Pop & Rock Vinyl New Releases - News

One Way Static Records is excited to bring you their latest release, one where we had the chance to (again) work with legendary composer Philip Glass. This has been a much requested release we simply could not withhold from you!

Following up on our last year's release for Candyman (1992) One Way Static Records is now proud to announce the release of Mr. Glass' iconic motion picture soundtrack for Clive Barker's 1995 CANDYMAN II (Farewell to the Flesh) on cassette.

Clive Barker who wrote the story for Candyman is a multi talented artist, painter, director & producer. The extent of his work is endless. Spawning the likes of Nightbreed, Hellraiser, Lord Of Illusions and the Books Of Blood just to name a few.

Philip Glass also needs no introduction. Considered one of the most influential composers of the last century his works are featured in a multitude of movies like Koyaanisqatsi, Hamburger Hill, The Truman Show, etc. Mr. Glass was nominated for and won several Golden Globes, Bafta & Academy Awards.

For the first time on cassette, packaged as a deluxe edition cassette tape with original poster artworks

There are but a handful of composers toiling in terror that fully understand how to manipulate an image. Max Steiner, Bernard Hermann, Ennio Morricone, Jerry Goldsmith, Riz Ortalani, Danny Elfman, Christopher Young; all of these visionary artists helped define not only how we watch horror and dark fantasy films, but how we listen to them as well. We can easily add Richard Band to that list of heavy sonic hitters.



The veteran music man has sculpted dozens upon dozens of rapturous scores for films ranging from the classic (RE-ANIMATOR) to the curious (MUTANT) to the questionable (LASERBLAST). But perhaps no other work defines Band's genius than the haunting soundtrack he created for his Brother Charles Band's immortal 1989 thriller PUPPET MASTER and its many sequels.



The tale of a mystical puppeteer named Andre Toulon and his troupe of living, lethal marionettes who are dispatched through the ages to commit all manner of mischief and murder, the PUPPET MASTER films are the Band brothers' calling cards, revered B movies that exemplify craft and have over, the past quarter century, have etched a fascinating cinematic mythology.



Outside of the presence of the now iconic dolls themselves, at the center of the PUPPET MASTER voodoo is that haunting Band music and of course the gently malevolent theme itself. Taking tinkling found sounds, electronic and symphonic elements and weaving them into a majestic death waltz, the PUPPET MASTER theme speaks of magic, mystery and the unknown. Along with the other marvelous themes, cues and stings you'll find here from many of the PUPPET MASTER sequels, this music is a testament to Richard Band's talent and ability to turn even the most modestly budgeted effort into rich, fully immersive and grandiose cinematic experiences.



So sit back, relax, put needle to wax and lose yourself in Band's charmingly perverse macabre music. And for best results...please...listen in the dark.

The Carnival is the debut album released by American Hip Hop musician Wyclef Jean. Released in 1997, the album was a critical and commercial success, reaching number sixteen on the US Billboard 200 chart, and reaching the top Five on the Top R&B Albums chart, while receiving two Grammy Award nominations.

The album embraces many musical genres, including Hip Hop, Reggae, Folk, Disco, Soul, Son Cubano and Haitian music. The album features guest appearances from Celia Cruz, The Neville Brothers and Jean's bandmates from The Fugees, Lauryn Hill and Pras.

The Carnival spawned the singles 'Gone Till November', 'We Trying to Stay Alive', 'Guantanamera' and 'To All the Girls'. The album sold over 5 million copies worldwide, and was certified double Platinum.

Fifth western in a row for Sergio Leone after the Dollar Trilogy and 'Once Upon a Time in The West', 'Giù la testa' (Duck, you sucker, 1971) is also the fifth collaboration between the director and Ennio Morricone, which would be followed by the final 'Once Upon a Time in America' nearly 15 years later, before Leone's premature death in 1989.

World famous and holder of unlimited resources, with 'Giù la testa' Leone directed an epic film that tells of the friendship between a Mexican bandit and an Irish explosives expert, during the historical context of the 1913 Mexican Revolution; lasting over two hours, the film has almost tones of an Hollywood colossal, but its epicness is only occasionally accompanied by Morricone's music, which focuses more on the romance and melancholy aroused by the two protagonists' memories.

