Techno Vinyl New Releases - News

Ibrahim Alfa Jnr has been making and releasing techno ever since he was just 17 years of age. At that time he had already been playing piano for over a decade and since then he has secured a master's degree in the sonic arts. He is a live act and DJ who has played across the world and now lands on the Swiss label Acquit Records. This new and translucent red 12" opens with the sonorous bells and drones of 'Red Lights' over crispy, metallic, broken techno drums. 'Eternity' is another brash bit of broken beat techno, 'Rattle' does just that and 'Metal Mikey' cuts loose on some spangled synths and tribal drumming. 'Commodities' is a low-key drum track that will make 'floors jack.

Initial Code presents his first EP, - Iteration Of A Dream - released on Brussels based label X/Y/Secret. All tracks are promising to be a thrilling exploration of groovy, loopy, and mental techno, featuring a remix by Raar. The remix pushes the original track into a deeper, more fast-paced universe, with an unique sound design and an abundance of energy. This EP is a true timeless tool that everyone should add to their collection.

“Depas strikes a fine balance between raw energy and subtle melodic hooks.” (DMY) “Throughout the pounding track Midnight Ride, the Italian beat smith expertly blends lush synths with intricate rhythmic components and gritty bass.” (EDM com)

“Depas' approach to techno is a veritable melting pot of influences, blending sounds from the 80s and 90s with contemporary symphonic and cinematic elements.” (Magnetic Mag)

Following his recent ‘Rave The Planet’ EP at the end of February, Milanese hard techno producer Maike Depas is back with a brand-new release on well-renowned label The Innovation Studio. His newest EP is named ‘The Age Of Chaos’ and features a five-track banger arsenal – including a special remix by Italo-American producer Matasism, which was also included in his recent BPtich Control mixtape.

“This EP is the result my own experience throughout an inner dystopic reality, where energy-ridden sounds and epics all collide into a very personal version of the hard techno legacy I’m devoted to.”

‘No Redemption’ is a proper big-room belter, with explosive drop divided by a big break and a statuesque vocal that feels like a claim: “Techno is my only drug”. Same goes for ‘Tesseract’ and it’s rave-like atmosphere and hypnotic hook. ‘Dystopia’ is pure groove and makes the listener dive into a distorted and futuristic metaverse, while ‘Cyber Attack’ and its remix include synthetic vocals tha aim to symbolize an artificial imposition: man against machine, fiction against reality.

‘The Age Of Chaos’ will be available from April 19th via The Innovation Studio.

Label Owned by N.O.B.A, an artist with a large number of tracks that have made it into Beatport's Top 100, but also the support of big names like Amelie Lens, Mark Sherry, Nusha, Frankyeffe, Klaudia Gawlas, Frank Biazzi, Charlotte De Witte, Mha Iri, Sebastian Groth, Steve Shaden, Yves Deruyter ... and many others....



N.O.B.A has chosen to collaborate with Diki Records, the legendary Belgian label that has sailed from New Beat to Techno with timeless tracks like the legendary 'Age of Love'.



The Atlantis ep takes us into 2 worlds that N.O.B.A himself admires, somewhere between melodic and hypnotic.

"Atlantis" is in the melodic spirit of the moment, with a touch of Trance and the most bewitching vocals.

"X Code", meanwhile, is pure Techno with a very hypnotic, dark feel.



These two different styles are supported by DJs such as Mha Iri, Nusha, Alex Di Stephano, Mark Sherry, Klaudia Gawlas, Frank Biazzi, Inigma, Dj Choon, Dimitri Cooman... and many more.

Originally released in 1994, Sound Metaphors' sub label project brings this back in its original vinyl format, carefully remastered, Freetekno at its best.

Jump starting a new sublabel non-profit project from Sound Metaphors dedicated to re-issuing Network 23/Spiral Tribe material from the 90's free party scene with this collection of 3 psychedelic excursions by R-Zac the collaborative name for 69dB and Crystal Distortion joining forces in the studio. Starting off with a percussive lo-fi tripped out excursion at 121BPM on the A-side. Flipping over and shifting gears to the 160BPM plateau with an atmospheric hihat tornado of flangers and tribal nuances throughout two more studies on the B-side.

