Chasm
23. Westminster At Work

***KING KHAN (along with ALEJANDRO JODOROWSKY) delivers two songs from the motion picture soundtrack to The Invaders on his own Khannibalism imprint. Pressed on military marijuana colored vinyl with download.

***KING KHAN returns on his own Khannibalism imprint with two songs from the motion picture soundtrack to The Invaders. Pressed on neon orange vinyl and packaged with artwork by SHEPARD FAIREY/OBEY. Includes a download.

Together Alone is the debut album of Anouk, released in
1997. It features her hitsingle 'Nobody's Wife' produced by Barry Hay, George Kooymans and John Sonneveld and the follow-up singles 'Mood Indigo' and 'Sacrifice'.

The album went three times platinum and cemented her status as best selling artist of that year in the Netherlands.

Death Waltz Recording Company is proud to exhume another classic from the Hammer horror stable in the shape of DRACULA A.D. 1972 . Bringing the legend of Bram Stoker's immortal creation into then-present day, the film pits the charismatic Count up against the disco decade after being resurrected by a group of hippies performing black magic, with Christopher Lee and Peter Cushing reprising their signature roles. Composing this madness was Mike Vickers, former member of 60's pop quintet Manfred Mann, who provided a suitably contemporary score that followed in the footsteps of the jazz scores of the era.

DRACULA A.D. 1972 starts off very traditionally, with the classic symphonic Hammer sound as established by the likes of James Bernard scoring a nineteenth-century prologue as Dracula and Van Helsing battle to the death. Dramatic drum rolls and emphatic brass mark this as the Hammer you're used to, before the main theme strides into action with its Barry-esque brass hits and uber-catchy sax melody and shocks you with just how cool it is. Vickers combines both approaches with ease, although a highlight is the psychedelic and harrowing score for the black magic ceremony. A classic example of great scoring from the world of pop, DRACULA A.D. 1972 will leave you breathless and screaming - with delight.

This is the original soundtrack to Profumo Di Donna, a classic Italian comedy film directed by Dino Risi, based on Il Buio E Il Miele, a story by Giovanni Arpino. When released in 1974, both Risi and the leading actor Vittorio Gassman won important Italian and French awards. The 1992
American remake, Scent Of A Woman, features Al Pacino, Chris O'Donnell, Philip Seymour Hoffman a.o.

The story: a blind Italian captain, accompanied by his aide Ciccio, who has been assigned to him by the army, is on his way from Turin to Naples to meet with an old comrade who was also disfigured in the same military incident. Unknown to his aide, the Captain means to fulfill a suicide pact there. While they journey, the Captain asks Ciccio to help him spot beautiful women. Unsatisfied with the boy's descriptions, he uses his nose instead, claiming that he can smell a beautiful woman. During their journey, he carries with him a picture of his beloved Sara, whom he could not bear to have see him disfigured and helpless. The suicide pact is eventually thwarted once Sara enters the picture, and the boy Ciccio does some much-needed growing up.

Racoon started in 1997 as an acoustic duo made up of singer Bart van der Weide and guitarist Dennis Huige. They were joined by bass player Stefan de Kroon and drummer Paul Bukkens a year later, and their self-released demo It's An Ice Cream Day earned them the attention of several record companies and many positive reviews from the Dutch press.

In 1999, Racoon were signed to Sony's S.M.A.R.T. label and at the end of the year they went into the ICP-studios in Brussels to record their full-length debut, Till Monkeys Fly. The album was produced by Michel 'Magic Stick' Schoots from Urban Dance Squad; the end mix was done by Phil Nicolo and Bob Ludwig was responsible for the mastering of the album. The album was released in January 2000.

The band was being touted as 'the next big thing' and their single 'Feel Like Flying' was a power play on Dutch Radio. Racoon also played at the Parkpop and Lowlands festivals. This was followed in 2001 with singles 'Smoothly' and 'Eric's Bar' and a new album in 2001 titled new album Here We Go, Stereo [MOVLP1668].

Original soundtrack composed by Simon Says for Apollo Thomas film. 100 copies numbered.
Mastering by Krikor!

LIMITED NUMBERED EDITION OF 500 ON TRANSPARENT VINYL

The only existing full-length recording of I CANTORI MODERNI di ALESSANDRO ALESSANDRONI the legendary vocal group that lent their voices to the amazing soundtracks of Ennio Morricone, Piero Umiliani and many of the most important Italian composers of the '60s and '70s.