This score's main theme alone would have been enough to make it a classic, thanks to the recurring 'Sean-Sean' tune, and especially the melody sung by Edda Dell'Orso, a theme that even the less music passionate will immediately recognize!

- Original Motion Picture Soundtrack
- 12 new compositions by Gesaffelstein
- Pressed on two 180gram heavyweight vinyl
- Screenprinted gold on black gatefold & inner sleeves
- Musical score art print on X-Ray paper
- Limited to 1000 copies worldwide

Having changed the face of electronic music with his hard-edged and uncompromising but brilliantly persuasive sound, Gesaffelstein returns with 10 original compositions created for the motion picture soundtrack of new thriller Maryland, which also comprises three classic tracks from his discography.

Pressed on double 180-gram heavyweight vinyl, housed in screen printed gatefold and inner sleeves with one of his musical scores printed on X-Ray paper, this beautiful vinyl edition is limited to 1000 copies.

Gesaffelstein is already an electronic music icon, having conquered dance floors and festivals across the world with the sound of his outstanding 2013 album Aleph, which also spawned two incredible music videos clocking up millions of views in the process.

Acclaimed at Cannes, and starring Diane Kruger and Mathieu Schoenaerts, Maryland is set to become a cult classic.

Stay Hungry is the third album by Hard Rock band Twisted Sister, released in 1984. The album features the band's two biggest hits, 'We're Not Gonna Take It' and 'I Wanna Rock'. It also features the power ballad 'The Price'.

It was the irrefutable menace of tracks like 'The Beast', 'S.M.F.' and the massive 'Burn In Hell' that connected with their loyal fans and displayed Twisted Sister's true power. Ironically, the album's very mainstream appeal would alienate their core Heavy Metal fan base and spell the band's overexposure-induced fall from grace, but for this brief moment, Twisted Sister were truly the talk of the town.

With Stay Hungry the New York Hard Rock veterans finally hit it out of the park. Having paid their dues on the tough as nails N.Y.C. club scene, Twisted Sister had finally worn down the opposition and truly arrived.

The Blacklist is the American crime drama television series that premiered on NBC in 2013. The show has received critical acclaim, with many critics praising Spader's performance in particular. The third season of The Blacklist is set to premiere in October, 2015.

Raymond 'Red' Reddington (a stellar performance played by James Spader) is a former United States Navy officer turned high-profile criminal. When surrendering voluntarily to the FBI, he tells them he has a list of the most dangerous criminals in the world that he has compiled over the years and is willing to guide their operations in exchange for immunity from prosecution. However he insists on working exclusively with a rookie FBI profiler by the name of Elizabeth Keen (Megan Boone).

This cool soundtrack contains songs by Alice Russell, Bobby Darin and Hozier, as well as 'Welcome Home' by Radical Face, 'Jolene' by Dolly Parton and more.

First Base is an album by British rock music group Babe Ruth. It was released in September 1972 and went gold in Canada, and sold very well in the US.
It was their biggest success, both in terms of popular and critical acclaim. This LP defined an interesting junction between hard rock and progressive rock.

The album contained 'The Mexican', the band's classic song which includes a theme by western soundtrack composer Ennio Morricone. 'The Mexican' has been covered and remixed many times. Other highlights include the powerful rock number 'Wells Fargo', 'King Kong', and 'Black Dog'.

The album cover was painted by Roger Dean, who illustrated many Yes albums.

Silver Cycles is an album by American jazz saxophonist Eddie Harris recorded in 1968 and released on the Atlantic label.

Harris is best known for introducing the electrically amplified saxophone.

The music on this record is by turns swinging, touching, and peaceful bursting with new ideas generated from Harris' plunge into electronics. There is good old Latinized funk in the opening cuts, 'Free at Last' and '1974 Blues'.

Silver Cycles peaked #3 in the Jazz Albums Chart in 1969.