A fun, fresh and ~ freaky ~ record that will NOT leave your record bag... Originally hailing from Japan but currently living Berlin, SJT is known far and wide for his Teknobuskers project, a hardware DIY dance party hosted with friends and held regularly in 'Max-Koch-Passage’, Berlin. The energy from these dance parties can be felt and lived through his latest ep, ‘GG Allien’. SJT’s skilful use of mind melting background tape textures and moody pads provide the encapsulating canvas for otherworldly acid lines, driving hardware percussion and enlightening melodies. An ep primed to transcend the listener to a place of communal acidic dance appreciation.

Rubisco opens up a new chapter with its first VA release. 'Molecules I' couples bass-heavy club tools with atmospheric late-night vibes and features some of the freshest talents around.

3rd release of the Fuori Orario imprint, a various artist featuring Saverio Celestri, Italomario and Digregorius. “Past Present and Future” showcases a modern crossover of Techno, New Beat and EBM.

Now its time for the new Bombsplit 03 on Bombtrap Records.

we´re very happy to share this Split ep which aims to blur the lines between EBM, Industrial, Electro and the harsher site of Techno.

2. Regular Edition Black 200 Pieces
Craftpack Black with glued Sticker


......the first Artist is Nojus aka BASK from Lithuana with two massive EBM Tracks.

....the second guy is the Italian producer Nghtly.....Techno, Acid and EBM kicks the floor

....and at last the Belgian guy Ethan Fawkes with his second release for Bombtrap with two Hyperspace Techno tracks......

This one has been in the works for quite some time. A statement compilation showing what Full Circle is about, paying homage to the very roots of psychedelic dance music. A little town in India, which was a haven to a bunch of hippie outcasts, was throwing freeform outdoor parties since the day those freaks put their flag down. What was once a gathering around live music blew up into a rave as electronic music started to appear, paving the way to what would eventually become Goa Trance.

Full Circle, the duo project of Alexis Le-Tan and Joakim, started 10 years ago when Alexis accidentally discovered that some of his old Goa Trance records he was about to sell sounded great when played at the wrong speed : 33rpm instead of 45rpm. He called his long-time friend and collaborator Joakim to work on edits of those tracks that became the sound signature of this DJ duo : a slow, heavy and trippy sound that would eventually infiltrate the fringes of the underground club scene via like-minded DJs such as Vladimir Ivkovic, Jane Fitz, Ivan Smagghe and many more.

10 years later and a bunch of releases and remixes behind them, Full Circle decided to tell the story of how this Goa sound came to life. At a time when Trance has made a major

comeback and infiltrated pretty much all the sub-genres of club music, it felt right to look back at where it all started - going full circle, when Trance was not Trance, Goa was not Goa but the seeds of tripped out dance music were being sown.

After all, there are countless compilations about Balearism, the Italian Cosmic scene,The Loft, The Paradise Garage etc but none about the roots of this Goa sound.

This is a compilation of the best tunes played by the pioneer Goa DJs like Laurent, Goa Gil, Mike Maguire amongst others, between the late 80s and early 90s. Proto House, New Beat, early Techno, Industrial, with a distinct psychedelic tone, a few arpeggios here and there, acid lines, chopped up vocals, all elements of what would later constitute a genre of its own.

This beautifully packaged compilation includes liner notes by Tom Colebrooke and excerpts from Tom and Alexis’ interview of Mike Maguire of Juno Reactor fame, one of the pioneers of Goa Trance.

Check the liner notes for more info about the early Goa history !

zake's latest album, Dolere, unfolds meticulously over 70 minutes and invites you deep into his signature blend of detailed, harmonic drone. Inspired by the suspended weight of unchangeable emotions, the first movement drifts on melancholy waves all enveloped in analogue hiss and tape samples that echo a wandering mind's ceaseless pondering. The title track shifts mood with darkly-tinged drones and subtle field recordings that progress deliberately like shadows in a forest. Both pieces offer refuge from life's relentless pace and resonate like sonic Rorschach Tests or meditative soundscapes. Positioned alongside ambient greats like Thomas Koner, this is another essential album in a long line of them from this ambient titan.

Prismatic dance music from practiced hands. The multi-talented author,historian, and composer Tara Rodgers returns to 1432 R with Dimensions, alucid trip into house and techno. Colorful lead lines wind around metalrhythms, shaking bass notes rub against lush pads. It’s a deeper look into Analog Tara’s brilliantly faceted sound, reflecting new light onto the dancefloor.