An incredibly significant film, still actual today in many ways, 'Indagine su un cittadino al di sopra di ogni sospetto' (Investigation of a Citizen Above Suspicion, 1970) is just one of the masterpieces in which the director Elio Petri directs actor - one of the best Italian ones ever - Gian Maria Volonté, who here impersonates a police officer characterized by an unstable personality; abusing of his power, he hides his insecurities and a murder committed at the expense of his girlfriend (an irresistible Florinda Bolkan in a state of grace).

'Indagine' is an essential work, both from a cinematographic and a musical point of view, therefore it's one of the best ways to get closer to Morricone's incredibly vast discography. The approach to melodies is minimalist but also unsettling, having to music to evoke feelings of uncertainty and imbalance, which are proper of the main character. The use of musical instruments is more 'popular' and much less symphonic and bombastic; drums or percussions are almost completely absent, nevertheless the listener never loses the sense of rhythm, slow and obsessive at the same time.

Despite the prizes earned by the film - including the Academy Award for best foreign film - Cinevox only released a 45rpm with the main theme of the film at the time, and a first 'full-version' of the soundtrack was only published in the '80s. This new edition fills some other gaps, by including a specially selected tracklist, a never seen before artwork, a gatefold cover with extensive notes and a 30x30cm poster with a vast reproduction of lobby cards and posters of the film.

180gr. gold&black mixed coloured vinyl.

'Metti, una sera a cena' it is a 1969 movie directed by Joseph Patrons Griffi, made up from an eponymous theater script and especially transposed to the film medium. It immediately obtained consents and success, and paved the road to success for actors Florinda Bolkan and Tony Musante in particular.

So did the music written by Ennio Morricone, who in 1970 won the Nastro D'Argento Award for Best Score. Lounge sounds, bossa nova, jazz (especially the drums touch) and beat (usually still in vogue in the Italy of the late '60s), seasoned with orchestral arrangements conducted by Bruno Nicolai, merge here to one of the most famous soundtrack of the Italian Maestro. A perfect mix of eroticism and melancholy, for a real classic!

This AMS Records edition offers the original soundtrack released in 1969 on Cinevox Record in a new artwork, a gatefold cover and colored vinyl. A bonus track is also included, the song 'Hurry to me' sung by The Sandpipers, a folk/pop trio who became famous at the time for their version of the popular 'Guantanamera'.

Jefferson Airplane Takes Off is the debut album of San Francisco Rock band Jefferson Airplane, released in August 1966. The personnel differs from the later 'classic' lineup and the music is more Folk-Rock than the harder psychedelic sound for which the band later became famous.

Signe Toly Anderson was the female vocalist and Skip Spence played drums. Both left the group shortly after the album's release and were replaced by Grace Slick and Spencer Dryden, respectively.

Third LP in three years and substantially third center in a row, this was 'Felona and Sorona', the definitive consecration record for Le Orme, who became dominators of the Italian progressive rock scene, a status that still resists the inexorable passing of the years.

The long opener 'Sospesi nell'incredibile' shows how rules have definitely been broken: 'Felona and Sorona' can therefore be seen as a statement of freedom and artistic independence, waved in front of an even wider audience. In 1973 in fact the so-called 'new avant-garde pop' was so popular as to influence the famous artists (such as De André with 'E tutti morimmo a stento' or Battisti with 'Amore e non amore') and many musicians were not afraid to break barriers, album after album.

'Felona and Sorona' is, in short, a masterpiece, of those who are made only once in a lifetime, impossible to replicate and therefore even more unique and special.

The album was released in two versions, one sung in Italian and the other in English on lyrics written by Peter Hammill from Van Der Graaf Generator. This is the Italian edition, a faithful replica of the original edition on transparent green vinyl.

The Nightly Disease was very eagerly anticipated in Norway and Germany. It is the second album by the Norwegian Alternative Rock band Madrugada, originally released in 2001. A large amount of record buyers went crazy for Madrugada after hearing their 1999 debut album Industrial Silence.

Madrugada, however, chose quite differently; they returned with this ultra-bleak record. And for the better of it: this is a much better and more consistent album than their debut. The lyrics are more poetic, the songs are much more diverse, and the production is wonderfully dirty, giving the record a rather dangerous aura.

Madrugada has taken elements of the best bits from their past, for example, the beautifully dark 'A Deadend Mind', and combined them with a new rawness and energy found in 'Nightly Disease Part II'.

Der Original-Soundtrack des bahnbrechenden SEGA Computerspiels "Shenmue" (1999) wurde komplett neu remastered und erscheint erstmals auf Vinyl. LP auf blau-transparentem 180g Vinyl, inklusive eines Lithodrucks, im edlen Cover mit UV-Glanzlack und OBI Strip.

Der Original-Soundtrack des legendären SEGA Computerspiels "Streets Of Rage" (1991) wurde mit dessen Komponisten Yuzo Koshiro komplett neu remastered und erscheint auf rot-transparentem 180g Vinyl, inklusive zweier Lithodrucke. Das Cover enthält sowohl das japanische wie auch das US/EU Artwork und ist von einem OBI Strip umgeben.

Spliff was a Neue Deutsche Welle (New German Wave) Rock band, active in the 1980s. The members were already playing together before they were 'adopted' by Nina Hagen when she came to West Germany in 1977. They recorded two albums with her as the Nina Hagen Band before continuing under the name Spliff when Hagen went solo.

Their characteristic sound was a mix of Electronic music, Reggae and Punk Rock. They recorded 'The Spliff Radio Show' in 1980, their only album in English. After parting ways with vocalist Alf Klimek, the remaining members carried on in German sharing vocals between all four of them. Their album 85555 was released in a limited English edition too, which is extremely rare. Despite their influential status, the band was short-lived.

Many of the musicians subsequently formed a band called Froon. The Other Ones was another offshoot band, which included Alf Klimek, who had appeared on the Spliff Radio Show as Alf Klimax.

Bootsy Player of the Year (1978) by Bootsy's Rubber Band featured two hit singles, 'Bootzilla', which went to number one on the Billboard Hot Soul Singles charts, and 'Hollywood Squares'. The album itself peaked at number one on the Billboard Soul Album charts.

This album finds Bootsy at his peak. There isn't a dull moment on Bootsy Player of the Year. Take for instance, 'Hollywood Squares', a song that teeters somewhere between a dance song and a ballad, sometimes picking up the pace, other times slowing it down to a strut.

Bootsy Player of the Year is one of the most enjoyable P-Funk albums ever. However, by the following year, 1979, it was clear that the P-Funk army was running out of fresh ideas, and Bootsy was no exception. This makes the album even more special in retrospect, because it was among the last of the great P-Funk releases.

A tight, atmospheric and pretty damn funky soundtrack composed by the Maestro ENNIO MORRICONE for the 1970 crime-drama CITTA' VIOLENTA starring the mighty CHARLES BRONSON and directed by SERGIO SOLLIMA. Another hard-hitting score by Morricone with a quite dark mood flowin' from the dramatic to psychedelic along with a touch of funkiness. The famous Città Violenta track, the score's main theme, is celebrated as one of Morricone's most iconic theme.

Recorded live in front of a packed concert hall, or full house if you will, 'Live' Full House is the third album by the J. Geils Band. Originally released in 1972, the record peaked at number 54 on the Billboard album chart in the USA. The Boston based band's first live album was recorded over two nights in April of '72 at the Cinderella Ballroom in Detroit, Michigan, and kind of set up things for the breakthrough success of their next album - especially the tracks 'Serves You Right To Suffer' and 'Looking For A Love' which enjoyed quite some radio airplay in the States. The live album itself charted for 26 weeks and was eventually certified Gold.

Combining Chicago Blues and Classic Rock (and throwing in some Motown too), the J. Geils Band's raw energy seems to jump out of the speakers like a burning locomotive. One of the best live albums ever pressed on vinyl, the only complaint one could have is that the album is too short. Be assured that this rock 'n' roll onslaught is a blast from start to finish.