High Octane is a timeless, driving EP from the 313. While 'Detroit Electronics' is on the single tip, it's 'Interplay' that will appease the 4am dance crowd. 'Electroit' is a classic left-field B Side, but for some collectors, the gliding sounds of 'Electricity' will serve as the main attraction. Overall, Philthtrax dishes up another well-rounded EP, a welcomed addition to a small vinyl catalog that includes classics like Detroit's Filthiest 'Please Play Again,' and 'Counterfeit Culture.'

PLEASURE ZONE WELCOMES BOUTIQ.808 & TOM MARVIN TO THE LABEL FAMILY!
THIS VERY TALENTED DUO DELIVERS HERE A SWEET BREAKY & GROOVY DEBUT EP FOR US.
HIGHLY RECOMMENDED!
All tracks writtend and produced by Boutiq.808 & Tom Marvin
* w& p by Abraham, Boutiq.808 & Tom Marvin

"Great teamwork from Stilleben youth crew Br. Beta, Sir Kenneth & Dataintrang. Could write a novel about this record but all i can say, is let the music play. Electro Electro." Luke Eargoggle / Stilleben

Help019 is the first of two new 8-track albums by Central.

Nantes-based Tom Ferreira (Fasme) joins AF with his first and highly anticipated album titled 'Bloom'. Well known in underground circles for an impressive live PA, Tom delivery 9-tracks (recorded live) where he deploys his entire arsenal of analog synths. 'Bloom' immerses us in a 303-powered world, crunchy machine drums with big emotive melodies, rushing piano motifs and swirling chords. This album will make you understand why Bicep (Ninja Tune) put Fasme on the exit ramp two years ago. Design comes by Acid Hazel (Berlin). You already know what to do.

2LP edition including 2 innersleeves with extended liner notes. Genesis P-Orridge and The Hafler Trio: do these 2 legends still need any introduction? On 'Dream Less Suite', the first new album by The Hafler Trio since 2016, Andrew McKenzie unearths, resurrects and completed recordings he made through the years with Genesis P-Orridge.

Isaac Prieto is Mexico-born but Detroit based and that is presumably where he hooked up with the Motor City's assured house auteur Javonette. The pair take a trip through scuffed-up deep house brilliance here with the chattery claps and blurting bass of spaced-out opener 'One Take' before 'Brothers In Rhythm' is a more dance-y cut with pinging kicks and detuned synths stumbling about the mix to make for a brilliant sense of mechanical funk. 'High Energy' brings edgy chord stabs over busted beats and bass and 'Lost & Found' is more kinetic analogue madness with hurried techno hi-hats, spangled pads and punchy kicks all bringing an utterly fresh type of sound.

The title of Ital Tek's seventh album "Timeproof" reflects what Alan Myson has observed and learned whilst making the album. Firstly, how distorted the perception of time is in the creative headspace - being in the studio creates a timeless environment, one's mind starts wandering and the perception of time is altered. Secondly, the bizarre effect of the last few years of lockdown have somehow infected the title, temporarily contracting our collective notion of time. And thirdly, Alan has learnt how spending time away from the studio can be as effective as being there, giving one space to process. Appreciating the power of being out in nature, putting other things into perspective, refreshing one's ability to approach work with both patience and creativity. Overall "Timeproof" feels more introspective than Alan's last album "Outland". Perhaps because of the time in which it was created or this new relationship to the creative process. The sounds and textures of the record hint at brutality and menace whilst also pulsing and evolving softly with a more refined interior life. It's expansive and elegant, neatly balanced between light and dark, more mossy and dreamy than the extremes of "Outland".

When making the album, Alan spent about a year or so working quickly and intuitively, churning out ideas, sketches and sound experiments without any attempt to finish or perfect anything. "I let it settle until I was ready to return to this body of raw material with fresh ears some months later, sometimes barely remembering what or how I’d done much of it." Over the course of another year he dived into the details, rendering all of this rough material and sound into something with form. Alan also visited older material and ideas, trying out, reworking and sampling, building it into this new body. The finished album feels open, with a gentle intuition that feels as if it's guiding you through.