The Godfather Part II is the Academy Award Winning Soundtrack from the movie of the same name, first released in 1974. This original score was composed by Nino Rota and conducted by Carmine Coppola.

Rota expands upon two of the three main themes from the first film: 'The Godfather Waltz' and 'Michael's Theme', while 'The Love Theme' from the first film makes a brief appearance during a flashback sequence. There are several new themes, including one for Kay (Diane Keaton), and two for young Vito (Robert De Niro).

In 1974, the soundtrack won the Academy Award for Original Music Score/Original Dramatic Score, and it was nominated for the Golden Globe Award for Best Original Score.

Suspense thriller Experiment In Terror (1962) was directed by Blake Edwards and written by Mildred & Gordon Gordon based on their 1961 novel Operation Terror. The film stars Glenn Ford, Lee Remick, Stefanie Powers and Ross Martinas a psychotic killer, Garland 'Red' Lynch. In the story, Lynch uses a campaign of terror to force San Francisco bank teller Kelly Sherwood to steal $100.000 from the bank for him.

In the film, Henry Mancini's music is used to good effect - it adds a huge amount of suspense and creates some hair raising moments. Now, this awe inspiring classic soundtrack will see a one-off limited run on blood red vinyl, to be released on not just any other day of the year: Halloween!

Tangerine Dream is among the most successful electronic groups of all time. The band was chosen by Michael Mann to write and produce the original score for the James Caan-starring Thief, his 1981 directorial debut. Tangerine Dream added their patented pulses, blips and whooshes to the film's highly stylized visual scenes. Up to this time, no one had ever used a sequencer for a neo-noir film...this score is one of the most unusual of its kind for American cinema.

Rather than a full orchestral score, Tangerine Dream's techno-based score uses synthesizer, percussion and electric guitar making for a fascinating and exciting experience. Tracks like "Dr. Destructo" have a fast-paced percussion tempo while the engaging melody on "Beach Theme" makes it one of the album's most familiar and popular tracks, and "Trap Feeling" has a delicacy that compares favorably to Brian Eno's Music for Films.

The soundtrack and the movie are inseparable and they have both grown beyond cult classic status becoming an important part of the collected works of Tangerine Dream and Michael Mann. Audio Fidelity is pleased to reissue the one-of-a-kind soundtrack on 180g vinyl.

Italian groovy lounge music, very sophisticated and classy, from the great WALTER RIZZATI, known for his legendary score for 'The House by the Cemetery' and '1990: The Bronx Warriors'. An absolute gem. Long forgotten and reissued for the first time ever!

Now we drift deep into the world of Bollywood. 'Hare Rama, hare Krishna' is an Indian movie from 1971 which features an odd story about family problems, the flight of a young girl into the hippie lifestyle far from home and the quest of her brother to bring her back home. The musical framework of this movie has been created by Rahul Dev Burman (1939 - 1994), one of the most prolific soundtrack score composers from India. And the music alone plays a movie in your mind even though you may not know the original flick. It is a rich and deep sound obviously rooted within the music of India but always with a pop approach. There is some acid rock typical for the era, there are Hindi pop tunes with haunting vocals on a background of traditional acoustic instruments. Some western oriented moments hook up with colorful Indian harmonies and even the obvious pop hits have a mystifying power. The playing here is surely excellent for all tunes have been executed by well educated professional musicians. This gets the compositions flowing easily into, through and out of your mind. If you are a fan of Bollywood movies and therefore love the soundtracks, this should be the right thing for you to enjoy. If you wish to go for some music with a straight flow but exotic flavor, this is a great way to start your journey. It is what I would call Hindi Pop, micro elements of ancient traditional music from India transported into new and rather accessible song structures. Since all of this happened during the era of psychedelic rock and powerfunk, you will find traces of these styles popular in the West as well but just in a very small dose so the whole atmosphere and spirit of this music is definitely Indian. It is a different route R.D. Burman takes compared to other contemporary Indian pop artists such as Ananda Shankar who let Western rock and pop and traditional Indian music stand as two equally strong aspects. If this is still new to your ears and soul you will be astonished by its beauty. But anyway, this is some music you won't get to listen to every day.

Breakin' Away is a great follow-up of Soul crooner Al Jarreau to his previous album This Time. The album was released on in 1981 and became the standard bearer of the L.A. Pop and R&B sound. The album was certified Platinum by the RIAA.

Breakin' Away assumes its own identity with brilliant results. 'Closer To Your Love' comes off as a tougher, more confident version of the songs from the previous album. 'Easy' with its gorgeous and subtle Latin flourishes has Jarreau's purposeful delivery coming off oddly poignant in its joy and beauty. The hit 'We're in This Love Together' is on the album, just as the bittersweet 'My Old Friend'. Jarreau brings new life to 'Teach Me Tonight' and it has a sweeping, dreamy arrangement. But the album of course contains the biggest hit of all, 'Roof Garden', with Al's inimitable vocal delivery.

The album was created with an amazing producer/artist chemistry, and top-level players like George Duke, David Foster, Dean Parks, and Steve Gadd can be heard on this record.

Following up This Time, Al Jarreau released his eighth studio album Breakin’Away in 1981. It soon became the standard bearer of the LA pop and R&B sound and remains his best and most popular effort to date. It spent two full years on the Billboard 200 and was certified Platinum by the RIAA. Breakin’Away was nominated for Album of the Year at the
1982 Grammy’s and won him Best Male Pop Vocal Performance.

The album was produced by Jay Graydon and features top-level musicians including Steve Lukather (Toto), David Foster and George Duke. Breakin’ Away contains four tracks that became individual hits, “We’re In This Love Together”, “Breakin’ Away”, “Teach Me Tonight” and “Roof Garden”.

Breakin’ Away is available as a limited edition of 1500 individually numbered copies on crystal clear & pink mixed coloured vinyl and includes an insert.

October Road is singer-songwriter James Taylor's fifteenth album. It was released in 2002 on CD only. Reaching number four in Billboard 200, the album has been certified Platinum. Now available on vinyl for the first time!

James Taylor's 15th studio album of his first new recordings in 32 years is. That warm (if slightly deepened) tenor, singing in its odd accent which combines New England and the North Carolina Piedmont, and that acoustic guitar, with its sparkling, unhurried fingerpicking, remain the most prominent elements in the sound.

October Road finds Taylor seemingly intent on evoking his own past. The title track, of course, recalls his song 'Country Road,' and 'Caroline I See You,' (even if it refers specifically to his wife), inescapably echoes 'Carolina in My Mind.' Throughout, on what seem like the most personal songs he has written in decades, Taylor appears to be commenting on a chance he feels he has received.

See The Light is the debut album by The Jeff Healey Band, released in 1988. See The Light may be similar to Stevie Ray Vaughan's high-octane Blues-Rock, but in blues and blues-rock, it's often the little things that count, such as guitar styles, and there's no denying that Healey has a distinctive style.

Healey plays his Stratocaster flat on his lap, allowing him to perform unusual long stretches that give his music real heart and unpredictability. Throughout the album, his guitar work keeps things interesting, even on slow ballads like 'Angel Eyes' (one of two John Hiatt songs, by the way, along with the ripping 'Confidence Man').

That's what keeps See the Light interesting, and it's what makes it an intriguing, promising debut. It made the top 100 Albums in Canada in 1989, and was nominated for an 'Album of the Year' Juno Award a year later.

A Single Woman is an album from 1993 by singer, pianist, and songwriter Nina Simone. It was her last album. In 1993, A Single Woman was placed 3th in the Top Jazz Albums.

Nina Simone returned with an autobiography and outstanding album highlighting her still impressive singing and interpretative skills in an intriguing context, surrounded by strings and guitars. While she's always been a great protest and political singer, Simone is also a superb romantic stylist. Songs like 'A Single Woman', 'Lonesome Cities', 'If I Should Lose You', and 'The More I See You' are included.

A Single Woman was never released on vinyl; therefore Music On Vinyl has the distinct pleasure to present this great Nina Simone record on wax. 7 bonus tracks are included.