Seed it’s here! Growing inside of Soil Records.

Focused on different styles and tempos that we usually recognize at Soil which will be more focused now on mainly EBM, Darkwave and Industrial Sounds.

Seed will be irrigated with DIY screen print design to keep the textures alive.

Rebutia senilis is native to the high elevations of South
America, specifically the mountains of Bolivia and Argentina,
where it can be found hugging craggy rocks and growing in
small clusters. Named for its wispy senile strands of fine white
hair, Rebutia senilis produces extravagantly large and beautiful
flowers within two to three years of initial growth. A globular
cactus with fibrous roots, Rebutia senilis’ orange, crimson,
white, and yellow flowers bloom frequently during the Spring
season––for this reason it’s come to be known colloquially as
the “Fire-Crown Cactus”. Regarded as easy to grow and hardy
in the face of drought, Rebutia senilis is considered a robust
addition to any collection. Our botanists strive to source and
produce high-quality specimens to enrich your mind as well as
your ears. After many months in the field our team has
returned with a diverse selection of sonic seedlings. Following
a series of meticulous experiments in our research facility
each seedling has been deemed safe for general propagation
and cleared for release

2024 Repress

Vinyl Only

Originally released on Southampton label Adrenalin Records run by Stu J. Stu J was a big shaker in the south coast rave industry in the early 90’s and played at all the top clubs in the area including Sterns, Kevins House and Madisons. It was Madisons though that he had the biggest impact, leaving a long-lasting legacy to this day. It was at this venue that Stu J caned this 12” which would later become an anthem at raves up and down the country in 1991 and 1992.

KZ1 was from Eastleigh, just outside of Southampton and this was his only release, though he did remix 3rd Rail on Delirious Recordings the following year (repressed in 2019 Vinyl fanatiks – VFS008). At the same time, he was a writer for Blaze, Wax and Hit The Decks magazines as well as a reviewer of rave releases at Mixmag. On top of that, he was Fantazia’s official photographer during this era. But he then disappeared from the industry, leaving this handstamped white label release as his only legacy, until now.

Repressed on 180g heavyweight vinyl. Take a trip back to 1991 and the high energy that was the UK rave scene.

HEAR: The daemon invocations rupture space and time. Through this vortex of Satan comes the Labyrinthine. Limb and love stand no chance against the infernal and infinite hatred. Now on vinyl.

Mental progressions of a monochrome sound. Some reminiscence.

Hailing from downtown Los Angeles, Nuklear Prophet, aka Erik Villalpando, is heavily influenced by West Coast Hip Hop and Electro. Winning multiple DJ awards, including 3x World Records DJ Competition under his DJ Dope-E alias, Villalpando cites his inspiration as coming from some of the most influential Los Angeles DJs of his childhood, including Tony G, DJ Joe Cooley, Julio G, and DJ Aladdin.

With releases on Urban Connections, Abseits Recordings, Diffuse Reality and Bass Agenda Recordings as Nuklear Prophet, the LA-based DJ/producer readies his full-length album 'Prophecies 11:21' for Utrecht-based U-Trax. Formed of an eclectic and energetic collection of gems mined from his overwhelming archive, the album takes in genres such as Electro, Hip Hop, Footwork, Juke, and beyond.
Leading the release is the 808 luminary Egyptian Lover's remix of 'L.A. Rockz', featured on the recently released 'L.A. Rockz' EP, kicking off the LP with his trademark 808-infused sound. A nod to Detroit-flavoured Electro is presented via the dark and brooding tracks 'Nuklear Prophet' and 'Compton', with the lighter atmospherics of the genre covered on 'Solar Winds'. The pounding electro killer '808 Plague' sounds like it came straight from the sewers of The Hague.
'Everlastin' Bass', 'Back Up Off My Tip', and 'The Train Ride To Coconino' offer Footwork inspired bangers, with the latter previously featured on the Legowelt curated U-Trax compilation 'U R Here!' earlier this year.
Moving across a spectrum of tempos, styles, and moods across the album, exemplified on the sluggish trip-hop of 'The Mars Goblin', Nuklear Prophet expertly touches on a range of bass-driven genres, displaying his widespread influences and knack for hard-hitting production throughout.