Message From A Drum is the third album by the Native American/Mexican band Redbone, released in 1971. It was released in Europe under the name The Witch Queen Of New Orleans with the same track list but a different cover. Message From A Drum was placed 75th in the Billboard 200 in 1972.

There are very few groups in Rock music more unique in sound and appearance like Redbone. Message From A Drum is one of the best albums from their career.

The album is created in collaboration with Robert A. Bellamy, Tony Bellamy, Pete Depoe, Lolly Vegas, and Pat Vegas.

Double 10' is on red vinyl and numbered and limited to 1000 copies , the LP is available on clear vinyl and has different artwork from the CD and double 10' .

Mini Album Thingy Wingy are 7 brand new & exclusive tracks recorded by Anton Newcombe in is his studio in Berlin in 2014 & 2015. Running at over 34 minutes.,the mini album is co produced , engineered & mixed by Fabien Leseure . This release contains four self written songs by Anton Newcombe ,a co write of the band's first Slovakian song (Prší Prší) with Vladimir Nosal , another co write (Pish) with Tess Parks and a cover of the 13th Floor Elevator's track 'Dust' which features Alex Maas from the Black Angels on jug

Originally, Anton Newcombe was heavily influenced by The Rolling Stones' psychedelic phase, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music.

This album brings the traditional Brian Jonestown Massacre sound mixed with eastern influences & bringing it up to date with the benefit of all the additional weirdness that's been discovered in the past 40 years.

Mini Album Thingy Wingy are 7 brand new & exclusive tracks recorded by Anton Newcombe in is his studio in Berlin in 2014 & 2015. Running at over 34 minutes.,the mini album is co produced , engineered & mixed by Fabien Leseure . This release contains four self written songs by Anton Newcombe ,a co write of the band's first Slovakian song (Prší Prší) with Vladimir Nosal , another co write (Pish) with Tess Parks and a cover of the 13th Floor Elevator's track 'Dust' which features Alex Maas from the Black Angels on jug

Originally, Anton Newcombe was heavily influenced by The Rolling Stones' psychedelic phase, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music.

This album brings the traditional Brian Jonestown Massacre sound mixed with eastern influences & bringing it up to date with the benefit of all the additional weirdness that's been discovered in the past 40 years.

Warren Zevon is a Rock & Roll album recorded in 1975 and released in 1976 by the artist of the same name. The album features guest appearances of artists like Jackson Browne, Lindsey Buckingham and Stevie Nicks, Phil Everly, Don Henley and Glenn Frey, Bonnie Raitt and many more.

Warren Zevon was a ten-year music industry veteran who had written songs for The Turtles, backed up Phil Everly, done years of session work, and been befriended by Jackson Browne by the time he cut his self-titled album in 1976. Zevon sure didn't think (or write) like any of his pals in the Eagles or Fleetwood Mac; Zevon's music was full of blood, bile, and mean-spirited irony, and the glossy surfaces of Jackson Browne's production failed to disguise the bitter heart of the songs on Warren Zevon.

For all their darkness, Zevon's songs also possessed a steely intelligence, a winning wit, and an unusually sophisticated melodic sense, and he certainly made the most of the high-priced help who backed him on the album. This was the album that confirmed he was a major talent, and it remains a black-hearted Pop delight.

The musical score for the 7th installment of The Fast & The Furious franchise is composed by Brian Tyler, an American composer, arranger, producer, musician, and songwriter. Tyler has composed scores for film, television and video games, including scores for the third, fourth, and fifth episodes of The Fast & The Furious.

Brian Tyler is easily one of the busiest composers around today. Tyler won Composer of the Year at the 2013 Cue Awards and was nominated for a 2014 BAFTA Award. In 2010, Tyler was inducted into the music branch of the Academy of Motion Picture Arts and Sciences. As of May 2015 his films have grossed $9.5 billion worldwide.