a 01: L.A. Rockz (Egyptian Lover Remix) feat. Krazy Dee & Nasim

Abandon all expectations ye who enter here, Other Lands (previous, druid-like incantations on FIREC015 Mac-Talla Nan Creag) got you covered with a truly compelling assortment of jazz snaz and post-armaggedon cosmo-disco oddities; occupying the space between alien-revisited exotica, classic jacking house workouts and a BoC 'Chromakey Dreamcoat' kinda vibe, seemingly elusive at first but definitely familiar to the ears of uncool survivors like you and I. One thing's sure, Other Lands could throw a balearic party at one of Berghain's most secret leather-friendly backrooms that it wouldn't feel out of place. Never mind the weird, inverse sun-tan lines.

2023 kicks us off with release three from Amentec. Following on from MOY and BufoBufo, Ova Doce joins the label and brings in his joyous brand of uplifting rave, with a deeper edge. With previous releases on sister label Amen Brother as well as Vinyl Fanatiks, Ova Doce is an original hardcore producer and radio DJ from the early 90’s who returned to producing in 2019 after the success of his repress on Vinyl Fanatiks.

And he is fully motivated to bring those 90’s vibes and sounds to a new audience as well as the original party crew out there. Linking into the Amentec’s other sister label – Emotec (run by Damo B of Outta Limits radio show fame) we have two producers from that camp on the remix tip. DAWL, who is a legend in the electro/breakbeat world and has released on loads of labels including Tone Dropout, Planet 17 and Amen Brother. And the other remix is by Escape Earth, who is in fact two producers working together – BufoBufo who you already know and Corporeal Face, who records on Further Electronix.

An EP with a lot of pedigree and a lot of connections. Enjoy!

This is the big Five 0.

4 tracks on vinyl, and an extra 3 digital tracks for maximum aural pleasure.

Going through a wide range of styles, as I usually do. A piece of wax that you can play at the start, in the middle or at the peak of your DJ set.

Random coloured vinyl, each piece unique!

Thanks to Mathieu Berthet for your fantastic mastering work throughout the years.

Thanks to all the artists who have released music on the label since day one!

Emerged from the debris of Buenos Aires and Santiago de Chile, Tecnologías Elementales is a platform run by the DJs Diamin and F.A.N.G.O. Each release is conceived as a cognitive frequency towards the intervention of the global nervous system, with the ability to affect minds and bodies alike.

Tecnologías Elementales are ancestral and futuristic tools for inner and outer exploration: musical artifacts that seek to promote local knowledges and favor the perceptive mutations necessary to balance our lives in times of collapse.

Mutualism is defined as an interaction between species that is beneficial to both.

For this series we invite Qik from Argentina and Kamila Govorčin from Chile, as cases of different artists coming from different environments cooperating with each other.

Each side of the record is a world of its own, but its mere presence casts light on the other, reshaping our listening and allowing a stable equilibrium to be reached.

QNTM CTRL components include coloured vinyl, 40cmx30cm limited edition artwork from sci-fi concept artist Jake Lunt Davies (The Last Jedi, Rogue One) and hidden augmented reality sequence. NFT components to be announced.

Bónus, the new EP from prolific Detroit techno producer, Rebecca Goldberg includes 3 brand new acid tracks on the A side plus 3 remixes from mainstay Icelandic producers $leazy, Andartak and Thiz.One on the B side.

Goldberg released the A1 first single, Bleikur, a fast-paced 909/303 workout, over 3/03 weekend to coincide with her appearance on HÖR and debut DJ set at the world renowned Berlin techno club, Berghain. The single release was accompanied by a music video created by Georgian photographer Nina Nayko.

The A2 title track, Bónus, waxes squelchy and post-apocalyptic, while the A3 inside track, N.A.O., blends intricate layers of synths and drum patterns creating a dream-like experience. N.A.O. is an acronym for North Atlantic Ocean, Goldberg’s muse.

In addition to her original tracks, for the B side Rebecca enlisted the help of three producers from the North to provide their own unique takes on Bleikur (it means Pink in Icelandic).



Bónus EP is produced and arranged by Rebecca Goldberg.
Additional remix production by $leazy, Andartak and Thiz.One.
Mastered by Andy Toth.
Record pressed at Archer Record Pressing Co. in Detroit, MI.
2024 Detroit Underground