When discussing the creation of the score, Tyler explained: 'The music uses modern recording techniques, vintage modular synthesizers, mashed-up beats, drums and tweaked remix elements along with classic film scoring traditions including full orchestra, piano, voice and classical guitar. I am so proud of the movie, and I dedicate the score to the memory of Paul Walker and all the joy he brought.'

The Big Chill is a 1983 American comedy-drama film directed by Lawrence Kasdan. It is about a close-knit gang of friends, including an actor (JoBeth Williams), a doctor (Glenn Close) and her husband (Kevin Kline), a Vietnam veteran (William Hurt), and a journalist (Tom Berenger) who reunite after 15 years when one of their friends, Alex, commits suicide. The friends spend the weekend confronting the personal truths, sacrifices and betrayals that have left them disenchanted. Each must contend with unresolved issues they have with Alex, and with one another.

The soundtrack by Motown features soul, R&B and pop-rock musicians from the 1960s and 70s, including Aretha Franklin, Marvin Gaye, The Temptations and Three Dog Night. It also includes the classic Procol Harum track 'A Whiter Shade Of Pale'.

Motown scored big with this album, which contains ten '60s hits, the sort of music loved by the yuppie thirty something characters in the movie and ready to be rediscovered by the audience that saw the film.

* First ever commercial release for this Holy Grail 1972 LP of brooding avant orchestral, abstract percussion and analogue synth genius
* Special guest appearances from "Gruppo Di Improvvisazione Nuova Consonanza" and Edda Dell'Orso
* Limited Edition 200 GRM Deluxe Replica LP with exclusive scholarly liner notes by Alvin Lucia, rarely seen photos and newly commissioned inner sleeve artwork
* Full dynamic range 2015 remaster direct from the first generation analogue master tapes

"Controfase is an unknown (and almost lost) masterpiece. A shadowed giant of compositional skill and deft application - a moment when all the stars and their cycles align - unique, harmonious, undeniably perfect. From Walter Branchi's skeletal web of processed VCS3 duetting with mournful violin, to Egoisto Macchi's demonstrative percussion jousting Edda Dell'Orso's breathless siren's call, Morricone and Nicolai have crafted a radiant, forbidden jewel." - Alvin Lucia

From director George Miller, originator of the post-apocalyptic genre and mastermind behind the legendary Mad Max franchise, comes Mad Max: Fury Road, a return to the world of the Road Warrior, Max Rockatansky. An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life.

The film’s epic score is written by Tom Holkenborg, aka Junkie XL, a Grammy nominated and multi-Platinum producer, musician, and composer. Junkie XL’s versatility puts him on the cutting edge of contemporary music, as well as in the vanguard of exciting new film composers. He is able to draw on his extensive knowledge of Classical forms and structures while keeping one finger planted firmly on the pulse of popular music. When this eclectic background is paired with his skill as a multi-instrumentalist (he plays keyboards, guitar, drums, violin, and bass) and mastery of studio technology, a portrait emerges of an artist for whom anything is possible.

Available as a exclusive limited edition of 666 individually numbered copies on flaming vinyl. This release is packed in a deluxe gatefold with leather look finish and it contains a 4-page booklet.

After celebrating their 40th anniversary with the cleverly titled 2013 live album Disconnected In New York City, the hard working, constantly touring band, Los Lobos - David Hidalgo, Louie Perez, Cesar Rosas, Conrad Lozano and Steve Berlin - leaps headfirst into their fifth decade with Gates of Gold, their first full length studio album since 2010's Tin Can Trust (a Grammy nominee for Best Americana Album).

The dynamic songwriting, deeply poetic lyrics, thoughtful romantic and spiritual themes and eclectic blend of styles on the 11 track collection has resulted in an American saga in the rich literary tradition of legendary authors John Steinbeck and William Faulkner.

The album is released over 30 years after Los Lobos' major label breakthrough How Will The Wolf Survive - their 1984 album that ranks #30 on Rolling Stones list of the 100 greatest albums of the 1980s. Three decades, two more Grammys, the global success of 'La Bamba' and thousands of rollicking performances across the globe later, Los Lobos is surviving quite well - and still jamming with the same raw intensity as they had when they began in that garage in 1973.